
⣠Chile in a Photography âŁ
we're not kids anymore.

Origami Around
NASA

Janaina Medeiros
wallacepolsom

Keni

â

PR's Tumblrdome
RMH
d e v o n
noise dept.
Lint Roller? I Barely Know Her

titsay

shark vs the universe

pixel skylines
occasionally subtle

ellievsbear

seen from United Kingdom
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@part-time-supervillian

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The Longing To Air Trips by Artem Chebokha, 2020
Louis-Ămile Durandelle, Le Nouvel OpĂŠra de Paris, sculpture ornementale, No.35

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Holiday Knights The New Batman Adventures
Holy shit thatâs creepyâŚ
Barman vs. Lord Death Man by Jiro Kuwata

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Justice League #7 - âThe Villainâs Journeyâ (2012)
written by Geoff Johns art by Gene Ha & Art Lyon
Alison A. Malee
Advertising is part of the DNA of Blade Runner, so it was only natural to find creative ways of pushing the envelope of this means of expression. âBillboards will be around until the human race is goneâ, jokes Paul Inglis [Art director]. âBut we had to decide what ads look like in 2049.â The sky was literally the limit, as corporate images could be seen in all possible spaces, even cast upon smog, rain, and snow. âThe atmosphere is so thick in the city that you can even project images into thin air. In 3D, no less. And thatâs an extension of our own reality today.â
Static billboards are a thing of the past. In this world, commercial images move, transform, and interact with their environments. âWe had to take futuristic advertising to another level,â says VFX producer Karen Murphy. âAds arenât simply neon signs on a building. We developed new ways of projecting them, like pods that create holographic enhanced moving images.â
â The Art and Soul of Blade Runner 2049, written by Tanya Lapointe
Victor Von Doom art by Alex Maleev

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Shaggy & Outkast (2002)