Why donāt you hang on to that ?
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almost home
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@parjir
Why donāt you hang on to that ?

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post - trauma sentence startersĀ blood, death mention.
ādonāt do that. donāt shut me out.āĀ
āyouāve been crying. i can tell.ā
āwe need to change those bandages and get some food in you.ā
āyou want me to rub your back ātil you fall asleep?ā
āthat was a brave thing you did today.āĀ
āshh, thatās okay, get everything out.ā Ā Ā
āthereās something on your shirt. you ā thatās blood!ā
āneed some space?ā
āyou should lay down.ā
āthereās nothing wrong with asking for help.āĀ
āshh, shh. you were having a nightmare.ā
āwe can talk through the door.āĀ
āletās clean you up and get you to bed, okay?ā
āyou almost died.āĀ
āi brought you a blanket.ā
āyouāre home. youāre safe.āĀ
āiām worried about you.ā
āis everything okay?ā
ātell me how to make it better.ā
āitās been a tough few days. how are you holding up?ā
āyou have to stay awake. come on, give my hand a squeeze.āĀ
āyouāre in the hospital.āĀ
āthink you can make it to the bathroom?ā
āno, no. donāt close your eyes.ā
i just
Where is he?
The Mandalorian 1.06 - The Prisoner
[Ā Ā afterĀ rainĀ restsĀ quietly onĀ cementĀ andĀ metal, Ā Ā the chasm in those otherwise thickening weather clouds allows for the moon to luminesce,Ā Ā park the darkness and dress the cityscape in the glow.Ā Ā itās a littleĀ too poetic,Ā Ā a little too quintessentialĀ in itās class for the rest of their lives play like a cinematic,Ā in this look shared between din and cobb.Ā Ā his eyes study that which trembles before him,Ā thin in history and heavy in tone,Ā and it probably lingers there for moments too long.Ā Ā perhaps heās doing as din djarin would,Ā and heās collecting evidence in every shift and tension.Ā Ā perhaps thatās a falsehood.Ā Ā or perhaps heās here because the truth lied in the thick of it all,Ā that the second in a party of two reminds him of far too much of himself.Ā cobb sits on a pedestal,Ā and thought something of a martyr,Ā of guts and backbone and membrane.Ā Ā djarin senses a coup in cobbās head,Ā and his curiosity is poised to strike.Ā Ā
Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā why didnāt you leave?Ā Ā Ā Ā Ā Ā Ā [Ā Ā how could i?Ā Ā ]
he answers what he wants,Ā Ā discards what he doesnāt.Ā Ā djarin assures safety,Ā rather mind nor body.Ā Ā cobb was a lingering thought at the base of his skull at all hours,Ā until he wasnāt.Ā until he was painted brilliance before his eyes,Ā Ā Ā and heās meant to protect those colors.Ā Ā cobbās built a barricade,Ā but this does he tide against.Ā Ā Ā Ā Ā Ā Ā Ā [Ā Ā Ā Ā cont.Ā Ā Ā @shriffāĀ Ā Ā Ā ]
Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā āāĀ Ā why didnāt you?Ā Ā ..Ā Ā itās late.Ā very.Ā āāĀ Ā

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my pinterest .
PEDRO PASCAL Style Magazine Italy (2017)
+Ā Ā Ā @ohkrakenāā.Ā Ā Ā Ā [Ā sc. ]Ā Ā Ā Ā Ā Ā thereāsĀ somethingĀ inĀ the water,Ā Ā Ā and the tides beat against the current.Ā Ā Ā āāĀ here, āāĀ Ā the bowl is warm to the touch against his glove.Ā Ā itās set with an emphasis.Ā thereās a weathering against the jagged edges of the mandalorian that shapes him into benignity.Ā Ā see, when heās watching, now, through the opaque of the visor,Ā heās not quite looking at her,Ā but rather searching for who she could be.Ā Ā Ā not quite the face values, but rather through her.Ā Ā Ā Ā a tedious and vulnerable process at the hands of the mandalorian.Ā Ā Ā āāĀ you need to eat. āāĀ Ā Ā the clan of two was three.Ā Ā
starter call.

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This is the way. (Iāll see you again. I promise.)
PEDRO PASCAL AS JACK DANIELS/AGENT WHISKEY IN KINGSMAN: THE GOLDEN CIRCLE (2017)
watchildā:
š Ā ššššššš Ā šššš, Ā Ā ššš Ā ššš Ā šš Ā šššš Ā šššš.Ā Ā Ā neverĀ inĀ herĀ yearsĀ hasĀ sheĀ comeĀ acrossĀ somethingĀ quiteĀ likeĀ this.Ā Ā Ā aĀ foundling,Ā Ā Ā ofĀ aĀ speciesĀ sheāsĀ neverĀ knownĀ toĀ exist,Ā Ā Ā andĀ aĀ loneĀ mandalorian.Ā Ā Ā aĀ fatherĀ andĀ sonĀ bond,Ā Ā Ā thatĀ sheāsĀ havingĀ troubleĀ comprehending.Ā Ā Ā heĀ saysĀ thatĀ theĀ younglingĀ isĀ olderĀ thanĀ theĀ twoĀ ofĀ them,Ā Ā Ā yetĀ heĀ appearsĀ toĀ beĀ nothingĀ moreĀ thanĀ aĀ toddler.Ā Ā Ā theĀ force.Ā .Ā .Ā Ā Ā ohĀ howĀ worksĀ inĀ suchĀ mysteriousĀ ways-Ā Ā Ā evenĀ asĀ anĀ adult,Ā Ā Ā sheāsĀ stillĀ learning.
gazeĀ watchesĀ onĀ asĀ littleĀ oneĀ roams.Ā Ā Ā stretchingĀ hisĀ legsĀ afterĀ havingĀ beenĀ coopedĀ up.Ā Ā Ā sheāsĀ perchedĀ onĀ theĀ rampĀ ofĀ theĀ razorĀ crest,Ā Ā Ā shouldersĀ relaxed,Ā Ā Ā butĀ bodyĀ readyĀ toĀ joltĀ atĀ momentsĀ notice.Ā Ā Ā inĀ aĀ galaxyĀ ofĀ huntersĀ andĀ preys,Ā Ā Ā oneĀ mustĀ neverĀ letĀ theirĀ guardĀ down.Ā Ā Ā evenĀ whenĀ besideĀ someoneĀ youādĀ otherwiseĀ trust.Ā Ā Ā āĀ Ā Ā heāsĀ aĀ feistyĀ littleĀ wompĀ rat.Ā Ā Ā āĀ Ā Ā aĀ flash,Ā Ā Ā aĀ flicker-Ā Ā Ā fondness.Ā Ā Ā itĀ capturesĀ eyes,Ā Ā Ā momentarily.Ā Ā Ā sheĀ blinksĀ itĀ awayĀ justĀ asĀ quickly.Ā Ā Ā āĀ Ā Ā iāmĀ notĀ surprisedĀ consideringĀ whoĀ heāsĀ travelingĀ with.Ā Ā Ā ā
[Ā Ā sunĀ andĀ weatheredĀ machine, Ā Ā Ā the mandalorian is bent there at the knee,Ā thumb scored around a tool,Ā and poised in place.Ā waist down,Ā winded.Ā Ā āā Ā funny. āāĀ Ā thereās a raw revelation to the notion that one feisty little womp rat calls the razor crest aĀ Ā home,Ā Ā dry - eyed,Ā Ā under the two tag-team combatants that guide him,Ā Ā ones with barbed wire around their fists and thorns in their skin.Ā Ā Ā āāĀ to take after me,Ā Ā āāĀ the mandalorian grunts under an effort,Ā the glove of a fist gripping,Ā then twisting.Ā Ā Ā Ā āāĀ Ā heād have to listen to me. āā Ā Ā Ā with a fondness,Ā Ā blind to most of mandaloreās company,Ā Ā but full throttle and heart set for him,Ā Ā does he regard the child.Ā Ā though,Ā the beskar does little to helmetĀ Ā his study of one vi skorrĀ Ā as well.Ā the monochrome,Ā rasping tones on the tongue of the mandalorian model the moment into a severe contrast.Ā Ā
palm to razor,Ā he pats for her attentions.Ā with a makeshift,Ā manmade wheel of retorts,Ā his cranium nods and displays the red, blue wires that mingle in his grasp.Ā Ā āāĀ come here.Ā Ā make yourself useful.Ā āāĀ
fall in luv w din
@parjir .

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John Boyega at Hyde Park demonstration #BlackLivesMattter