pansexual flower

Ladies of Taste and Refinement

Watercolor On Cotton Paper

2022, 22"x 30"

White Calla Lilies, Zantedeschia

Over Come

Watercolor On Black Cotton Paper

2024, 22"x 30"

Nighty Knight

Watercolor on Black Paper

2024, 11"x 14"

Ready For the Bill

Watercolor On Wood Panel

2024, 11"x 14"

Caminata familiar 1901 🖌️Paul Gauguin (francés, 1848 – 1903)

“But Rue, where will these kids stay? Do you want them on the streets?”

of course not. In an ideal world, a kids would have multiple adults other than their parents they could look to for care, but I recognize that that will never be a reality for every single child. So: youth shelters, if they have nowhere else to go. There should be clean, warm shelters where anyone under 18 can stay for as long as they need, no questions asked. (And of course shelters that aren’t just for kids, but we’re talking about youth rights right now)

“But Rue,” I hear you say, “what if some moody teenager runs away after an argument?”

First of all, I’d rather a thousand moody teenagers run away than one abused child be trapped. Second, so what if one does? A kid needs time away from their parents, so they leave. The vast majority of them will get some time to cool down and then go back home, and if they don’t want to go back, period? Then nine times out of ten, they have a good reason. (Because yes, as hard as it is for you to believe, kids are humans who have common sense.)

“Okay, but what about the one time out of ten the kid doesn’t have a good reason?”

"Woman with a Parasol – Madame Monet and Her Son" (1875)

by Claude Monet (1840-1926)

Like I said, the museum was a pretty snotty institution. It’s got a LOT of objects it’s way famous for possessing, but nobody knew about the absolutely massive collection of Moche erotic pottery it had because the curators were totally embarrassed by this stuff.

Some examples:

Pretty hot shit, right? They never, ever put any of this stuff on public view or published it in any catalogues but - we legit had like several hundred pieces of Moche ceramics in the “dirty pots” category. Anyway, I was left alone to just do my job with regard to the database for several years, ok? And I figured, well, these’re accessioned objects in the museum’s collection - better get down to bidness. 

I catalogued every goddamn bestiality, necrophiliac, cocksucking, buttfucking, detached penis, and giant vulva drinking cup in that collection. I’d be like, 

A drinking vessel in form of a standing man wearing a tunic and cap. He holds an oversized erection in his hands and stares into the distance (note I did not say “like he’s hella-constipated”). The vessel has a hole at both the tip of the penis as well as around the rim of the figure’s head, thus forcing the drinker to drink only from the penis or risk spilling wine all over themselves from the top of the vessel. Red and orange slip covers the surface of the piece.

Pretty straightforward, right? Apparently the deep seated fear of these objects that the curators exhibited was meant to spread to me as well, but - no one ever gave me that memo, because I guess Midwesterners reproduce asexually. When the curators understood that I had catalogued all of these objects in addition to the other, non-sexy pieces in the collection, they were apparently livid, but knew they had no legs to stand on in terms of getting pissed at me for it. 

I visited the museum’s online public access database a few years back and - every single description I wrote of these pieces has been totally neutered to say something like Male figural vase.