PUSHEMON!!! とてもかわいいね! (So cute!) (o´ω`o)
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@patricklove360
PUSHEMON!!! とてもかわいいね! (So cute!) (o´ω`o)
awhhhhh<3
adorbs

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SAMPLE RHETORICAL ANALYSIS
Bee and Puppycat is a short cartoon from the Cartoon Hangover studio, a studio that produces cartoons solely for its Youtube Channel. The show features a female protagonist and a half dog-half cat creature that work for an interdimensional temp agency of some sort. Even this plot summary feels like stretch, because the show is so short (both episodes total at approx 10 minutes) and the show appears on Youtube, so the audience it’s trying to reach seems oddly wide and narrow at the same time. It’s short running time and freedom from TV rating systems make it a really odd, provocative show that exists because of the unique space it occcupies
It’s short running time is a constraint that contributes in a major way to it’s random comedy approach. Because episodes average 5 minutes long, there isn’t time to linger on jokes and plot points, so the show has to keep moving no matter what. The show is probably so short because, since the studio is a youtube channel, it doesn’t have a huge budget, and therefore can’t pay for actors to spend a long time recording or animators to make longer products. The constraint works in their favor overall, however, because it makes the show wackier and more interesting to work under this constraint.
While the show generally has a calming or whimsical mood, there are some disturbing elements. For instance, the show open with Bee losing her job and features prominently imposing or otherwise uncaring authority figures, giving the sense that there is no real safety in the world of the show. In addition, Bee’s suicide dream and Wallace’s transformation are subtly disturbing in their own right. For these reasons, combined with the Youtube context for the show, I believe the primary audience for the show is twenty-somethings like myself that like Adventure Time-like shows but want something more mature without sacrificing the wackiness of the characters and humor. This audience is notably niche, so Youtube is probably the only delivery method that it would survive on in it’s current form. Moving it to television would require sacrificing one of its key elements in favor or making others more appealing to a wide, mainstream audience.