Phantom Clouds Descend from the Sky in Vorja SĂĄnchezâs Illustrated Photos
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Phantom Clouds Descend from the Sky in Vorja SĂĄnchezâs Illustrated Photos

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Snowscapeă2/1/2021
Šjuri
.
I just started Instagram. Â #pastwork @juri_ishiwata
.
Release of my photo book:
âWhisper of the snowâ
Buy the book here
by Masahisa Fukase / 桹çŹćäš From the book: Ravens / é´ (1986)
Amaterasu
Kami du soleil dans le ShintĂ´, selon le Kojiki qui relate sa lĂŠgende, Amaterasu après un diffĂŠrent de trop avec son frère Susanoo kami des tempĂŞtes, se retire dans une grotte cĂŠleste et prive le monde de sa lumière le plongeant dans les tĂŠnèbres et le chaos. Les innombrables kamis qui peuplent le monde, ne peuvent supporter cette situation, ils ĂŠchafaudent un plan très ĂŠlaborĂŠ pour tromper Amaterasu et la faire sortir de sa grotte. Quand ils y parviennent, la divinitĂŠ piĂŠgĂŠe accepte de revenir ĂŠclairer le monde de sa lumière cĂŠleste Ă la seule condition que son frère soit bannis Ă jamais. On coupa la barbe et les ongles de Susanoo et on lâenvoya sur terre parmi les mortels.
Ce rĂŠsumĂŠ nĂŠcessaire et nĂŠanmoins peu reprĂŠsentatif de la lĂŠgende tel quâelle est ĂŠcrite dans le Kojiki. Une multitude de dĂŠtails permettent de trouver dans ces textes une philosophie, celle du ShintĂ´, dont la base est de considĂŠrer toute chose comme vivant. Ainsi une forme de respect peut-ĂŞtre portĂŠ Ă un objet, un lieu, un animal, un arbre et mĂŞme un humainâŚetc Jâai donc cheminĂŠ très naturellement dans cette philosophie, sans guide.
Ce travail est un parcours initiatique dans lequel jâai luttĂŠ, dĂŠcouvert, observĂŠ, rĂŞvĂŠ et crĂŠĂŠ avec la nature corse, en cherchant dans mes gestes le ShintĂ´ (la voie du divin).Â
Yun Hyong-keun (Korean, 1928-2007)

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I will not steal jobs.
Ink on paper, drawing robot. 2019
https://www.adrienblondelphotography.com/works
I will not steal jobs.
Ink on paper, drawing robot. 2019
https://www.adrienblondelphotography.com/works
Ana Mendieta, Silueta Works in Mexico, 1973-7
EIKOH HOSOE (b. 1933)
Untitled, Kimono #5, 1963
Gelatin silver print
ALEA(s) - teaser â ĂŞĂŚĂĂŞÂŽâø¥´â http://dlvr.it/QvhDpT
The Sun is Longing for the Sea, Photo by Hiroshi Yamazaki, 1978

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Significant Otherness - Pause Fest 2019 http://dlvr.it/Qtbb19
Time is a Dimension, Time Paintings ( 24 Hour Photography ) by Fong Qi Wei
The basic structure of a landscape is present in every piece. But each panel or concentric layer shows a different slice of time, which is related to the adjacent panel/layer. The transition from daytime to night is gradual and noticeable in every piece, but would not be something you expect to see in a still image.
I am fascinated with the intersections. Intersections are places where boundaries break down, and these are areas where really interesting things happen. Boundaries are comfortable and static. Intersections are troublesome, but nevertheless worth exploring. In particular, I am interested in the intersections of the sciences, art and technology.
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OTONIEL BORDA GARZONÂ
[ 24 GIFs to celebrate âLight Processesâ is now two years old! ] 3/24
Origin. Coded in Processing. 10 frames. _Related: Stripes.
[ 24 GIFs to celebrate âLight Processesâ is now two years old! ] 23/24 Accumulative  Changes. Coded on Processing. 30 frames. _Related: Perlin Noise

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Inwards Flame/Rain in the Land/Body
Coded in Processing. 20 frames. _Related: Random, Wave
HD version at Ello
Floating together. Â Â Created in Blender & Sverchok. Â Â 40 frames.
_Related: Abstract Creatures.