✦ into the garbage chute, flyboy ✦

I'm a thief. I steal. I break the rules. Sometimes I break the rules because the rules let people get hurt. No. The rules say it's okay to hurt people. To be cruel. And it's not. People need to be kind. And if they're not kind, I will steal their stuff and Eliot will punch them in the face until they are kind. But the main to do this my way is...it's our way. And doing this lets us be us. And that's enough.

Beth Riesgraf as Parker in season 3 of Leverage: Redemption (2021-2025) created by John Rogers and Chris Downey

Academy Award winner Marcia Lucas has died. While winning major awards for her work as an editor for Star Wars (alongside a team of editors, including Paul Hirsch and Richard Chew; some of her contributions outside of her work with George Lucas include Alice Doesn't Live Here Anymore, Taxi Driver, and New York, New York), she mostly disappeared from the public eye following her divorce and essentially retired.

While Marcia dispelled the belief that she singlehandedly saved Star Wars in the edit (and very passionately defended George's craftmanship and ideas, which she felt were undercredited, as well as the work of their team in general), there was a lot of work she specifically did and I thought it would be good to highlight just how much she did and give her credit where it is due. There is a lot that came from her that most don't know about. Most of those examples are from Howard Kazanjian's biography, A Producer's Life, published in 2021.

On some of the uncredited dialogue and story revisions for Star Wars:

On some of her work in Star Wars:

On having the iconic trench run on the Death Star as her biggest work while working on Star Wars:

On her uncredited work in The Empire Strikes Back:

On how her input changed the ending of Raiders of the Lost Ark:

On her joining the Return of the Jedi crew, an emphasis in finding the right cut for actors, cutting together footage of Luke in ROTJ after she and George disagreed with the characterization the director had given to Mark Hamill and unable to reshoot footage:

On editing the climactic ending in the Throne Room in ROTJ: