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@pheenick
â hi
my name is coslyn and sometimes i do things. my art tag is #my art. my writing only blog is @pheenickwrites
current fandoms:Â
ace attorney
world trigger
daiya no ace
one piece
high rollers dnd: altheya
persona
read world trigger đŞ

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It's a clichĂŠ to say that Tolkien's experiences in WWI affected all aspects of his writing, how he wrote about friendship and grief, how he wrote about desolate blasted landscapes. But I wish someone who knows more about Tolkien's military career could help me understand how Tolkien related to retreats. His description of Faramir keeping his people together on the retreat from Osgiliath is one of the best-written sequences in the trilogy, and hardly anyone remembers it. It's about a desperate retreat, and a leader whose presence, whose strength manages to keep it from turning into a rout. There's something very vivid in the descriptions: don't break formation, don't start running or they'll pick you off one by one, keep together, keep moving, hold all of that fear at bay. Tolkien describes that retreat as genuinely heroic, a superhuman act of will, one that exhausts Faramir almost to death, and Denethor still does not accept it as heroic because it's a retreat. It saved men but it lost territory, therefore in his eyes it's a failure.
Tolkien has strong opinions about heroic retreats, in the Silmarillion he sometimes gives the retreat-through-the-dangerous-wilderness plotline to female characters (Emeldir, Idril), he always writes them with respect. Sometimes, getting out of there and keeping most of your people alive is a great act of valour. I feel like he must have had a personal experience about what it means to retreat, and what it means to hold a retreat together, and what it means to get no thanks for it.
While I don't know much about WWI, I think it's worth mentioning that Denethor does not regard Faramir's retreat as a failure per se. On the contrary, his entire strategy depends on Faramir leading a slow retreat, and it's Faramir who had reservations.
In Tolkien's version, the geography and architecture of the region very much favor the Gondorians, but they're drastically outnumbered. So the strategy is for the Gondorian armies to inflict massive casualties as they retreat over favorable ground, including half of Osgiliath, the river crossing, the Rammas Echor (the wall around the Pelennor Fields), and then through the farms and townlands of the Pelennor Fields. Meanwhile, Denethor has the knights of Dol Amroth prepared to burst out of the city in a shock cavalry attack as soon as the retreating army starts to get overwhelmed, allowing the remaining infantry to get safely within the city. Denethor is also careful to order the knights back in the city as well so they don't get overextended, preserving the bulk of his armies. This occurs over several days, essentially forcing Sauron's armies to spend multiple days repeatedly attacking and overwhelming these highly defensible locations before they ever get near Minas Tirith, taking heavy losses as they go.
No. 14 (White and Greens on Blue), Mark Rothko, 1998, Oil on Canvas, 90.2 Ă 69.9 cm
hatohara short animation i guess?
ăăżăăăă˝ă
2026/02/01

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Iâm honestly never going to be over the House of HĂşrinâs initial responses to hearing that the heir of Elendil has returned:
- Faramir: meh. does he have any proof?
- Denethor: who the fuck cares about the heirs of Isildur
- Boromir: but does he have Elendilâs muscles? thatâs the real question here
Faramir:
âAragorn is descended in direct lineage, father to father, from Isildur Elendilâs son himself. And the sword that he bears was Elendilâs sword.â
A murmur of astonishment ran through all the ring of men. Some cried aloud: âThe sword of Elendil! The sword of Elendil comes to Minas Tirith! Great tidings!â But Faramirâs face was unmoved.
âMaybe,â he said.
Denethor:
âI am Steward of the House of AnĂĄrion. I will not step down to be the dotard chamberlain of an upstart. Even were his claim proved to me, still he comes but of the line of Isildur. I will not bow to such a one, last of a ragged house long bereft of lordship and dignity.â
Boromir:
âThen in Gondor we must trust to such weapons as we have. And at the least, while the Wise ones guard this Ring, we will fight on. Mayhap the Sword-that-Was-Broken may stem the tideâif the hand that wields it has not inherited an heirloom only, but the sinews of the Kings of Men.â
The concise version of my previous post, lol
Local man chooses to stand by principles, much to his chagrin.
Is one of my favorite character types. Yes, he is going to be idealistic, and righteous, and virtuous and it's going to make things so much harder for him and he knows this dang well and he hates it.
hello, yes, this is my id speaking, do you have any recommendations along these lines
i really like that osamu isn't strictly even all that empathetic. he obviously cares about chika and yuma, but he helps them not because he feels bad for them or sympathizesâhe literally can't. he never experienced something like what they went through. even the initial invasion that his classmates were commisterating overâhe couldn't relate because he went to another school. he's an outsider to the trauma a lot of mikado city share.
that's the point.
he lacks experience. not just in combat, but in life in general. all its trials, its tragedies, its victories, and its swells. he was a normal boy. he is a normal boy.
and that's a good thing. he's exactly what a lot of these people need. osamu mikumo isn't kind or empatheticâhe's moral. incredibly so! and he will stick by them even if it's unwise and it's unfair, because that's what he believes is the right thing to do.
amongst people who are very logical and pragmatic out of necessity (because that's what makes war and death and loss easier to deal with) osamu will choose to do the right thing, even if it's not always the correct thing. and that's what makes him such a fascinating mc to follow. it's why it's so rewarding to see what he will do next. not just because he's great at pulling off cheese strats or insane playsâit's because osamu is the one doing it.

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i really like that osamu isn't strictly even all that empathetic. he obviously cares about chika and yuma, but he helps them not because he feels bad for them or sympathizesâhe literally can't. he never experienced something like what they went through. even the initial invasion that his classmates were commisterating overâhe couldn't relate because he went to another school. he's an outsider to the trauma a lot of mikado city share.
that's the point.
he lacks experience. not just in combat, but in life in general. all its trials, its tragedies, its victories, and its swells. he was a normal boy. he is a normal boy.
and that's a good thing. he's exactly what a lot of these people need. osamu mikumo isn't kind or empatheticâhe's moral. incredibly so! and he will stick by them even if it's unwise and it's unfair, because that's what he believes is the right thing to do.
amongst people who are very logical and pragmatic out of necessity (because that's what makes war and death and loss easier to deal with) osamu will choose to do the right thing, even if it's not always the correct thing. and that's what makes him such a fascinating mc to follow. it's why it's so rewarding to see what he will do next. not just because he's great at pulling off cheese strats or insane playsâit's because osamu is the one doing it.
Stained glass and Stone (2019-2023)
Happy pride
âitâs circus work.â not to me. not if itâs my monkeys.
fat men with happy trails. you agree. reblog.

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another comic for a section in my fic i really like :)) you can read it here!
watch out for ticks!!