The Valkyrie's Vigil (1906), Edward Robert Hughes
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The Valkyrie's Vigil (1906), Edward Robert Hughes

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personally I'm annoyed by the socioeconomic conditions that made words like "unalive" necessary but simultaneously impressed by the linguistic adaptations young people have made to continue talking about important things while subject to those conditions and I think if you can't hold both of those thoughts in your head you might just be old man yelling at cloud
you ever realize how able bodied people just are not expected to do things that cause them excruciating physical pain? like they’re just. not
if i shouldn’t use my cane because i can sometimes technically walk without it, it would just hurt like a motherfucker then abled people should no longer be allowed to use potholders to take things out of the oven because i mean
well they could technically pick up a hot pan with their bare hands. it would just hurt like a motherfucker
*sees an abled person using potholders*
i just think it’s really sad that you’re giving up on yourself like that
if you use potholders how will you ever build up the calluses necessary to pick up scalding hot metal without burning yourself so severely? it’s like you’re not even trying to get better
I mean, my mother uses potholders, but she’s in her 70s. You’re just… too YOUNG to be resorting to potholders at your age.
If you start using potholders, your inability to hold hot metal will only get worse.
As a professional cook I was, and still am, able to pick most stuff up out of an oven without a pot holder. I might get blisters and maybe it will hurt, but usually it won’t
AMAZING! based on this one specific individual’s experiences i will now safely assume that it’s possible for anyone to overcome hand pain & leave potholders behind for good!!! as long as you want it bad enough, anything is possible!! make this story go viral so that all those self pitying losers who still use potholders know that there’s no excuse
☆♡LIKE & SHARE IF YOU WERE INSPIRED!!!♡☆
every time some annoying prick from the usa says they're going to "europe" and doesn't specify which country they should be automatically banned from the whole continent. are you going to france or lithuania answer quickly i have a gun
when they say this they should be put in a town randomizer and spawn wherever it spits out. sorry you wanted to go to Amsterdam but you're stuck in (spins wheel) wait holy shit there's actually a village in France called Anus?
if you say you're going to europe I send you here
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.
The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.

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lvl 1: the plural of octopus is octopuses because the plural version of a word is the word with an s at the end
lvl 2: the plural version of octopus is octopi because if a word ends with "us" the plural version replaces the "us" with "i" e.g. cactus -> cacti and fungus -> fungi
lvl 3: actually, that rule is only for latin words. octopus is a greek word and the correct plural is octopuses or octopodes
lvl 4: actually, language is descriptive not prescriptive. since enough people over time have used octopi as the plural for octopus, it's a valid plural
lvl 5: the plural of octopus is octopeese, like geese
Lvl 6: My Marine Biology professor told me it was technically “Octopods” to bring it in line with “Cephalopod,” but that if the class is falling asleep you can call them “Octopussies”
crabs are so gentle, they can be so kind. their claws? precise little things, so careful in the sand, so careful with food. they do what they must to live and wave their claws to express their joy to the world for giving so much to them, for giving such kindness to these creatures known as crabs. please be gentle to crabs
i was on. a new sleep medication last night
An example of why one should use the Oxford comma.
The joyful boys.

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Funny stuff.
I had another client today get confused and upset at how I labeled their final file.
(If you don't know already, I'm a graphic designer)
The filename was something like "ProjectnameFNL-BLEED-DIE.pdf"
I also named the email "Projectname Final File - Bleed & Die"
Now, for the non-designers out there, a bleed is how you get the picture to the edge of the page in a document. You can't just print an 8.5x11 page in that situation, you have to print a larger page, and trim it to 8.5x11, and that overprint that you cut down is called the "bleed".
Die is short for dieline. If you are printing something in a different shape than a cutter can make (basically anything without straight lines) then you need a die. A die also helps trim things a lot faster, some can do a hundred sheets at a time, as opposed to manually doing it (which I'm not even sure how you'd even do that)
In this situation, I was making a box. They are notoriously tricky, but I've done a bunch before. And the person I was dealing with was new, and she had to send along the final approval to her boss.
She wasn't rude, but was clearly uncomfortable in our meeting today. I really had to explain it to her, and said that these were industry standard things and her printer needs this info. I also have worked with her boss before and absolutely knew that they'd understand the terms.
This is a kind of sample of what I mean. The dieline is the pink line. It is where things will be cut. You can see that it is a special shape that can't just be cut out regularly.
Everything blue outside the pink line is the bleed. you won't see any of that in the final folded box.
And the white lines you see are just the fold lines. They are usually part of the die line, but have a different process to use them.
So yes. I had a client today assume I was telling her to bleed and die, and I had to explain that it was just print terminology and I'm not a psychopath.
“People should pass a test before being allowed to have kids.” “Isn’t it scary how white people have this inborn capacity for evil?” “I’ll never pass because males and females have different skull shapes.” “Autistic people have a stronger sense of justice than anyone else.” “I don’t want AMABs in my space because they’re dangerous.” “You shouldn’t have access to hormones if you dress like THAT.” “Anyone who does something that awful isn’t human.” “Some people really shouldn’t be allowed to vote.”
This is eugenics. This is phrenology. THIS IS NAZI SHIT, YOU ARE A LEFTIST BUYING INTO NAZI SHIT. YOU ARE NOT IMMUNE TO NAZI SHIT.
hey is anyone else sick of having to adapt to horrible conditions over and over again
what will piss me off until the day I die is the fact that if trump can change this much of America entirely for the worse, then there was never anything stopping any other president from changing it that much for the better, they just never actually wanted to.
[Sighs in "the president only signs legislation into law and issues EOs, what you want is a progressive and competent CONGRESS paired with a progressive president"] [sighs even louder in "the Biden admin's legislation would have had a monumental impact on millions of people had Trump not immediately canceled everything"]
The desire for an executive that overrides the constitutional boundaries of the role is what got us trump, actually

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Forever baffled by the fact that Tim Burton is still thought of as a defender of oddness. He treats monsters as things to be gawked at, to be drawn and imagined, then put away in a safe little box. He doesn't love monsters, he loves freak shows.
"Tim Burton is a defender of oddness!" Tim Burton can't stand the idea of not treating fat people as carnival freak shows who are usually some flavor of cruel, disgusting, and/or just flat-out evil. He thinks he loves monsters so long as the monsters are coded as conventionally attractive skinny white people.
"But just look at his aesthe-" NO. Look at the ending of every fucking one of his movies. The odd protagonist has a return to normalcy. Every time. Every fucking time. Burton's a surbub boy and deserves his entire aesthetic being stolen by every mallgoth and new indie filmmaker that can steal a camera and write better.
He's also like really racist
There is something that has always bothered me about Nightmare Before Christmas (aside from the fact that is a children's movie where the plot is 'midlife crisis of adult man') and it is its maintenance of status quo. There is a read of the film where Jack's curiosity and interest in Christmas (his oddness) is punished and put back in its proper place.
Growing up with Burton was fun, but I'm glad we have culturally outgrown his storytelling and direction.
patterns left by woodworms on driftwood