Light
Translated from a @quaintobsessions photo
NASA

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Claire Keane
Today's Document
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祝日 / Permanent Vacation
Peter Solarz
TVSTRANGERTHINGS
we're not kids anymore.
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Andulka
almost home

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@quaintobsessions
Light
Translated from a @quaintobsessions photo

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the bridge once crossed
listening for what is most dear: blackbirds singing before dawn as if taking souls up into the sky with them – as if hearts are strongest just before the light returns. After the storm, the clamour of light taking your breath and turning it into spilling, liquid hope
Helen Frankenthaler - Glacial Blue, 1979, acrylic on canvas, 123.2 x 79.1 cm

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Rewilding
The sound of all the panes breaking inward this gleaming onyx surface tilting into view cold then colder
an eye in the distance the things you thought you could tell me to fear spent ashes and settled bones and nothing arriving
I have loved like that you don’t know shaken windows but I have loved like that
and when my heart began counting backward I walked away before my flare kept the wrong ones warm
again again you cannot glean how to be wildfire I have seen that flicker in your eye
where it belonged when the wolves settled here again I learned not to be nervous they do not hunger for me
you do not hunger for my bones you are just afraid of the dark and of my conflagration perhaps less than you should be
so keep running. The rain lives inside you anyway.
Sarah Siltala "Nocturne"
into the light
Painting by Juan Brufal
falling light

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Lighthouse
Tones like a call to arms or to worship,
a ghost ship's alarm, storm warnings under a gold and pink sky
in late, late summer everything gently bright
and right and buoyant with music
that knows nothing of never again.
An entire city filled with notes from a piano
cascading from a window on an upper floor
ringing out like bells that this is
not the first of many meetings
on common ground, filled with riches and findings,
fireheat and sigils, but in fact the last
of its kind. Oh captain. Would that the tower
still stood, the lightning unstruck, and you
still playing your heart out amid the rising wind.
harp-lute, varnished wood; overall: 90.5 x 37.5 cm; london c. 1700s.
Marilyn Monroe
whoever you are
There's a you I breathe in like the scent of meeting after long absence –
like sap rising into the furthest branches, into dormant nodes and the growth that stirs there –
liquid amber for safekeeping.
A you I sense like letting warmth find skin at the tail end of a long dark winter
closer, more open, as if you've missed this because of being held too still for a time.
This you I trace as if outlined in my membranes
not safe and yet nothing like pain or what could be betrayed
an enfolding yet not the kind that wants to possess for longer than a moment that holds within it
every bit of suffering and sliver-like, shivery joy it took to get here.
This gritty invocation rings deeper than my bones.
I accept that it won't let me forget how brief and brittle life is.
It makes me want to witness you right from my core, my palms, my spine, the soles of my feet –
feel of you what cannot be defined –
that which I will know even when all my words are gone.
did you ever see the path you lеft for me

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Moonlight, Church’s farm (Frederic Edwin Church, c. 1865)
Low Winter Sun, Linkshouse Window - Victoria Crowe , 2023.
Scottish , b. 1945 -
Oil on panel , 96 x 76 cm.