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March is clearly Joe Sarno month over at Vinegar Syndrome and its new Mélusine/Distribpix sub-label, with two blu-ray sets featuring four films from highly contrasting points in the legendary filmmaker’s career.
We start with Inside Little Oral Annie (1984). It’s saying something when the interstitial sequences are more interesting than the vignettes they’re setting up. These Evart “Inside” features are hit or miss, but this one feels rushed and lazy, especially after the recent release of the incredible Deep Inside Annie Sprinkle (1981), which had Sprinkle connecting with the viewer in a way few movies had done before.
I don’t often get into the specifics of the scenes in my reviews, but there’s not much to work with here. You can take a wild guess as to what Little Oral Annie was good at, and her impressive oral skills are barely tapped in the feature, only during the interstitials where she’s addressing the audience. It’s like watching your favourite wrestler in action and them not dialing up their finishing move.
Inside Little Oral Annie does indeed look good (and this transfer looks pristine), but it just isn’t very interesting, and I’m not sure what that says about where Joe Sarno’s head was at in the twilight of the Golden Age.
The Melusine/Quality X bluray also features Sarno’s follow-up, Little Oral Annie Takes Manhattan, which was likely shot the day after production wrapped on the first film, and offers more of the same. The overall highlight of this production is an interview with Video X Pix producer Dave Copeland, who talked about his entry into the adult world, the transition to video, the political struggles of the 1980s, and working for Arthur Morowitz and Joe Sarno.
In a Chaplin-esque way, the legendary Joe Sarno resisted moving to hardcore in the ‘70s, directing Sleepyhead in 1973 under a pseudonym (which he’d keep doing for all his hardcore work). By 1984, he seems to be a defeated man, occasionally showing a faint glimmer of his older work when collaborating with someone like Annie Sprinkle. There’s none of that here.
This is one of two Sarno collections being released this month. The other, a Something Weird production of The Bed and How to Make It (1966) and the early Nude in Charcoal (1961) show a master craftsman at work.
The early Sarno collection is also packaged up in a neat slipcase for suckers like me, and includes two booklets: a bound volume featuring an essay by Tim Lucas, and another featuring the shooting script for an unproduced Sarno film.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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