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Number seven looks at circuit bending, the art of taking a toy/instrument and modifying its circuit to produce new and innovative sounds. In this video I take a Bontempi sing along keyboard and demonstrate some of the sounds it makes, together with adding it to a chain of effects pedals to enhance the output.
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In our video #1 we unboxed and discussed the Fort Processor, a DIY PCB that was designed and manuafctured by Isn't ses, an interesting electronic duo that ju...
Do you remember the old Leslie amplifiers? Giant cabinets with rotating baffles inside? That sound of the Hammond organ was the impetus to try producing a budget version based on a reminder we saw on Instagram by @joescarfe. Here we try various protable sound making devices on two turnables, and capture the sounds with microphones. Leslie footage from www.archive.org/details/Leslie2101Demo and used with CC. JoeScarfe footage used with permission.
So, you've recorded your track, maybe added the lead singers main vocal - what next? Add layers of expensive effects to create interest and variety in the recording? Spend a tonne of cash on VST's, effects, outboard gear to do so? How about a real budget aproach? Four ideas for producers on a budget to make vocals (but not exclusively) stand out and add charcater to your recordings. I enlisted the help of Matt and Matt (MC and MT) from Battery Hens  https://batteryhens.bandcamp.com as they embark on a new band currently unamed and unfinished in terms of production. This documents the overdubs we did with the techniques shown in the video. Thanks to MC for allowing us to film his vocal takes, and MT for grabbing the camera to film as I pushed buttons and twisted knobs.
Resonant Case - Free Sample Pack: Strange springs, gentle plucks and effected oddities.
Last week we debuted the build and sounds of The Resonance Case. Here is a selection of sounds recorded using the case with both its onboard effects and a selection of additional external effects. Follow the link for various recordings of the Resonant Case, a Prrk Industries build of various metal objects bolted to a metal case and amplified through piezo transducers and a bastardised Behringer Multi Effects pedal. Details of full build can be found here: https://youtu.be/OlLrpaewb90
Please feel free to use the samples as you see fit, please do get in touch if they make it into any of your own work, as we are really interested to see what you can do with the stems.
If you really like them, feel free to donate to the prrk cause.
Find them here: https://prrk-industries.bandcamp.com/âŚ/prrk-industries-resoâŚ
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#3 - The Resonant Case
A friend of mine recently donated a Behringer Digital Multi-Fx pedal (FX600), and claimed it was terrible, and quite possibly it is. I wanted to see if there was a chance of deconstructing it, modifying the inputs and adding to the (already present) stereo outputs. I added piezo transducers as sensors, or pickups, and a range of odd resonant metals to a metallic case to see what sounds it might make. This was a nod to the Spring Thing we made a few years back in a similar fashion, namely resonant metal vs piezo transducers. Spring Thing: https://www.facebook.com/prrrrk/video... A sample pack could be available if requested, simply comment below if that is of interest to you. The Resonant Case will probably evolve further as there is lots of room to expand on the top, but I'm on the lookout for decent metal items to add. Video features: Aeroplane Attack https://www.facebook.com/aeroplaneatt... Music from: Highlights Of Our Modern World "The Snicket Where We Stood" Taken from: Home Thoughts https://highlightsofourmodernworld.ba... Prrk Industies: Email: [email protected] Web: http://twentysevenpercentre.wixsite.c... FB: https://www.facebook.com/prrrrk/ Twitter: @prrkindustries IG: prrkindustries Tumblr: https://www.tumblr.com/blog/prrkindus...
Soma Laboratory have designed and released a lovely, boutique sound hunting device that listens in to the sound of localised radio waves, interference, and electro magnetic emissions. There is a video they produced about it here, worth viewing: Soma â Ether: https://www.youtube.com/watch?v=BdiGn... The Ether is in their words, âETHER is a wide-band pocket receiver that turns the electromagnetic landscape around you into a live soundscape that you control and manipulate by walking around and moving ETHER with your hand. More info and how to buy: https://somasynths.com/ether/â Having been placed on a waiting list for my own Ether, I remembered a simple circuit that Make published, showing how to use inductors to âlistenâ for sounds that are generated by everyday electronic products. Having put the build off for three years, I went and made it. Make â Elektrosluch https://makezine.com/projects/weekend... This video details the findings of the Elektroslutch build, making it, testing it and comparing it to the potential of the Ether⌠Having seen the not so great results of the initial tests with the Elektroslutch, this suggests the Ether might hold some promise (Note: Middle of nowhere â Where do those sounds come from?!?!): http://www.youtube.com/watch?v=BdiGn0...
Back at the start of the year I was approached by The Front Room to be involved in a project to score and manipulate sound for a live performance entitled 'Octopuses and Other Sea Creatures'; inspired by the writing of H.P. Lovecraft. I was taken by the venue planned for the event, namely The Square Tower built in 1494, steeped in Portsmouth history. The concept was to work across many creative disciplines, with a narrative by Lovecraftâs âThe Call of Cthulhuâ threading through the evening.
Having met with key organisers to devise a plan for the evening, I went about planning and writing audio for the performance. This had to take into account the diverse nature of the other performers and the feel of the evening/venue. Key components were the inclusion of Janet Ayres and The Southsea Community Choir who set the tone for the evening with haunting, beautiful and unsettling vocal choruses that ushered the audience around the tower in Part 1 â The Horror in Clay. In addition, poets Becci Louise and Faye Smith provided me with a narrative to write my sound pieces around. This proved the best and biggest challenge, to compliment, add and develop their published works. Working with Becci was Helena Eflerova as lead choreographer and practitioner of movement for a specific Becci Louise piece called âWakeâ. Here was where the fun in developing the piece began. Helena send through a cue sheet with a wide range of sounds she had imagined in response to Becciâs piece. She highlighted where she felt they would work with each line in the poem, and what she would choreograph. Initially taken aback by the scale of the piece, I began to search for field recordings, archives of sound online and a range of other sounds that could act as a starting point. After an evening or two sat in front of the studio computer, staring at Reaper, I had a piece made from 40+ separate threads of sound that wove together to create an 8 minute + piece. This interlaced with Becciâs vocal which I duly sliced into tiny fragments and re assembled into a longer narrative to create space for the new sounds, and time for the choreography.
I created other pieces to sit under the narrative for both Becci and Faye, and these can be heard in the performances. I played a range of self-built contraptions, including the Music Box Mechanisms device among others.
The night was another opportunity to work with Dr Lighthouse (Roy), whose live projections along with effects from The New Theatre Royal created a visually stunning stage. Finally, and hopefully before you listen to the recordings (note the natural reverb in the Square Tower, and difficulty recording the narrative!), please have a taster of the event by looking at a 360â° film made by my mate Jinx Prowse â the word immersive gets banded around a lot, but this really is:
https://www.facebook.com/frontroomwordsandmusic/videos/395885317656412/
Thanks to all involved, actors, poets, organisers, script writers and the venue, it was a decent project to dig into and the evening was great to be a part of.
Here are my final recordings: https://prrk-industries.bandcamp.com/album/octopuses-and-other-sea-creatures
Rusty Sheriff 17/03/19
Prrk Industies:
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Isnâtses - Fort Processor
What is the best type of band merch? Isn'tses have developed the Fort Processor, a DIY, hands on, oscillator based on a Sussex festival. What's more, they'll help you build it. Find out more in Part 1, our first #prrkindustries video:
https://www.youtube.com/watch?v=zCUV1crbthg
This was designed to celebrate Fort Process festival 2018 in Newhaven Fort. Part one looks at the PCB, the build day offered by the band in Brighton and parts required to build. Part two will look at assembly and testing.
Features/Sounds: https://www.youtube.com/watch?v=wkvFA...
Buy one: https://isntses.bandcamp.com/merch/fo...
The event in Brighton 23/3/19: https://www.thonk.co.uk/shop/isntses-...
Prrk Industies:
Email: [email protected]
Web: http://twentysevenpercentre.wixsite.c...
FB: https://www.facebook.com/prrrrk/
Twitter: @prrkindustries
IG: prrkindustries