-PORTFOLIO-

or time in brackets** **

Group exhibition at “ArcadeCardiff” https://arcadecardiff.co.uk/2017/06/ ** **

cooperation with Rebecca Vinesse** **

Time and Space as two key players in our perceptabe universe are closely examined especially where and when they overlap. On one hand Time as an individual palpable force with the simultaneous paradox of its universality and on the other hand Space as simple construct with its complex interpretations. Therefore (time) is a detective agency as well as a transmediale installation that combines gallery, study, research center, and documentation. It fuses art practice with social and interactive elements and incorporate them into an research process. A place of posibility has been opened and invites into conversation. And tea.

2016

installation, cardbord, booklets, tea, performance, clay, trashbags

“Dinge die, “ Things, the Group exhibition in the context of a text by Jutta Koether about things which art does and things which do art.


(Dinge, die Kunst machen und Dinge, die Kunst macht, Jutta Koether)

2016

9 objects, fabric, watercolor, paper, cardboard, fountain pen, velvet, paperclay, money plant

Christine Gunzer 
Alexandra Mitterhuber 
Linda Mühlbacher 
Marlene Penz 
Barbara Post 
Nicole Pühringer 
Vera Rupp 
Constanze Schweiger 
Katharina Traxler

„Medusa dancing“

Solo Exhibition in „Neuer Ordner“ gallery 

curated by Dominik Leitner 2015

tusche-drawing, wallcolouring

“in a nutshell” Site specific intervention, intricate parallel worlds and a coherent publication open up a new perspective to the polarising aspect of this theoretical, contextual work. 2015

installation, styropor, polyurethane foam, colored lacquer, plexiglass
,led lights

collectiv: „Alexandra Mitterhuber. Barbara Post. Linda Mühlbacher“

“knabenseminarstraße 29″   „The three artists Alexandra Mitterhuber, Linda Mühlbacher and Barbara Post realised a site-specific conceptual work combining aspects from different art forms, such as installation, performance, music, stage and film set, woven into its own universe that does not follow a linear narration but opens various approaches - in the literal sense.“
- Dagmar Schink

2015 installation/mixes media/performance/intervention

timber, rubble, textil, plants, foils, nails, glue, ...

collectiv: „Alexandra Mitterhuber. Barbara Post. Linda Mühlbacher“

„Bühnenbild 1“ stage design 1 Model for theater contest for the piece: “Happy Planet” by author Thomas Baumt in theater „Phönix“, 2013

“…there is no beginning”  This space installation/performance focuses on spacial and atmospheric perceptions. After a brief glare at the entree, visitors pass by curtains and fog on their way upstairs to the main installation: a room with one bed, two projectors and countless white boxes stapled on top of each other. Among those items there is a man in white playing the melancholic tunes on the violin as calm, whimsical, wave-like motions in blue are being projected onto him. Space, sound, atmosphere put visitors into a state of dreaming or trance.

2014

room installation/sound performance, mixed midea, projection, boxes, fog machine
 

collectiv: „Alexandra Mitterhuber. Barbara Post. Linda Mühlbacher“

cooperation(music): Tomash Novac

„rockpaperscissors“

Three floors of an exhibition space are completely coated with cardboard. New spaces are being created, visitors climb through a cardboard tunnel from one space to another.

2014 roominstallation cardboard, package tape, nails
 and enourmus buffet cooperation with: Alexandra Mitterhuber, Linda Mühlbacher, Sarah Rieger, Natalie Schaupp, Paula van der Woude & Miriam Walcherberger-Koessler

“Zitat” “Quote” What defines the physical presence of a person in a room? Is it really only the presence of a body? Or would an illusion of it evoke the feeling of a person’s presence? These questions are at the center of zitat, an installation in a white-cube space down in a basement. Three white boxes are sitting on the floor, each one of them big enough for one of the artists to fit under. Whistling sounds coming out of the boxes create the impression that someone could be sitting underneath. The questions mentioned above are left unanswered.

2014

room installation/ performance/ sound installation

cardboard, white wall color, 3 MB3 player, loudspeaker


collectiv: „Alexandra Mitterhuber. Barbara Post. Linda Mühlbacher“

“hendlknochen”

“chicken bone”

Inspired by a chalk sketch of a heart pierced by a bone, found on a wall in Marrakesh, the three artists founded their label 4040 Urfahrproductions and published their one-hit- wonder Hendlknochen, accompanied by a music video. Male chauvinistic behaviour of locals towards female European tourists made the artists wonder, how painful a poultry bone piercing one’s heart would be.

2014

music video generated for local exhibition

collectiv: „Alexandra Mitterhuber. Barbara Post. Linda Mühlbacher“

„übergiessen“

“shower”

performance without audience actionpainting

2012

“#3”

Performance in a shop display with a matching spacial installation. Weekly programme:
 Founding the Mietziclub, stitching membership pin buttons. 
Performance “Three cats on display”
Public reading “Stories from Grandma’s living room” 
Video presentation of “Callkatze”

2012

performance, installation, egg, cage, wool string, interior, fabric, cats masks, novelettes, crochet needle


collectiv: „Alexandra Mitterhuber. Barbara Post. Linda Mühlbacher“