i feel like if you stabbed an angel the blood trail would look like this
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@onefail-at-atime
i feel like if you stabbed an angel the blood trail would look like this
Hey. Hey!

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ATLA as Scents
got bored, tried associating fragnatica notes to atla characters
THE PITT
2.13 - 7:00PM
NATLA Season 2 thoughts
Overall, the writing improved from Season 1. They added some scenes and character moments that I enjoyed. It was good to explore both Sokka's and Iroh's grief and actually see the latter's redemption arc onscreen.
However, there were some moments I also didn't enjoy like how they handled Jet's character and the Zuko Alone episode. There were also moments where they lore dumped and did therapy speech to each other, but I think that's a Netflix problem in general. The humor fell flat for me as well. The backgrounds were a mixed bag. Some shots were breathtaking while others were grimy or too dark.
Also, it felt like the show relied on your knowledge of the OG Cartoon to really tell what's going on. That said, it's hard not to compare NATLA to ATLA, even though they are two different shows at this point.
In my opinion, the number of positive changes equal to the number negative changes. Therefore, I'll give it a 7/10, a solid C +. As stated earlier, it has improved so I will give kudos where it's due. Hopefully the writers will continue to improve and Season 3 would be even better.
Thinking about Iroh and how the White Lotus stuff is done in NTLA and how much I love it. The merging of storylines and adjusting things (Toph using raised lettering to read and Earth bending to write is amazing) but one thing with the carton that always confused me is Iroh and the Grand Lotus.
This organization is about transcending the four nations. Sharing in knowledge, peace, truth, etc. across political divides. That being said .... You mean to tell me this organization would have The Dragon of the West still as a part of it when he was actively fighting AGAINST such philosophies? Id imagine the order would have rejected him - grand master or not - as he continued to show himself as working opposite to what the White Lotus is about.
For me, NTLA, wasn't saying be is NEW as he still mentions practicing old ways and such before finding the group ... But returning. And it is the little forgiveness ritual that happens - Iroh showing his change from General Iroh to Uncle Iroh - that brings him back into the fold. They see he is truly once more a part of them and accept him for that.
Is it spelled out in black and white in the show .... No. Does it need to be? No. The show takes the time to show Iroh confronting his past also while he's noticing the White Lotus hints. He's confronting all of it and accepting the role he played - the horrors he inflicted -all while then being confronted with Yeong who once served beneath him to further drive it all home. For him to even KNOW about the order to recognize the signs someone either taught him before this OR he was already previously a member and the reason to have a whole "approval" scene for him is because he was essentially kicked out while he was fighting for the Fire Nation.
I just love what they did with Iroh in this season.

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ok do i think natla is like. as amazing as it possibly could have been. no. there are obviously ways this show could have worked better, i find it rushed production-side relative to its scope,Ā and it has myriad flaws as knock on effects of that āĀ plus what i would guess to be a high level of studio interference with writing and various other production elements, which gives the whole project a major 'too many cooks' vibe overall. it has problems, but 99% of ppls criticisms of it are honestly just horseshit. it typically comes down to "they changed x, so it's wrong and bad" w no real reason why it's important other than that they think the adaptation should be an exact replica of the og show, which is and always would have been functionally impossible. changes that seem clearly down to something simply not working in a live action version, or not reading as well in a 2020s era show vs a 2000s era show, or getting the thumbs down from test audiences for some other reason, or getting shuffled around in order to accommodate the low episode count, or just being left on the cutting room floor in favor of prioritizing the story's limited space elsewhere, are getting labeled evidence of incompetence or even malice on the part of the writers. This always happens with adaptations esp if they have a large fandom already, but it pisses me off every time because the majority is just reactionary nerd rage being framed as legitimate criticism, which it is not. legitimate criticism is capable of approaching and evaluating the work on its own terms without holding onto prescriptive ideas about it with such a death grip. it's fine to compare as a mode of analysis, but if redacting the comparison leaves your criticism impossible to explain, then you're not making a real argument about how the text is working. eg a character "has" to have this specific arc ("why did they remove sokka doing a complete 180 from misogynist to feminist in basically 2 episodes"*), the narrative "has" to happen in this order with these specific things included ("why is serpents pass happening so early and with the wrong characters there"). in reality there's no reason choices like that are anything but neutral and subjective, except in light of being aggressively, constantly compared to the source material. a criticism like "this storyline is awkwardly paced", for instance, stands on its own without requiring any reference to the source material. im just so over the entitled bitching about changes, get over yourselves and either don't watch the show or start figuring out why you don't like it for different, better reasons.
*ppl forget how lightning fast this arc happened bc there were 2 buffer episodes [part 2 of the pilot and southern air temple] in between that didnt focus on it but yeah, sokka went from disregarding and denigrating women to completely respecting women and never needing to hear about it again in a very quick time frame. It was a great storyline for the time, esp for a childrens show, but i personally dont think audiences today would ever buy that fast and complete of a turnaround from a live action character, it would need to be made into a season long arc which would totally tank his character in other contexts and imbalance his overall arc for the rest of the show.
AVATAR: THE LAST AIRBENDER (2024- ) 2.05: Ten Thousand Things
if tokka were to have a book, this would be the title 100%
Okay, all of them trying to teach him earthbending is pretty funny.
Goddamn what a glow up

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Funny how no one gave a single shit about Mai before but now everyone and their mother is a Mai expert now when they want to criticize Thalia Tran.
Toph: Iām the earth-bending teacher by the way.
Kyoshi: but youāre a child.
Toph: and youāre dead š¤·
Toph is the best female character in this show I love her so much-
Toph holding her own against KYOSHI was such a great bit.
And being honest, I'm not that upset by how they learn about the solstice in the live action. Aang has a direct line to thousands of Avatars before him, and they didn't think to seek advice about a major celestial event that occurred in almost every Avatar's lifetime?
Toph: Iām the earth-bending teacher by the way.
Kyoshi: but youāre a child.
Toph: and youāre dead š¤·
Toph is the best female character in this show I love her so much-
I'll give them this, this Long Feng is way more effective. Better if he comes across as a worried and well intentioned ally than a shady and obvious villain.
NOAH WYLE as JOHN CARTER
ā¤ā¢ ER (1994-2009)

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i think my main issue with natla isnāt so much the acting but the fact that the actors canāt really do much with how their characters are written.
the biggest example being aang and katara, where separating them/barely making them interact doesnāt make sense in any way. if you take katara from being one of the most important main characters and reduce her to basically a side one (at best, in this case) youāre also taking away some of aangās best qualities and vice versa. they balance each other out and even though they both have their own separate arcs, a lot of their growth happens because of each other because of how connected they are. you canāt take that away without the writing feeling dull. aang was never meant to deal with everything on his own, he gets through things with the rest of the gaang and while that applies to all of them, katara is the most important part of that dynamic because sheās the deuteragonist of the show. without her, aang ends up feeling lost and his problems getting magically solved off-screen isnāt going to cut it. making katara irrelevant is wrong for many, obvious reasons! these two are meant to work together, thatās the whole point. whether you ship them or not, you canāt have one without the other because their relationship is fundamental to both of their characters.
NOAH WYLE as DR. JOHN CARTER in ER (1994-2009) | S2E14 āThe Right Thingā (1996)
endless gifs of Carter bc I think heās pretty 28/ā