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Ben Vautier, To Change Art Destroy Ego, 1965 - 1968.

Anger or panic expressed verbally loudly and with overt bodily gestures.

Archive, a solo by Arkadi Zaides, derives its source from the video archives of B’Tselem, a human rights information centre that gives cameras to Palestinians so that they can film their day-to-day lives in the occupied territories. On stage, the dancer and choreographer parades images of everyday violence between Palestinians and the settlers. He faces them and, as if looking for his place among them, reproduces the postures of the figures on screen. He glides from one body to the next, becoming a teenager throwing stones, a soldier firing teargas, an injured person being carried away… He extends certain movements, repeats others on a loop and, like an insane conductor, constructs a dance filled with gestures of violence. In turn playing a filter, a magnifying glass or a frame or hiding it altogether, Zaides continually moves around, shifting what we are seeing. He creates a maelstrom of sensations, a body-archive for us to delve into. Simply moving.