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@parmandil

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not to be smarter than the Cambridge Mozart Encyclopedia but one of the most striking features of Silla is dispensing almost entirely with the classic Metastasian feature of dual/conflicting loyalties - functionally noone has to reckon with the Amor/Roma spiel! in fact what's fascinating is how de Gamerra uses "love and duty" as mutually reinforcing and functionally unified rather than conflicting attributes/motivations. Cecilio and Giunia are politically and personally both opposed to Silla, their engagement and fidelity to each other is driven by emotion as much as political loyalty. Silla's own conflict is not so much love versus duty as love versus his own personal ethos of just fucking killing anyone opposing him (not a huge moral conundrum). put some respect to my man's name!!!
cannot listen to R***** in the workplace because I'm bound to laugh and say "fucking clown car music" out loud
still huffing and puffing over Se il labbro timido having been cut. you rob me of theeee flirty soprano moment of all time.............. you come into my house and take the fucked up one sided love affair from my hands................. you hate and spite me like this..................

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I'd like to say something normal soon
watching the excellent and hilarious documentary Fiume o Morte! on D'Annunzio's occupation of Rijeka/Fiume mostly bc I saw some fun-looking screencaps of it and thought why not gain an understanding of a major city's history that's passingly deeper than "lol Kakania". but someone just mentioned that the main port of the city is called Porto Baross (obviously named after minister Gábor Baross who oversaw the development of Hungary's railway system in the latter half of the 19th century) and now I'm very much back to lol Kakania
NOTTTTTTT a fucking Mondtag Ring. Bogdan Roscic you will catch these fucking hands at the speed of light
in retrospect the Láng/Jakubiak combo was crazy to miss but then again Vinke predictably sucked so bad so it evens out
furthermore, Irene/Adriano duets invariably either fully cut or almost obliterated. why do you guys hate gay people, pathetic little guys, and above all, fun
should've gone to that flop Ascanio this season I'd have a near perfect Mozart seria streak

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giggling
the way the lead AND the conductor changed but it's still a nuclear fallout event. to me <3
many things wrong with the Salzburg Ariadne but my G-d what a magical Gibt es kein Hinüber? from Nilsson
looking up major young rising star singer and seeing they are two years younger than me is a real kick in the guts
so hard to beat the gay allegations when you’re gay

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Tanglewood Nozze cutting the entire Contessa/Cherubino dialogue between Venite and the Count's entrance? brand new strain of homophobia
Birgit Kajtna-Wönig making historic efforts to revive the honorable practice of white shirting
[Photo © SF/Marco Borrelli]
on all levels except physical we're right back in 2003 <3333333