1980, Black Silk & Sequin, “Firework” Gown, ASU FIDM Museum
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1980, Black Silk & Sequin, “Firework” Gown, ASU FIDM Museum

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Akari Higashi by Emil Dietrich, 2025
Arthur Rackham, “A Midsummer Night’s Dream, Act II, Scene 1: ‘There is no sweeter changeling’” (1908)
Wedding dress
c. 1885
maker unknown
Melbourne, Victoria, Australia
National Gallery of Victoria, Melbourne
The Pink Dress by Lewis Baumer, c. 1926

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1895 Afternoon jacket by House of Worth (attr. to Charles Frederick Worth and Jean-Philippe Worth)
silk, beads
(Metropolitan Museum of Art)
Morning jacket (matinee) (1825-1830) and skirt (1830-1840)
cotton rep, cambric, cotton with imitation quilting
(MoMu - Fashion Museum Antwerp)
Robert Wun, Autumn/Winter 2024
Jean Paul Gaultier - Spring 2008 Couture

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Human Being: Light necklace by Boucheron.
From the 2026 Carte Blanche collection.
'A light that springs from the depths of the stones.
To bring forth this light, over 1,500 carats of morganites of the exact same color intensity first had to be assembled. Yet it was the mounting that posed the main challenge for Boucheron’s artisans: to avoid any pressure being exerted on the morganites, they fitted and screwed the prongs around each stone.
Adding to the complexity, the design called for the diamonds to be directly set into the morganites; this entailed hollowing out the morganites to accommodate an invisible metal framework, into which the diamonds were then set.
3,750 hours of work for the set.
Julier Bugge by Claus Troelsgaard for Sicky Magazine June 2026
Wedding Dress
c. 1924
unknown maker
Chicago Historical Society
Risqué postcards by Léo Fontan, 1917.
Dress
c. 1902-1906
DAR Museum

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Laetitia Casta, 1998 | © Peter Lindbergh