Lydia Pettit
Jules of Nature
$LAYYYTER
KIROKAZE
2025 on Tumblr: Trends That Defined the Year


JVL
Three Goblin Art
tumblr dot com

祝日 / Permanent Vacation
todays bird
DEAR READER
ojovivo
art blog(derogatory)

Kiana Khansmith
Not today Justin
he wasn't even looking at me and he found me
Keni

⁂
Aqua Utopia|海の底で記憶を紡ぐ

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@p0dunkpunk
Lydia Pettit

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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鴞。

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Endlessly diabolical how you can't say words like rape and suicide uncensored without either being criticised by idiots or punished by conglomerates.
It's not r*pe, it's rape. It's not su*cide, it's suicide. Not unalive, dead. The backbone needs to be reintroduced en masse because softening the blow of these concepts with advertising language does absolutely nothing but allow people unaffected by them to feel not even a sting of what they can do, prompting inaction.
And it's been proven that on certain websites, you don't even face a repercussion for using the words as they are. People just started censoring themselves because they feared the potential lack of views and likes and followers which is so nasty itself.
I attended an anti-suicide seminar in college. One of the big takeaways from it was that stigmatizing suicide increases the rate of suicide, because people who are feeling suicidal feel like they can't ask for help. Every time I see babytalk garbage like 'unalive', I think of that.
Use the real words. Words have power, and they matter.
i have a suggestion

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'Saturn' by Mitchell (1970)
The artist's full name is Horace Mitchell! I just learned a lot more about him in a fascinating article that came out today - How a Houston company got its art on the walls of stoners across America.
Here's the section that talks about this artist and poster:
Horace Mitchell was an undergraduate student at Rice University in 1968. Though he was studying physics, he was an amateur artist who loved science fiction novels and comic books. After reading about the Houston Blacklight in a local paper, Mitchell went to downtown Houston, sketchbook in tow. He sold his sketches to Jones, which would become the basis of four posters the company would publish: "The Trip," "Hassles," "Saturn" and "Chess." Mitchell was inspired by the work of the legendary Marvel Comics artists Jim Steranko and Jack Kirby, whose covers depicted towering characters set against psychedelic space-age landscapes.
"I had always sketched and drawn even as a kid," Mitchell remembered. "I got this bug that I would try to draw some big things."
The posters that went to market are different from what Mitchell drew. Some were resized, and colors were changed to be trippier under a black light. But for Mitchell, it was an exercise in representing abstract emotions and thoughts—ideas like space and time, optimism about the future—in accessible ways.
"It was sort of groundbreaking, the kinds of things they put in the posters that then wound up hanging in students' rooms because they represented ideas that really resonated with the students," Mitchell said.
That experience would serve him well in a much different role. After he finished his master's and PhD, Mitchell went on to work at NASA's Goddard Space Flight Center, running the agency's Scientific Visualization Studio in 1991, making hundreds of videos explaining everything from Mars' magnetic fields to hurricane animations. His work has been on news channels around the nation and even appeared in Leonardo DiCaprio's 2016 documentary Before the Flood. But he has always seen his work for the Houston Blacklight as the foundation of his career.
"I always had a joke: people would ask, 'Well, are you a real artist?' And I'll say, yes, I am. I'm published, but only because of those four things that got printed," Mitchell joked.
Here's the full collection of Houston Blacklight posters, from University of Houton's digital collections.
Proof of life, health, and so forth ft the cats
BCS changed a lot for me. It's forced me to work out every day so my sympathetic muscles help support my weaker joints. Pushed me to focus on my performances, rather than stamina. And made me give up more physical jobs and push for something that hurts less. I still have several jobs and don't rest like I should. My body still hurts all day every day. But I'm accepting my limitations now. And that will have to be that. Maybe someday, I can figure out how to be happy with that.
https://www.instagram.com/p/CGbDNTGgK_j
EYEHATEGOD
Man, fuck EYEHATEGOD
I was watching my ATX friends play a gig. They're a femme, black fronted protest punk band called BONDBREAKR. These assholes insisted that the locals backlined, so BB volunteered their entire pro level set up. Drum kit, amps, everything. Then, EHG gets on stage and spends the entire time complaining about the PROFESSIONAL GRADE EQUIPMENT THAT BONDBREAKR, THE BAND THEY SPENT THE WHOLE TIME SHITTING ON AS LOUDLY AS POSSIBLE DURING THEIR SET
Again. Fuck EHG

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Doom Generation, 1995 dir. Gregg Araki