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-brainstorming pages for your book, obviously. every writer working on a book needs this.

-vocabulary. go on wattpad, or pinterest, or literally the internet and type writing vocabulary into the search bar. youll get some new words you can use in your book.

-writing challenges/prompts for yourself. pinterest will have these. you can make one for yourself, if you want (ex: write about a girl drowning). these are good practice for writing scenes in your book and in general pretty fun to write when you’re bored. try it out!

-any writing advice you like? stick it in your journal! this will help you when you’re stuck with writing character development or that battle scene that always seems to fall flat.

-OCs. Write little descriptions/analysises of your characters. youll learn to understand them a little better this way.

-cool metaphors! if youre reading a book and see a metaphor you really like/think is interesting/creative, write it down to use in your own book. take inspiration from other writers, people.

-book reviews. when youre finished reading a book, review it with a star rating system and commentary. not only will this allow you to reflect on what youve read and the messages behind it, this will allow you to once again, TAKE INSPIRATION FROM OTHER WRITERS.

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Basic story structure looks like this:

Setup/Exposition - we meet the protagonist in their every day life, possibly meet a few other important characters, and learn important basics about the setting. We also learn about the protagonist’s internal conflict.

Rising Action - The inciting incident turns the character’s life upside down, the character responds by forming a goal. The protagonist pursues this goal while the antagonist/antagonistic force throws obstacles into their path, which they must overcome. Sometimes they succeed, sometimes they fail and have to try again or find a way around it. This struggle builds the conflict and increases the tension as the story races toward the climax.

Climax - this is the “big showdown,” where the protagonist faces the antagonist/antagonistic force head-on, and usually (but not always) succeeds.

Falling Action - this is the aftermath of the big showdown, where the dust settles and all the final pieces come to rest. Most of the story’s loose ends will be tied up here if they weren’t tied up already.

Resolution/Denouement - this is where the story is wrapped up once and for all. We see the protagonist (and other characters) settled back in their old life or getting used to a new normal. If there is a moral to the story, it is revealed here. If the story is leading into a second book, a little bit of set-up for the new story will occur here.

•••••••••••••••••••••••••••••••••

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1. Pacing

A fight scene should be fast-paced and intense. Unless it's a final battle with numerous parties, a fight scene that's too long tends to take away suspense. To speed up your pacing, use active voice to describe movement and don't overdescribe your characters' thoughts. Excessive inner monologue will be unrealistic, as people usually have no room to think during intense combats.

2. Character mannerisms

Here's a point that people often overlook, but is actually super important. Through fight scenes, you should be able to reveal your characters' contrasting mannerisms and personality. A cunning character would play dirty - fighting less and making use of their opponent's weakness more. A violent character would aim to kill. A softer one would only target to disarm their enemies, using weakened attacks. A short-minded character would only rely on force and attack without thinking. This will help readers understand your characters more and decide who to root for.

3. Making use of surroundings

Not only the characters, you also need to consider the setting of your fight scene and use it to your advantage. Is it suitable for fighting, or are there dangerous slopes that make it risky? Are there scattered items that can help your characters fight (e.g. nails, shards of glass, ropes, wooden boards, or cutlery)? Is it a public place where people can easily spot the fight and call the authorities, or is it a private spot where they can fight to the death?

4. Description

The main things that you need to describe in a fight scene are :

• Characters involved in the fight

• How they initiate and dodge attacks

• Fighting styles and any weapons used

• The injuries caused

Be careful to not drag out the description for too long, because it slows down the pace.

5. Raise the stakes

By raising the stakes of the fight, your readers will be more invested in it. Just when they think it's over, introduce another worse conflict that will keep the scene going. Think of your characters' goals and motivations as well. Maybe if the MC didn't win, the world would end! Or maybe, one person in the fight is going all-out, while the other is going easy because they used to be close :"D

6. Injuries

Fights are bound to be dirty and resulting in injuries, so don't let your character walk away unscathed - show the effect of their injuries. For example, someone who had been punched in the jaw has a good chance of passing out, and someone who had been stabbed won't just remove the knife and walk away without any problem. To portray realistic injuries, research well.

7. Drive the plot forward

You don't write fight scenes only to make your characters look cool - every fight needs to have a purpose and drive the plot forward. Maybe they have to fight to improve their fighting skills or escape from somewhere alive. Maybe they need to defeat the enemy in order to obtain an object or retrieve someone who had been kidnapped. The point is, every single fight scene should bring the characters one step closer (or further :D) to the climax.

8. Words to use

• Hand to hand combat :

Crush, smash, lunge, beat, punch, leap, slap, scratch, batter, pummel, whack, slam, dodge, clobber, box, shove, bruise, knock, flick, push, choke, charge, impact

• With weapon :

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sounds like someone needs to go in the water

so like, i am very used to girls standing next to me in public places. i end up acquiring a pack of ladies. just because women are like, that lady is a lady men stay away from. i am jerk kryptonite (usually, i get my fair share of creeps, such is life) but most men have self preservation that this 6′1 ox will break them. and i will

so usually i am in my own phone and look up to another lady standing next to me. and i will immediately look up and make eye contact and nod. like, you know, that nod. i see you and you can talk if there is something wrong. i end up on a reg basis being a defacto bodyguard to these young ladies and small women while waiting for buses and in the metro. 

i am a large oak tree. i protect the other birds. 

ladies, we all got roles. find tree in the wild. we’re always happy to provide shelter from the creeps.

2021 IS THE YEAR OF THE OX. 

THE METAL OX

Y’ALL WE BE LIVIN’ THAT NOBLE TREE OX LIFE IN THE MOST METAL WAY