:// AN [ EXPLORATION ] OF WHAT IT MEANS TO BE A HERO / WHAT BREAKS A HERO. THE BURDEN OF EXPECTATION THAT S H A T T E R S THE LIGHT AND TURNS THE DARKNESS INWARD. THE ARBITRARY MACHINATIONS OF THE DIVINE AND THE RATIONALE OF THE DEMONS THAT RISE AGAINST THEM. TO HAVE LOVED AND LOST. A QUESTION ON HOW FAR YOU’LL GO
CARRD :// AN ETERNAL WORK IN PROGRESS
INDEPENDENT AND SELECTIVE MULTI - MUSE BLOG FEATURING CANON AND ORIGINAL CHARACTERS PRIMARILY DERIVED FROM VIDEO GAME FRANCHISES SUCH AS: [ G.ENSHIN IMPACT / H.ONKAI: STAR RAIL / THE L.EGEND OF Z.ELDA / R.EVERSE 1999 ]. LOVINGLY DEPICTED BY BUNNIE, IT/ITS, TWENTY-FIVE+. PERSONALS AND MINORS SHOULD REFRAIN FROM INTERACTING
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so her first animated pv came out a little while ago and the whole theme is her hating death and, by association, herself because life is something she loves and cannot be among. near the end, when they fantasise about what it would be like to "live" among the living, to do things that they cannot, such as hold someone's hand or do someone's hair, it is always with other girls or women. unsurprising that i then notice how "girlhood" is considered in tandom with "life" in what castorice cannot experience, though she might want to
i think that including girlhood with life is an acknowledgement of something that they are not, and can never fully embrace, just as they cannot touch life as they may want. just as castorice marvels life, she marvels those who experience girlhood with the explicit awareness that she does not innately fit among them. wanting to experience girlhood as part of "life" is part of "fitting in with the living"
it is symbolic i think, that life is something castorice can only briefly embrace, and in that same fashion, it is suggested by their inclusion that girlhood is something they can only know in their gender expression, but will never truly resonate with
so they choose a feminine appearance. it grows out its hair. depicts "beauty" by which to send off life in an predominately feminine manner
@playselect ( for serafina ) —— to be flesh and blood again, to be made whole / it is as strange as ever for someone who strives towards fiction. but it is the least he can offer to serafina [ THE DOVE WHO FLYS FREE ] in these times. that, and—— ❝ care for a drink? ❞ an old habit he can't shake. the shaker clinks as he sets it down on the countertop, eyes carefully studying her every move. ( every shudder / every twitch / every breath of air; alert, like a good watchdog should be. ) ❝ don't worry, it's on the house. ❞
𝐒𝐇𝐄 𝐇𝐀𝐃 𝐓𝐇𝐎𝐔𝐆𝐇𝐓 𝐃𝐄𝐀𝐓𝐇 𝐀 𝐏𝐄𝐑𝐌𝐀𝐍𝐄𝐍𝐓 𝐓𝐇𝐈𝐍𝐆, yet gallagher drifted beyond it, as though that was the nature of ideas: to be not so easily erased. perhaps she could take it as an endorsement of her choice, as she takes roost in the boughs, not as a gentle dove but as a hawk . . . or would this be some manner of trial from penacony itself?
she eyes the bottles. the names and shapes both familiar and not. it brings to mind her first drink with robin, on some distant planet, the strong liqueur that coated her tongue. lips curl with the memory as her body leans forth from her seat at the bar, hands forming a delicate perch for her chin ❛ what would you recommend? ❜
𝐈𝐓 𝐈𝐒 𝐍𝐎𝐓 𝐎𝐅𝐓𝐄𝐍 𝐒𝐇𝐄 𝐈𝐒 𝐁𝐑𝐎𝐔𝐆𝐇𝐓 𝐓𝐎 𝐂𝐎𝐍𝐒𝐂𝐈𝐎𝐔𝐒𝐍𝐄𝐒𝐒 𝐁𝐘 𝐀𝐍𝐘𝐓𝐇𝐈𝐍𝐆 𝐎𝐓𝐇𝐄𝐑 𝐓𝐇𝐀𝐍 𝐇𝐄𝐑 𝐀𝐋𝐀𝐑𝐌, that blaring call to action, much less gently roused by the aroma wafting from the manor kitchen. serafina's thinks first to the chefs having a rare early start . . . but she finds the space next to her empty, a fading warmth where she remembers gojo last, and a vague memory of him telling her to let the cooks have the morning off
it isn't hard then to guess where he is
❛ you're up early . . . ❜ a drowsy sound, a sleep tinged timbre, as she nestles against his back ❛ what are you making? ❜
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@playselect asked: ❛ if i have to think about one more thing today, my head will explode. ❜ (zelda)
" These things are important to know, dear. " wuya hates being the bearer of bad news- but Zelda needed to prepare, to persist. And just as she had once advised another from her home, she does much the same now. Though the circumstances are changed, she tackles it with the same sincerity as before. Zelda is as free willed and stubborn as ever- easily bored with history lessons, and teachings on old magic in the world. It's a lot of information, she understands. So it is with a small smile and a cant of her head- she closes the heavy book in her lap. " But, there is no point in exhausting yourself to the point of frustration. Maybe Atticus would like to join us if we go out for a bit, some fresh air might help... "
𝐒𝐇𝐄'𝐒 𝐓𝐈𝐑𝐄𝐃. 𝐌𝐎𝐑𝐄 𝐒𝐎 𝐓𝐇𝐀𝐍 𝐔𝐒𝐔𝐀𝐋. a sluggish fatigue that pulls her down into the depths, as though there lies some quiet quarter where she might rest, unburdened, and leaves her head weary. thus the whine slips through her lips unbidden when she should be the very picture of grace. wuya has barely begun to speak before the anxiety coils, tight in her chest, as it so often does these days. as she is found lacking once again. she wants to apologise. reflex. to assure the twili that she is doing all she can, it's just — [ enough with the excuses ]
her head comes to bow instead. gaze fixed upon the folding of her hands instead of wuya's face, as though she cannot bear to see disappointment in another's eyes. whereupon her faults are laid out and scrutinized. the lecture does not come. zelda does not know if that makes her feel worse [ surely she is not so hopeless that they no longer try ] she does not meet wuya's eye, fingers fiddling in her lap ❛ . . . wouldn't father oppose? ❜
@playselect [ zelda ] : " you're too hard on him "
" he was meant to protect you! "ㅤhis voice bounces off the walls in this shared space. wuya would look at him in disappointment in this moment, for him raising his voice against zelda of all individuals. but he will say that his emotions took overㅤ-ㅤagain, as always. but the sheikah isn't in the wrong, is he? he has a reasonㅤ-ㅤit's valid enough in his eyes to be angry, upset, and if he wasn't so angry then he would probably be near tearsㅤ-ㅤhe couldn't protect her, he trusted link to be the one to do so.ㅤhe trusted her champion to defend her with his very last of his strength.ㅤthat was what he was meant for, so why did they pick someone soㅤ. . .ㅤ?ㅤ" he was chosen for a reason! a reason, zeldaㅤ-ㅤ" he continues, even with the wavering in his voiceㅤ;ㅤa fracture of control giving way under his intensity.ㅤ" how much more must you sacrifice of yerself before he finally learns?! "
𝐈𝐓 𝐈𝐒 𝐍𝐎𝐓 𝐇𝐄𝐑 𝐍𝐀𝐌𝐄 𝐇𝐄 𝐒𝐂𝐎𝐑𝐍𝐒. 𝐈𝐓 𝐒𝐓𝐈𝐍𝐆𝐒 𝐀𝐋𝐋 𝐓𝐇𝐄 𝐒𝐀𝐌𝐄. perhaps, the hurt lies in the familiarity. spoken in her vicinity when she has done much to overcome it . . . or, perhaps, the knife twists in how it is struck upon the underserving. something protective stirs from the ache. how easily she settles into the feeling: to be his shield against the edge of disdain
❛ he was chosen because fate willed it to be so, just as i! neither of us were chosen for merits our own ❜ bearers of a destiny irrefutable. selected by the spindle of fate. there was no choice. they did not ask for this. THEY NEVER HAD A CHOICE ❛ yet he has almost died for me . . . for us, more times than i wish to count, despite being the only chance we've ever had against ganon ❜
also thinking about the halovians being immortal/long lived like the elves in lord of the rings, with certain features being able to signify their genealogy, specifically the presence of a halo, wings on the head, and wings on the torso. having all three marks one as a pureblooded halovian and thus are virtually immortal, in that they could not die of old age, but could be killed. halovians also have the ability to pass on willingly, as seen with gopher who chose to die once he felt that his plan was sufficiently set in motion. those without all three are also long lived but can rarely choose their lifespan as the others can, thereby usually dying of old age
i think i shall also take the concept of swan marriages, in that, romantic unions are for life and death of a partner usually results in the other following suit
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spoke about it briefly in my recent ic post but twilight princess is the transitionary point of navi's powers: by tp, she has matured into her own entity and is technically, by classification, a great fairy. as such, she has influence over the forest she calls home and is directly responsible for its overgrowth in her attempts to safeguard and conceal the master sword further
while twilight princess' and ocarina of time's temples are in two completely different places, i'm going to say that the temple of time wasn't as close to the town as suggested in the game and was closer to faron woods, as seen in skyward sword. ergo, when the woods overtook the temple, it didn't cause the kingdom to essentially relocate
at the same time, navi has grown familiar with the spirit realm. also known as the silent realm or the gap between dimensions. over the years, it has made itself known to her and allowed her to enter and affect the realm slowly. and in turn, it is affecting her. navi is slowly becoming the goddess of spirits
𝘵𝘩𝘦 𝘩𝘰𝘱𝘦𝘧𝘶𝘭 𝘦𝘹𝘱𝘳𝘦𝘴𝘴𝘪𝘰𝘯 𝘰𝘯 𝘵𝘩𝘦 𝘢𝘶𝘵𝘶𝘮𝘯 𝘧𝘢𝘪𝘳𝘺'𝘴 𝘧𝘢𝘤𝘦 𝘧𝘢𝘭𝘵𝘦𝘳𝘴 at the words ever so slightly, as zoe fights the hardest of battles to keep believing in the promise of a better time. perhaps it was foolish to cross realms & seek help amongst different lands, different people ; ones that aren't familair with what horrors ripto unleashes on the worlds of avalar wouldn't possibly understand the urgency behind her requests.
then, again, there are villains everywhere 一 evils beyond one's comprehension if they aren't native to the source of the issue.
her heart breaks. she saw summer forest's castle flags replaced with that disgusting maw of the dinosaur. it's only a matter of time before he reaches other palaces, other kingdoms, terrorizing all the inhabitants & destroys everything in his wake.
❝ i一 ❞ she cuts herself off, rethinking what she was about to say ; rearranging the words, reconsidering her tone. it's resigned when she opens her mouth again. ❝ i understand. your homeworld has it's own burdens. ❞ navi cannot be blamed. it's avalar's issue, and avalar's only.
zoe's opalescent wings fall down upon her back and her eyes fill with tears. she's desperate. she'll do anything. anything.
lithe fingers curl around a jadeite jewel, it's golden bands circling around in the pixie - powder dusted palm.
❝ but please一 can you... can you take this orb and hide it well, wherever you think it's safest? please. i'm begging. ❞
𝐍𝐀𝐕𝐈 𝐃𝐎𝐄𝐒 𝐍𝐎𝐓 𝐌𝐄𝐀𝐍 𝐓𝐎 𝐁𝐄 𝐇𝐀𝐑𝐒𝐇. 𝐈𝐓 𝐃𝐎𝐄𝐒 𝐍𝐎𝐓 𝐌𝐄𝐀𝐍 𝐓𝐇𝐀𝐓 𝐒𝐇𝐄 𝐈𝐒 𝐊𝐈𝐍𝐃. she does not know if she ever was: wisdom was not gentle, it did not make her gentle, and in each scolding, she remembers his shame [ would a softer guide have been better for a child? you kept him alive, but was that enough? ] here, the repetition of mistakes, flaws in full focus: tongue all diamond edge; her words cut and the fae deflates. sorrow pooling in her eyes. a tinge of helplessness
she reminds navi of her younger self
were her worries not once the same? night watch, as the child slept, endlessly fretting about the disaster that could befall hyrule beyond their current hell. bearing burdens untold to spite cataclysma. IS THIS NOT WHY YOU STAND HERE NOW? duty and love bound, where the master sword sleeps, until the hero returns ── as the forest grows by her influence and swallows the temple within vines and root ── she cannot leave
but zoe is resolute [ as you were. as you are ]. desperate in her plea, she does not give up / she finds another way. offers something verdant and pure, something that brings to mind the kokiri's emerald and the beginning of a journey once long ago, and begs of her, if nothing else, this
navi wonders if the great deku tree once faced a similar question. if he knew the weight within such a tiny stone. if he foresaw the death greed could wrought. she does not wish to meet the same fate. but . . . the spirit realm has begun to open itself up to her, to bend to her will: if she were to hide it in a place no one else could reach . . . ❛ very well ❜ 'tis a soft acceptance as she extends her hand ❛ this i can do ❜
𝐖𝐎𝐖, 𝐘𝐎𝐔'𝐑𝐄 𝐀 𝐒𝐏𝐈𝐓𝐅𝐈𝐑𝐄! you're incredibly passionate and aren't afraid to stand up for others, even if you sacrifice your own reputation to do so. with your fierce loyalty, strong sense of justice, and incredible persistence, there's nothing you can't do. don't forget to be gentle with others, not everyone can be as strong as you. red characters include wanda maximoff ( mcu ), katniss everdeen ( hunger games ), maeve wiley ( sex education ), and zuko ( avatar the last airbender )
serafina ── pink
𝐘𝐎𝐔 𝐀𝐑𝐄 𝐊𝐈𝐍𝐃, 𝐒𝐖𝐄𝐄𝐓, 𝐀𝐍𝐃 𝐒𝐎 𝐒𝐎 𝐒𝐎 𝐕𝐄𝐑𝐘 𝐋𝐎𝐕𝐈𝐍𝐆. you may have a very feminine energy and you can often tell what those around you are thinking and feeling. empathy is your superpower and your caring nature brings comfort to everyone around you. don't forget to extend that kindness to yourself, and let people in your life who are going to make it better, not worse. some pink characters include lara jean ( to all the boys I've loved before ), jules ( euphoria ), jackson ( sex education ), and amy ( little women )
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gallagher serafina except it's one who chose to live in another's shadow and one who has begun to step out into the light; it's what was in the past being reflected, paralleled, in the present; it's an analogy for meaning found within the rapidly advancing "digital" age: even if he isn't "real" to reality, he is real to her; it is a (fallen) angel and her demon
