Untitled, 2021 Pencil find me on insta

Victoria Crowe (British, b. 1945), Vertiginous Landscape, 1997. Oil on linen, 90 x 100 cm.

Hybrid tea roses. House and Garden. June 1951.

Art dramatique. June 1935. 

In Nigeria, women’s hairstyles can carry a number of different meanings and messages. These plaits and elaborate structures take anywhere between 30 minutes and five hours to create and can mark special occasions such as weddings and birthdays, denote a particular family or region or respond to political and artistic movements of the day. The acclaimed Nigerian photographer JD ’Okhai Ojeikere spent 40 years immortalising nearly 1,000 of these hairstyles, until his death in 2014. “Apart from being fascinated by their beauty and the artistic nature of each hairstyle, he documented them for posterity,” says his son, photographer Amaize Ojeikere. There is a danger, he adds, that these skills will be lost. “Particularly now the younger generation think it is ‘old-school’. That is one of the reasons the images were taken: to showcase the beauty of our people.”  (via The Guardian)

in the streets of marocco

northern beach and camping

Moon phases. Our Wide, Wide World. 1932.

LAURA JONES

Inge Schiöler (Swedish, 1908‑1971), I Trädgården [In the Garden], 1948. Oil on paper-panel laid down on panel, 59 x 84 cm.

https://www.wikiart.org/en/wassily-kandinsky/succession-1935

via amare-habeo

Charles Burchfield (American, 1893-1967), January Spring (Rooftops), 1918. Watercolor and gouache on paper, 17.7 x 25.2 cm.

sorte de magie noire en pleine forêt

Konstantin Somov (Russian, 1869-1939), The Lovers, 23 May 1933. Watercolour over pencil on paper, image: 16.5 x 20.5 cm.

(via @lonequixote)