this is going around twitter rn but im also super curious: please tell me your top four comfort movies that you’re always down to watch bc my friend thinks mine are ridiculous and now we’ve realised everyone’s version of “comfort” is hilariously different
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Tonight’s album I want to talk about is “The Misfits Box Set” by Misfits. This albums looks like a monster of an LP to tackle but in reality it’s only a handful of songs repeated. The trick is, if a track is repeated, it won’t sound like its first appearance on the LP. This is because it was either recorded live or in a different studio. I love the C.I Recordings of ‘79 because of how refined the bands music sounds and the song selection is great with bangers like Hollywood Babylon and Last Caress. The same could be said for the Fox Studio sessions of ‘83 and Master Sound Productions sessions of ‘80, Fox Studio sessions giving even more bangers like Mommy Can I Go Out And Kill Tonight? and Die, Die My Darling to listeners. As for the Master Sound sessions, it almost feels like the Misfits we’re trying to soundtrack something with their song selection; Skulls and Ghouls Night Out sticking out to me the most. There’s more in the LP like the Mix-O-Lydian sessions of ‘80 and the live performances in New York and San Francisco but those personally turned me off because of how Lo-Fi they sounded compared to the rest of the compilation. Either way I definitely recommend this album to anyone getting into punk rock, it’s like a bag of mixed candy that is sure to have something you enjoy.
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if tchaikovskys sister never died his music wouldnt have been this emotional and expressive he redrafted the nutcracker after she passed and he poured his heart the pas de deux makes me cry everytime its such a beautiful piece one of my favorites
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At first Lorina (played by Barbie) thinks her little sister Alice (played by Kelly) is just being imaginative when she says her animal friends in 'Wonderland' are in trouble. But when Alice disappears, and a frantic talking rabbit comes to beg Lorina's help, she learns that Wonderland and its magical inhabitants are all too real. Down the rabbit hole she goes, into a confusing land ruled by the feared Queen of Hearts, where time is running out to save her sister--and the rest of Wonderland.
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What will it take for mattel to start making barbie movies like they used to. Not that the new ones are bad, but i dont want a modern fairy tale, i want pretty dresses and cottage core lesbians. Is that too much to ask?
i read somewhere that kelly sheridan said that the reason she was replaced as barbie was because mattel wanted to move away from the fairytales and find a voice actress to suit a new, more fashion oriented, modern approach to barbie - and nothing has hurt me more.
lately ive been listening to this song a lot more than usual. this song was always my favorite on c3l3stial, i think ive listened to it more times than any other song from bliss. it can be hard on the ears, especially cause of how jarring the transition from the first 4 songs into carousel ii is. but theres something absolutely indescribable about this song. its hauntingly beautiful in a way that captures the feeling of this album perfectly. its like hearing glass break, a noise which can be unnerving, or startling for many, but some can find beauty in the sound of glass shattering. carousel ii doesnt sound like glass breaking, but it does give me the same feeling that hearing glass breaking does. for me, theres no real way to quantify carousel ii, theres no comparison that i could make that would properly do this song justice. the deeply hollow, angelic, dreadful and yet serene feeling of this song is not something that could have been made by any other artist. i have never been able to find a comparison that fits this song, but theres a couple that kind of come close:
the feeling of drowning, slowly feeling the air leave your lungs and be replaced with water, knowing that any moment could be your last, feeling terrified that you will die, uncertain about what will happen afterwards, but strangely contented.
sitting back and watching something terrible happen, knowing that you have no control of it and thus having to be okay with whatever happens, and finding some sort of peace in that.
being in a truly empty, decrepit space, with complete darkness around you, then when the lights turn on, they turn on all at once, bright artificial flourescent lights that havent been turned on in decades litter the room, the sight of them is the visual equivalent of breathing in a dusty and moldy room, one thats been left to become rotten and forgotten. the room stretches for miles without anything inside it besides the lights, and the hum of the lights becomes unlistenable.
i have so much to say about this song, yet it feels like i havent really said anything at all, because music like this gives me a feeling that i cant describe, one that doesnt have a name. especially when listening to the sample can you understand just how much bliss did to make carousel ii, the 2 songs sound less like one and the same, and more like siblings, because its easy to tell that they share dna, but they sound almost nothing alike. bliss took this beautiful, slow, early 80′s japanese pop song and turned it into an indescribable, unlabelable, amalgamation of both fear, and blissful contentedness.