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Today's Document
EXPECTATIONS
Misplaced Lens Cap
Not today Justin
let's talk about Bridgerton tea, my ask is open
2025 on Tumblr: Trends That Defined the Year
Show & Tell
we're not kids anymore.
he wasn't even looking at me and he found me
Jules of Nature
The Stonewall Inn

titsay

roma★

Love Begins
Game of Thrones Daily

Origami Around
d e v o n

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@pussyhat

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Green + yellow + orange is a highly underrated colour combo
Look at her don't you love her
✧ sturgeon ✧
sneak peak of a new sculpture coming to my shop! this is the underglaze painting before the clear glaze is applied.
yes teenage girls can be dramatic and wild but honestly have u ever even seen what happens when u tell a grown man ‘no’
joe biden should do another stimulus check where the ira sends me a lox bagel. with cream cheese please
irs.

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Today, may we all have moments as relaxed as the “Greek Kitty’s”; (2021) by UK painter, Timothy Adam Matthews
The thing about the Karen Read trial is that when I first heard about it I was like “I hope they acquit her because I think women should be allowed to back over their cop boyfriends.” and then I dug into it and realized she genuinely was framed and she was framed by complete dumbasses and if she wasn’t a middle class, college educated, home-owning white woman, they would have gotten away with it and they’ve probably done this to people who could not afford to defend themselves. Then I learned about Sandra Birchmore and the other acts of heinous misconduct and violence committed by the Canton PD and I almost wished it was just a woman killing her fundamentally unlikable cop boyfriend and not open season on girls and women in Canton, Massachusetts. God, what a scary place to live and what a sickening rabbithole to go down.
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
Cudjo Lewis, the last surviving captive of the last slave ship to bring Africans to the U.S.
https://www.history.com/news/zora-neale-hurston-barracoon-slave-clotilda-survivor?utm_campaign=Echobox&utm_medium=Social&utm_source=Twitter#link_time=1525373347
It’s so significant too that this narrative was collected by Zora Neale Hurston, one of the greatest authors and anthropologists of her time. She was shunned by the “gatekeepers” of both of these professions, largely because of her Blackness, her womanhood, and her uncompromising commitment to honoring and showcasing both in her works. She died penniless and alone in a state-run institution in 1960. All of her works had gone out of publication by then. It took more than a decade before she was rediscovered. A young author by the name of Alice Walker had come across her work and was deeply inspired by it. “In 1973, after an exhaustive search, Walker came across Hurston’s unmarked grave in Ft. Pierce, Fla. She purchased a headstone for Hurston’s tomb and had it inscribed “A Genius of the South.“”
It is through Zora Neale Hurston’s pioneering sacrifice, and the acceptance of that inheritance by Alice Walker that we have found this missing piece of our history. Without the courageous and unfailing work of Black women, we wouldn’t have Cudjo Lewis’s story. We are slowly regaining a narrative that’s been hidden from us, one that continues to be lied about. Trust Black women to lead the way.

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reading a paper written by an expert in your field that you personally respect deeply and disagreeing with something they say fundamentally and with zeal is so funny. like well you may be an expert whose writings have been foundational the my very field of study and i may just be some guy struggling to write his master's thesis but you're wrong and i'm right. ☝️ about this.
cannon beach, OR | Pentax mx | SMC 50mm | fuji400
just saw pictures from mike flanagan carrie
okay serious fucking question, must he de-fang every female character he touches?
mike, it's actually more interesting for audiences that margaret is an abusive religious fundie (and also a victim of marital rape) who tries to literally beat the idea of sin into her daughter, it is actually TIMELY to adapt that correctly at this particular american moment. WHY is he so scared of every piece of source material that has ever been handed to him? i MUST know
you're laughing, mike flanagan wants to do gilmore girls with telekinetic rage and you're laughing
what if carrie was about a young witch searching for a missing cat in the alps
Battle-ready armored hot dog at the Michigan Renaissance Festival.
Definitely will be painting more grapes. I was intimidated for years but ended up really enjoying it!
P.S. I just listed prints of the aperitif painting

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That has to be the most humiliating way to describe one of Earth's most terrifyingly effective predators.
Picture of her from the USA Today
I would let her kill me for sport