Princess Shokora is a fantastic character and everything you need to know about her is right there in Wario Land 4. In this article Iâll go through every appearance she has - as chronologically as possible - and talk about the merits of the character that are evidenced through the gameâs content and presentation.
#0 â 14-YEAR-OLD SPOILERS
Before I get started on anything else, something has to be established so that the rest of the article makes sense to those unfamiliar:
These three are the same person. Theyâre all Princess Shokora, the former two being her in her cursed state, the third being her true form. Just making sure of this now so that the rest of this article is cohesive. The Shopkeeper in the centre there is shown on-screen to turn into the cat, and the cat is shown turning into Shokora. This frees me up to explain the rest.
As for how this happened, Iâll let the gameâs instruction manual explain. Â This is the only time in this article where Iâll use a source from outside of the gameâs content itself:
âCursed sleepâ isnât exactly correct. Princess Shokora was actually cursed to take on another form, but I take this as inaccuracy on behalf of the newspaper, who must not have known about the exact nature of the spell. Regardless, Princess Shokora was cursed by the Golden Diva. With those details out of the way, letâs proceed.
Letâs start with the intro. Here is every shot in the skippable pre-title cutscene.
There she is! Right off the bat, Shokoraâs in the first frame in the game,  appearing in an alleyway. In general, itâs worth noting that before Wario Land 4, Warioâs base environments were more fantasy-oriented, living  in castles, burgling pirate islands and flying around in a small biplane. Here though, it establishes that Wario now lives in a city. What this means for Shokora is told in the next shot:
Cardboard boxes, trash cans and other stray animals such as this dog. Shokoraâs been living rough! Life as an alley cat has probably worn her down, as we can tell by how angry she looks in the next shot that sheâs in, after Wario begins driving his car.
This particular sprite of the black cat isnât used anywhere else in the game, so it isnât as if this was the only walk made for her and the expression was more justified in another circumstance. No, the angered look to her implies how she feels as a whole, given that there isnât anybody or anything for her to interact with. Her typical mood is implied through this scene-exclusive graphic.
Iâd say this demonstrates a fear of being run over by a car, but⌠Well, I think every living being has that, really, letâs move on.
A newspaper then blows into Shokoraâs faceâŚ
âŚWhich she then reads. If sheâs able to and willing to read the article, and stops to do so, this immediately states that despite now having the body of a cat, Shokora still possesses her own human mind, and has perceived the world like that for as long as sheâs been a cat, which makes her homelessness all the sadder as she would retain the memories of what her life was like before the curse. That in itself is evidenced here:
Sheâs shown reading the article, and two pictures are included of relevant characters. Though they arenât named or given stated occupations, their character designs and the topic of the paperâs article set their roles. The top photograph is of Dr. Arewo Stein, and based on his comically-styled âmad scientistâ appearance, you can deduce that he is the man behind the pyramidâs discovery. Any inclinations of this are confirmed when players see him wandering around the Pyramidâs interior and areas with a magnifying glass.
As for the painting at the bottom, obviously coming into this article you know itâs Shokora, but even without that much, given her clothing you can piece together that whoever it is, sheâs meant to be the ruler of the Pyramid that the article mentions. The fact that the article talks of the pyramidâs actual discovery tells that itâs been around for a very long time.
When you bear in mind that Shokora was the ruler of this pyramid that was only recently discovered and contains legendary treasure, and that sheâs still alive, you realise that sheâs spent life as a stray cat for a depressing length of time.
Here is the gameâs prologue, as I suppose it can be called. This is shown after a new save file is created and isnât skippable.
Wario begins by finding the pyramid in the jungle and celebrates his discovery. He then enters the pyramid and goes through a corridor to find the black cat.
Shokora leads him through to the next roomâŚ
âŚand down this hole, ensuring him that the way is safe. This friendly approach and direction assures the player that the black cat is their ally. If you know and bear in mind her true identity, it becomes apparent that Shokora doesnât protest Warioâs exploration of the pyramid, most likely in hopes that he will help her overcome the Golden Diva, who is referenced for the first time in-game in the next shot.
Take notice of the kabuki masks on either side of the chuteâs entrance. While the player wonât yet know it, these mark the first of the Divaâs recurring appearances.
Here we also get the pleasure of listening to the first of Warioâs many 'WAAAAAAH!âs whenever heâs flung to another location. Wonderful.
This next shot shows a giant wall carving with an open mouth and a large tongueâŚ
âŚwhich acts as a safe slide for Wario to enter the pyramidâs depths. This detail is actually pretty important considering who led him here, as youâll see later.
For now, Wario has made it inside the gameâs HUB world and can begin his adventure in the Entry Passage.
So, thus far Shokora has found out that Warioâs heading for the pyramid, and has proactively made her way there to help guide him through it. This assigns her with a role wherein sheâs taught Wario as a character by sharing her knowledge, but seeing as this sequence is an automated cutscene and is inevitable, this aspect to her doesnât really concern the player.
These inscriptions not only give the player instructions on how to play the game, but are also placed as contextual aspects of Warioâs world. This not only serves as an indication of Shokora tutoring Wario, but itâs also relevant to the player as, in the process, Shokora is also tutoring them. She doesnât do this through dialogue or in any way that interferes with the playerâs control over Wario, just simple diagrams to explain certain necessary functions that wouldnât otherwise be self-explanatory, meaning thereâs no typical tutorials in any other level in the game.Â
Shokora ensures that the player is armed with the knowledge to fairly step to any challenges the game presents, and this is themed through Wario being able to read messages left to him on the pyramidâs walls. This is simply brilliant. No animation is played to make Wario stop and turn to Shokoraâs hieroglyphs, or anything like that. Warioâs learning happens at the same rate as the player, as their very act of interpreting the graphics equates to a characterâs action in their story, and it happens seamlessly.
Of course, either from prior knowledge or the note at the start of this article, you know that itâs Shokoraâs cursed state thatâs conveyed in the inscriptions, but a first time player would be forgiven for it shrugging off as a simplistic character designed solely for easy tutorial conveyance, or a Mr. Game and Watch look-alike as a cute reference to Nintendoâs history.Â
Itâs when access is granted to the Entry Passageâs boss that this teaching point becomes concrete, and itâs also where it becomes apparent that Shokora wears many hats.
Once the Hall of Hieroglyphs is completed, the player moves Wario further into the Entry Passage, where more of the gameâs core elements are shown. Hereâs where we first get to see how much of a fucking badass Shokora is.
The first thing you come to next is the Mini-Game Shop, which contains three Mini-Games for you to play, as accessed by these⌠Rocket-robot-arcadey things. You pay coins gathered to the levels to play them, and playing well nets you Frog Medals.
Next along the corridor is the Boss door.
âŚWith this Item Shop just before the bossâ domain, which is there to sell you items to damage the bosses before the clock starts, in exchange for Frog Medals.
As you can see, itâs run by Shokora. This particular one is for Spoiled Rotten only, and features only the weaker four of the Items, which are all weapons with a rainbow pattern. They are the Apple Bomb, Blast Cannon, Vizorman and Bugle.
While youâre in here, Shokora can also give you a free smile.
âŚWhich sheâs delighted to do, clearly! I think this speaks for how happy she is to finally have a companion, someone aiding her in her own battle against the Golden Diva. Her enthusiastic dialogue and offer of a smile to him is a good indicator of how grateful she is for his support, which once again backs up how lonely sheâs been in the past.
She even seems pretty miffed when you donât want anything.
Sometimes, before you enter the shop, the black cat will be standing outside, and then run into the shop. Since thereâs no trace of the cat once youâre inside, and the only other person in there is the shopkeeper, this is the first clue that theyâre one and the same. While weâre here, about that signâŚ
Believe it or not, this very sign confirms many details about Shokora.
It serves as evidence that Shokora is indeed responsible for the hieroglyphs of the previous level, take note that here sheâs demonstrated that she can draw a likeness of her cursed self by way of this sign. Granted, it shows that sheâs capable of recreating that likeness, thus giving the hieroglyph observation some backbone.
As well as that, take note of the multiple bright colours this sign hasâŚ
âŚand how much it resembles the rainbow motif on these weapons in the shop. I take this as a sign that Shokora is inventing her own weaponry, as her sign and items have the same decorative theme going on and thus qualifies her as an expert technician. And that she likes rainbows.
In addition, take note of how the sign resembles this unused graphic for another sign:
As you can probably guess, this was supposed to advertise the Mini-Game Shop we saw earlier, but selecting to enter the room on the map brings you straight inside, rather than setting you along a hallway for you to then enter it through a door that this sign would be above. I think this was the only reason that this sign wasnât used, as it had no place.
Nevertheless, the fact itâs in the exact same style as the other one implies that the Mini-Game Shop, or Game Corner, is also Shokoraâs work, which then logically means sheâs the creator of the Game-bots as well. In fact, letâs take another look at the room.
Notice how the dialogue box is in a similar style to the speech bubble in the Item Shop, and how the manner of speech is pretty similar to how the shopkeeper speaks. I would say that all of the robotics and inventions in the pyramidâs HUB that are outside of the levels are all Shokoraâs own handiwork.
Hell, if youâd been around as long as she has, youâd have time to brush up on your skills, right?
Before we move on, just a quick note that Shokora as the black cat can also randomly appear in the pyramidâs main map HUB. You canât interact with her when this happens, but it does help the impression along that sheâs always in here with you, in the same way as Dr. Arewo Stein is, as mentioned before.
Now, letâs talk about the Shop once itâs expanded.
#4 - ENTER THE BLACK DRAGON
This is the Item Shop for every boss after Spoiled Rotten, featuring four new selections: the Black Dog, Large Lips, Big Fist and Black Dragon. Whatâs interesting about these is that whereas the other four are weapons, these are powerful transformations that Shokora takes on to fight the boss. As a demonstration, hereâs the Black Dragon up against Cractus, guardian of the Legendary Crown.
All of the bosses have weaknesses to a particular transformation, hence why theyâre all given the same price. Itâs up to the player to decide which form is likely to fare best against which boss. In this case, for example, Cractus is a plant, so it makes sense that the Black Dragonâs fire breath is most effective against him.
The basic thing to take away as it that, given enough Frog Medals, Shokora can take on lethal forms and absolutely pulverize those bosses. Given that the transformations are not a physical item to be given on her behalf, I deduce that the Frog Medals themselves have magical qualities that give her the ability to shapeshift and build weapons. Frog symbols have certainly demonstrated magical capabilities in this game already, such as every time you enter or exit a level.
Indeed, the Frog statues are what create the warp holes to and from the Golden Pyramid. Based on this, Iâd say that Shokora needs those Medals out of necessity rather than greed. Money is literally power in this game, and Iâll elaborate on that later on.
And that actually leads me onto another point about why Shokora is such an effective and important character.
It canât be denied that sheâs a total badass; she copes with living rough, builds and handles weaponry, has experience as a rocket scientist and shapeshifts into extremely powerful.forms. But hereâs the distinction and whatâs important to the player:
Letâs take a look at another boss fight to examplify this point.
This is Cuckoo Condor, the boss of the Ruby Passage and guardian of the Legendary Earrings. As you can see, he has two forms in the fight, Form 1 on the left and Form 2 on the right. They are very different from oneanother in how theyâre fought and require different skills learned in the game. If one of them was included but not the other, it would make the fight a lot more shallow and a lot less engaging.
Now, if you choose to battle Cuckoo Condor without enlisting Shokoraâs help, he turns from Form 1 to Form 2 when seven pegs of his health bar remain. This is exactly halfway through the fight, as he begins with fourteen pegs in total. Now, letâs take a look at what happens when you have Shokora transform into a Big Fist for the battle.
Now, thatâs a massive wallop she just gave him, but what exactly did it do?
Thatâs right! Shokora can lay down an intense amount of hurt, but sheâs never quite strong enough to finish them off. Thatâs your job.
Look at Cuckoo Condor; Heâs left with two pegs, and remains in Form 1. Which means you still need to figure out and execute the attack on Form 1âŚ
âŚbefore youâre given Form 2 for the final peg! Game design at its finest, ladies and gentlemen.
Regardless of how much more time you have left on that clock upon your victory, everything you learn is exactly the same as you wouldâve had you gone without Shokoraâs support; You figure out the measures you must take and you put them into practice.
What this means for Shokora is that, despite how powerful she can be, the one to make all the difference is Wario, the avatar of the player.
Now, just before we get to the gameâs finale, I think we should discuss the Sound Room.
Music is a very important part of Wario Land 4. The soundtrack speeds up and slows down, distorts, diverges, it really does tie itself up in knots, proving to be one of the most dynamic and impressive soundtracks in the history of video games. How is it important to Shokora, though? Letâs seeâŚ
These music CDs you can find throughout the levels are WL4â˛s equivalent of hidden treasures from the past games, having the most in common with those of the first Wario Land. As you can probably guess, they actually function based on their form, and will give you a piece of music to listen to as a bonus if you manage to find one. You can do this by going to the gameâs Sound Room, on the main map.
First of all, recognise where itâs located? Thatâs right! This is where Wario fell in from at the beginning of the game, having slid down the wall carvingâs tongue. So, this is where Shokora led him in through, and also where you go to listen to the CDs you find⌠Keep that in mind.
Welcome to the Sound Room! As you can see, all the gameâs CDs are lined up here in rows to represent the passages you found them in. You might think the first time around that this must simply be a Sound Test to listen to the level tracks, but youâd be mistaken. In actual fact, theyâre short, experimental songs mainly dabbling in everyday sounds, reworked tracks from the game such as the Puzzle Room theme and Shokoraâs boss intro, and a variety of genres. Most of them create a sort of narrative, as you listen. If youâve never heard them before, just imagine if fever dreams were nothing but audio. Theyâre absolutely terrific to listen to and are one of the best takes on treasure, serving as both a trophy and an unlockable.
When you start listening to one, you are given the songâs title, album art, and a TV in the top right that plays random two-frame GIFs. Each song features its own animation of someone dressed up as Wario clowning about, and all of them share a common pool of other bizarre things.
âŚSuch as this goofy, bobbing dog head. But the real reason I bring this up is the fact that Shokora someitmes appears in that screenâŚ
âŚmixing the tracks. This detail is amazing, as it consolidates Shokoraâs savviness with technology, but also demonstrates another interest of hers: Making music! If youâre to examine the two animationsâ implications, and remember that this room is in the way Shokora let Wario into the pyramid, you can deduce that all the CDs are actually her own creations, not even to speak of the relevence some of the tracks hold in particular.
To properly make some points, Iâm going to skip around to different parts of the game.
Wario Land 4 keeps track of high scores, in that itâll keep a record of how many coins youâve managed to collect on each level. If you manage to collect over 10,000 coins, youâll earn a Gold Crown for the level.
If you manage to do this with all 18 levels, a new option will open up in the Sound Room.
Yes, Karaoke! This feature allows you to sing along with one of the gameâs most memorable music tracks, Medamayaki, or Sunny Side Up. This song is actually the music played in the level, Palm Tree Paradise, and features vocals in both the level and Karaoke (though in the latter it can be switched off).
You can listen to the song and see the Karaoke mode in action here.
As the song plays, all 16 of the Wario cosplayer animations will play at random, and the little cat on the album art will move its mouth to sing, if you have the vocals switched on. The song is in Japanese, but I have a rough translation of it here that has it flow properly in English:
Ukulele echoes,
As we roam our new home.
On barefoot we go,
Searching for the moon in whole,
We find it split in half.
We can sketch out a map on canvas,
With a drop of a rainbow,
Letâs colour it in.
And if we donât return for sunrise,
Stop the clocks and weâll leave them together for good.
I want your sighs and worries to dissolve in the sea,
I want your voice forever carved into in a stone.
When the moon comes floating by in your bowl of soup,
Hold your head up, the clouds printed like leopards will smile
Iâll let you draw your own conclusions about the lyrics themselves, but once more, consider that Sunny Side Up is in the Sound Room at allâŚ
âŚand also that one of the CD songs, The Moonâs Lamppost is a remix of it in reverse, with a contrasting title.
Long story short, thereâs plenty to indicate that Shokora is the DJ behind everything in this musical room, but I could still use some evidence linking a song directly to her, and not just her cursed shopkeeper form, if weâre being picky. Once again, bank that for the time being.
For now, with all this talk of music, Iâd like to briefly return to the intro cutscene, and the song that I neglected to mention the first time around. It too features vocals, and these lyrics are in English. You can hear the song here.
The important lyrics here are the first ones, as put by the female vocalist:
You wanna test it now?
Your time is over,
Iâve had enough.
Here I come,
Look out, here I come!
Now, what could that be referring to? Well, time to find out!
Iâm going to go into a lot of detail about the final part of the game, so buckle up.
The point of beating all of the bosses is to nab the treasure that they guard, each a piece of royal jewellery. Given that Iâve been talking about a princess the whole time, I think you can immediately understand the significance of this, regardless if youâve played the game or not.
Hereâs what happens each time you beat one of the bosses:
The bossâ treasure levitates before you, alongside however many chests you managed to save, based on how quickly you beat the boss. They then fly into the the central pyramid, and light up the corner of the passage you just completed.
When you manage this with all four passage bosses, this will happen:
The central pyramid will rise, and reveal an entrance, leading to the Golden Passage, a final level that puts all of your skills to the test. This helps to further establish that the treasure has some real power behind it, in this case the ability to raise a crypt. This broadens the âmoney is powerâ motif that the game has set in place, which is the main reason Wario feels so at-home in the scenario the game presents.
Once the Golden Passage is completed, itâs time to face off against the evil one behind Shokoraâs curse, the selfish hoarder of the legendary treasure, the Golden Diva herself.
Right away, with the boss icon the recurring kabuki mask thatâs been seen throughout the game on the Jewel chests now makes sense.
Itâs also the same that was featured on Shokoraâs entrance to the pyramid, too.
Now, for the fight, Iâve enlisted Shokoraâs help, having her use the Black Dog transformation, because this will confirm something Iâve seen mislabelled as speculation.
This is it. This is what the intro song was referring to: The Golden Divaâs time is over and Shokoraâs had enough. This is the confrontation that could only happen with Warioâs help. Wario was Shokoraâs chance to finally make things right.
The Diva enters through a shroud of mist, in a room full of gold, jewels and the treasure chests salvaged from the other boss rooms. Sheâs wearing all the treasures of the bosses, too.
Shokora strides in and stares her enemy down, as usual.
She becomes the Black DogâŚ
âŚand starts chomping away at the Divaâs face. The Golden Divaâs mask changes whenever she takes damage, to explain the change.
However, instead of leaving after her attack, she stands beside Wario, still as the Black Dog.
âŚBut the Diva transforms her back into the much weaker cat.
This is important, as it proves for certain that the shopkeeper, black cat and Shokora are all the same, without any need for theory or interpretation. It mightâve been implied earlier on, but here is where the fact is made concrete. RegardlessâŚ
Even when reverted to her powerless form, Shokoraâs still up for the fight.
She tries one last attackâŚ
But it proves ineffective, and sheâs captured inside the Divaâs lips, after which the fight begins. This scene is genius in how itâs constructed, with the Diva differing from the other bosses by being the only one to harm Shokora. Hell, let alone harm her, she completely imprisons her! Being shown all of this provides a greater incentive to overcome the Golden Diva and serves as fantastic character development for Wario. The story to begin with was that Wario was only in on this adventure for the sake of graverobbing, and up until now, that was the only incentive he had. Each boss gives you treasure, and nobodyâs really been threatened. But this scene changes things.
This little black cat has been the playerâs guide and partner throughout the game, and now, out of nowhere, theyâve been put in grave danger. Even with the vast amount of treasure thatâs at stake, seen in the background, the fact that a friendly character is put at risk gives the player, and Wario by association, much more to fight for. Not only is this gaseous horror in the way of the treasure youâve fought for, but now theyâve taken your buddy captive.
This change happens to Wario because it happens to you.
The player then battles the Diva and her vast array of tricks. Notice the look of complete worry on the second mask.
âŚAnd eventually, her final mask breaks off, revealing her true appearance. This is where her patience evidently begins to wane, as instead of weaponry, the Diva starts slamming into the ground to break it. This illustrates that sheâs beginning to comprehend exactly whatâs happening. After years and years of reigning over little else than this single, isolated room in the pyramid, all alone with her gold, her time is coming to an end, and in the name of the one she was so desperate to keep held down, no less.
Fantastic storytelling via simple animations. Take notes.
Once the player hits her head enough times, her treasure will float into the air as she bursts, leaving nothing but her lips, where Shokora was held. Wario gives her a final attack, and seals her fate once and for all.
Now, the beginning of the ending sequence is something I find very interesting. Just after all the chests are counted in, and Wario poses in celebration, the pyramid begins to fall apart. Arewo Stein drops in from the ceiling and Shokora seems adamant on them getting the hell out. The way that the screen fades to black gives the impression that Wario is faced with a dilemmaâŚ
âŚBeing Wario, though, he negotiates the situation through an insane display of power! Given her expression, Shokora hereâs either determined to escape, or questioning to herself if heâs out of his mind.
Shokora expresses concern for Wario, and Stein gets his own back before running off. Shokora scolds him for this and keeps waiting for Wario. Just as she did in the beginning, once he catches up to her she leads him right back out.
Wario and Shokora manage to escape the pyramid, just before it crumbles into the groundâŚ
âŚand together, they share a hearty laugh, probably just happy to still be alive.
This whole scene plays out over a specific piece of music, listen in.
Recognise it? Indeed, Shokoraâs theme in her final moments is none other than Sunny Side Up, reworked into a triumphant and beautiful arrangement.
The four boss treasures are returned to the little black cat, and this twist Iâve rumbled throughout the article finally occursâŚ
âŚas she begins to take on human form. The black cat and the shopkeeper are both Princess Shokora.
She was with you the whole time.
After she has transformed, Shokora kisses Wario and thanks him, her compassion expressed through a little heart.
To this day, this scene brings a smile to my face.
Probably the most well-known aspect to Shokora is her four different possible forms, one of which she takes on depending on how many chests you managed to recover during the fight with the Golden Diva. Granted, this features works well to reward those who played well and poke fun at those who didnât, but whatâs particularly interesting is whatâs her true form. Remember the newspaper article?
This picture (presumably a painting from her own time) features Shokora as she appears in the standard Good ending, the second-best thatâs possible. So why then is her true, Best ending form not shown? Well, thereâs nothing that can pinpoint the reason other than not spoiling the surprise of the Best ending, but I do have a plausible explanation.
This picture is of Shokora as she was last known, before the curse was placed upon her by the Golden Diva. When you consider the other forms, and the order theyâre in, with her as a baby being the Worst ending, I theorise that these forms showcase her appearance at different ages. As for the Best endingâs form, I will explain that shortly, but firstâŚ
Moments after expressing her gratitude, Shokoraâs spirit ascends into heaven, so that at long last, she may finally rest in peace.
I have talked about this particular aspect to the scene before, as I was once asked a question about it. For an elaboration, read here.
Once Shokora has departed, Wario lays there for a while, in awe of what just happened.
Soon though, he stands up, looking invigoratedâŚ
âŚand leaves, with his treasure in tow.
Shokoraâs treasure? No, Warioâs. Not even Warioâs, really⌠yours.
Princess Shokora is not just a damsel in distress, nor is she the means to an excuse plot. Sheâs not a parody or a joke, and sheâs not even the things I mentioned, such as a tutor, a robotician or a musician.
No, Princess Shokora is an incredible character, and far, far more than the sum of her parts.
This is something you can truely realise when you know whatâs inside of those chests.
These arenât treasures because theyâre made from gold and jewels, and have a value in currency. These are treasures because, long ago, they held significance in somebodyâs life, and that person is Princess Shokora. The more of these you manage to recover, the more of Shokoraâs life can be remembered, hence how progressively grown she is shown to be.
But if the picture in the newspaper shows the latest account of her in life, would that not make her true form?
Through your ability as the player, you become the sum of Shokoraâs efforts. The form she takes on in the gameâs Best ending, accessed only by recovering every single chest, stands for all the time sheâs spent under the Golden Divaâs curse. All the time sheâs spent on the city streets as a stray cat, learning to make music from her surroundings and preparing herself to battle her captor alongside you as an ally, that is what makes this version of Shokora the true one. Itâs your capability to learn from what she taught in the very first level and succeed where she could not. Itâs your ability to master the game.
Wario and the player are what complete her.
Shokoraâs memories are sealed inside those golden treasures, so why did she accept a successor so willingly? Why did she allow and even assist Wario in taking every treasure, that sheâs only just rightfully gotten back?
Well, itâs because Shokora must understand what a phenomenal video game is bound to do.
It will leave you with memories.
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