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Crisis/Suicide/Help Hotlines (US)
2024 Updated (send asks or dms for other hotlines to add to list)
Helpline Directory (Has options to filter by country and issue)
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Tips for Writing Injuries
â§ Broken ribs suck. You donât just âwalk it off.â Breathing hurts. Laughing hurts. Existing hurts. Characters with rib injuries wonât be doing heroic sprints.
â§ Concussions arenât instant naps. Dazed vision, nausea, dizziness, maybe even personality changes, but theyâre not going to collapse neatly like in the movies.
â§ Blood loss is sneaky. Itâs not just about dramatic pools of blood. Itâs dizziness, confusion, and the body getting cold as circulation tanks.
â§ Adrenaline lies. Someone can take a serious injury and not feel it until the fightâs over. That âI didnât realize I was bleeding until laterâ trope? Very real.
⧠Twisted ankles are brutal. One bad step and suddenly running is off the table. Even walking hurts like hell. Perfect way to ground a chase scene.
â§ Burns linger. Even small burns hurt more than most people expect. Blisters, infection risk, constant pain, itâs not just a cool scar later.
â§ Dislocated shoulders = useless arm. Characters canât keep swinging a sword or firing a gun. Theyâre basically fighting one-armed until itâs fixed.
⧠Shock is a thing. Pale skin, trembling, rapid heartbeat, and eventually disorientation. A character might not even realize how bad their wound is.
â§ Stitches arenât magic. Getting sewn up is painful and recovery takes time. Theyâre not instantly battle-ready after a needle and thread.
â§ Scars tell stories. Some fade, some donât. Some stay sensitive forever. Donât forget the aftermath when the wound becomes part of the character.
Emotionally repressed character confessions!!
â˝ "i donât know how to talk about this without making it a joke." â˝ "iâm not used to people⌠staying." â˝ "can we just pretend i didnât say that?" â˝ "i thought if i ignored it long enough it would stop hurting." â˝ "sometimes i rehearse being honest in my head and then never do it." â˝ "i literally have no idea how to ask for help without apologizing." â˝ "i didnât know it was okay to feel like this." â˝ "do you ever get tired of pretending you're okay?" â˝ "what if i'm just too much and not enough at the same time?" â˝ "i only know how to be fine or silent." â˝ "iâve never told anyone that before. please donât look at me like that." â˝ "i donât want to be alone, but being around people feels like too much too." â˝ "i donât even know what iâm feeling half the time." â˝ "iâm scared if i let it out, i wonât be able to put it back." â˝ "i didnât mean to make you worry. i just didnât think it mattered." â˝ "every time i try to be vulnerable, my body screams abort mission."
On writing sexual tension
⚠standing too close. like just barely not touching. why are their shoulders breathing on each other??
âš conversations that sound normal but feel like foreplay. âpass the saltâ has never been so loaded.
âš one of them says something flirty and the other freezes for 0.2 seconds like âoh.â
âš eyes dropping to lips and thenâback up. with effort.
âš holding eye contact just a little too long. like... are they gonna kiss or duel??
âš unintentional physical contact that lasts one second too long and now theyâre both broken
âš a hand on the small of the back. thatâs it. thatâs the tweet.
âš tension so thick that other characters start noticing like âhey are you two okay?â (they are not)
âš âaccidentalâ sleepovers. âoh no thereâs only one bed.â yeah. suuuure.
⚠biting back a smile. biting back a moan. biting anything really.
⚠one of them walks away and the other has to physically restrain themselves from watching the hips
âš lots of sighing. frustrated sighs. horny sighs. âi want to kiss you but Iâm emotionally unavailableâ sighs.
Responses to âwhy do you always push people away?â
â§ "because leaving first hurts less than waiting to be left."
â§ "because people donât stay. they never do."
â§ "because if you knew the real me, you wouldnât even be asking."
â§ "habit, i guess."
â§ "because Iâm scared youâll figure out Iâm not worth staying for."
⧠"do we really have to do the therapy talk right now?"
â§ "itâs just easier this way. less mess. fewer pieces to clean up."
â§ "i donât push people away. they just get tired of reaching."
â§ "because i like being in control of who leaves me."
â§ "i don't know. trauma? probably trauma."
â§ "because being close means being seen and iâd rather be invisible than disappointed."
â§ "some people are born to be held. i think i was born to be temporary."
⧠"oh. so you noticed that, huh?"
â§ "because i learned early on not to trust the good things."
â§ "what kind of answer are you looking for? the poetic kind or the ugly truth?"
â§ "i donât know how to let people care about me without feeling like i owe them something."
â§ "because itâs safer when no one knows where the soft spots are."
â§ "people leave either way. might as well speed it up."
â§ "because maybe if i push you away and you still come back⌠iâll finally believe you mean it."

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Angry Dialogues - Vol. 2
â§ âYou donât get to hurt me and then act confused when I donât trust you anymore.â
â§ âSay it. Say it out loud. Say exactly what you did so you can hear how f*cked up it sounds.â
â§ âStop acting like Iâm the villain for reacting to the sh*t you did.â
â§ âYou lied to my face, and youâre still looking at me like Iâm the one who owes you something.â
â§ âI begged you not to break me. And you did it anyway.â
â§ âYou keep saying you âdid your best.â Your best nearly destroyed me.â
â§ âI wouldâve forgiven you. You didnât even ask.â
â§ âEvery time I think of you, it feels like rot in my throat.â
â§ âYou want to talk? Fine. Letâs talk about how you abandoned me the second it got inconvenient.â
â§ âIâm not angry anymore. That would mean I still cared enough to be hurt. Now? Iâm just done.â
â§ âYou always show up when itâs too late and expect me to be the same person who waited."
â§ âYou donât get to miss me. You threw me away. You donât miss trash.â
â§ âI kept waiting for the version of you who said you loved me to show back up. He never did.â
â§ âYou broke my heart and then asked me to help you clean up the mess. Thatâs not love. Thatâs manipulation.â
â§ âI hope one day you feel exactly what I felt. And I hope no one comes to save you.â
Some Actually Useful Questions to Get to Know Your OC Part Two
âł What lie do they tell themselves to sleep at night? Seriously. Whatâs the little piece of denial that keeps them functioning? Do they pretend they donât care what people think? Tell themselves theyâre over that one person? Convinced theyâre not the villain of someone elseâs story? We all lie to ourselves; your OC is no exception.
âł Whatâs their emotional kryptonite? A specific thing that absolutely shatters them, like someone crying? Being ignored? Praise from a parent figure? The sound of an old song? The smell of something nostalgic? Find it and use it against them (lovingly, of course).
âł When do they feel the most alive? Is it mid-battle, mid-baking, mid-breakup? Does adrenaline light them up, or do they find joy in the quiet, mundane things, like folding laundry while listening to sad girl music? This can reveal a LOT about what drives them.
âł What would totally ruin their day? A bad haircut? Someone touching their stuff? Or is it something deeper, like being reminded of their failures, or seeing someone else succeed where they couldnât?
âł Who do they think they should be? And who are they really? This oneâs juicy. Do they think they should be a hero, but keep acting like a villain?
âł Whatâs the one thing theyâd never admit out loud, even under duress? The shameful thought. The inappropriate desire. The thing they desperately want but donât think they deserve. DONT FORGET: Characters are built on what they repress.
âł What are they petty about? Donât pretend your OC is above this, I mean everyoneâs petty about something. Do they hold grudges over stolen pens? Get irrationally jealous of someoneâs hair? Still mad about a game of Uno from 2007? Petty makes them fucking real.
âł How do they act when they think no oneâs watching? Do they let their mask slip? Dance around the kitchen? Talk to their cat in baby voice? Cry a little?
âł What would make them snap? Where is the breaking point? What line has to be crossed for them to finally say âEnoughâ? Is it injustice? Betrayal? Feeling powerless? Youâll know youâve found it when it scares you a little (Or a lot).
âł If they had a theme song, what would it be? No, seriously. The vibe of a characterâs soundtrack says a lot. Is it Angsty indie rock? Bubblegum pop masking deep pain? Make a playlist. Your OC will tell you who they are... <3
i was reading through your masterlist of prompts and i realised something i dont see often: enemies to friends with benefits. do you have any prompts for this?
The question is: are they becoming actual friends or is it more like enemies with benefits?
Enemies to Friends with Benefits
Text Prompts
One minute ago they were fighting for real, next minute they were wrestling on a nice and comfy bed.
They called it friends with benefits or fuck buddies, but they were definitely still neither friends nor buddies.
Once was an accident, but that accident just kept on happening.
They would have to end it eventually, but in the meantime they could have a little fun.
Meeting your enemy for a little tryst should feel wrong, but it surprised them how exciting and just right it felt.
They knew what would happen if people found out about this, but it was too tempting not to try it once and too good to stop afterwards.
Dialogue Prompts
"This does not mean I like you. I just like to have fun."
"Don't even think about falling asleep. I'm kicking you out as soon as we're done here."
"I need someone to scratch an itch, and I hate to admit it, but you're good at scratching."
"If you tell anyone about this, I will kill you."
"Just some stress relief."
"I will never ever admit to this."
"You're good at this... not a compliment, just a fact."
"I may not like you, but physically speaking, I do see the appeal."
Have fun!
- Jana
Ways to Show a Character Is Jealous
â§ acts overly supportive, like, too supportive itâs suspicious
â§ suddenly finds flaws in someone they used to like just fine
â§ laughs at jokes that arenât funny, then immediately regrets it
â§ drops compliments that are 80% praise, 20% passive aggression
â§ asks âinnocentâ questions that are secretly digging for dirt
â§ starts competing for attention in subtle, exhausting ways
â§ makes snide comments and pretends theyâre just kidding
â§ points out how âperfectâ someone is⌠through gritted teeth
â§ gets real quiet when the other person gets praised
â§ forgets how to act natural the second their rival enters the room
â§ shows up where they donât belong, âjust to helpâ
â§ makes weird comparisons that no one asked for
â§ tries to bond with their competition, then instantly regrets it
â§ notices everything and says it doesnât bother them
Soft prompts to make you YEARN
â brushing your thumb over their knuckles while you're both not saying a word, just existing quietly in the same space like it's the most sacred thing.
â them absentmindedly playing with the hem of your sleeve because they want to touch you but arenât ready to say it yet.
â âcan i kiss you?â whispered like theyâre afraid the moment might shatter if they speak too loud.
â their voice cracking just a little when they say your name for the first time in a long time.
â them resting their forehead against yours and just⌠staying there. No words. No movement. Just breath. Just nearness.
â sharing headphones and they keep looking at you during the best part of the song. you donât even know what the song means to them but suddenly it means everything to you.
â "stay the night?"Â said so soft it mightâve been a wish.
â dragging their fingers gently down your back like theyâre trying to memorize the map of your spine.
â tracing your features with their fingertip like you're a sculpture in a museum and they were not supposed to touch you, but god, they canât help it.
â âdonât leave yet.â not because youâre going somewhere. but because being with you is the safest theyâve felt all day.
â their voice in the dark. low. quiet. like the night is just for you two.
â "this reminded me of you" and itâs just a stupid rock or a weird leaf but you hold onto it like it's a diamond because it's you to them.
â laying in bed, face smushed into the pillow, sleep-drunk and murmuring, âyou make me feel like iâm home.â
â them looking at you like you're not just a person, but their favorite story. one theyâve been rereading since forever and still keep finding new parts to fall in love with.

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Things That Are Attractive to Read About a Woman Doing...
â Fixing her lipstick in the mirror without looking away from you, like she knows exactly where your eyes are and likes it.
â Running her fingers through her hair after something messy, like sheâs resetting herself, but somehow it makes you want to ruin her again.
â Laughing with her head thrown back, completely unbothered, like nothing in the world could touch her unless she lets it.
â Pulling her sleeves over her hands when sheâs cold, then slipping her fingers into yours without asking.
â Looking up at you from under her lashes like sheâs debating whether youâre worth her time... and you want to earn it.
â Sitting on a countertop, legs swinging, sipping something strong and looking at you like sheâs already decided how this night ends.
â Stretching with zero self-consciousness, back arched, shirt riding up, like she forgot you were watching, or didnât care.
â Standing way too close when sheâs arguing with you, eyes locked, voice low, like the fightâs just foreplay.
â Smudging mascara under her eyes after a long night, and somehow looking even hotter wrecked than she did going out.
â Catching you staring and not looking away, just raising a brow like yeah?
â Curling up in your hoodie and making it look criminally better than you ever did.
â Putting on jewelry in the mirror, slow and focused, like each ring and clasp is armor, and sheâs about to start a war.
â Dancing alone, headphones in, eyes closed, completely lost in her own world, and youâd sell your soul to be let in.
You can also TEXT "START" to 678-678 or go to their website! There are 700+ of you following me. You don't need to be from the US to reblog this. Reblog.
iâm usually a gimmick blog but this is serious. Always remember start to 678678 itâs saved even me a couple times. I love you all, please be safe
Phwoah dads, they also have a chat function on their website!
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RĂła mama, now's about time I return from my polar slumber to reblog this.
How to write hospital scenesÂ
From someone whoâs definitely been in too many and would very much like a refund...ă
âš Waiting rooms are emotional purgatory. Theyâre too bright, too quiet, and weirdly timeless. Fluorescent lights buzzing, TVs playing muted news no one watches, coffee that tastes like burnt stress. People arenât relaxing in there, theyâre just existing, awkwardly pretending their phones are interesting while dissociating at 40% battery.
âš Everyone talks in a whisper, but not because itâs respectful, no, it just feels wrong to speak normally. Like the walls might be listening, like if you talk too loud, something worse might happen, even the loud people get quiet in hospitals.
âš Overnight stays are hell. hospital chairs? medieval torture devices with upholstery. even if someoneâs trying to nap next to a patient, theyâre not sleeping. Theyâre half-listening to the symphony of beeping machines, nurse shoes squeaking, the occasional cough, and distant Code Something crackling over the intercom. itâs anxiety with a blanket.
âš The smell is unforgettable, like itâs not just antiseptic. itâs plastic and cafeteria meatloaf and sweat and fear and the smell of a place where people are very much not okay. the first time your character walks in, itâll hit them like a wall. later, they might not even notice, or maybe itâs the only thing they can smell for days after.
âš Talking to doctors is a weird performance. You're trying to be calm, theyâre trying to be calm. But no one is calm, your character wants to ask 47 questions and not sound desperate. The doctor explains things like theyâre narrating a science video, and when they leave, someone will immediately go âwait... we forgot to askâ every. single. time.
âš Monitors beep constantly. half the time, itâs nothing. A wire got loose, someone rolled over. But the second it is something, the vibe shifts fast. Nurses appear like ghosts, machines start going off, and everyone starts moving. And your character? they might freeze, or panic, or forget they have lungs. Go with whatever makes sense for them, but make it visceral.
⚠Time goes full funhouse mirror. Ten minutes waiting for test results feels like a year. A full hour stretches into eternity, meanwhile, three hours can pass without anyone realizing it. You can use this in your pacing, make it drag when the waiting is unbearable.
âš Hospital cafeteria food: Garbage. Itâs either offensively bland or stupidly overpriced. The grilled cheese is six dollars and tastes like regret, and someone will 100% cry into a cold sandwich at 3am, because grief doesnât care where you are.
âš People start fixating on tiny, random things. They canât control the big stuff, so their brain zeroes in on a sock slipping off, a crooked IV pole, the repetitive drip-drip-drip of medication. Let them obsess over something small, itâs how the brain copes with being completely powerless...
6 Quick Writing Exercises to Wake Up Your Imagination
We all hit those blah writing days. Your fingers are ready, your doc is open... and your brain goes static. Thatâs where writing exercises come in â small creative boosts to shake off the dust and get back into your story flow. Here are six to try when your words feel stuck in traffic.
1. The 5-Minute Word Sprint
Pick a random word (use a generator or close your eyes and point at a book), set a 5-minute timer, and write anything involving that word. No stopping, no deleting.
2. Dialogue Without Context
Write a short convo between two people. No descriptions. No setting. Just back-and-forth lines.
3. Rewrite a Scene in Another Genre
Take a scene from your current story and flip the genre. Drama becomes comedy. Fantasy becomes sci-fi. Romance becomes horror.
4. Describe a Place Using the Five Senses â No Sight Allowed
Canât mention what anything looks like. Only sound, touch, smell, taste, and intuition.
5. Character Swap POVs
Write a paragraph from the POV of a side character reacting to your main character. Bonus if the POV is brutally honest or completely wrong.
6. One Line Story Hooks
Write 3 one-sentence story starters that make you want to keep writing. (Example: âI woke up married to my enemy, and worse â he knew it before I did.â)
You donât need to write a masterpiece every day. But showing up â even for a silly exercise â keeps the creative part of your brain warmed up. Try one of these before your next writing session, and see where it takes you. đ
Zoom In, Donât Glaze Over: How to Describe Appearance Without Losing the Plot
Youâve met her before. The girl with âflowing ebony hair,â âemerald eyes,â and âlips like rose petals.â Or him, with âchiseled jawlines,â âstormy gray eyes,â and âshoulders like a Greek statue.â
We donât know them.
Weâve just met their tropes.
Describing physical appearance is one of the trickiest â and most overdone â parts of character writing. Itâs tempting to reach for shorthand: hair color, eye color, maybe a quick body scan. But if we want a reader to see someone â to feel the charge in the air when they enter a room â we need to stop writing mannequins and start writing people.
So letâs get granular. Hereâs how to write physical appearance in a way thatâs textured, meaningful, and deeply character-driven.
1. Hair: Itâs About Story, Texture, and Care
Hair says a lot â not just about genetics, but about choices. Does your character tame it? Let it run wild? Is it dyed, greying, braided, buzzed, or piled on top of her head in a hurry?
Good hair description considers:
Texture (fine, coiled, wiry, limp, soft)
Context (windblown, sweat-damp, scorched by bleach)
Emotion (does she twist it when nervous? Is he ashamed of losing it?)
Flat: âHer long brown hair framed her face.â
Better: âHer ponytail was too tight, the kind that whispered of control issues and caffeine-fueled 4 a.m. library shifts.â
You donât need to romanticise it. You need to make it feel real.
2. Eyes: Less Color, More Connection
We get it: her eyes are violet. Cool. But that doesnât tell us much.
Instead of focusing solely on eye color, think about:
What the eyes do (do they dart, linger, harden?)
What others feel under them (seen, judged, safe?)
The surrounding features (dark circles, crowâs feet, smudged mascara)
Flat: âHis piercing blue eyes locked on hers.â
Better: âHis gaze was the kind that looked through you â like it had already weighed your worth and moved on.â
Youâre not describing a passport photo. Youâre describing what it feels like to be seen by them.
3. Facial Features: Use Contrast and Texture
Faces are not symmetrical ovals with random features. Theyâre full of tension, softness, age, emotion, and life.
Things to look for:
Asymmetry and character (a crooked nose, a scar)
Expression patterns (smiling without the eyes, habitual frowns)
Evidence of lifestyle (laugh lines, sun spots, stress acne)
Flat: âShe had a delicate face.â
Better: âThere was something unfinished about her face â as if her cheekbones hadnât quite agreed on where to settle, and her mouth always seemed on the verge of disagreement.â
Let the face be a map of experience.
4. Bodies: Movement > Measurement
Forget dress sizes and six packs. Think about how bodies occupy space. How do they move? What are they hiding or showing? How do they wear their clothes â or how do the clothes wear them?
Ask:
What do others notice first? (a presence, a posture, a sound?)
How does their body express emotion? (do they go rigid, fold inwards, puff up?)
Flat: âHe was tall and muscular.â
Better: âHe had the kind of height that made ceilings nervous â but he moved like he was trying not to take up too much space.â
Describing someoneâs body isnât about cataloguing. Itâs about showing how they exist in the world.
5. Let Emotion Tint the Lens
Whoâs doing the describing? A lover? An enemy? A tired narrator? The emotional lens will shape whatâs noticed and how itâs described.
In love: The chipped tooth becomes charming.
In rivalry: The smirk becomes smug.
In mourning: The face becomes blurred with memory.
Same person. Different lens. Different description.
6. Specificity is Your Superpower
Generic description = generic character. One well-chosen detail creates intimacy. Let us feel the scratch of their scarf, the clink of her earrings, the smudge of ink on their fingertips.
Examples:
âHe had a habit of adjusting his collar when he lied â always clockwise, always twice.â
âHer nail polish was always chipped, but never accidentally.â
Make the reader feel like theyâre the only one close enough to notice.
Describing appearance isnât just about what your character looks like. Itâs about what their appearance says â about how they move through the world, how others see them, and how they see themselves.
Zoom in on the details that matter. Skip the clichĂŠs. Let each description carry weight, story, and emotion. Because youâre not building paper dolls. Youâre building people.

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Hereâs a quick and dirty tutorial on how I do my metal rendering
could you please do a tutorial on how you do your risograph style drawings? they look so cool đđ