Optical Tactility, marquetry book edition of three. Veneer, leather and pewter.
Lint Roller? I Barely Know Her
wallacepolsom
occasionally subtle
Not today Justin

Janaina Medeiros
Misplaced Lens Cap

if i look back, i am lost
2025 on Tumblr: Trends That Defined the Year
noise dept.

sheepfilms

JBB: An Artblog!
art blog(derogatory)

Kiana Khansmith
Cosimo Galluzzi
Three Goblin Art

izzy's playlists!
Jules of Nature

Aqua Utopia|海の底で記憶を紡ぐ

seen from Italy
seen from United States
seen from Germany
seen from Türkiye
seen from Argentina
seen from United States

seen from Thailand

seen from Switzerland

seen from Hong Kong SAR China

seen from United States
seen from Australia

seen from Malaysia

seen from United States

seen from United States
seen from United States

seen from United States

seen from Italy
seen from Mexico

seen from Germany
seen from United Kingdom
@opticaltactility
Optical Tactility, marquetry book edition of three. Veneer, leather and pewter.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Mantissa: A Poetic Essay on Retraction, Memory and Language. Part 1. Edition of 2. Sold to The University of the Arts Special Collections!
When We Look Up, Isabel Lederman When We Look Up engages a viewer’s body in the visual experience of reading a digital poem in a gallery setting by challenging how we conventionally view video. The poem is projected downwards onto the surface of vellum that is inset within a pedestal. As a way to evoke how we look down at a book or a mobile device, When We Look Up experiments with a visual reading of semiotic hypertext and rhythm in the virtual field of a projected video. Each line of the poem is typed out and then dissolves, leaving a mark on the screen as the next line appears. Similar to the way in which we scroll through text on a computer screen, the piece emphasizes the loss of language and how digital technology is changing the way in which we display and reflect upon language. The text’s narrative slips in and out of time, mirroring the space created by technology in a long distance relationship, while questioning how we use technology to mitigate distance in our relationships. The overall design of the installation is a comment on how we look down to connect with our computers and cell phones. We slip into the digital world and once we have finished with what we were doing on the device, we look back up to connect again with the space around us. Adjacent to the projection is a framed platinum print of a lifesaver. The text from the poem claims that the lifesaver is a faded orange, but the print depicts the lifesaver in sepia tones. My intention to print the photograph in platinum is to play with the notion that we do not remember our memories in color.
Making boxes for Mantissa.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
When We Look Up, projection of a digital poem onto vellum, platinum print
Papermaking watermark broadsides
The girdle book in progress.
Hold Monument Broadside. Isabel Lederman 2014
Check out my new website!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
A study of gravel at night, 2014. Isabel Lederman
36.5''x 15.5''
Legs for days.
So Scant So Scarce, Works in Progress 2014.
Isabel Lederman
New book, Hold Monument

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Works in Progress. 2014, Isabel Lederman.
New blank book.