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@prawnstarpoems

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Writer Claudia Rankine says every conversation about race doesnât need to be about racism â but she says we all need to find a way to talk about it.
Haymarket Books is an independent, radical, non-profit publisher.
It is bright yellow, can creep along at a speed of up to 4 centimeters (1.6 inches) per hour, can solve problems even though it doesn't have a brain and can heal itself if it is cut in two.

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Humpback whales pick up songs from one another along their migratory routes, which means we can tell which places theyâve visited just by listening to them
Jackson Mac Low on Public Access Poetry, Jan. 26, 1978. For more information, go to: http://writing.upenn.edu/pennsound/x/PAP.php Find more videos and record...
Die kritische Dokumentation von Dieter Wieland gibt Ratschläge fßr den Bau von schlichten ruhigen Holzzäunen statt aufdringlichen Zäunen aus Beton und Draht;...
Probably not. No one's ever heard a squid make any kind of noise, really, other than "splash" at the sea surface.But if you read io9's fantastic piece on the deep sea's mysterious sounds, you'll learn about The Bloop, an unexplained deep-sea noise from 1997. What could have made it?

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Plant-life and sexuality have long been connectedâjust look back to Boschâs Garden of Earthly Delights or pretty much anything by Georgia OâKeeffe. But this connection is gathering momentum in the twenty-first century, as human love for the natural world is more in need than ever.
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A single tomato plant has sprouted on a piling by the Brooklyn Bridge. Who knows how it got there?
Are.na is a social platform for creative and collaborative research.

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The following is adapted from the foreword to The Racial Imaginary, a collection of essays edited by Claudia Rankine and Beth Loffreda, available from Fence Books. Here are a few of the tropes youâŚ
But while it might be mystifying how creative impulses and decisions emerge from somewhere within, that doesnât mean we must make a fetish of that mysteriousness. For that unknowable portion of the human mind is also a domain of culture. [...] The writerâs essential strangeness is her greatest resource, yet she must also be in skeptical tension with her own inclinations. Because those inclinations are in part an inheritance from a racial imaginary that both is and is not hers.
âIâd like people to understand that hearing is not only for ears.â
it doesnât always take a traditional sense organ to perceive the world.
âSome people may think, How can [plants] hear or smell?â Veits says. âIâd like people to understand that hearing is not only for ears.â