Peaches & Pomegranates

The Pitt’s misogyny is interesting, really, because the women have screen time. They’re competent doctors. They are well-written in a general sense, i.e. people with dimension and personality. The misogyny is deeper than any of that, and it’s harder to see: the writers reach for biology when they want to give a woman depth because biology is where they think women’s depth lives. The show casts women — and multiple women of color, in particular — in prominent roles and then gives them stories about their uteruses, their eggs, their panic attacks, their bleeding. All the while, The Pitt gives men stories about what it means to lead and what integrity costs. <...> The show has the same instinct: it can see gender bias when an EMT does it, but it cannot see gender bias when its own writers do it. <...> Each one of these reveals the same default: competence is male, and women who demonstrate it earn his surprise.

© “The Pitt is Weird About Women” by Emmy Writes Sometimes.

SEVERANCE / Nicola Yoon

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