ᰔel

Perverts is officially out. Thank you so much to Matthew Tomasi for his drums on Vacillator (and the boom on Amber Waves), Angel Diaz for the lapsteel and baritone guitar on Punish that makes my world go round, the upright bass on Onanist, and that lapsteel and e-piano also on Amber Waves, Madeline Johnson for her heavenly metal on Amber Waves (a track she served as an intense inspiration for), and Bryan De Leon for his acoustic stylings on Etienne. Y’all make my world go round.

I’d also like to think the natural drone music that exists everywhere in this world, in transformer boxes and powerlines on the side of the highway, in the radio static of an empty AM frequency, in the fan of my computer as my Ableton project files overloaded the CPU, and in the distant roar of the interstate on the other side of my favorite field. I love you, sound, you have always been there for me.

̑͡♫ུ᳝᳜᳝ How　 Long　 Before　 we 　 Fall 　 in　 Love?

͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏( ✿ ) ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ᭄᭡ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ 00:00

Knee deep in the passenger seat and you’re eating me out Is it casual now?