Pierre BONNARD .
'Fontenay-aux-Roses'

shark vs the universe

roma★


Origami Around
Monterey Bay Aquarium
Cosimo Galluzzi
noise dept.

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Pierre BONNARD .
'Fontenay-aux-Roses'

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Lois Dodd, Quarry Road at Night
oil on linen, in artist's frame
41,6 x 60 cm (16,4 x 23,6 in)
Philip Guston
The Artist’s Studio, Raoul Dufy (1935)
Gilbert & George
Sting-Land
Hand-dyed gelatin silver print, in artist’s metal frame, in thirty-two parts
1988
Rose Art Museum
@roseartmuseum
Color is an essential element of Gilbert & George’s artistic style. The duo, who have been making art together since 1967, use bold, saturated colors expressively or symbolically to set the mood of their pictures. In Sting-Land, the artistic collaborators and life partners are shown gazing across radiant verdure under a blood-red, tumultuous sky. Gilbert & George developed their unique technique in the 1980s, which enabled them to create grander, more complex works like Sting-Land. Based on detailed sketches, the artists arrange negatives and expose them onto photographic papers mounted together.
These, in turn, are developed and hand-colored one by one. The resulting works are complete only when all of the component images are finished, framed, and reassembled.

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Mark Rothko in his studio by Alexander Liberman, 1964
Gelatin silver prints
Alexander Liberman Photography Archive, Getty Research Institute
mark rothkomarkrothkorothkodaily rothkodailyrothkoabstract expressionismmodern artabstractioncolorfieldab excolorfield paintingmid century1964artist studioalexander liberman
Jackson Pollock
Pennsylvania Landscape, 1936
#jacksonpollock
Riera i Arago
„Five flying airplanes“, 2023
@rieraiarago
#rieraiaragó
Frank Stella in his studio, 1985. Photo courtesy of ©Nathan Benn/CORBIS.
Frank Stella, Eccentric Polygons - Effingham, 1974

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Frank Stella, Bonne Bay (1971)
Period: Washington Color School
Kara Springer, The shape of mountains, 2023. Cuchifritos Gallery
#karaspringer #instalation #instalationart
Cy Twombly