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in my head in my head i do
everything rodent when wet call when we call i fireside and not fight

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cheadle yorkshire
YIPPEEEEEEEE
Zen Iizuka aka Child0ut (Japanese, based Tokyo, Japan) - 2024, Paintings: Digital Art
my opinion is the ppl who r doing the greatest things with the omegaverse r satosugu (circa 2024... i feel like we've regressed a bit) and jerejean authors on ao3 i think there is much untapped scholarly discussion to be had about this.

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If you are attracted to a girl it's important to show her sinister artifacts and relics
That Carrie post reminded me of my biggest and oldest pet peeve: adaptations taking a character who's supposed to be ugly, or at least not beautiful, and casting someone perfect-looking. A lot of the time this is simple misogyny, but the inability to allow ugly people to exist also extends to men and boys, and I remember how pissed I was when I started understanding this at around the age of eight.
Bastian of the Neverending Story is fat and weird-looking, in the movie he's a perfectly photogenic all-American kid.
Hermione is buck-toothed and unpretty, in the movies she's a perfect little girl who grows into a very attractive woman.
Carrie is fat and unpretty, in the movies she's a supermodel in slightly unflattering clothes.
Don't even talk to me about Ugly Betty.
The latest Frankenstein adaptation continues a long trend of trying to convey the message of "this monster is not inherently evil" by making the monster look good. Because obviously if the monster did look bad, it would be evil and people would be justified in shunning it.
Even supposedly more serious media does it. Imre Kertész's Holocaust novel Fateless has a minor character, a wimpy weird-looking member of the group of boys who got deported together. The other boys don't really like him, and disdainfully agree when he's deemed not fit for work - of course they don't yet know that it's a death sentence. In the atrocious movie he's not weaker just younger, a photogenic little boy, and him being sent to his death is played as a sentimental tearjerker for the audience instead of forcing us to grapple with the complexity of the original, where mundane teen boy cruelty continues to exist in boys who are currently victims of a genocide.
A written text says: this person is ugly, this affects how people treat them, this affects how they feel about themselves, how they behave, how they live in the world. This might just be an incidental part of their story, or it might be its entire point of the whole fucking book. And then the movie sweeps in and says: oh, but they aren't ugly! They have always been beautiful! They are being bullied and shunned for no reason! So unfair!
And the unintentional but very obvious implication arises that if they *were* ugly, of course they would deserve the bullying, the audience would agree that they deserve the bullying, the audience would want to join in, kick spit point laugh. The idea of empathizing with an actually ugly person doesn't compute. (Maybe it's clear by now that this has done low-grade but long-lasting damage to me as a person: weird ugly people are simply not allowed to exist, not even in stories about being weird and ugly.)
Btw this is why "everyone is beautiful" type body-positivity does nothing for me, and why I'm hyper-sensitive to how people discuss ugliness in reality and in fiction. For example, I love the Just King Things and the Shelved by Genre podcasts, but I think they struggle to see the value of written descriptions of ugliness. They interpret Steven King's descriptions of Carrie as cruel, they interpret Tiptree's description of P. Burke in The Girl who was Plugged In as cruel and fatphobic. Sure, I don't want to give King kudos for all his depictions of women, but he did get it right that time, and Tiptree absolutely did. Describing a character, especially a woman as ugly, genuinely ugly, no not secretly beautiful, actually ugly, and then telling her story, a story about existing in the world as an ugly woman, is really really fucking important. And people keep shying away from it, oh, it's cruel to call anyone ugly, let's pretend that ugly people don't exist instead.
I felt like painting fabric and textures
timelapse
"he would not fucking say that" but its about a character being a leftist. he would not fucking believe that
media literacy is knowing when a character would say "i dont vote. why are you bringing politics into this?" no matter how mad it makes you to hear somebody irl say the same thing
This goes for a good amount of the characters who are complained about "oh no they were a cop in the timeskip", a lot of the time they wouldn't have an issue with being a cop and it is perfectly in character.
The number of people who go like 'my beloved war criminal blorbo!' but then act like you poured a drink on them if you suggest they'd be a Republican is honestly pretty funny.

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it’s simple: when I like an adaptation, everyone complaining about changes to the text is a whiny baby who needs to get over themselves and accept that sometimes you have to change the story to enrich the experience/work within the medium. when I don’t like an adaptation, it’s because nobody else understands the core themes of the original work and would be better off just creating a story independent of what they’re trying to adapt.
'Shadows'. Olga Kvasha. 2009.
After The Pride Parade, Baltimore, 2005
what I mean: "sexual intercourse" is as much a social construct as "romantic courtship," and you discover this very quickly as a queer person if you try to talk to able bodied straight cis people who literally think the only thing that counts as Actual Sex is penis-in-vagina penetration, like they call oral "foreplay" it's so dire. various people have a lot of vested interest in cleanly defining "sex" vs "not sex" for a whole slew of reasons (ex. censorship dodging and enforcing, conferring the social clout of virginity and prowess, finding and closing loopholes about premarital sex, deciding what relationships "count" as serious partnerships, ligating what is general assault vs sexual assault vs Something That's Definitely Probably Fine And Not Sexual At All, Actually, etc.), and it's really not something you can just fall back on as obvious common sense that people are dumb for questioning.
what I say: sex isn't real and you can't have it
there r literally billions of reels u could have seen b4 u die but instead u wasted ur life being with those u love.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I knew you before we met.
HADESTOWN
i am so LOVED im so loved and cared for i have such wonderful ppl in my life i am so so so incredibly lucky so lovedddd