I'd rather be in outer space 🛸
Monterey Bay Aquarium

Love Begins

Origami Around
Alisa U Zemlji Chuda

Product Placement
he wasn't even looking at me and he found me
we're not kids anymore.

ellievsbear
d e v o n
occasionally subtle

tannertan36
Xuebing Du
tumblr dot com
RMH
AnasAbdin
PUT YOUR BEARD IN MY MOUTH
DEAR READER

#extradirty
seen from United States
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@oooszn

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Ben Vautier, To Change Art Destroy Ego, 1965 - 1968.
conniption fit (plural conniption fits)
Anger or panic expressed verbally loudly and with overt bodily gestures.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Archive, a solo by Arkadi Zaides, derives its source from the video archives of B’Tselem, a human rights information centre that gives cameras to Palestinians so that they can film their day-to-day lives in the occupied territories. On stage, the dancer and choreographer parades images of everyday violence between Palestinians and the settlers. He faces them and, as if looking for his place among them, reproduces the postures of the figures on screen. He glides from one body to the next, becoming a teenager throwing stones, a soldier firing teargas, an injured person being carried away… He extends certain movements, repeats others on a loop and, like an insane conductor, constructs a dance filled with gestures of violence. In turn playing a filter, a magnifying glass or a frame or hiding it altogether, Zaides continually moves around, shifting what we are seeing. He creates a maelstrom of sensations, a body-archive for us to delve into. Simply moving.