styofa doing anything

pixel skylines

Discoholic đŞŠ
occasionally subtle
$LAYYYTER
Alisa U Zemlji Chuda
sheepfilms
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
I'd rather be in outer space đ¸
cherry valley forever

Andulka
Today's Document
dirt enthusiast
Not today Justin
Sweet Seals For You, Always

@theartofmadeline
YOU ARE THE REASON
Claire Keane

Kiana Khansmith
art blog(derogatory)
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@quoiquecesoit

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it's hard to tell if I have a role with you
i made a meme for wednesday
getting show recs from people on tumblr
It has been over a year. I did not know what Bluey was before I made this post. I am not going to watch Bluey because of responses on this post. Also, I wanted to let all you guys know that Bob the Builder teaches us all lessons about construction equipment in a way no other show does, making it far more meaningful and important than what 99% of vapid adult programming has to offer. Can we fix it? âYes we can,â says Bob the Builder - an inspiring message and one far more meaningful for our times than any tragedy (ew) Shakespeare could ever write.
Bilbao

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dĂŠpanneur, rue charlevoix, pointe-saint-charles
Walter Valentini (1928-2022) â Stellar Occurrence [mixed media, wood panel, 1994]
From the series:Â âAfterhourâ
Photographs by Emily Kai Bock
âI love the way the playerâs body moves in Bloodborne: You can fly in any direction like that, like a nervous little bird. If you want to be close, you are instantly close, and if you want to be away, you are instantly away. What a gift. Of course everything is violent and wants to touch you, but if you are perfect, you will not be touched. There is a little secret here which perhaps you can notice: When the ugly monsterâs limbs reach out to touch the small humanâs body, there is about a tenth of a secondâmaybe lessâ where her body is invincible. It doesnât even matter if sheâs geometrically in harmâs way or not. She is safe because she timed it right, was perfect. See, even in this very hard game, there is something wonderful and fair: The game doesnât care about the way bodies actually intersect. If your timing was correct, it agrees: âYou were not touched.â Many games hide that tiny moment of invincibility within quick movement, and it feels so kind just knowing, no mater how bad you are, that if you could fit every moment of pain in that one tenth of a second you could be invincible for the rest of your life. Sometimes I wish I had this power in real life. If I had it would mean never having to say ânoâ in so many words, nor the confrontation that sometimes comes with saying no. But that perfect, flawless dodge is not sustainableâyou have to be devastated so many times to get the timing so flawless. And hereâs my bad secret: when I killed this one monster, I didnât do it by dodging flawlessly, but by mashing some awful weapon in her side while her limbs were flailing and she could not hit me back. Unfair and problematic of me, I know. So often, gamesâ expressive qualities are limited to the violent motion of virtual bodies, yet they can be extremely articulate within that vocabulary. As much as I want to be an untouchable angel of forgiveness and grace with a bottomless well of compassion for all living things, I keep messing up that dodge and I think itâs making me a bitch.â
â Aevee Bee, âI love my untouchable virtual bodyâ (via goodbyemisery)

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Pierre Soulages. Lithographie n° 36, 1974
Portrait of the Artist from Ages 16-21, Blair Simmons, 2022

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DĂźsseldorf Medienhafen
wien 2026