enchanter/mixed media/Mitchell Pluto

Andulka
Three Goblin Art
Xuebing Du
i don't do bad sauce passes

tannertan36
AnasAbdin

@theartofmadeline

Love Begins

Janaina Medeiros
Mike Driver
Lint Roller? I Barely Know Her
he wasn't even looking at me and he found me
d e v o n

Discoholic 🪩
Show & Tell

JVL
Keni
I'd rather be in outer space 🛸
TVSTRANGERTHINGS
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@primitivesurrealist
enchanter/mixed media/Mitchell Pluto

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LEONORA CARRINGTON
the Lost Ship. Mitchell Pluto 2015 oil
https://www.etsy.com/shop/TotemTransit
reino de la bruja
Mitchell Poor
Oil 20in x 20in
2014
Visual art is a form of astral projection. Echolocation occurs while an artist is painting. Signals are sent out into the unconsciousness and bounce back. The artist can navigate and tune into invisible frequencies. The hand captures a wave by ideomotor response and brings out a pattern-
Mitchell Poor

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Antidote #1
from a series of Mind Medicine Drawings by Theo Ellsworth for Gridlords
I’ve been working on this series of drawings late at night before bed as a kind of personal practice. They’re drawn directly in pen with no pre-planning, and they’re each drawn in a single sitting. Working on them has been helping me in a lot of ways I can’t quite explain yet. I decided to start serializing them over on the Gridlords tumblr because I absolutely love what they’re up to. Look for a new one there every Tuesday!
Romare Bearden. Sunset Limited. 1974.
Primitive Surrealist, Mitchell Poor enjoys painting, nature and living in the mountains.
Robert Crumb
Noviadi Angkasapura

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ANIMUS ©2013 Tracy Stokes (sold) acrylic, pastel & pencil on 300gsm Canson paper 28 x 38 cm
http://marthashade.blogspot.com/
Mixed media by Annie Coe, new in my ETSY shop
https://www.etsy.com/shop/TaosMountainStudio
Stone art. A mantle? Yes, but look closer! What I love most: the stone.
I wish I knew who made this. I only know that I found it on the FB of GrowFoodNotLawns.
If you are in any way acquainted with the collections of noted Malian fashion designer, the late Chris Seydou, or pay attention to depictions of Africans and Afrocentric characters in American popular culture, then these unique designs and textiles, known more commonly as ‘mud cloth’, are probably an iconic aesthetic that you are familiar with.
Originating amongst the Bambara people of Mali whose name for this style of textile-making is Bògòlanfini, these handmade mud-dyed cotton fabrics have become a symbol of Malian cultural identity that is used in dressing, design and art. The process involved with the making of bògòlanfini textiles is an organic eco-friendly activity that uses all natural substances.
Traditionally the textile is made using narrow strips of cotton cloth woven on looms in the villages producing ca 15 cm wide cloth, which is then sewn together by hand to produce a fabric wide enough to make into clothing etc. This base fabric on which the designs will be painted is first dyed either a rich red from a dye obtained through boiling the bark of a special tree, or in fresh yellow tones obtained through soaking the dried and pounded leaves of another tree.
Once the fabric is dyed it is ready to receive the mud, often applied with the help of a toothbrush and painted free hand or using stencils. The mud comes from the river Niger, and through a fascinating process of oxidisation it reacts with the natural dyes , producing a rich black when it has dried and been washed off the fabric. This process is also traditionally done on the banks of the river Niger or its tributary the Bani where the fabric is spread out to dry in the sun.
- See more at: http://www.malimali.org/what-is-bogolan/#sthash.pdBQtgFS.dpuf
(sources 1; 2)
October: Highlighting African Art & African Artists

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Today we celebrate the birthday of artist Faith Ringgold, who often honored the contributions of African American women and their traditions in her work. This sunny picture includes images of Sojourner Truth, Harriet Tubman, and Rosa Parks, among others. She also added a surprising artist to the far right. Can you guess who? “The Sunflower Quilting Bee at Arles,” 1996
Attached is another section of my piece in the upcoming October 11th (2nd Friday) Gallery show at the ZACC! I hope to run into you there. We can talk about how 1/3 of the people that signed the constitution were free masons.