m

The storm had burned itself out sometime before dawn.

Now all that remained was the steady drip of rain from Dragonstone's black stone walls and the distant crash of waves below the cliffs. Pale morning light slipped through the narrow windows in soft ribbons, washing the chamber in silver.

You wake slowly.

Not necessarily because you're rested, but because you're warm. Far warmer than you ought to be beneath a blanket that had long since been kicked to the foot of the bed.

Jace is wrapped around you as though sometime during the night he'd decided that simply sleeping beside you wasn't close enough. One arm is draped securely across your waist, his face buried against the back of your shoulder, his breathing slow and even. His dark curls are a complete mess, and one bare leg has somehow become tangled with yours beneath the sheets.

You smile to yourself.

"You'll complain about your shoulder later," you murmur.

A sleepy sound, somewhere between a hum and a groan, vibrates against your skin.

"I'll survive." His voice is thick with sleep and his grip tightens just enough to pull you impossibly closer. There's something almost boyish about the way he says it, as though it's a victory in itself.

You turn carefully within the circle of his arms until you're facing him. The movement earns another sleepy complaint, though he makes no effort to let go.

Up close, you can still see the faint flush lingering across his cheeks from the warmth of the room. A thin scratch is visible beneath his collarbone, your own fault no doubt.

You remeber is so clearly, how the rain had battered against the windows, how the candles had guttered low, how his forehead was resting against yours while the storm rolled over Dragonstone. But inside your bed chamber, you'd barely noticed.

"You look terribly pleased with yourself," you say.

One eye opens. "Well, I married you, didn't I?"

"Your point being?"

"It happens to be something I am very pleased about." He studies you for a long moment. "I was thinking..." He continues, thumb brushing lazily over your bare waist. "That I should arrange for more storms."

"Oh?"

"They appear to encourage you to stay in bed."

Outside, somewhere beyond the window, comes the deep, familiar rumble of a dragon.

Jace sighs dramatically without lifting his head. "He's awake."

He presses a kiss to your forehead before finally, reluctantly, releasing you. "If Vermax has flown all the way here simply to interrupt my morning," he declares, "I shall have to remind him who hatched him."

You grin as you reach for the discarded shift lying somewhere beside the bed.

By the time you're both dressed the castle has begun to wake around you.

You trail a step behind Jace, fingers loosely hooked around his sleeve more out of habit than necessity. To be honest, it is a habit you've only recently allowed yourself.

When you first arrived as his wife, you had been painfully conscious of every eye that followed you through the castle.

The princess, the prince's bride. Too young, some had whispered when they thought you were out of earshot. Too sheltered or too soft for Dragonstone.

You had smiled through every greeting, learned every name you could remember, and prayed no one noticed how often you got lost in the twisting corridors of black stone.

Jace had noticed.

Three days after your wedding, he'd quietly taken your hand before supper and walked every hallway, pointing out hidden staircases, quicker routes, which doors stuck in damp weather and which windows gave the best view of Blackwater Bay.

"I cannot believe you've spent an entire afternoon making sure I know my way around the castle." You'd said that evening in your chambers.

"Why can't you believe it?"

"You drew me a map."

"It was an excellent map."

"It had little dragons."

"So you wouldn't get bored."

You laugh. "You named one after Lord Celtigar."

"That one looked particularly grumpy." He grins, a quick flash of satisfaction that softens his usually princely composure, and reaches for your hand.

In your mind, the heir to the Iron Throne ought to be careful, composed, forever aware of watching eyes. But Jace rarely seems to remember, or perhaps he simply doesn't care.

A pair of servants step into the corridor ahead.

The moment they see the two of you, they bow hurriedly. "My prince. Princess."

You smile in greeting, Jace nods once, polite but distracted.

Only after they've passed do you realize he never let go of your hand.

Not even for a moment.

"You know," you tease quietly, "there are people who might think you're terribly devoted."

"They'd be right." He looks at you then with a familiar softness, so unguarded it almost steals your breath.

His thumb brushes absentmindedly across your knuckles. "And I'm not inclined to stop simply because people are looking."

Before you can answer, a deep, resonant rumble rolls across the courtyard outside.

Jace exhales through his nose.

"There he is."

You cross toward one of the narrow windows overlooking the inner yard. Far below, Vermax has landed.

The young dragon stands with his wings half-folded, emerald scales still glistening from the night's rain. A pair of dragonkeepers are speaking to him from what they clearly believe is a safe distance.

Vermax is paying them absolutely no attention. Instead, his great head is tilted upward.

Toward this very window.

You laugh. "I think he's looking for you Jace."

Jace joins you at the window. "No."

He follows the dragon's gaze for a moment before the corners of his mouth twitch. "I think," he says with theatrical resignation, "he's looking for you."

As though to prove his point, Vermax lets out another low, expectant chirr, quieter than his earlier call.

You blink. "Surely not."

Down in the courtyard, Vermax chirrs again.

It becomes impossible to deny by the end of the week. Vermax has decided you belong to him.

"No," Jace says flatly one afternoon, watching the dragon nudge your shoulder with surprising delicacy. "Absolutely not."

You laugh, scratching beneath the smooth ridge of emerald scales where you've discovered he likes it best. "What has he done now?"

"He is stealing my wife."

As if personally offended by the accusation, Vermax lowers his head another inch until the broad curve of his snout is pressed insistently against your side.

Jace stares. "You see?"

"He wants attention."

"I gave him an entire sheep this morning."

You can't help the laugh that escapes you, and it echoes across the training yard, bright enough that even a pair of dragonkeepers glance over with amused smiles.

You and Jace turn to go back inside, but only make it perhaps ten paces before heavy footsteps thud softly behind you.

The dragon has stood and started following.

"Vermax."

He stops, tilting his head.

"You can't come into the castle."

It doesn't stop there.

If you choose to read beneath the old weirwood overlooking the sea, Vermax appears within the hour.

If you wander the beach collecting shells after supper, a shadow passes lazily overhead before circling back toward shore. When you look up, the dragon is gliding against the afternoon sky.

The dragon dips lower, just enough that the rush of displaced air sends your skirts fluttering.

You laugh and wave. High above, Vermax answers with a delighted trill.

One morning you step into the gardens alone, intending only to cut fresh lavender for your chambers. You have barely even filled half the basket when a familiar shadow rolls across the flowers.

Then comes the gentle, unmistakable whuff of warm dragon breath.

You don't even look up.

"Good morning, Vermax." The dragon answers with a contented rumble.

He settles himself just beyond the garden wall, folding his forelegs neatly beneath him.

And there he remains.

When Jace finds you nearly an hour later, basket overflowing with lavender, he stops dead.

"You've got to be joking."

"What?"

He points.

Vermax, his great head rests on crossed forelegs, one eye lazily cracked open just enough to keep you in sight.

You walk over, unable to resist stroking the smooth scales along Vermax's jaw.

Jace follows, and you shake your head, laughing, and slip your free hand into his. Immediately, Vermax opens both eyes.

He watches the joined hands for a long, silent moment. Then, with another deep, satisfied rumble, he closes them again.

A couple weeks later, Dragonstone is hosting a small gathering of sworn lords from the Crownlands. Nothing particularly grand, just an awful lot of petitions, trade disputes, and endless discussions that leave Jace rubbing his temples by supper.

You escape the hall as politely as you can.

"I shall only be a moment," you promise him.

His hand lingers around yours before he lets go. "I know."

"You'll survive without me, Jace, I promise."

The sea air is cooler outside. Rain still clings to the black stone, leaving everything smelling of salt and earth. You breathe deeply, grateful for the quiet after hours of smiling at strangers.

You don't notice the shadow until it passes overhead.

A heartbeat later, Vermax lands beyond the outer wall with enough force to make loose gravel dance across the ground.

"You again?" you laugh.

His answer is a soft chirr as he lowers his head, inviting the familiar scratch beneath his jaw.

You indulge him. "You know," you murmur, "your rider insists you're abandoning him."

You continue scratching him anyway.

The interruption comes quietly. "My princess."

You turn. One of the visiting lords, a pleasant enough man whose name escapes you, has stepped into the courtyard. He offers a courteous bow.

"I hoped I might thank you for your kindness at supper."

"You are very kind, my lord."

He smiles. "I confess Dragonstone is rather less… welcoming than I imagined."

You glance at the dragon. "I imagine it has nothing to do with the fire-breathing beats circling at all times."

The lord laughs and takes a step closer.

Vermax's head lifts. The movement is slow enough that, for a moment, no one notices. Until the rumbling begins. It vibrates through the stone beneath your feet and the lord stops mid-sentence.

His smile falters.

Vermax does not bare his teeth, he does not spread his wings, he simply fixes the man with one unblinking emerald eye.

The rumble deepens.

"My lady," the lord corrects takes an instinctive step backward.

The sound stops.

You blink.

"…That was odd."

The lord laughs a little too loudly. "I believe… I shall return inside."

You think little of it.

Until it happens again, and again, and again. Not only with strangers, but with servants and guards. Even dragonkeepers he has known since hatching.

If someone approaches you too quickly, Vermax appears.

If voices grow heated nearby, he materialises as though summoned by instinct alone. He has become a living wall of green scales between you and the rest of the world.

A fortnight passes.

The castle settles into its familiar rhythm, though Vermax never quite returns to his old habits.

If anything, he grows bolder.

By now, even the servants have stopped remarking upon it.

"Your shadow awaits you, Princess," one maid says one morning with a knowing smile.

You peer from the window. Sure enough, a pair of emerald eyes are already fixed expectantly on the tower.

You laugh. "I do believe I've been adopted."

That afternoon, the weather is fair.

Jace has escaped the council chambers looking thoroughly exhausted, finding you exactly where he expected, beneath the old windswept tree overlooking the cliffs, a book forgotten in your lap while Vermax dozes nearby.

Or appears to.

His eyes are closed.

One wing lies stretched lazily across the grass, shimmering green beneath the sun.

Jace watches while walking towards you, finally bending to kiss the top of your head. Then, without thinking, he reaches a hand toward you.

Vermax's eyes snap open.

The dragon rises in one smooth motion, slipping between you and Jace with astonishing precision. His great neck curves across the narrow space, not striking, not threatening, but blocking.

Jace freezes.

For one suspended heartbeat, neither moves.

The dragon's head turns slightly, one brilliant green eye fixed on his rider, Jace stares back.

"...Vermax."

The dragon lets out a low sound, as though asking something only he understands. Then, just as suddenly, he steps aside.

You blink. "What on earth was that?"

Jace doesn't answer, he is still looking at Vermax.

"I've never..." he murmurs.

"What?"

"He has never stood between us."

By evening, Jace has sought out the dragonkeepers; he wants an explanation.

The oldest among them is already waiting when Jace reaches the caverns.

He bows deeply.

"My prince."

"You've noticed." It is not a question.

The old man is silent for a long moment. "...Yes."

"Then tell me."

Another pause.

"There are tales." The dragonkeeper folds weathered hands before him. "And the tales are all I have."

Jace says nothing, but his jaw tightens.

The old man continues carefully. "Dragons know certain things before men do, sometimes."

"What things?"

"Danger." Jace nods once. "Weather." Another nod. "And..." The man hesitates. "Life."

Jace blinks. "...What do you mean?"

"There are old records. Rare ones. A dragon becoming unusually protective of a rider's wife. Of a queen. Of a princess."

"Protective?"

"They guard." The dragonkeeper's gaze drifts toward the mouth of the cavern, where Vermax sleeps beyond the fading light.

Jace remembers every strange moment of the past weeks and his heartbeat quickens.

"No."

"It is only a possibility."

"No."

"Has the princess been unwell?"

"...No."

"Has she been unusually tired?"

Jace opens his mouth. Closes it again.

"And..." the dragonkeeper says gently, "when did the dragon's behavior begin?"

Jace's mind races backwards until he finally remembers the storm. How Vermax had refused to leave the castle, had hovered outside their chambers, nudging him toward the tower when he'd intended to return to his studies.

He'd laughed. "Apparently, he has plans for us."

Three months, almost exactly.

The dragonkeeper watches the realisation settle over his prince's face. Quietly, he says, "I believe... it may be time to send for the maester."

Jace finds you in your solar not five minutes later. You look up from the embroidery in your lap, smiling the moment he steps through the door, but the smile falters almost immediately.

"Jace?"

His hair is windblown from crossing the castle at nearly a run, his expression unreadable in a way you've never quite seen before. He closes the door behind him without a word and simply looks at you, searching your face as though expecting to find something different.

"What is it?"

He crosses the room in three long strides and kneels before your chair, taking both your hands in his. "Have you felt unwell?"

You blink. "...No."

"Not at all?"

"A little tired, perhaps, but you've been working me through every feast and council dinner on Dragonstone." You smile faintly. "I assumed being a princess was simply quite exhausting."

His thumb traces absent circles across your knuckles. "And nothing else?"

"I've slept later than usual."

"You've always liked sleeping late."

You grin, leaning forward to whisper, "I do when my husband keeps me awake half the night."

The corner of his mouth twitches despite himself, though the smile never quite reaches his eyes. "When was your last moon's blood?"

You stare at him. "What?"

He doesn't repeat himself, and slowly, your own amusement fades. You set the embroidery aside. "I..." You pause, thinking. "I don't know."

"You don't know?"

"I've never had reason to count the days so carefully, Jace."

Silence settles between you. You begin counting backwards in your head, tracing feasts, journeys, the passing weeks. Your brows knit together. "A couple of weeks, maybe," you murmur. "I'm not sure."

His expression answers before he speaks. "The dragonkeepers believe Vermax sensed it."

You let out a disbelieving laugh. "Jace."

"They've seen it before."

"Surely they haven't."

"They swear they have."

You shake your head, trying to make sense of it. "So... because Vermax has decided to follow me everywhere..."

"And because he stood between us."

"...he thinks I'm carrying a child?"

"Yes."

You both fall quiet.

"Oh."

It is the only word you can manage, and Jace squeezes your hands.

"I've sent for the maester."

"You've... already?"

"He'll be here shortly."

The maester, when he finally arrives, is kind and discreet, far too accustomed to royal nerves to comment on the tension hanging in the room. He asks a handful of careful questions, his expression growing steadily more thoughtful with each answer.

When he rises from his examination, he folds his hands inside his sleeves and smiles.

"My prince."

Jace has been standing by the window the entire time.

"So?"

The old man inclines his head. "My congratulations."

The room falls completely still. You look at Jace. He looks at you. Neither of you speaks.

The maester continues, almost gently. "If my calculations are correct, Her Grace is nearing the end of her third month."

He leaves you with instructions about rest, diet, and avoiding undue strain, but you hear almost none of it, too focused on the way the room seems to have shrunk around you.

The door clicks shut.

Then Jace crosses the room so quickly that you barely have time to stand before his arms are around you. He buries his face against your hair, holding you so tightly it almost hurts.

You laugh through the tears threatening your eyes.

"I think..." Your voice catches. "I think we're going to have a baby."

He nods once against your shoulder, voice barely a whisper. "I know."

Jace's spiral into overprotectiveness begins with the reasonable things.

"No more riding."

You open your mouth to argue, but are stopped before any sound escapes by a single raised eyebrow.

The maester, entirely unhelpfully, agrees with him.

Then come the stairs.

"If no one is with you."

"Jace."

"They're uneven."

"They have been uneven for a hundred years."

He insists on taking your arm every time you descend them after that.

By the time your gowns no longer sit quite as they used to, he has become impossible.

Servants carry anything heavier than a book. Meals appear in your chambers if the Great Hall is too crowded. Councils are moved rather than asking you to cross the castle, and if you so much as mention feeling tired, Jace is already leading you back toward your rooms before you've finished the sentence.

"You know women have been having children since the beginning of time?"

"I am aware, yes."

"They don't all require an escort to the library."

"I don't care, because you will have one.

Once, you disappear for nearly an hour.

Jace finds you asleep in the late afternoon sun, curled against the warm curve of Vermax's foreleg with a book lying open across your lap.

The dragon is awake. His head rests protectively around you, just close enough to shelter you from the wind without touching.

At Jace's approach, one emerald eye opens. For a long moment, dragon and rider simply look at one another. Then Vermax lowers his head again.

You stir at the sound of footsteps, blinking sleepily up at your husband.

"There you are."

"I've been looking everywhere."

"I was comfortable."

"I can see that."

By the eighth month, you start to begrudingly appreciate Jace's over-the-top efforts.

"I cannot reach my boots."

Jace looks up from the letter he'd been pretending to read. "You reached them yesterday."

"I was smaller yesterday."

He watches you glare down at the impossible curve of your stomach as though sheer determination might convince it to move. After another unsuccessful attempt, you huff dramatically and fold your arms.

"This child is already causing problems."

"Our child," Jace corrects.

"Our child," you sigh, "has stolen my feet."

A smile threatens at the corners of his mouth. With the patience of a man who has accepted this as his fate, he sets the letter aside and kneels in front of you.

"Oh, don't you dare."

"You said you couldn't reach."

"I did not ask you to-"

"You were about to."

He lifts one foot gently onto his knee and makes quick work of the laces.

"Jace, you don't have to do everything you know."

"I know."

"So why do you?"

He finishes tying the second boot before looking up at you. "Because I like taking care of my wife."

A number of weeks later the castle wakes before dawn to the sound of a dragon.

Not roaring; pacing.

The heavy scrape of claws against stone echoes through the courtyard, followed by a low, restless rumble that seems to vibrate through the walls of Dragonstone itself.

You stir beneath the blankets, still half asleep. "...He's at it again."

Beside you, Jace groans into his pillow. "If he has frightened another stableboy, I swear on all that is holy-"

Another rumble.

Closer this time. Longer, almost a whine in nature.

Jace sits up. "...That's odd."

For the past several months Vermax has scarcely left the courtyard beneath your chambers, but he has always been quiet. Content simply to stand and watch.

The windows rattle faintly as his tail sweeps across the stone.

Jace is already pulling on a tunic. "I'll see what's wrong."

You nod, pushing yourself upright with considerably more effort than dignity. He smiles over his shoulder as he ducks out of the room, but it doesn't quite reach his eyes.

The courtyard is in chaos.

Dragonkeepers stand well back from Vermax, speaking to him in soothing High Valyrian that goes utterly ignored. The dragon paces in tight circles, wings half-spread, head swinging constantly toward the tower above.

One keeper catches sight of Jace.

"My prince."

"What happened?"

"We don't know."

Vermax notices his rider. Instead of calming, the dragon lets out another deep, agitated rumble and immediately turns toward the tower again, toward your chambers. Then, he stamps a forefoot. Hard enough that dust shakes from the walls.

Up in the tower, you're sitting and waiting for Jace when pain tightens unexpectedly across your abdomen.

You stop halfway across the chamber, one hand finding the edge of the table. "...Hm."

The feeling passes as quickly as it came.

Outside, Vermax lets out the loudest cry you've ever heard him make. It rolls across the cliffs and back again.

You freeze before calling out. "...Jace?"

He is already taking the stairs two at a time. He bursts through the chamber doors moments later, slightly out of breath.

Before he can speak, another wave rolls through you. Your hand flies instinctively to your stomach.

Jace's face drains of colour. "What is it?"

"I..." You breathe carefully. "I think..."

Another pause. Then, despite yourself, you laugh. "I think Vermax has solved another mystery."

For one heartbeat Jace simply stares.

Then his eyes widen.

"No."

"I think so."

As if the universe itself objects to his denial, another wave steals your breath. You grip the bedpost but Jace is at your side before you can blink, one arm already around your waist.

"The maester."

His voice comes out far calmer than his expression.

"Someone fetch the maester!"

Outside, Vermax finally stops pacing.

He lowers himself heavily onto the black stone directly beneath your windows, refusing every attempt by the dragonkeepers to coax him away.

His head remains lifted toward the tower.

After hours of pain and effort the world slowly comes back into focus in pieces.

Sound first; soft voices, the distant rush of the sea, the occasional crackle of the hearth. Then warmth pressed against your side. You blink against the haze of exhaustion and find yourself surrounded by dim candlelight and movement that feels almost too gentle for how loud everything had just been.

Jace is here.

He’s sitting half on the edge of the bed, hair dishevelled, sleeves rolled up wrong, a smear of something dark on his cuff that you vaguely decide not to think about too hard. His eyes are fixed on you with a kind of stunned intensity, as if he’s afraid that if he looks away for even a second, this will all vanish.

“You’re shaking,” you murmur, though your own voice barely holds together.

“I’m not.”

“You are.”

A beat of silence passes between you before he exhales and finally lets himself lean forward, pressing a careful kiss against your forehead.

“And him?” he asks, like he’s been holding the question in his teeth for hours.

You don’t even need to answer. The little bundle in your arms shifts slightly, a tiny sound breaking through the quiet and Jace goes utterly still. His gaze drops to the child as though he’s afraid it might disappear if he stares too hard.

“He's beautiful,” he says finally.

You adjust the blanket slightly, and the baby nestles closer, face scrunching briefly before settling again. Jace makes a sound that is halfway between a laugh and something dangerously close to breaking.

“I don’t-” he starts, then stops, swallowing. “I didn’t think it would feel like this.”

“You thought it would feel like what?”

He doesn’t answer immediately. His hand hovers near the bundle, stops short, then retreats again like he’s not sure he’s allowed.

“Louder,” he admits.

You huff a weak laugh. “I'm not sure it'll stay this quiet, so we should probably try to enjoy it while it lasts.”

He finally looks at you again, and there’s something undone in his expression that you’ve never seen before. “I need to see him,” he says.

You tilt your head slightly. “You’ve been staring at him for an hour.”

“Alright, I need to hold him.”

You carefully shift the baby into his arms. It’s awkward at first, Jace holding himself too rigid, like he’s afraid of doing it wrong, like one wrong breath might undo everything, but then the child settles against him and something in his shoulders breaks open.

He exhales, slow and unsteady. There’s a long silence where he doesn’t say anything at all.

Then, barely audible, “I can't believe he’s mine.”

You smile faintly. “Yes.”

Jace looks down again, thumb brushing so lightly over the baby’s cheek it’s almost not there. “He looks…” He pauses, helpless. “He looks like he knows things already.”

“That’s probably just you projecting.”

Outside the window, a deep sound rolls through the cliffs. Jace’s head lifts instantly.

“Oh.”

Jace carefully adjusts his grip on the baby, like he’s handling something far more fragile than steel and fire could ever be.

“I should-” he starts.

You raise an eyebrow. “You should what?”

He’s already standing. “I should show him.”

You blink at him. “Jace.”

But he’s not really listening anymore. Not in the way he used to, at least. This is something else, instinctive and almost urgent.

“Jace, it’s freezing outside.”

“I’ll be quick.”

So you watch him wrap a cloak around himself and the baby like it’s the most natural thing in the world, then walk out of the room.

By the time he reaches the courtyard, Vermax is already there.

The dragon is enormous against the grey morning sky, wings folded, tail curled tightly around the stone like he’s been rooted there for hours. When he sees Jace, he doesn’t move at first.

Then Jace steps into the open.

Vermax’s head lowers immediately.

Jace stops a few paces away, breathing uneven, then lifts the bundle higher against his chest.

“This is my son.”

Vermax steps forward, so carefully. The ground still trembles slightly beneath the weight of him, but he is impossibly gentle as he lowers his head until he’s level with Jace’s arms. One massive eye focuses on the tiny face within the blanket.

For a long moment, he does nothing.

Then he exhales. Warm air, slow and careful, brushes over the child like a blessing.

The baby stirs, and Vermax freezes instantly.

Jace laughs under his breath, disbelieving and wrecked all at once. “It’s alright,” he murmurs. “He’s yours too, apparently.”

The dragon makes a soft, almost questioning sound, then lowers himself further until his forehead rests against the stone directly in front of them, as if offering something wordless and absolute.

Jace finally looks up at him properly, smiling.

“Say hello,” he whispers.

Vermax answers with a quiet, reverent rumble that rolls out across Dragonstone.

As much as you appreciated their worry, it was unnecessary, something even they had come to realize after seeing how Aerion was with you.

He was as loving to you as he was not to everyone else, and though you somehow tamed the rushes of anger that always coursed through him, he still had a rather minimal tolerance for the rest of the world. Including his brothers. Especially his brothers.

Especially Aegon.

The youngest of his brothers had become an issue neither of you had expected prior to him meeting you.

It had taken some time before Aerion decided to introduce you to his family, and seeing as you weren't one to push, the most his brothers knew of you for exactly four months after you officially got together was your name — after Aerion accidentally left his phone on the table, and a notification from you revealed your name to Daeron, who saw no appeal in protecting his brother's privacy.

And when Aerion texted you one night, asking if you'd be okay with meeting his family — so they'll finally get off my ass about this, he had said —, you saw no issue with it, and thus a dinner was planned.

The instant the two of you entered his dining room, your eyes had gone over each attending member of his family: his three brothers, his two sisters, his father, his uncle, and his two cousins. And the air was knocked out of your lungs.

They all had an unnatural kind of beauty to them. Most of them shared Aerion's silver hair and purple eyes, but even those that didn't appeared to come from another world.

Aerion had cursed under his breath, muttering about how if he had known half the family would be called, he'd have bailed on this whole thing. But you had maintained your composure, painted a smile on your face, and met his family with forcibly-steadied hands and a thumping heart in your chest.

In retrospect, there really had been no need for you to stress over this so much. As intimidating as the Targaryens were, they were all mostly nice and very charming to be around, and in the blink of an eye, you'd found your place among them.

But credit must be given where it was due. If it hadn't been for the youngest boy, Aegon, you would have taken a lot longer to get comfortable.

His seat had been directly to your left, and he had chatted your ear off all through dinner. All the names, relations and little fun facts you knew about the Targaryens came from him. He had even ended up pulling his iPad beneath the table to show pictures of the events he was telling you all about.

Aerion hadn't shied away from expressing his annoyance at the extravagance of the dinner, which nobody showed any surprise to. He mostly stuck to your side, chatting with you in the brief moments Aegon's attention was elsewhere.

Regardless, the dinner had gone well, and with this particular milestone out of the way, the two of you could finally relax and enjoy each other's company the way you so loved: privately and without shame.

However, Egg didn't seem to have gotten the memo.

"Oh, not this again —” Aerion hissed as he returned to the large living room of the Targaryen home — castle felt more accurate to you, but oh well — with a bowl of popcorn in one hand and two drinks in the other. He stopped in his tracks right at the doorway, when his eyes found the little figure sitting next to you, which had not been there when he left five minutes ago. "What the fuck is he doing here?"

Your eyes widening at his words, you opened your mouth to scold him for swearing in front of the nine year old, but said nine year old merely perked up at his brother's voice and turned his head around to look at Aerion from where he sat on the couch.

"Did you bring my chips? I left them in the fridge."

"No! Get out!"

Even you flinched at the volume and tone of his voice, so it was no surprise when Egg leaned back in his seat, his arms crossed over his chest, a sad pout twisting his young features. And in spite of how much you enjoyed being alone with Aerion, you felt a tug at your heartstrings from the sight of the expression on his face.

Wincing, you glanced at your boyfriend, a pleading look in your eyes. "Well..."

"No."

"Just this time."

"You said that last time."

"He's already here."

"He's always here!"

"Aerion."

"No. Not happening."

Silence fell upon the living room, your eyes meeting Aerion's purple ones with determination. Obviously, you understood where he came from, but you couldn't help it. Egg was such a sweet little boy, and he was always so nice and adorable that you couldn't help but cave to his every wish.

And five minutes later, the three of you sat in front of the TV, Egg in the middle happily munching on the popcorns from the bowl on his lap, often turning to you to share his thoughts about the movie.

"Why Egg?"

"It's short for Aegon," he nodded vigorously and looked away from you.

"Yeah, I figured that part out —”

Like any normal person with a functioning brain, you loved making out with your boyfriend. He was hot, and you were in love with him, so it wasn't like it was a chore for you. Nor was it for him, based on the blurry, heated memories that suddenly came to mind.

Maybe doing it out in public was less understandable, though. But after he had placed all the shopping bags you'd handed him over the afternoon in the backseat of his car, he had pulled you into short kiss, which then became a long one, and somewhere between that and now, it had turned into something else.

Neither of you noticed when Aerion's phone began vibrating in his pocket for a couple of minutes. And when he finally did realize, he had to pull his hands out from under your shirt to declined with an irritated huff.

Then he paused, glanced at his screen for a few seconds, huffed again and answered the phone.

"No fucking way," he ended up spouting after a few back and forth between him and whoever was on the other side of that call.

"He'll be fine there for a few hours." He argued again, "There's all the teachers, and toys, and all the shit kids play with."

Oh, it had to be about Egg.

“Dad —! Can’t you ask Daeron—?” He paused again, listening to his father, and without another word hung up the phone and shoved it in his pocket once more.

Holding back a laugh at the sheer rage painted on his face, you leaned against the car and cocked an eyebrow. “So? What was all that about?”

“My father’s meeting ran late. He’s asking me to pick Aegon up from school.”

“Okay, then.” You nodded, your body shifting to reach for the handle of the passenger door, but Aerion grabbed your wrist before you could do so.

“It’s Aegon.” He insisted, as though it would somehow change something about the situation.

You frowned, slowly nodding. “Tiny nine year old boy, silver hair, purple eyes, looks a lot like you? Yeah, I know the one.”

Rolling his eyes at your tone, Aerion let out a breath filled with annoyance. “I don’t have time to drive you home before picking him up.”

“I know.”

“So he’ll be in the car… with us… for the whole journey back home.”

“I also know that.”

And then his patience ran out, and he groaned, narrowing his eyes at you. “I’m saying the little shit will be glued to your ass.”

Which… yeah. True.

You didn’t mind, because Egg was still as sweet as he was when you first met him. Aerion did mind, however, since he was the one left out whenever the two — three — of you hung out together.

“You’re not jealous, are you?”

“Of him?”

“Yes, Aerion, of your nine year old brother.” You giggled, crossing your arms over your chest. “Seriously, though, you don’t have to be so mean to him. We’re always together. What’s the issue with him sometimes crashing with us?”

To this, he had no answer. He just rolled his eyes to the sky in this irritating yet charming way he did and released your wrist. He opened your door without a word, closing it behind you before walking to his side of the car.

“If it hadn’t been for that bastard, I would’ve won the game.”

Choking on your water, you turned to Egg with wide eyes, “Aegon!”

“What? The bastard cheated! All facts.”

“Oh, do you think they have the lemon sweets? You know the ones.”

Aerion frowned, briefly glancing at you before looking back at the road. “I don’t know, I’ll check when we get there.”

“Ooh, can I come?” Egg peaked his head in between both of yours, eyes sparkling with excitement. “Please?”

“No.” Aerion grumbled before using his hand to press against Egg’s face and push him back in his seat. “Shut up.”

Relentless, Egg turned to you. “Please?”

“No.” Aerion answered in your place.

“I didn’t ask you!” Egg scoffed from the back, glaring at the back of his brother’s head.

“I’m driving, and if I have to drag your puny little ass home by the ear, I will. Now shut up.”

Perhaps the whole reason the Targaryen house sat surrounded by gates and greenery was so strangers wouldn’t witness Aerion dragging Egg by the arm across the driveway, the young boy having planted his feet in the ground and screaming bloody murder for the whole world to hear, the way you did right now from the passenger seat of Aerion’s car.

You hadn’t gone to Aerion’s house in quite some time, you realized. There was no need to ask Aerion why he suddenly insisted on sleeping over at your place, or going home to yours, or him crashing over in your bedroom whenever he was free.

Were you complaining about your Egg-free life? Not really. Or at least, not right now, when Aerion lied on top of you, stealing your words with his mouth, barely letting you come up for air.

Definitely not right now.

You could've stayed there, in this situation, until the world imploded on itself. Nothing could bring either of you out of this bubble you'd formed around yourselves; that was how good you currently had it.

But right as his touch left flaming paths on your flesh as his fingers mapped out every inch of your skin, your phone began vibrating.

Not once.

Not twice.

But repeatedly, until you couldn't discern one notification from the next.

"Damn it," you sighed, closing your eyes as the moment between the two of you slipped right through your fingers. Aerion didn't raise his head higher than an inch above yours, but the annoyance coming from him was almost palpable.

You reached your arm out towards your nightstand, where you could vaguely remember having dropped your phone on some time ago. The light that suddenly blinded you as you lifted it from where it sat face down made you wince, and you used your free hand to rub your eyes.

do you want to play with me?

i'd ask daeron but he's asleep on the rug

he's boring also

you're nto

not

are you sleeping?

you haven't been at the house in a long time

did you breka up with aerion?

break

"Why the fuck do you have his number?" Aerion breathed out, exasperated at the texts. "Since when does he even have a number? He's nine."

Shrugging, you began typing a reply on your phone. "He got my number from your phone. And he just likes telling me about his day. He complains a lot about the kids in his class. Doesn't like them much."

With widened eyes and a raised eyebrow, Aerion sat up on your bed, letting the coldness of the room rush to you now that he wasn't acting as your personal blanket.

"What? So this is a common thing?"

"It's not that bad. He FaceTimes me on his iPad mostly, then he'll talk about his day while I do my homework, that's all." You told him, lifting yourself up on your elbows.

"Does my dad know about this?"

Nodding, you shrugged again. "Yeah, Egg's iPad uses your dad's phone number. He doesn't mind, so long as Egg doesn't uses it too much. He even says it's safer that way, since he doesn't have to watch him to make sure he doesn't sneak out again."

“I... don't know how I feel about this whole thing.”

“Well it’s not just him. I play online scrabble with your dad sometimes. and Aemon sends me book recommendations every other day.”

Aerion paused, "What?”

"Why is he bald, by the way? Can I ask?"

"Daeron drunkenly shaved off half his head one night. Then it looked awful, so we had to shave off the other half. Look."

Unsurprisingly, the boy displayed in the 0.5x pictures didn't seem to car about the admittedly horrifying hairstyle he currently had. With Maekar looking exasperated in the background, Egg smiled and gave a thumbs up to the camera.

Aerion woke up to find your half of his bed empty. No sound came from the bathroom, and with the sheets being cold, he assumed you must've been out of bed for some time.

While part of him felt something akin to relief from how comfortable you were with his family and in his home — sometimes too much, he thought to himself as he remembered you admitting to playing online scrabble with his father —, it also came with the borderline hatred from how comfortable they were with you.

People usually don't have to share their girlfriends with their families, do they? Why does it feel more like they tolerate him just so they can spend time with you.

Especially the youngest, insolent rat whose face had brightened up when Aerion had asked if you could spend a week here while your building was being fumigated. He hadn't even cared when Aerion roared at him to stay the fuck away.

As expected, it had been hard to find some alone time with you, because wherever you were, your shadow was not far behind. You didn't mind, of course, because the little rat turned into the sweetest, most innocent boy that's ever lived whenever you were in the vicinity, which immediately made Aerion out to be the bad one of the story.

The tiny fucker was a manipulative little shit, and Aerion will find a way to prove it to you.

After a brief shower to wash the night away, Aerion made his way down to the kitchen, hoping you'd be there. Fortunately for him, the first thing his eyes latched onto upon entering the room was your figure.

You sat at the counter, back to him, eyes on your phone.

Approaching, he hummed and wrapped his arms around you, leaning down to bury his nose in your hair. "How long have you been up? I thought you'd be worn out after —”

Eyes going round, you jammed your elbow into his gut, immediately shushing him. Aerion groaned, one arm flying to press against his stomach, where he'd taken the brunt of your strength. "What the fuck?"

Without a word, you nodded towards the fridge, and he could only follow your gaze. The fridge was open, which he hadn't noticed, and —

"Ugh, why is he here?" The words came out in unison from the two boys as soon as Egg peeked his head from behind the fridge's door and met his gaze.

Pinching your lips to hold in a laugh, because surely Aerion would hate you if you pointed out just how similar the two were, you merely lowered your phone to watch whatever was about to unravel.

"I was here first!" Egg countered, closing the fridge with a pie in hand. "Go back to whatever hole you crawled out of."

"I will stab you—"

"You can't keep letting him stick to you. Be on my side for once. Otherwise he'll never leave you alone."

"He just likes me because I play video games with him and I buy him food. He's not a bad kid," you laughed, but made a mental note to try and be less indulgent to the young boy.

As good as your relationship with Aerion was, it was bound to come to an end. You had been broken up for a week when the knock at your door came.

A week of lying in bed with a gaping hole in your chest.

A week of scrolling aimlessly through the pictures of the two of you on your phone.

Mostly a week of mourning how good it had been, and how good it would've been if only the two of you didn't argue so often.

The idea of interacting with a Targaryen for the time was so far out of mind that you didn’t expect the sight that befell you upon opening the door. Though, maybe you should have.

“Egg? What are you —”

“You can’t break up.” He hurried out, as though if he didn’t say everything at once, he’d never be able to. “Please, you have to come back. The house is so boring without you, and Dad says I’m not to contact you because Aerion is my brother and I have to stick by him. But I don’t want to stick by him!”

“Honey, it’s one in the morning, how did you get here?”

“I took a cab.” He panted, swallowing his saliva.

Later on, he gulped down his second glass of water as he sat on your couch. Your eyes hadn’t strayed from him at all, except for the brief moment you had used to text his brother. Of course, you knew he enjoyed your company and he thought of you not as his brother’s girlfriend but as his sister. But to come knocking at your door in the middle of the night to beg you to stay with his brother…

Yeah, you hadn’t fathomed he’d ever consider doing that. And yet.

“I didn’t think you cared so much about Aerion and his feelings.” You let out, part of you wondering if you should ask Egg how Aerion has been this past week, though you decided against it. You weren’t about to pull a nine year old boy into your issues, no matter how hard he tried,

But Egg just frowned, confusion filling his features, “Aerion? What are you talking about?”

No, you were the one frowning. Thinking back to his rapid little speech when you opened the door to find him, you questioned him again. “What were you talking about?”

Egg raised both hands as he shrugged, the way he always used his entire body to react. “I don’t care about Aerion. I just don’t want you to leave the family. But don’t worry about it. Even if you don’t want Aerion back, I’ve got a plan. What do you think about Daeron?”

Somehow, you were even more confused than you thought could be possible.

But independent as he was, Egg didn’t need a reply from you to keep the conversation going. “Father said I have to take my brother’s side now that you’ve dropped him. But if you got with Daeron, then I wouldn’t have to choose Aerion, because you’d still be in the family. Get it?”

Again, no reply from you apart from the gaping expression you gave at his words.

“If the drinking bothers you that much, I’m sure I can set you up with Valarr.”

And thank God for the sudden, incessant knocking at the door. Aerion was here, evidently, and he seemed pretty pissed.

“You fucking rat!” Aerion roared when his eyes found his brother sitting on the couch. “How did you even get out of the house? How did you get here?”

“I don’t see how that’s any of your business.”

Wrong thing to say, because Aerion’s eyes widened before he started making a beeline for the couch.

As the boy screeched and jumped behind the couch, you grabbed Aerion’s arm to pull him back, wincing at the situation. God, you should be sleeping right now. “No violence inside, please.”

“My dad’s livid!” Aerion added loudly, anger seeping through his voice. “His room was empty, and the window was wide open. He thought someone had taken him. Unfortunately not!”

Egg peeked his eyes from behind your couch, glaring at his brother. “Hey, I’m doing you a favor! I was trying to get her back for you!”

“What?” He turned to you, but you only shrugged. Though you did notice how Egg’s explanation wasn’t entirely truthful, you didn’t point it out to Aerion. He was mad enough at him already without the knowledge he was trying to set you up with other people.

Growling, Aerion reached out and grabbed Egg’s collar, dragging him towards the door while mumbling an apology to you under his breath. The only thing you could hear as you closed the door was the two boys arguing.

But truth be told, if the young boy hadn’t found his way to your place and forgotten his jacket, you likely wouldn’t have called Aerion again, which led to the two of you sitting down and talking about your relationship, and if you got back together some time later… well, Aerion didn’t like the reminder it was all thanks to Egg.

this idea was stuck in my head for so long I'm just glad I got this out lmao. I also had no idea how to end it so the ending is lowkey rushed sorry

please let me know if you enjoyed this, I rarely post the fics I write so I'd love some feedback!!! and also let me know if you can see that my knowledge of how romantic relationships work is limited lmao

you were melting into him, your shyness burning away under the intensity of his affection. a soft sigh escaped your lips, and he swallowed it with a gentle hum of approval.

"you taste sweeter than the wine," he murmured against your mouth, pulling back just enough to look at you. his eyes, usually so sharp and arrogant, were soft and hazy in the torchlight. "i could taste you forever."

you buried your face in the crook of his neck. "aerion, someone will see."

"that is no concern of mine, nor should it be yours," he whispered, his hand moving to the small of your back, pressing you even closer. "let them see how much i adore my wife."

down the hall, two kingsguard stood as still as the stone statues they guarded. this was the fourth time this week they had been forced to witness their prince's...devotion.

ser gerold cleared his throat, a low, discreet sound. "my prince," he said, his voice carefully neutral. "the hour grows late. your father requested your presence after supper."

aerion didn't even turn his head. "he can wait," he said, his voice muffled by your hair as he pressed a kiss to your temple. "i am occupied with matters of state."

the other guard shifted his weight, the leather of his boots groaning softly. he caught gerold's eye and gave a minuscule, almost imperceptible shake of his head. don't push it. they both remembered what happened to the last guard who had complained too loudly about the prince's "distractions." a reassignment to the night's watch was a fate worse than death for most.

later that night, when the castle was finally quiet, ser gerold found himself standing before prince maekar in his solar. the prince was poring over maps, his brow furrowed in concentration.

"your grace," gerold began, choosing his words with the care of a man walking on eggshells. "i bring a report. a... logistical concern, regarding the prince's... security detail."

maekar didn't look up. "spit it out, ser gerold. i haven't got all night for you to dance around the issue."

"it is... well, it is the corridors, your grace. prince aerion has developed a fondness for... lingering. in the halls. with the princess." gerold paused, sweating under his armor. "it makes it difficult to maintain a secure perimeter. the constant... stopping. it creates blind spots. and the guards, they do not wish to witness such... private moments, for fear of disrespecting the princess, or... of being accused of treasonous thoughts."

maekar finally lifted his head, a flicker of something- amusement? annoyance?- in his dark eyes. he stared at the knight for a long moment.

Your voice breaks on the word. Cracks open, raw and wet, and you press your forehead harder into his back, feeling the vibration of him against your skull and your arms tighten around his waist further. You hold on the way you held on in the meadow, in the nest you’ve shared.

“You promised you wouldn't hurt me, BB. And this—” Your voice drops, shaking. “This would.”

BB goes still.

The fury doesn't leave. You can still feel it, coiled, massive, a thing with its own gravity sitting inside his ribcage, pressing outward against the seams of him. But the stillness settles over it like a lid over a flame. His breathing—the breathing he doesn't need, the breathing that's been coming in ragged, animal bursts—slows. His shoulders drop by a degree, and the heat recedes, fractionally, from scalding to merely unbearable.

His hand opens.

Bobby drops down.

He hits the floor hard, knees first, then hands. Then he's on all fours, gasping, dragging air into his lungs in long, shuddering, tearing inhales that sound like they're being pulled through a crushed straw. The colour rushes back into his face all at once, from white to red, the blood flooding back into tissue that was seconds from permanent damage.

Kat is on the floor beside him in an instant, her hands frantic on his shoulders, his face, checking his throat, his pulse, and she's saying his name (Bobby, Bobby, breathe, look at me, breathe) and Bobby is coughing and gasping, his eyes streaming. The red marks on his throat are already darkening into bruises that will look, by tomorrow, like a handprint painted in purple and black.

You let go of BB, stepping back.

One step. Two. Putting distance between your body and his, and BB turns to face you, his hand lifting instinctively, reaching for your face, any part of you he can touch to confirm you're whole, and you step back again.

His hand halts mid-air.

You've seen BB confused many times before. You've seen him curious, amused, predatory, ancient, tender, wrecked with wanting. But you’ve never seen BB wounded.

His hand hangs in the space between you, reaching for a face that pulled away, and his eyes—still black around the edges, the warmth fighting its way back to the surface through the damage and the fury—registering the distance you've put between your bodies. Reading the enormity of your retreat with a precision that leaves no room for misunderstanding.

You stepped back from him.

You. The person who named him. The person who leaned into his forehead kisses and fell asleep against his cool chest and taught him to dance in a kitchen he built for you. You stepped back, and the distance is a sentence he can read, and the sentence says I don't trust you right now.

His hand drops to his side.

“What the fuck.”

Bobby. On the floor. Coughing, gasping, one hand on his throat and the other braced against the floorboards, and he's staring up at BB with an expression that’s blown past fear and into something else.

Incomprehension, horror, the cognitive whiteout of a man looking at his own face on a body that just tried to kill him.

“What the actual fuck,” Bobby says again, louder this time.

The choking has left his voice shredded, hoarse, each word dragged across damaged vocal cords. He gets to his knees. Kat's hand grips his arm, trying to hold him down, but he shakes her off and gets to his feet, his legs unsteady but his eyes are locked on BB. His jaw pulses, hands fisted at his sides, and he’s staring at his own face and finding a stranger peering back.

“That's me.” Bobby's voice is climbing, ragged with disbelief. “That's—that's my face. That's my face. Why does it have my face?”

BB's jaw tightens. The ancient thing flickers behind his eyes. A flash of contempt, of possessiveness, of the territorial fury that just had Bobby pinned three feet off the ground.

He looks at Bobby the way you'd look at a counterfeit of yourself. A draft. A rough sketch someone made before the final version.

“Answer me!” Bobby surges forward even as Kat scrambles to grab his arm. He shakes her off again without looking. “What are you? What the fuck are you?”

“BB.” You say it before you can stop yourself, before the anger and the hurt and the betrayal can seal your throat. The instinct to name him, to give him the dignity of the identity he let you choose for him, is still there underneath everything else. “His name is BB.”

Bobby stares at you both. The information moves across his face in parts. Confusion first, then processing, then a slow, horrible understanding that reorganises his features into something you've never seen on him. An emotion beyond anger, beyond hurt.

“BB. That BB? What kind of name even is that?” Bobby demands.

BB’s nostrils flare. “It stands for Better Bobby.”

Suffocating silence folds over the room. Kat’s mouth pops open in your peripheral, and you suck in a breath of your own.

“Better Bobby.” The real Bobby laughs. A short, ugly sound that's closer to a bark than a laugh, the kind of noise a person makes when the absurdity of their situation has exceeded their capacity for rational response. He barks out another laugh, then, “Better Bobby. Are you kidding me?”

BB's lip curls, a flash of teeth appearing. “I didn't choose the name for your benefit.”

“No, you just chose my face. You stole my face and my—and my—”

Bobby's gaze cuts to you, then back to BB. The calculation happening behind his eyes is visible, mechanical, each variable slotting into place with an almost audible click, and you can see the exact moment the picture completes because Bobby’s expression doesn't crumble; it hardens. Sets. His jaw locks and his eyes go bright and hot, the hurt underneath the anger so vast it makes the anger look like a puddle on an ocean.

“You've been down here,” Bobby begins, his voice pitching quiet. The dangerous quiet. The one that comes right before the blade. “This whole time. Down here with that.” He points at BB accusingly without looking at him. “With some thing wearing my face. A cheap copy—”

BB snarls. Low. A sound that makes the fractured windows rattle. “I'm not a copy—”

“—while I sat in a basement for seven months talking to a fucking wall, thinking you were dead." Bobby's voice cracks open, choking. "While the cops thought I killed you. The tapes went blank, and your face disappeared, and everyone forgot you existed. I thought I was going crazy because I was the only person left who remembered what you looked like—”

He's shaking. Full body vibration.

His hands tremble at his sides, and his jaw is trembling, and the chain at his throat is shimmering with movement. He’s a man coming apart at every joint because the grief and the fury are feeding each other in a loop that's spinning too fast to control, only amplifying the hurt beneath.

Each word comes out hotter than the last, each breath shorter, and Kat is standing behind him with her hand over her mouth and her eyes wide like she’s never seen Bobby like this because Bobby doesn't do this.

Bobby deflects; he bites. Bobby is the one who turns his pain into a joke or a weapon. But Bobby doesn't break. Except he's breaking. Right now. In a pink house on Level 974, looking at his own face on a monster and the woman he loves standing between them.

“Terrence forgot you.” Bobby's voice cracks on the name. Pure pain that sinks between your ribs. “Terrence. Our best friend, remember him? The only person who believed me when the whole neighbourhood decided I was a killer. He sat with me in bars and told people to back off and drove me home when I couldn't drive, and he was the last one—the last person besides me who still said your name. And then one day I said it, and he looked at me like I was speaking a different language. Like the word didn't mean anything. Like you were—like you'd never—”

He presses the heel of his hand into his eye. The old gesture. The grinding-the-tears-back gesture, brutal and effective. “I watched him forget you. In real time. I said your name and I watched it fall out of his head and he looked at me with this—this pity, like I was talking about someone who never existed. And I wanted to grab him and shake him. Scream she was real, she was REAL, I loved her, and she was real—”

Bobby sucks in a breath so hard his whole body jerks with it.

“Eighteen months,” Bobby croaks out hoarsely, the shaking getting worse. “I nearly died waiting for you. I stopped eating, stopped sleeping. I sat in that basement until my back seized up and I couldn't stand straight, and even then I went back. I kept going back, and you're here. You've been here this whole time. Completely fine. With him. Letting him—wearing my face while he—”

Bobby can't finish the sentence. His hand comes up and covers his mouth, his eyes squeezing shut, and the sound Bobby makes behind his palm is tiny and wrecked. You shouldn't be hearing it, but you can't stop hearing it.

“Bobby—” Kat whispers, reaching for him.

“Don't touch me.” He shakes his head, opening his eyes.

And the expression on his face is the one from the doorway, the one you never saw because you were the one walking away. The expression of a man watching the person he loves leave and being unable to say the thing that would make them stay. Except now it's worse because you didn't leave. You were taken. And what took you gave you a version of him that does all the things he couldn't.

Then, in a dazed whisper, “Did you fuck him?”

The question lands like a grenade. Kat visibly flinches. BB goes rigid in your line of sight, and you feel numb shock slacken your expression.

“Bobby,” Kat says sharply. “This isn’t the time—”

“Did you fuck him?” Bobby's voice cracks, splitting, the words coming out jagged and shaky because he can't control himself. “This thing that stole my face—did you let it touch you? Did you let it—” He gestures at BB, at you, at the space between your bodies. “Were you playing Barbie and Ken down here with my—with a goddamn copy of me while everyone back home thought you were—”

He stops, pressing both hands over his face. His shoulders heave. Once. Twice. The sound he's holding back is massive, and he still won't let it out. He won't. Because he’s Bobby Franklin, and he doesn’t cry in front of people, not even now, not even here, when the girl he spent seven months talking to through concrete is standing five feet away next to the thing that kept her.

“They all thought I killed you. Our neighbours. Our friends. Clark. Strangers on the street. They'd look at me, and I could see it. He did it. The boyfriend did it.” Through his hands. Muffled, reedy, barely controlled. “Months of that. Of carrying that and going to the store every night, sitting on the floor and talking to you because it was the only thing—the only thing—that kept me—” His hands drop. His face is red and wet, ruined. “And you were here. Did you even try to go home?”

The room vibrates. The hum, the tension, the emotional charge of three people and two entities standing in a space too small for the volume of pain it generates.

You stare at Bobby's wrecked face, those bright, glassy eyes, his shaking hands. The man who loved you and couldn't say it and sat on concrete for seven months saying it to a wall instead. The man who grunted at your goodbye. The man who let you stand in a doorway feeling invisible. The man who came through the wall to find you.

“You moved on too,” you say lastly.

Quiet. Cold. The voice the Backrooms gifted to you. The flat, unmoved, survival-voice, the one that doesn't shake because it can't afford to do so.

Bobby's mouth opens. Closes. His features spasm like you’ve struck him despite the distance between you.

“You moved on too, Bobby. You're standing here with her—” you gesture at Kat, who shrinks back— “shielding her with your body, doing all the things you stopped doing for me. And I'm supposed to—what? Feel guilty? Because I survived? Because I found something down here that you couldn't be bothered to give me up there?”

“That's not—”

“You left first.” The words tear out of you before you can weigh them, before the part of you that knows this isn't entirely fair either can catch up to the part of you that’s been carrying this for months and is finally, finally letting it spill. “You left me in that apartment, Bobby. You left me standing in doorways waiting for you to look up. You left me lying next to you in bed wondering if I was still visible. And I don't know why. I've never known why. I loved you more than anything I've ever—”

Your voice fractures, words catching in your windpipe. You press your knuckle against your mouth, mouth wobbling, try your hardest to breathe through it.

“I loved you,” you repeat, steadier, lower. Your anger holding the grief upright the way a spine holds a body. “More than anything. And I didn't need to hear it. I never needed you to say the words, that’s the thing. But I used to feel it. In how you touched me and kissed me and held me. In how you looked at me in the morning. And then you stopped. You just… stopped. And it wasn't sudden. It was slow. So slow I didn't even notice it happening until I was already standing in it. This—this absence. Where you used to be. And I tried to talk to you about it, and you said don't be dramatic, and we're fine. I tried again, and you turned up the TV. I stood there in the kitchen watching the back of your head, and I thought—”

You choke on the words. Your eyes burn, but the tears won't come because the anger has dried them at the source.

“I thought maybe this is what love becomes. Maybe this is normal. Maybe I'm asking for too much. And I made myself smaller and smaller and smaller to fit inside whatever you were still willing to give me, and it was never enough. I didn't know why and you wouldn't tell me—”

“I was scared.” Bobby. Raw. Stripped to the bone. “I was so scared of how much I—”

“I don't care.” Flat. Final. Your voice hardens despite the thickness of your voice. “I don't care that you were scared. I was scared too. I was scared every single day that you were going to wake up and decide you didn't want me anymore and instead of telling me that. Instead of saying I'm terrified and I don't know how to love you without losing myself… you just stopped. You made me feel so alone. I used to talk to the walls at Clark's store because the walls were better company than you were.”

You suck in a ragged breath. It shakes on the way in, steadies on the way out. Bobby’s peering at you wide-eyed, his mouth parted, tension between you thrumming. You exhale, chuckling shakily, pained.

“And the worst part, Bobby?” you pose, not waiting for a response. “The worst part is it took me disappearing for you to care. It took me falling through a wall and vanishing from the face of the earth for you to sit down and say the things you should have said when I was standing right in front of you. You had me. I was right there. Every day. For years. And you couldn't be brave enough to tell me you loved me or hold me like you needed me. But the second I'm gone—the second you can't have me anymore—suddenly you're on a concrete floor pouring your heart out to a wall. Suddenly you remember how to feel.”

Bobby flinches. Full body, his blue eyes bright and shining. Like you've hit him again.

“And you want to know the thing that really kills me?” Your voice is shaking now, the anger fracturing, the grief bleeding through the cracks again. “I was working the late shift alone. In that basement. Alone, Bobby. Because you stopped coming. You used to come keep me company, and you stopped. I was down there by myself, sorting inventory, and that's where it happened. That's where the wall took me. And if you'd been there… if you'd just walked through that door one more time, if you'd come to the store instead of staying on that couch…”

You shake your head, glancing down. BB jerks, like he’s fighting an urge to reach for you, to comfort you somehow. “I wouldn't have been alone when it happened,” you go on, lifting your head again. “I might not have been standing in front of that wall at all. You want to know who's to blame for me being here? It's not the Backrooms. It's not BB. It's the fact that the man I loved couldn't be bothered to keep me company like he used to.”

The silence that follows is absolute. Suffocating. The hum drops to its lowest register.

Bobby stares at you. His face is open in a way you've never seen before. No armour, no grin, no deflection. Just Bobby. The raw, messy human underneath all the performance. And the expression on that face is not anger. It's devastation.

Because he’s just heard the exact truth he's been telling himself for eighteen months spoken aloud by the person he failed, confirmed, verified, stamped and sealed.

Kat stands behind him, her arms heavy at her sides, face tight with an attempt to hold her composure. She’s just learned the full dimensions of the wound she's been dressing for over a year and finally understands it goes deeper than she knew.

BB watches you with an expression you can't read. His black-edged eyes roam over your face, cataloguing the anger, the grief, the terrible release of words held back for so long. His hand twitches at his side again. The instinct—to reach, to touch, to soothe—still running underneath the barrier you imposed.

“Come with me,” BB urges, his words low. His hand lifts again, reaching for your elbow. “You don't have to stay here. Let me take you—”

“Don't touch me.”

BB's hand freezes midair.

“You're no better.”

You watch the impact of your words jolt through him. The way BB’s whole body registers it, a flinch that travels from his face through his shoulders to his hands. He absorbs it the way Entity X absorbs damage, except this doesn't regenerate. This is a cut that stays.

“You—” BB starts, his brows furrowing. His confusion is genuine, nothing performed in it. There’s no curious tilt he does when encountering new concepts, but real confusion, the bewildered processing of a being trying to understand what went wrong.

“Did you know?” you bite out.

You ask it quietly, peering at his face. Bobby's face. The face that heard you through a wall and chose to want you, that built you a kitchen and kissed your forehead and promised you things and held you while you cried.

“Did you know Bobby was out there? For months. Did you know he was looking for me? Sitting in that basement, talking through the wall. Did you hear him, BB? Did you hear him saying he loved me while you were holding me and telling me it was all his fault?”

BB's expression goes smooth.

The warmth and confusion drain, followed by wounded bewilderment. What's left is closed. Perfectly, terribly closed. The face flattening into something that's neither Bobby nor BB but something older, something that predates both of them.

You laugh. A short, bitter sound, no joy in it.

“Yeah,” you exhale. Shaking now, because anger can't hold your grief forever, the frame is buckling, and you can feel the tears starting to press against the backs of your eyes like a tide against a wall. “That's exactly what I thought.”

The room is quiet.

Bobby is on the floor with Kat's hand on his shoulder and bruises darkening on his throat. BB stands in front of you with a closed-off face and a frozen hand, the ruins of every tender moment you've shared settling around him like a ring of ash. Mr Kitty lingers in the corner, his dark shape motionless, his blank face oriented toward the centre of the room with the patient, unhurried attention.

“I need time,” you say, your voice thin. “I need… to think. I can't—I can't be in this room right now.”

You spin on your heels, walking toward the staircase, your bare feet on the floorboards. You clutch your notebook against your chest, your shoulders set in a rigid line, your chin up, and your eyes burning, but you don’t cry.

You will not cry. You’ll walk through this door and find a corner of this level that doesn't contain Bobby or BB or Kat or anyone else, and you’ll sit down and breathe.

You’ll figure out what is left of you underneath all of this wreckage.

BB moves after you. You hear it more so than see it. The shift in air pressure, the displacement, his body orienting toward yours the way it always does, the magnetic pull that has governed his movements since the first day. His footstep on the floorboard behind you.

Mr. Kitty steps into his path.

The tall dark shape moves from the corner to the centre of the room in a single fluid motion, interposing itself between BB and the door, between BB and you. Mr Kitty doesn't speak. Simply stands there. Immense, faceless, filling the doorway with the calm, absolute certainty that informs everyone, silently, that no one is getting past him.

BB snarls.

The sound fills the room, saturating it. Harsh, emotional, stripped of the controlled fury from earlier. This isn't the predator defending his territory. But something hurt and desperate, unable to reach the only thing that makes the hurt bearable, and the snarl carries all of it—the confusion, the desperation, the agony of watching you walk away from him and being told he doesn’t get to follow.

“Get out of my way.”

BB's voice is low. Vibrating. The hum in the walls responding to him, the floorboards creaking around you, the cracked windows rattling in their frames. The power coming off him is palpable. A pressure change, a density in the air, the room bending around the force of an entity that’s existed for longer than these walls have stood.

Mr. Kitty doesn't move.

The house begins to vibrate.

A deep, foundational tremor that runs through the floor and up through the walls and into the ceiling. The scones on the counter rattle. A crack appears in the plaster above the kitchen doorway. Two forces pressing against each other. BB's vast, ancient fury and Mr. Kitty's quiet, absolute sovereignty over this level, this house, this ground.

Mr. Kitty may not be as old. May not carry the same raw, limitless power that BB channels from the Backrooms itself, but Level 974 is his. The pink walls and the Hello Kitty figurines and the golden light.

His domain, his territory, his rules.

And in this space, on this ground, Mr Kitty doesn’t yield.

The vibration deepens. The figurines on the shelf chatter against each other. Bobby grabs Kat and pulls her toward the corner, away from the two entities locked in their silent standoff.

“Enough.”

Your voice. From the doorway, looking over your shoulder at the room. At BB, rigid and his mouth snarling, at Mr Kitty, immovable and calm, at the house shaking around them.

“Stop it. Both of you. Right now.”

BB's eyes are black, wild, fixed on Mr. Kitty's faceless head with a fury that has nowhere to go.

You look at BB.

It's the look that stops him. Your eyes on him, meeting his, and the expression in them—cold, hurt, closed, the warmth he's spent months earning withdrawn behind a wall he can't charm or claw his way through. You look at him the way you looked at Bobby in Santa Clara, in the doorway, in the kitchen, during all those conversations he refused to have.

“Leave me alone,” you say coldly. “I mean it, BB. Leave me alone.”

The vibration cuts out.

The house settles around you into eerie silence, the figurines stilling. The crack in the plaster stays but doesn't spread further.

BB's snarl dies in his throat, not released but swallowed, pushed down into whatever deep place he stores the things he can't process. His fury collapses inward, his features rearranging not into Bobby's easy mask but into something fragile and deeply, fundamentally lost.

Because he’s just been told by the only person who matters to him that he’s not wanted here.

Mr. Kitty steps aside.

You walk through the door, up the stairs that don’t make a single creak, and don’t look back.

BB does not follow.

The bedroom is pink.

Every surface of it. The walls, the ceiling, the bedframe, even the dresser with its rows of small ceramic figurines. All Hello Kitty, some with bows, others with tiny painted expressions of vacant, cheerful contentment that feel deeply wrong in a place where nothing should be cheerful.

The bed is covered with a pink duvet and pink pillows, a stuffed Hello Kitty the size of a small child propped against the headboard. You’re sitting on the edge of said bed in this aggressively pink room, clutching a pillow to your chest and crying so quietly your body barely moves.

You washed your face in the bathroom with shaking hands. The soap smelled like strawberries, which is either a kindness or a coincidence and in the Backrooms you've stopped trying to tell the difference. You scrubbed the tear-tracks and the grime and the black residue of Entity X's blood from your skin, and you looked at yourself in the mirror, but the face peering back at you was thinner than you remembered. Sharper. Older in a way that has nothing to do with age and everything to do with the kind of living you've been doing down here.

You looked at your own face, and you didn't recognise the expression on it, and then you did, and that was somehow worse.

You press the pillow into your chest, tears soaking into the fabric, leaving dark spots as you wipe them with the back of your hand.

A plate appears on the bedside table.

Cookies. Round, golden, slightly uneven. Arranged in a careful circle on a pink ceramic plate with a Hello Kitty border.

You didn't hear Mr. Kitty enter. You never do.

He's simply there, filling the corner of the room, his dark shape folded into a crouch that brings his smooth, featureless head level with the top of the dresser. His long arms drape over his knees. The posture is oddly casual for something that nearly went to war with a fellow ancient entity an hour ago.

You glance at the cookies. A wet, exhausted laugh escapes you. Because there's a faceless being the height of a doorframe crouched in a pink bedroom offering you baked goods, and this is your life now, apparently.

Are you feeling better, little one?

His voice settles into your skull with that warm, furred pressure, gentle and unhurried. Little one. He's been calling you that since the third time BB brought you to 974, and the tenderness of it used to make you bristle. You're not little, not a child, not something to be diminished with a pet name, but you've come to understand that little is relative.

To Mr. Kitty, everything is little. The Backrooms are little. Time is little. The enormous, life-destroying pain you're feeling right now is little. Not because it doesn't matter but because it exists within a framework so vast that even devastation is a passing thing for him.

“No,” you answer honestly. “I feel awful.”

Mr Kitty's head inclines. A slow, measured tilt that you've learned to read as acknowledgement. He doesn't offer comfort. He doesn't say it'll be okay or this too shall pass or any of the empty phrases that people deploy when they can see someone hurting and don't know what else to do.

“Have you ever experienced anything like this?” you ask, wiping your eyes with the heel of your hand. “This mess. This kind of—”

You gesture vaguely at the room, at yourself.

No.

A pause.

I'm not human.

You stare at him. His blank face gives nothing back. The delivery is so flat, so matter-of-fact, so completely devoid of inflection that it takes your exhausted brain a second to register that the seven-foot faceless entity crouched in a bedroom full of Hello Kitty memorabilia has just delivered the driest possible response to your question.

You snort wetly despite yourself, wiping your nose.

“Is everyone okay? Out there?”

The humans are safe. They've eaten. I've provided almond water. It helps with the psychological effects of prolonged exposure. The mind frays here. Theirs will fray faster than yours did. A pause. The blank head angles slightly, as if consulting a source of information you can't perceive. The older man… he was located. But he refused to come with my guidance. He's making his way back toward the entry point on Level 2. Alive, as far as I'm aware. Frightened. But alive.

“Thank you.” The words come out thin. Insufficient. You're thanking a being older than human civilisation for babysitting your kinda-boyfriend and his new girlfriend while tracking down your former employer through an interdimensional nightmare. “For all of this. For letting us—”

You're welcome in this house. You've always been welcome.

Your fingers dig into the pillow. “What about BB?”

Mr. Kitty's head tilts again. The angle is different this time, sharper, more deliberate.

The Backrooms are in disarray. An observation, not a complaint. Entity X's presence has had an unusual cascading effect. Smilers are ranging further. Skin-stealers have been reported on levels they typically avoid. Another pause. His faceless head angles toward the window, toward the levels that stretch below and above and in every impossible direction. Your boy is clearing up the mess.

Your boy. Indulgent, slightly bemused. You don’t correct him, not even now.

Entity X seems to have an unusual ability to affect other entities. Amplifying their aggression. Destabilising their territorial patterns. As if its presence is contagious. An emotional frequency that spreads through the hum, agitating everything it touches.

You think about Entity X. About the burning yellow eyes that never looked away. About the argument it played through the walls to lure you out. Why that conversation? Why your argument, specifically?

Why did it know what Bobby sounded like when he was shutting you out? The questions stack up in your head the way the entries stack in your notebook. Pattern without explanation. You can feel the shape of it, the edges pressing against the inside of your skull, but the centre won't resolve.

“Why me?” you ask, peering at Mr Kitty. “Why does it want me?”

Mr Kitty is silent for a long moment. His blank head angles toward you with that sharper tilt. As if he's reading something written on you in a frequency only he can perceive.

I have a theory. Measured. Careful. But theories without sufficient evidence are just stories. And stories can be dangerous in a place that listens and can make them a reality.

“Tell me.”

When you're ready to hear it, little one. When the answer won't do more harm than the question.

The deflection is gentle but absolute, and you know better than to push. Mr Kitty doesn't withhold out of cruelty. If he's not telling you, it's because the telling carries a weight he doesn't think you can hold right now.

You file it away. Another entry in the private section of the notebook. Another question with no answer.

“Has it—is it gone?”

Retreated. Very suddenly. For reasons I can't determine. Mr Kitty's face tilts back toward you. That concerns me more than its presence did. An entity of that power doesn't retreat without cause. It either ran into an unexpected problem, or it decided to wait for a better opportunity.

The words settle on your shoulders.

You sit for a moment longer. The pink room. The cookies. The faceless being in the corner, patient and still. The faint sound of voices from the living room floats over. Low, murmured, too indistinct to make out words. Bobby's voice. Kat's voice. Talking about you, probably. Talking about what comes next. Discussing whatever people do when the world has ended, and they're sitting in a pink house eating scones and trying to pretend their worldview hasn’t just shattered.

You reach for a cookie. Bite into it. It's good. Buttery, slightly sweet, with a texture that's almost right. The Backrooms' version of homemade, close enough that your tongue can't argue.

“I can't hide here forever,” you mumble, chewing. Your voice is scraped raw, and the cookie is doing nothing to fix that, but it's doing something for the rest of you. The simple, animal act of eating, of taking a thing and putting it in your body, of fuelling the machine. “Even though I want to.”

Mr Kitty says nothing. His blank face radiates with the particular silence that means I agree, and I'm glad you arrived there yourself.

You stand, pressing your palms against your eyes. Breathe in through your nose, out through your mouth. In. Out. The way you breathe before entering a new level, before turning a corner in an unmapped corridor, or opening a door whose other side you can't predict.

The survival breath. The steadying edge you didn’t have back in the real world and only developed here. The willingness not to run away and hide.

You wipe your face one final time. Set the pillow down. Pick up the notebook from the bedside table where you placed it beside the cookies, pressing it against your chest. The weight of it is familiar, grounding, the only possession you have that still feels like yours.

“Thank you, Mr. Kitty.”

Eat another cookie before you go. You’ll need it.

You do as he instructs, then open the bedroom door. You walk down the short hallway of Mr. Kitty's house, past the framed Hello Kitty prints and down the stairs, stepping into the living room.

Bobby and Kat are sitting at the kitchen table.

Their heads are bowed. Close together. Kat's hand is on Bobby's forearm, and Bobby's other hand is pressed flat against the table, fingers splayed, bracing himself.

They're speaking in low voices. You catch the edge of a word. Your name, maybe. Or something that used to be your name before it became something else.

Bobby spots you first.

He stands immediately, like the sight of you alone gave him an electric shock. The chair scrapes the floor. His face is a mess of competing expressions: relief, tension, the careful, wary hope as eh drinks you in. The bruises on his throat have deepened. Dark purple against his tanned skin, four finger-marks and a thumb-mark, BB's handprint developing like a collar on his neck.

You catch the flicker across Kat's face, brief and involuntary. The subtle tightening around her eyes, the tiny pull at the corner of her mouth.

She was saying something to Bobby, and you interrupted it, and the hurt of being interrupted is tangled up with the hurt of being here at all, of sitting in a nightmare for a man who’s looking at another woman with that expression. That searching, desperate, is-she-okay expression that Kat has probably been working for months to earn, and you just walked in and collected without trying.

You see it. You look away from it.

You wrap your arms around yourself. One hand on each elbow, holding yourself together.

“You need to leave,” you tell them flatly. “Both of you. Right now. The Backrooms aren't safe for humans. They were never safe, but right now they're worse. Entity X destabilised everything. Every entity on every level is more aggressive than it should be and you don't have the training or the knowledge to survive that.”

“I'm not leavin' without you.” Bobby. Immediate. Jaw set, chin up, the Bobby-stubbornness that looks like courage and has always been, underneath, a different kind of fear. “I didn't come through a wall, walk through hell and get choked out by my own doppelganger to leave you down here alone. No way in hell.”

You level him with a flat look. The one you learned living here. A part of you wants to remind Bobby that he tore into you less than an hour ago, but he's calmer now. Past the initial, ugly shock.

Bobby surprises you by holding that look.

For a moment that stretches into two, then three. Then his jaw flutters, his gaze dropping, and you see it: the fight leaving him. Not because he agrees, or wants to, but because the woman standing in front of him is not the woman he lost.

The woman he lost was standing in a doorway with her keys and her heart in her eyes, waiting to be seen. The woman standing in front of him now has a notebook and a survival instinct, and she's not waiting for anything.

“BB,” you call out.

The air shifts. Between one breath and the next, there’s a displacement, and the pressure changes in your sinuses.

BB stands at the edge of the living room like he's been there the whole time, like he materialised from the wall, which he probably did. He's more put together than the last time you saw him. His face reset, the fissures sealed, the eyes back to Bobby's blue with only a thin ring of darkness at the outer edges. The black blood is gone. The torn shirt is the same, but he's cleaned the rest, reassembled the human costume with great care.

He looks at you and his whole body orients again. That magnetic pull, that compass-needle pivot, his weight shifting forward onto the balls of his feet, his chin lifting, his eyes searching your face with a hope so raw it makes your heart ache.

Because you called him. And the part of BB that lives underneath the fury and the ancient power and the territorial instinct—the part that learned to kiss you in a kitchen and asked am I doing it right and pressed his lips to your forehead because you taught him that tenderness—that part heard his name in your voice and came running. And he’s standing in front of you now, practically vibrating with a desperate, transparent hope that calling means forgiving.

It doesn't. He can see that too. The hope flickers. Dims. Holds, just barely, at the edges.

“I need you to take Bobby and Kat out,” you tell him calmly. The survival voice. “Back to the real world. Through the wall in Clark's basement.”

BB's expression morphs. A crease appears between his brows, a tightening at the corners of his mouth. He glances at Bobby, at Kat, and the glance carries a weight that isn't quite hostility. Closer to resignation.

“I can't,” he says.

“BB—”

“The path is gone.” He says it plainly, without the smooth, closed expression he wore when you asked if he knew Bobby was looking for you. “Entity X destroyed sections of Level 0 during the fight. The corridors between here and the adjacent entry point to the storage basement on Level 0 are collapsed. The hum no longer reaches those sections. They've been severed from the level entirely.”

You can feel everyone staring at BB as you absorb his words.

“Then find another way,” you say. “There are other exits. Other entry points. You've said—”

“The only feasible exit I can guarantee right now is the M.E.G. outpost.” BB's eyes are on you. Only you. Bobby might as well be furniture. “The one on the far side of Level 4. But the direct path from here is gone. We'll have to go through the Poolrooms, and cut across to Level 4 through the threshold at the deep end. From there it's a straight corridor to the outpost, but that corridor runs through a section of Level 4 that's been unstable since the cascade.” He pauses, weighing his words. “The Poolrooms should be passable. Level 4 is the risk. Entities might shelter there because the layout gives them cover. Under normal conditions it's manageable. Right now, with the aggression spike, it'll be hostile.”

You run the route in your head.

Level 974 to the transitional stairwell. Through the Poolrooms, warm chlorinated water and blue tile, a level you've mapped partially, three pages of the notebook dedicated to its spanning layout and the way sound carries across the surface.

You know the Poolrooms. BB took you there multiple times. You used them in the past for hygiene and a change of scenery both.

The water was warm, and the light was washed-out blue, and nothing lived in it that wanted to hurt you, at least not then.

From the deep end threshold into Level 4. The endless office complex, the one that looks like every corporate building you've ever been in hollowed out and stretched to infinity. Dark. Echoing. Full of cubicles and conference rooms and hallways that dead-end without warning.

You've only been there once, briefly, and your notes on it are thin at best.

Half a page, a rough sketch, a warning symbol in the margin.

“How far?” you ask.

“Through the Poolrooms, it's distance without danger. Level 4 is the gauntlet. Maybe an hour on foot, if the path holds without shifting and nothing's nesting in the corridor.” BB's expression goes tense, focused. “I'll clear what I can ahead of you. You navigate.”

“Wait, who's M.E.G.? What’s Poolrooms?” Kat’s voice floats over from the table, cautious but steady. “What even is that?”

“Research group,” you reply, turning to her. It's the first time you've spoken to her directly without anger in your voice, and you can feel the shift, the effort of treating her like a person instead of a scapegoat to your jealousy. “Explorers. They study this place. Map it. They've been operating down here for… I don't know how long. But they're organised. They have resources.” You pause. “I think they can be trusted. It might be the safest option.”

Kat nods, quick and decisive. The relief on her face is visible. Not at the thought of leaving you behind, or at winning some unspoken competition, but at the prospect of a plan. A structure. An exit with a name and a direction and people on the other side who might know what they're doing.

Kat is a practical woman in an impractical situation; you can tell as much, and the offer of practicality is the first solid ground she's stood on since she climbed through a wall in Clark's basement.

“Fine,” Bobby says quickly, his voice rough. “M.E.G. Great. Let's go.” He pushes off the table. “All of us.”

You inhale deeply. “Bobby.”

“I said I'm not leaving without you.” Louder. More determined. The Bobby-edge again, the blade under the casual, except there's no casual left. It's all blade now, all sharp. “I'll go with Kat. But I'm not walking through some—some exit and leaving you in this place. I'm not.”

BB's lips peel back. A flash of teeth behind the Bobby-mask, involuntary, predatory, the territorial snarl surfacing before he can catch it.

The sight of Bobby refusing to leave you, refusing to relinquish, insisting on staying close to the thing BB considers his triggers something primal in the entity underneath.

He catches it at once, swallowing over it. His lips close over his teeth, jaw clenching painfully. He doesn't speak. Just stares at Bobby with the flat, unblinking intensity that tells you he’s choosing, with considerable effort, not to put Bobby through another wall.

Bobby, to his credit, ignores him. Pointedly and aggressively, with that specific brand of human stubbornness. Bobby will not look at BB. Will not address BB. Only pretend that the thing wearing his face is not standing six feet away radiating enough barely-contained fury to crack plaster.

This is Bobby's version of control: the refused glance, the turned shoulder, the full-body declaration that you do not exist to me deployed by a man who’s terrified and is handling it the only way he knows how.

BB turns to you.

His expression changes immediately. The snarl evaporates. The territorial fury, banked. What replaces it is… you haven't seen this expression on him before. Grim. Drawn.

“The Backrooms are more dangerous than they've been in—” He pauses, choosing a unit of measurement you'll understand. “A very long time. Entity X's effect on the other entities hasn't fully dissipated. Level 4 will be a problem. The interior section between the threshold and the outpost is normally dead space. Empty offices, dead lights, nothing worth hunting in. Right now it's contested. Things are sheltering in the cubicle rows and conference rooms because the layout gives them cover, and they're angrier than they should be.” He twists his head, and you hear a crack follow the near reptile movement. “I'll move ahead. Clear what I can. You bring them through behind me. Move only when you’re certain, and stay together.”

You look at him. Really look, for the first time since earlier. Past the anger, and the betrayal, past the closed-off face and the too smooth expression and the omission that restructured everything between you. You look at BB, and you see—

He's thinner somehow.

The word isn't right, but it's the closest you have.

The Bobby-suit fits differently. Looser. The cheekbones more prominent, the jaw more defined, the chain at his rebuilt throat sitting lower against collarbones that press closer to the surface than they used to. He looks worn in a way that has nothing to do with clothing and everything to do with consumption.

And you understand, then, that the fight with Entity X and the sustained lockdown and the perimeter patrols and all the emotional turmoil earlier have been drawing from a reserve that isn't infinite.

As if even ancient things have a fuel line and his is running lower than you've ever seen it.

You choke the worry back. Push it down. Below the anger and the hurt, into a place where the things you can't afford to feel right now go to wait.

“Fine,” you say. “The M.E.G. outpost. Through the Poolrooms, across Level 4.”

You turn to Bobby and Kat. Bobby is standing by the table with his arms crossed and his jaw clenched rigid, staring at a random spot just past BB’s shoulder.

“Grab anything useful,” you instruct. “The almond water Mr. Kitty gave you if there's any left. Take that, don't spill it. Anything you can carry that isn't too heavy.” You glance at Bobby, stopping him in his tracks when he tries to approach you, his mouth open. “We're leaving right now. Not in ten minutes. Not after another argument. Now. Every second we stay is a second Entity X might come back and cause more damage.”

Bobby sucks in a breath, but the argument dies on his tongue. You watch it happen. He could spit back a thousand arguments, but you’re the one speaking and he hears the authority earned through months of exploration, notebooks, and close calls.

He doesn't trust the Backrooms. He doesn't trust BB. But somewhere underneath the hurt and the anger and a thousand unspoken things, Bobby Franklin still trusts you.

He grabs the water from the table without a word, shoving it in his jean pocket. His camera is gone—left on the floor in the junction room on Level 0, the first camera Bobby has ever abandoned—and his hands look wrong without it. Empty. Painfully exposed. Like a man missing a limb he didn't know was prosthetic until it was gone.

Kat gathers the remaining almond water, tucking what food she can into her hoodie pockets. Practical. Quick.

“Let's go,” you say.

You don't look at BB or at Bobby when you say it. You look at the door, at the path beyond it, at the route in your head that threads from 974 through the transitional stairwells to the Poolrooms and across Level 4 to the outpost, and you start walking.

They follow.

“Stay close to me at all times. Don't touch the walls and don’t trust any voices you might hear.”

Your voice rings flat. Instructional. Bobby and Kat fall into step behind you. Bobby first, Kat behind him, the formation you established at the threshold of Level 974 and haven't had to explain because the hierarchy asserted itself the moment you started walking.

You lead. They follow.

The notebook is open in your hand, a pen gripped in your other, and you're annotating as you move. Small marks in the margins, corrections, new landmarks added to half-finished maps.

The stairwell between 974 and the Poolrooms is narrower than you remember. The lights are different. Dimmer. The hum is carrying a frequency you've never heard before. A low, dissonant undertone, like a second voice buried beneath the first, and you don't like it.

Something skitters in the walls.

The sound is dry and rapid, claws or teeth or something with too many joints moving through a space between surfaces, and it tracks your group for three corridors before fading into the deeper dark.

Bobby's breathing changes behind you. Faster. Controlled, but faster. He's holding it together for now, jaw locked, hands fisted, the physical performance of calm layered over a body that is screaming at him to run.

Kat grabs the back of his shirt, her knuckles blanching from how hard she grips. He doesn't shake her off.

The stairwell descends, the air changing the lower you go. Warmer, carrying a chemical sweetness that prickles in your nose and coats the back of your throat. Chlorine.

The smell of it hits your chest like a memory: public pools in the valley, summer afternoons, the way the chemical tang used to cling to your hair for days. Except this chlorine is wrong. Too sweet, too warm. Like the Backrooms took the concept of a swimming pool and replicated it from the smell up, getting the details slightly off.

“What is that?” Kat wonders from behind Bobby, her voice raspy.

“Chlorine,” you answer. “We're close to the Poolrooms.”

“Right. The Poolrooms."

You don't answer. The stairwell opens up, and Level 37 unfolds in front of you.

Water. Everywhere. Still, warm, impossibly blue; a type of blue that doesn't exist in nature, that sits somewhere between swimming pool and bioluminescence, casting its light upward onto tiled walls and low ceilings and pillars that descend into the water at regular intervals.

The room is vast, the ceiling dipping low. The combination creates a sort of compression. Intimate and infinite at the same time, the sense of a space that goes on forever in a room you can almost touch the top of. The water is clear to the bottom. The tiles beneath it are white, clean, pristine, stretching into a distance that the blue light eventually swallows.

No sound except the dripping water. The gentlest possible lapping against tile, rhythmic, hypnotic, the sound of a surface that is barely being disturbed by something you can't see. The hum is different here. Softer, rounded, the dissonant undertone from the stairwell dissolved into sound almost musical.

The Poolrooms absorb aggression the way water absorbs heat. BB was right. Nothing agitated shelters here.

“Jesus Christ,” Bobby says quietly, staring at the water with wide-eyed awe.

You wade in first, and the water is mercifully warm. Body temperature, lapping at your ankles, then your calves, then your knees as the floor descends in a gentle gradient. Your bare feet find purchase on the tiles below.

You've been here before and know the depth map. There’s shallow sections that hug the walls, and the deeper channels between the pillars which intercut with the point near the centre. That’s where the floor drops and the water reaches your waist, the blue light intensifying until the whole room looks like the inside of a sapphire.

Bobby and Kat follow behind you. Slower, less sure.

Kat gasps when the water reaches her thighs. Bobby is silent, wading after you without a word. He scans the surface, the pillars, the low ceiling, and you can see him searching for threats the way you used to. With that raw, untrained hypervigilance you had in the beginning when you could tell something was wrong but didn’t have the vocabulary to describe what.

You navigate by the pillars. Third from the left, then straight, then angled right toward the far wall where the tiles change colour. White to grey to a faint, barely-visible green that marks the deep-end threshold.

BB showed you this path. BB walked it with you, his hand at your back, his cool skin a contrast to the warm water.

And BB's presence now is a pressure at the edges.

You can't see him. Haven't seen him since you left 974. But you can feel the evidence of his passage all the same. A corridor that should have been obstructed, clear. A sound in the distance that starts hostile and cuts out abruptly.

Then a silence that follows when something deadly, fast and ancient has moved through a space and left nothing alive behind it.

He's ahead of you, running interference, clearing the route the way he said he would. And even through the hurt, the reliability of it—the kept promise, the maintained commitment to your safety—swells a lump in your throat you can’t quite swallow over.

Behind you, Kat mumbles something, a joke maybe, chuckling weakly even when Bobby doesn’t join in. His reply is swallowed by water churning around your waist.

“How long did it take?”

You say it without turning around. Your voice carries across the water, bouncing gently off the tiled walls, and the acoustics of the Poolrooms give it a quality that sounds almost peaceful, almost conversational.

Bobby's wading pauses. A half-step. Then he catches up. “What?”

“Before you slept with her.”

Behind Bobby, Kat makes a small, indignant sound, an inhale that she catches in her throat, and then silence again. Just the three of you wading through water in a room that shouldn't exist.

You wait for the usual: the blade, the joke, the easy redirect, maybe even anger. But he surprises you again.

“Fifteen months.” The damaged vocal cords give the words a rough, scraped quality. “After you disappeared. Not after—not after the store. Not after Clark kicked me out. Months after that. She'd been...” He trails off, water sloshing around his hips. “Kat was just there. Every day. And I was—I wasn't okay. I wasn't anything close to okay, and I thought I’d never see you again. And one night I just—” He pauses, breath catching in his chest, refusing to look at you or at Kat while he speaks. “Fifteen months. It took fifteen months.”

Your stomach turns. A slow, visceral roll, nausea that has nothing to do with the chlorine and everything to do with the number.

Fifteen months of absence before the body you loved pressed itself against someone else.

Fifteen months of grief before the hands that used to find the small of your back in a crowd found someone else's waist in the dark.

You do the math. You can't help it. The inventory brain, the cataloguing brain, calculating: he thought you were dead. Everyone had forgotten you. The tapes were blank. Fifteen months is a long time when grieving. Fifteen months of believing the person you love is gone is a long time.

The math doesn't help. Not even a little bit. The pain blooming in your chest is too blinding and too scalding to lean on logic right now.

You nod. Once. Keep wading, your teeth sunk into your cheek to stop yourself from being petty, trying your hardest to understand.

“Did you?” Bobby asks. His voice is different now, quieter, stripped of the combative edge from earlier, carrying instead a fragility that doesn't suit his face. “BB. Did you—with him?”

“No.”

Bobby exhales. A breath he's been holding since Mr Kitty’s house, maybe longer, released through his nose in a long, shuddering stream. The relief on his face is naked and immediate, and you can see it from the corner of your eye even without turning to look at him.

“I taught him to kiss,” you admit, still staring straight ahead. At the pillars, at the blue, at the threshold approaching in the distance. “But it took months. He didn't… he'd never touched anyone. Never been touched. I taught him to dance first. Then the kiss.”

Bobby lets out a soft, bitten scoff. Air pushed through his teeth, his head turning away, and you brace for the quip, for Bobby's deflection mechanism deploying against the image of his own face learning to kiss from the woman he loves.

But the scoff dies without becoming a sentence. It lacks heat., and it lacks edge. It's just a sound a man makes when he's hearing something that hurts in a way his defences can't react against.

When you glance at him, Bobby's face is sad. Not angry like earlier, just sad.

The anger burned out somewhere in the Poolrooms, extinguished by the tranquil water and the washed light, and what's left is just Bobby. Heartbroken. Worn to the bone by grief and stress. Looking at you in the blue glow with his eyes full and his jaw loose, his whole face creased with emotion Bobby Franklin has spent his entire adult life refusing to let sit on his features unchecked.

He opens his mouth. His lips form the beginning of a word—your name, maybe, or something else, something that's been sitting behind his teeth for eighteen months waiting for you to be close enough to hear it—but you turn away. Keep walking.

The water parts around your waist and the threshold is ten metres ahead, and you keep walking because if you stop, if you let Bobby say whatever he's about to say with that face in this blue light, you will not be able to handle it.

You're not going to have this talk with him now, while Kat is right there.

“We're close,” you say instead. “The threshold is at the deep end. Keep your heads up.”

Level 4 is wrong.

The threshold deposits you in a corridor that looks like every office building you've ever been in.

Fluorescent-lit, drop-ceiling, grey carpet, cubicle partitions stretching into a distance that the lights don't fully reach. It should be mundane. It should be the most boring level in the Backrooms. An infinite corporate complex, all right angles and fire exits that don't actually exit and conference rooms with whiteboards still carrying the ghosts of meetings that never happened.

You've seen it before. Your notes describe it as low-threat, low-entity, dead space.

Your notes are wrong.

The lights flicker. Every third tube is dead, creating pockets of darkness between the lit sections, and the darkness is too deep. A dense, weighted thing. The cubicle rows stretch to the left and right, and the partitions are higher than you remember. Head-height, blocking sightlines, creating corridors within corridors, and the air smells like old paper and burnt plastic.

“Stay behind me,” you whisper, your heart rate picking up even as you fight to keep your tone level. “Single file. Don’t speak above a whisper.”

Your feet carry you through the cubicle rows. Past desks with dead monitors and phones with their receivers off the hook, and coffee cups with something growing in them that you don't look at closely. The carpet muffles your steps. Bobby and Kat are ghosts behind you. Silent, moving when you move, stopping when you stop, their breathing controlled, shallow, and terrified.

There’s sudden movement in the cubicle row to your left.

You freeze. Hand up, the signal you developed on Level 1 with BB, palm flat, fingers spread, stop now. Bobby and Kat stop at once.

The movement continues, a shape passing behind the partition, visible through the gap between the top of the cubicle wall and the drop ceiling. Tall. Hunched. Moving with a liquid, boneless gait that doesn't match any anatomy you've catalogued. It passes through the row parallel to yours, separated by one partition, close enough that you can hear the sound it makes. A wet, clicking respiration, each breath accompanied by a small pop, like a joint dislocating and relocating with every inhale.

It passes, the clicking fading into the background as it goes. You count to thirty before you move again.

Two more corridors follow. You pass a conference room with the door ajar, and inside you spot something that looks like skin draped over a chair. Smooth, pale, and gently rising and falling with a respiration you can see from the doorway. You steer them around it. Wide. Bobby's eyes find it through the gap, and his face goes grey while Kat presses her face into his shoulder and doesn't look.

The evidence of BB is everywhere.

A corridor that ends in a smear of black against the wall. Fresh, wet, still dripping. A fire exit door buckled inward from a force applied on the other side, the metal warped around a handprint that's too large to be human. A section of cubicles reduced to kindling, the partitions shattered, the desks overturned, and in the centre of the wreckage a shape. Crumpled and motionless, its limbs arranged at angles that suggest it was alive when it was rearranged and is not alive now.

You don't let Bobby and Kat see this one. You route them around the long way, through a break room with a vending machine that hums with a frequency that makes your ears ring.

The M.E.G. outpost is close. You can feel it.

A shift in the hum, a thinning of the air that means a threshold is near. The levels get permeable around outposts, BB told you once. The boundaries soften.

You round the corner into a wider corridor—open-plan, the cubicles giving way to a broad hallway with glass-walled offices on either side—and you see the equipment. Monitors. Cables. A mounted camera fixed to the wall at head height, its red recording light blinking steadily. Sensor arrays bolted to the ceiling tiles. Data collection equipment arranged along the corridor walls with the organised, labelled precision of people who’ve been here a long time and plan to stay.

“M.E.G.,” you say, exhaling. The relief that pangs your chest is almost physical. A loosening in your shoulders, a softening in the grip of your hand on the notebook. “We made it. This is their monitoring station. The outpost should be just ahead. We just need to—”

The hands come from behind you.

Three sets. Gloved. They grab your arms, your shoulders, the back of your neck, practised and coordinated.

You're yanked backwards off your feet, and the notebook hits the floor, your spine slamming against a body wearing tactical gear, a muffled voice barking something clipped into a radio, and the hands are everywhere. On your wrists, pinning your arms, dragging you sideways toward a section of corridor you haven't mapped.

These aren't M.E.G.

The gear is different. Same black from the first attack, not yellow. No patches, no insignia, no identification. The faces behind the balaclavas are blank and professional, and they are not studying you. They’re collecting you, the way you'd collect a sample they failed to collect the first time around.

Bobby's scream rips through the corridor.

“GET YOUR HANDS OFF HER—GET OFF—”

He's fighting. You can hear it behind you, the sounds of a man throwing himself at something larger and better-armed, the crack of a fist against body armour, the grunt of impact. Bobby's voice, raw and shredded and operating on pure adrenaline, screaming obscenities that echo off the walls while someone restrains him.

“Leave them,” one of the agents says into the radio, his voice clipped, indifferent. “The woman is the objective. Leave the other two for the others, it’ll buy us some time.”

For the others. The words register with a cold, clinical clarity. Leave Bobby and Kat in a Level 4 corridor swarming with agitated entities and walk away. Leave them to die. Leave them as discarded variables in whatever equation these people are solving, the irrelevant remainder, the human wreckage.

Your rage swells to near blinding.

A sudden, massive, tidal expansion in your chest, filling every cavity, pressing against your ribs and your throat and the backs of your eyes.

The agent's hand is on your arm, and the grip is iron and Bobby is screaming. Kat is somewhere behind you shouting, and these people are going to leave them here to die. And the anger is so total, so complete, so enormous that it bypasses your brain entirely and becomes a physical thing, a vibration, a frequency—

The hands holding you fall off.

You stumble forward. The grip just… released. You spin, expecting to see BB, expecting the displaced air and the black eyes and the sound of the hum—

The agent who was holding you is staring at his hands. What's left of them anyway. His gloves end at the wrist, and below the wrist there is nothing. Smooth and cauterised, the flesh sealed as if the hands were never there to begin with.

He hasn't started screaming yet. The shock is still travelling from his eyes to his brain to his vocal cords.

You turn.

Entity X is standing in the corridor behind you.

The fluorescent lights are red again. That deep, arterial crimson that transforms the office corridor into a living organism. Red light pulses, filling the hallway from floor to ceiling, its matte, leathery skin absorbing the crimson until it looks like the corridor itself has grown a body. The featureless face is smooth and wrong, but then the eyes peel open again at your presence, and the burning yellow fixes on you at once.

On you. Only you. As always.

You stumble backwards, your heel catching a cable on the floor. You barely keep your feet.

Entity X is three metres away, and it reaches for you—the arm extending, elongating, the joints clicking with a sound like knuckles cracking in an empty room—and its chest produces a noise.

Low. Gurgling. A wet, clicking sound that lives somewhere between a purr and the settling of bones, repetitive and rhythmic and deeply, fundamentally wrong in a way that your brain can’t place.

It's a sound without analogue. A sound that a body makes when it has no face to express what it's feeling and must channel everything through the mechanics of its torso, and the sound is fixated. Directed at you.

The audio equivalent of the eyes that never leave.

“Get away from me.” Your voice comes out harder than you expect. Sharper. The fear is there. Your heart is slamming, your palms are slick with sweat, your legs trembling beneath you, but your anger is louder. The rage that swelled in your chest hasn't receded. It's sitting right behind your teeth, and when you speak it comes out as a command, not a plea. “Leave me the fuck alone.”

Entity X cocks its head.

The motion is slow. Curious. The massive featureless head tilts to one side with an almost canine quality. It’s almost the same tilt BB does, just wrong, and for one terrible second the gesture looks interested. Like it heard you. Understood what you meant. Like your anger registered as something other than a feeble attempt at resistance, and the fury in your voice is a thing it recognises, that it wants.

The agents regroup behind you. Three of them. The handless one is on the floor, in shock. The others raise weapons. Compact and military-grade, and open fire.

Entity X doesn't look at them.

The bullets hit its torso and sink into the matte skin like stones into mud, and Entity X's arm sweeps sideways, casual and unhurried, the way you'd brush a fly, and the agent closest to it comes apart.

Messily. The one behind him fares worse. The sounds are wet, almost mechanical and over very quickly, leaving nothing but puddles of gore on the floor.

Entity X does all of it without moving its eyes from you once. Bored. Performing violence with the same disinterested efficiency that a human swats insects. The agents are not a threat, not an obstacle, not even a distraction.

Entity X silences them and returns its full focus on you, and the clicking sound continues in its chest, steady, rhythmic, almost gentle.

BB arrives like a thunder crack.

The air splits around you, the pressure wave alone knocking you sideways. Kat hits the floor rolling, and Bobby staggers into the glass wall of an office.

BB hits Entity X at full force, and the two of them crash through the corridor wall and into the space beyond. Cubicles disintegrate around them, ceiling tiles raining down, and the fluorescent tubes shatter in cascading waves as two things too large for this hallway tear it apart around each other.

BB's hand finds your shoulder. Between one collision and the next, between heartbeats. He's there, beside you, in front of you, his black eyes wild and his damaged face cracking, his grip on your shoulder bruising.

“The outpost. Go. Now.”

You run, reaching for Bobby blindly.

Bobby is already moving, Kat's hand in his, pulling her along, his legs unsteady but functional, his face a mask of focused terror.

You grab the notebook from the floor as you pass it, scrambling on your hands and knees. The three of you sprint down the corridor toward the monitoring equipment, toward the thinning in the air that means exit.

You spot them in the distance first.

Yellow suits and masks on. Four of them, clustered at the far end of the corridor around a section of wall that looks slightly different. Smoother, carrying a faint shimmer that you recognise as the visual signature of a no-clip point.

M.E.G. operatives. Real ones, in their trademark gear, and they're waving at you, frantic, urgent, beckoning you forward with the full-body gestures as the fight behind you intensifies.

Bobby's hand closes around your wrist, pulling you forward, and you're running together, his callused fingers locked on your pulse point.

For about three seconds, it's the parking lot at Clark's store, it's the apartment doorway, it's every moment he should have reached for you and didn't. Except now he's reaching, his hand is on you, now he's pulling you toward safety with a bruising grip that says I’m not letting go—

Entity X's hand closes around Bobby's torso.

The grab is sudden and massive, an arm extending from the wreckage of the corridor behind you, reaching over your head, the joints clicking in rapid succession as it unfolds to its full, telescoping length.

The clawed fingers close around Bobby's ribcage and lift. His hand tears from your wrist. His feet leave the ground. His body rises—up, up, Entity X hoisting him like he weighs nothing, his legs kicking, arms flailing, his face contorted with a terror so complete it erases everything else.

Entity X holds Bobby in the air and looks at you.

The burning yellow eyes, fixed. The clicking purr in its chest, steady. Holding Bobby in one hand the way you'd hold up a lantern, displaying him, presenting him, showing you the man in its grip and watching your face to see what you'll do.

“Let him go!” You slam your fists against Entity X's arm—the matte skin fever-hot and yielding and horrifyingly close to organic—and the contact sends a jolt through your system that feels like recognition, like touching a live wire, like something in Entity X's body responding to something in yours. “Let him go, put him down—”

Entity X peers down at you, his head tilting. Curious. Reading. The same interested quality from before. Your hands are on its arm, and it's letting you hit it, absorbing the blows with the patient stillness of a thing that wants to see how far the anger goes.

It throws Bobby.

A casual, underhanded toss, its wrist flicking, the arm releasing, Bobby's body sailing through the air of the corridor and hitting the wall near the no-clip point with a sound that empties your lungs. He crumples. Slides down the wall. You lurch towards him, but Entity X’s clawed hand closes over your throat, yanking you back toward it.

Kat's scream is a bright, piercing thing that cuts through the red light and the clicking, and the M.E.G. operatives move. Two of them grab Bobby under the arms, a third seizing Kat, who was running toward him, dragging them toward the shimmer in the wall.

Bobby is dazed.

His head rolls to one side, his eyes unfocused, blood from a gash above his eyebrow streaming down the side of his face. But he's fighting.

Even concussed, even barely conscious, his hands are grabbing at the M.E.G. operative's jacket, his body lurching back toward the corridor, back toward you, and his mouth is forming your name.

You can see it, can read it on his lips, the shape of the word you taught him to say in a hallway in high school in your junior year, and his eyes find yours through the blood and the chaos and the red light and for one second the corridor contracts to the width of that gaze.

You and Bobby. Looking at each other across a distance that is about to become permanent.

The M.E.G. operatives haul him through. Bobby's reaching hand—the same hand that dropped a camera for you, that grabbed your wrist, that used to find the small of your back in a crowd and cup your face before he kissed you—disappears through the shimmer, still reaching. Kat follows, and the wall smooths over again. The no-clip point seals.

They're gone.

Entity X stands behind you. The clicking sound in its chest shifts, lowering, a frequency that almost sounds satisfied. It adjusts its grip on you.

BB's fist connects with the side of Entity X's torso.

The impact sends the massive red body sideways, slamming into the corridor wall with enough force to buckle the drywall and shatter every remaining light tube within a fifty-foot radius.

The red light dies, plunging the space into darkness lit only by Entity X's yellow eyes and the faint, colourless glow leaking through the cracks in BB's ruined face.

BB's hand finds your shoulder.

The world folds.

The displacement dumps you onto the grass of Level 14, and the impact is soft, yielding, the earth absorbing you the way the Poolrooms absorb sound.

You land on your hands and knees, and the grass is cool and damp against your palms, and you gasp. Pull air in through your teeth. Your lungs are burning. Your ribs ache from the displacement, from the running, from the screaming, from the hours or minutes or however long it's been since you ate a cookie in the pink bedroom and walked into the worst day of your life.

BB is beside you. On his knees. His hands on your arms, your shoulders, running over you with that focused, diagnostic urgency. He’s checking for injuries, for broken things he can fix with his hands, because the broken things he can't fix are piling up faster than he can count.

His fingers press against your ribs. Your wrists. His eyes search your face with a desperation that’s stripped away the last of the Bobby-mask. What's looking at you is BB, just BB, the cracks in his face leaking that pale light, his jaw pulsing, his mouth pressed into a tight line.

“You're not hurt,” he says. Half-statement, half-question, his hands lingering on your shoulders. “Tell me you're not hurt.”

You shake your head because you can't speak yet.

The breath is still caught somewhere between your diaphragm and your throat, snagged on the adrenaline. On the afterimage of Bobby's reaching hand disappearing through the wall, and the sound of Entity X's clicking purr.

You fall back onto the grass, press your palms over your eyes, and breathe. In. Out. In. Out. The stream somewhere behind you moves over its stones with the gentle, trickling sound while golden light drips over your shaking hands.

It takes minutes. Several.

The shaking subsides in stages. Hands first, then arms, then the deep tremor in your core that's been running since since the red light, since the first time you heard Entity X's clicking in the corridor and knew, with a certainty that bypassed logic, that it was coming for you.

The shaking stops, your breathing evening out. Your hands drop from your face, and the meadow is still there. All of it. The tall grass, the fallen log, the amber sky that never changes. BB sits across from you with his knees drawn up and his forearms resting on them and his face wearing the careful, watchful expression.

You rub your face. Drag your fingers across your eyes, your cheekbones, the tight muscles at your jaw. Working off the edge. Pressing the panic down into the place where it can be stored and processed later, when BB isn't watching, when the aftershocks have enough room to shake without an audience.

“Entity X is gone,” BB says quietly after another moment, testing. His voice is low and rough, stripped of its usual easy warmth. “They retreated. Again. Whatever he wanted—” He looks troubled, genuinely so. “Bobby and Kat are through. The M.E.G. have them. They're out of the Backrooms.”

You nod, staring blankly at the grass between your knees.

“You did it.” Softer now. Almost gentle. The voice from the kitchen, from the dance, from the mornings he'd say hey, baby and the world would shrink to the width of his full mouth. “You got them through. They're safe because of you. And I can—I'll rebuild. The apartment. The sublevel. I'll find Entity X and after I've dealt with it, we can—”

“Why didn't you tell me?”

BB falls silent.

A bird, the same small brown bird, or one just like it, lands on the branch above the fallen log and tips its head and watches you with one bright black eye.

“About Bobby.” Your voice is calm. Scraped clean of anger, clean of accusation. Just the question, unadorned, sitting in the air between you. “You heard him. Through the wall, same as me. For months. You heard him looking for me. You knew he loved me. You knew he was sitting three inches away from the entry point, saying the things I needed to hear.” You look at BB. His face, Bobby's face, the face you touched and kissed and studied in firelight and fluorescent light and the blue glow of the Poolrooms. “Why didn't you tell me, BB?”

BB is quiet for a long time. The bird chirps a few times in the tree above. The amber light paints his cracked and healing face, and the tense silence between you fills with the full weight of every answer he could give and the inadequacy of all of them.

“I heard how lonely you were.” Picking through the words the way you'd pick through wreckage, testing each one before putting weight on it. “Before you came through. When you were alone in the basement, on the late shifts. I heard what loneliness sounded like in your voice. And when you were here—when you cried, when you talked about him, when you said he stopped seeing me—I thought—” He falters, shifting in such an shy, human way you almost soften. “I thought we were the same. That our loneliness was the same. Mine and yours. And that I could—”

“That's not what I asked,” you intone coolly.

BB flinches. His fingers curl against his forearms, pressing into the fabric of his ruined shirt as he ducks his head lower.

“BB. Tell me the truth.”

BB's face visibly contorts with pain, his features rearranging around an admission he's been carrying for months the way you carried your anger. Not smoothing over. Not closing off. Just hurting.

“I knew you still loved him,” he admits, barely above a whisper. His eyes fix on the grass, unable to look at you. “I could hear it. Every time you said his name. Every time you cried about him. Every time you talked about the apartment, the mornings you shared, the way he used to look at you. You never stopped loving him. And I—” His voice thins, fraying. “I thought if you knew he was looking, if you knew he was right there, you'd leave. You'd go back through the wall and I'd—”

He stops, swallowing thickly. The sound is audible. The borrowed mechanism of a throat that doesn't need to swallow performing the gesture anyway because the emotion behind it is real even if the body isn't.

“I know it was selfish,” he adds in a hushed whisper.

You gaze at him blankly for what feels like a small eternity.

“You didn't just withhold it.” Your voice is steady, but your hands are shaking again. Anger and grief coiling together so tightly you can't separate them, can't feel where one ends and the other begins. “You used my loneliness. You heard me at my lowest, and you leaned into it. You built a life around my isolation because as long as I was isolated, as long as I didn't know there was something to go back to, I'd stay. With you. That's not love, BB. That's keeping.”

BB's head snaps up. His eyes are bright and wounded, but the expression on his face is gutted. Sheer hollowed-out devastation of hearing the worst possible interpretation of the best thing he ever did and recognising, with a clarity that makes his whole face crumble, that the interpretation isn't wrong.

“That's not—” he starts shakily. Tries again. “I didn't—I wasn't trying to—”

“But it's what you did.” Quiet. Final. “Regardless of what you meant. Regardless of how well you meant it. That is exactly what you did. You heard a woman crying about being invisible, and instead of telling her she was being looked for, you made yourself the only thing she could see.”

The amber light falls on his struck face, and the cracks in it have stopped leaking, the damage from the fight slowly closing, and the face that's left is Bobby's, wearing an expression he never wore.

Raw and open, and so deeply, completely sorry that the air around it seems to bend.

“You were happy,” he says quietly. Almost to himself. Like he's testing the memory against the accusation, holding them up side by side to see if they can coexist. “You started smiling again. Laughing. When we walked through the Poolrooms the first time, you laughed at something I said and the sound—” His voice catches. “The sound was the most beautiful thing I'd ever heard. I thought—I thought I was fixing it. The loneliness. The pain. I thought if I could just—keep you safe, keep you close, give you everything he didn't—you wouldn't need to go back. You wouldn't want to. And that would be enough.”

Your eyes burn, tears pressing forward, hot and insistent, and you clench your jaw against them.

Because you can hear his sincerity. The genuine, unperformed, unhuman sincerity. He heard you cry through concrete and decided, with the full weight of its ancient and limited understanding, that the solution to your pain was its presence. 

BB didn't think he was trapping you. BB thought he was saving you.

The distinction doesn't make it okay. The distinction makes it worse because it means the thing that hurt you was trying, with every tool it had, to love you well. And its best tool was deception.

“You should have told me.” Tears are falling now, and you don't wipe them. “You should have given me the information. All of it. And then you should have let me choose. Even if the choice was leaving. Even if the choice was him. You should have let it be my choice, BB. That's what love does. It doesn't decide for the other person. It doesn't curate the options to guarantee the outcome you want. It gives them everything, and it lets them choose, and it survives the choosing, even if the choice breaks it.”

BB says nothing. His eyes fix on yours, and his expression is accepting. Terrible, slow, grinding acceptance. The kind that arrives not all at once but in layers, each one heavier than the last, pressing down on whatever passes for his heart.

“I didn't want to lose you,” he whispers, his voice catching. “I'm sorry. I—I didn't want to lose you.”

You sit across from the being who built you a kitchen and taught itself to kiss and pressed its mouth to your forehead every morning so it could lie to you with every tender gesture because the truth would have set you free and freedom was the one thing it couldn't give.

You breathe in, glancing up at the sky. At those breathtaking gradients of gold and amber, laced with violet at the edges. The sky that never changes, the eternal late afternoon of a level called Paradise that exists inside a place that shouldn't exist at all.

You look back at BB.

“Do you know why I stayed?” you ask softly. “In the beginning. When I found out you weren't actually Bobby. Do you know why I didn't run?”

BB's face tightens, and the pain that crosses it is visible, bright hot.

“Because of the face,” he says, low and pained. The words dragged out of him like splinters from beneath the skin. “Because I look like him. Because you love him. Because you wanted him—always him, always Bobby—and I was close enough.”

Your eyes fill. The tears spill over fresh, tracking down your cheeks, and you stand. Cross the distance between you. Close it. Three feet. Two. One. Until you're standing in front of him and he's looking up at you from the grass with Bobby's blue eyes and BB's anguish and the meadow light on both of you.

You touch his face.

Your fingertips on his cheekbone. The line of his jaw. The scar from the cabinet door that happened to someone else's body. Your thumb traces the corner of his mouth. That corner where the grin starts, the lopsided one, the one that's his and not Bobby's.

BB makes a sound. Low. Wounded.

A vibration that starts in his chest and comes through his throat as something between a sigh and a moan. His eyes close and his head turns into your palm, nuzzling closer. Desperate, pressing his face into your hand the way he did the first time you touched him. The sound he's making is continuous, a keening that he can't seem to stop, and his hand comes up and covers yours on his cheek and holds it there, feeling him shake.

“It was never about the face,” you choke out, your voice breaking. The tears fall freely now, and you let them. “It was you. Just you, BB. The way you listened. The way you learned me. The way you held me like I was the first thing you'd ever wanted to hold. The way you asked am I doing it right after kissing me, and the answer was always yes. It was always just you.”

BB's eyes crack open. Wet. Bobby's blue, glassy with a moisture that shouldn't be there, that his body doesn't produce, that has no biological mechanism to explain it… and yet. His lashes are dark and clumped, his eyes full and the expression in them is so devastated, so completely and utterly undone, that you have to look away.

You pull your hand back.

BB makes another sound. Louder. A moan that cracks open midway through and becomes something raw and guttural, a noise that comes from the place beneath the face, beneath the voice, from whatever vast and ancient thing lives at the core of him and is now experiencing, for the first time in its incomprehensible existence, the human agony of being left by the person it loves.

“No,” he breathes. “Please. No, no.”

You lower your head. “Take me to the M.E.G. outpost.”

“Please.” His hand reaches for yours but catches only air. You've stepped back and his fingers close on nothing and his face—Bobby's face, BB's face, the face that learned to smile because you smiled first—contorts. “Don't. Don't leave. You can't—I'll fix it. I'll tell you everything, I'll never keep anything from you again, I'll—”

“BB.”

“—the apartment, I'll make it better. I'll find Entity X and end it, and you'll be safe. You'll be safe forever, I can keep you safe, please, I can—”

You can barely speak. “BB. Stop.”

He stops, his mouth trembling. The word he was forming dies on his tongue. His eyes rest on you, wide and wet, terrified.

“All that's waiting out there is a life that hurt you,” he blurts out, desperate. The words tumble, tripping over each other. BB, who is rarely inarticulate, is now struggling to assemble sentences fast enough to change the outcome. “Illness and old age and people who forgot you and—and a man who didn't see you until you were gone. That's what's on the other side of the wall. You’ll d-die. I… no. Please, no. Not you, not you.”

Your heart is ripping apart. A physical sensation of something in your chest being torn in two directions at once, the fibres separating, the tissue rending.

He's right. He's right about all of it. The world on the other side of the wall is the one that hurt you. The one that made you invisible. The one that let you stand in doorways waiting to be loved and answered with grunts and cold sheets and blank tapes that erased your face. There is nothing on the other side of the wall that is gentle the way BB is gentle, nothing that listens the way he listens, nothing that will press its mouth to your forehead every morning and hold you through the night and learn your name syllable by syllable.

But it's your life. The miserable, broken, painful, mortal thing. Yours.

“If you love me,” you say in a quiet rasp, each word costing a piece of your heart you can feel being subtracted from the centre of your chest. “If you love me the way you say you do. If that promise you made me meant anything at all, or the name I gave you meant anything... then you'll let me leave.”

BB stares at you. The tears—his tears, not Bobby's, the moisture that has no biological origin and exists only because the grief demanded a vessel—tracking down his cheeks, and where they fall the skin glows. Faint. Luminescent. A soft, shimmering iridescence that blooms along the tracks of the tears like bioluminescence, like foxfire, a visible signature of an inhuman emotion marking inhuman skin.

His agony written on his face in light.

BB reaches for your shoulder slowly. His hand is gentle, his touch almost absent.

The meadow folds around you, your stomach lurching. The golden light compresses, narrows, and when the world straightens again, you're standing in the corridor on Level 4.

The monitoring equipment. The cameras. The wall with the shimmer. The remains from operatives are mostly gone. Absorbed by the Backrooms, consumed by the level itself, the corridor healing over the evidence of violence the way skin heals over a wound. A few remain. Dark shapes at the periphery that you don't look at.

The no-clip wall is there. The shimmer and behind it the real world. A place where it rains, and people eat hotdogs and phone calls go unanswered. Where love atrophies through neglect and everyone you've ever known has forgotten your face.

And BB's hand rests on your shoulder, trembling openly. A hand that was built to hold on, that heard you, chose you, kept you, loved you and lied to you, and is now standing in a corridor doing the one thing it has never done.

Letting go.

His hand lifts from your shoulder.

You feel the absence instantly. The place where his palm was goes cold, the last physical connection between your bodies dissolving into air.

“Please,” he rasps behind you, low and shaking, stripped of everything. The charm, the cockiness, the ancient resonance, the hum's harmonic, all of it gone, the voice of a thing that has been reduced to its simplest possible setting: a being, in a hallway, begging. “Please stay. Please don't leave me alone again. Please.”

You turn, walking toward the wall. Your notebook tight against your chest.

“Please.” Louder, more frantic, the word cracking. “I'll be better. I'll tell you everything. I'll never lie to you again. I'll—I can change. I can learn. You taught me how to dance and how to kiss. How to hold you. Teach me this too, teach me how to let you be angry and still stay, teach me how to—”

You keep walking. The shimmer is close now. Five metres. Four.

“Please don't go.” His voice is climbing. Not in volume, in pitch. In frequency. The human register giving way to something else, something that vibrates in the walls and the floor, fillings in your teeth. “Please. I can't—I'll be alone. I'll be alone again. I was alone for so long, and then you were there, and I heard you. You were the first voice in—in—”

The sound fractures. Becomes a keening. A high, sustained, inhuman wail that has no words left in it, just the raw frequency of loss, a being older than language grieving in the only language it has left. Sound itself, vibration itself, the hum turned inside out and made to carry a weight it was never designed to hold.

You stop.

Your composure breaks. Silent tears pour down your face, and your mouth contorts, your chest heaving and you press the notebook against your sternum until it hurts. The keening behind you is the worst sound you’ve ever heard. Worse than the Smiler, worse than Entity X, worse than Bobby's voice saying baby? in a yellow corridor, because this sound has your name in it.

This sound is the noise a heart makes when it's too old and too vast and too full to survive what's happening to it.

You turn and look behind you.

The corridor is empty.

The shimmer on the wall pulses gently, waiting. And the space where BB stood—three metres back, in the corridor, where his voice was—is vacant. Just the flat, beige, infinite emptiness of a level that's been suddenly abandoned.

He's gone.

For all his power. For all the corridors he owns and the entities he's unmade and the levels he moves through like blood through a vein. For all the ancient, vast, immeasurable force that lives inside the Bobby-suit and behind the borrowed eyes and underneath the face he chose because he heard a woman crying and wanted to be the thing that made her stop.

The one thing BB couldn't do was watch you leave him.

You press your hands over your face, and you sob. Hard. A sound that comes from the bottom of your gut and fills the corridor and bounces off the walls and comes back to you changed, louder.

You scrub your face. The heels of your hands grinding against your eyes until white spots swim in your vision. You breathe wetly, straightening, and look toward the wall. The shimmering exit.

You step through.

That's the thing you still can't quite get used to. The hum is different here. Not the flat, fluorescent drone of Level 0's hallways, that ambient pressure that sits on your skin like a low-grade headache. This is warmer. Rounder. A sustained note that lives in the walls the way heat lives in a radiator, and it fills the rooms, plural, with doors and corners and a kitchen with a window that faces a corridor that BB has done something to. 

Strange and inhuman, so that the light that comes through the glass looks like late afternoon in the Santa Clara Valley, even though there is no afternoon here and no valley and no sun.

BB built this for you.

A hallway that hadn't existed. A doorway where a wall once stood. He carved a sublevel out of Level 0, the way you'd carve a space inside a block of wood, and what emerged was this: an apartment. Your apartment. Not a copy, not the uncanny almost-right, but a reconstruction built from the details he absorbed through the wall over months of listening and your own memories. The layout of the kitchen. The position of the bookshelves. The height of the counter where you used to lean while Bobby stood at the sink.

It's not identical. It can't be. Some details Backrooms can’t render right, some he interpreted rather than reproduced, and there are places where his understanding of home and yours diverge in ways that are quietly alien. The windows don't open. The bathroom has no mirror. The bookshelves are organised by colour, the way you described to him once, and seeing your preference rendered in physical space by something that remembered a passing comment had made your throat tight in a way you couldn't name.

He started building it after the agents.

You don't like thinking about the attack. Your body remembers it better than your mind does. 

You remember the impact. The floor. A pressure on your chest that felt unbearable, like the air itself had solidified, and a pain in your shoulder that burned white and erased thought. You remember voices—clipped, tactical, coordinated, the language of people who had trained for this—and then BB's arrival.

You don't remember what happened to the agents. BB recounted what happened later, in clipped sentences, his jaw tight, his eyes carrying a darkness that took hours to fully recede, that there had been six. Human. Armed. Organised in a way that suggested training and resources, and a purpose that went beyond casual exploration. The encounter had been resolved.

He didn't elaborate on resolved. You didn't ask.

After that, BB locked Level 0 down. You felt it happen even as you clung to him after the attack, a shift in the hum, a tightening, like a fist closing around the entire level. 

The corridors that used to carry the occasional lost wanderer, the stray explorer who stumbled in from Level 1 and stumbled out again, are now sealed. Thresholds that had been porous became walls. Doors that had been doors became surfaces. BB walked the perimeter for three days straight, and when he came back, his eyes were fully black, and the warmth took a long time to return, and the message was absolute: nothing gets in. 

Nothing human, nothing inhuman, nothing with a weapon and a tactical vocabulary and the coordinates to find the corridor where you bled on the floor. Level 0 was his. Level 0 was yours. And the only things moving through it now were the two of you and the hum and whatever BB decided to allow, which was nothing, which was no one, which was the total and permanent closure of a territory around the person inside it.

You healed. Your lip closed over, your bruises receded. BB fussed over you, his face tight with concentration that you gradually recognised as fear. Not fear of the wound. Fear of what the wound meant. That you could be reached. That the corridors he'd taught you to walk and the levels he'd shown you and the notebook full of careful shorthand hadn't been enough to keep a human with a weapon from putting you on the ground in a place he'd told you was safe.

He'd been different since. Not colder, exactly, the warmth was still there, the hand on yours, the chin on your shoulder while you sketched. But warier. His attention, already vast, had developed a new layer, a peripheral vigilance that never fully shut off, a constant low-level scanning that you could feel the way you felt the hum. 

He checked the corridors before you entered them now. He checked rooms you'd been in a hundred times. And he'd built this place—the sublevel, the apartment, the nest within the nest—and the message was clear even if he never said it aloud. Deeper. More hidden. Harder to reach. A space carved into the architecture of Level 0 itself, tucked beneath his territory the way a vital organ sits beneath the ribs.

You've been here a while. 

Long enough that the first notebook is full and the second is two-thirds gone and the third is waiting on the shelf BB just stacked, its mottled cover still crisp. 

Long enough that you've mapped Level 0 in its entirety, or as close to entirety as a place like this gets, and made partial notes on multiple other levels. Some detailed, some no more than a page of warnings and a rough sketch. It’s been long enough that your handwriting has changed. Gotten smaller, tighter, more efficient, conserving space the way you conserve everything here. 

And long enough that the thing on the perimeter has become a permanent entry in the notebook. Updated weekly, the symbol you invented for it—a circle with a line bisecting it, unknown entity, behaviour unclassified—appearing on more pages than any other annotation.

It's still circling. Still testing. Running its vast, patient intelligence along the boundary of BB's territory and pulling back before contact. You've taken to calling it Entity X in your notes permanently, a placeholder designation, because giving it a real name would make it more solid, and it's already solid enough. 

You can feel it sometimes. Not the way you feel the hum or BB's presence, but as an absence, a hot spot at the edge of perception, like turning your head toward a sound that stopped just before you heard it.

BB doesn't talk about it.

That's how you know it's bad. BB talks about Smilers with contempt and Howlers with mild annoyance, and the locked-down perimeter with the grim satisfaction of a thing that sealed its borders and dares anything to test them. He talks about the agents with a clipped exactness that betrays how much it shook him. 

But Entity X gets silence. Gets the jaw-tightening. Gets the moments you've started cataloguing in a private section of the notebook that you don't label. The mornings when he's already awake when you surface, sitting at the edge of the nest with his posture too rigid and his eyes too dark, focused on a distance you can't perceive. The nights he disappears and comes back with the face not quite set, the edges sharp, the wet-paint quality that means he dropped Bobby to deal with whatever he found and hasn't fully climbed back in yet. He smooths over it. Deflects. Does the half-grin and the shrug and the it's handled that you've learned to read as I don't want you to carry this.

You let him think it works. You watch him reassemble his composure over breakfast, and you don't push. You don't pry. You simply add another entry to the private section, which is getting longer. The circle-with-a-line symbol fills the margins like a recurring dream.

Long enough that the thought of leaving has shifted from a wound to a question.

You think about it. Still. Not every day—not the way you did in the beginning, when it was a constant screaming pressure behind your ribs—but in the quiet moments, the ones between mapping and walking and BB's hand on yours. In the pauses. You'll be sketching a corridor junction, and your pen will stop, and you'll look at the lines on the page and think: I could navigate this now. 

Not all of it. Not the deep levels, not the places BB won't take you. But the paths between 0 and 1, between 1 and the threshold levels, the routes that thread through the safer territories. You know them. You've walked them, mapped them in your own shorthand and committed the landmarks to memory. You’re no longer the woman who fell through a wall and couldn't find her way back. You could find your way back. Probably. If you wanted to.

If you wanted to.

The if is the problem.

The if sits in your chest like a stone, and you can feel its weight when you breathe, and you don't examine it too closely because examining it means confronting what's underneath. That the woman who fell through the wall wanted to go home with a desperation that burned, and the woman standing in a reconstructed kitchen organising shelves with an ancient entity is not sure she does anymore. Not because home stopped mattering. Because here started mattering too.

You feel loved here.

The admission lives in the back of your skull like a low-grade fever, always present, never quite articulated. 

You feel loved. BB needed you before he loved you, or whatever the equivalent is for a being that predates human emotional language. But loved, in the clear, daily, accumulative way that love manifests when it's not grand gestures and declarations but shared laughter and proximity and a hand that finds yours in the dark without being asked. BB loves you pervasively, from every direction at once. And you’ve started to love him back, and the loving feels like betrayal, and the betrayal feels like breathing, and you can't tell anymore which one you're supposed to stop.

It's selfish. You know it's selfish. Somewhere on the other side of the wall there's a world you belonged to, a life with your name on it, and you're standing in a facsimile kitchen letting an inhuman thing shelve your notebooks and you're happy, or close enough to happy that the difference doesn't register, and the selfishness of that—choosing comfort over confrontation, choosing the being who stayed over the man you'd have to face—sits in your stomach like acid.

You don't say any of this. You lean against the kitchen counter, and you watch him arrange the shelf and try not to notice the tension he thinks he's hiding.

It's in his hands. The notebooks are stacked neatly, but his fingers linger on each spine a fraction too long before releasing, and there's a quality to BB’s movements—too measured, too controlled—that you've learned to recognise as the aftermath of a bad patrol. 

He'd been out this morning. Before you woke. You'd surfaced to find the nest empty, and you'd lain there tracing the impression of his body in the fabric and counting the minutes until the hallway produced him again. And when it did, his face was smooth, and his smile was easy. He'd said morning, baby with the half-grin. You'd said morning, and neither of you mentioned that his eyes were still a shade too dark, that the blue was slow in rising, that whatever he'd encountered at the perimeter was still sitting behind his expression like sediment that hadn't fully settled.

He's protecting you from it. The way he shields you from the worst of the corridor checks, the way he smooths Entity X into a vague it's fine, it's the same, nothing's changed whenever you ask directly. He carries it alone because carrying it is what he does, because shielding you is coded into whatever he is at a level deeper than the face, and the tenderness of that instinct and the frustration of being managed by it exist in equal measure inside your chest.

You watch his hands on the shelf. You watch the tension he thinks is invisible. 

The hum holds you both in its warm, low frequency, and somewhere from the apartment, the music starts.

A crackle of static first, the particular pop and hiss of a record that's been played too many times, and then the melody. Slow. Sweet. Old in a way that feels intentional, like the Backrooms reached into the past and pulled out the exact song designed to make your chest ache.

We'll meet again, don't know where, don't know when—

Vera Lynn. The voice is warm and rounded and impossibly clear for a moment, every note landing clean, and then the Backrooms stutter—a glitch, a skip, the audio hiccupping like a record needle jumping a groove—and the word when stretches, distorts, hangs in the air a fraction too long before the melody catches up to itself and continues.

—but I know we'll meet again some sunny day—

Another glitch. The word sunny fractures, splits into overlapping copies of itself that pile up for half a second (sunny sunny sun-n-ny) and then resolves, the song smoothing back out like water closing over a dropped stone. The crackle persists underneath. A warmth to the distortion, like listening to a broadcast from very far away, like the song is travelling through miles of wall and wire and yellow to reach you.

You go still.

Your hand rests on the counter. The song fills the apartment, and you feel yourself drift. Not physically. Internally. The song pulls at the room in the back of your chest, the one where the Thursday morning lives, the one where Bobby said stay and the sheets were gold, and the phone rang, and he ignored it because his mouth was on yours.

Keep smiling through, just like you always do—

A skip. Always repeats, layers, becomes a brief chorus of itself before the record unsticks and Vera Lynn carries on, serene, unruffled, singing about reunion to a woman standing in a place where reunion might be impossible.

You stare at the window. The fake Santa Clara light falls across your hands on the counter, and it's warm, it's exactly the right warmth, and the song is playing, and you are thinking about the front door of your real apartment, the one with the sticky lock that Bobby always meant to fix. The sound your keys made when you set them on the table by the door. Whether anyone has fixed the lock since you've been gone, or whether it's still sticky, waiting for your hand on the knob, waiting for you to come home and jiggle it the way only you knew how—

“Hey.”

BB's voice. Close. You blink. He's in front of you—when did he move?—and his head is tilted, his eyes searching your face. That total-attention read, line by line. He sees where you went. He always sees it. He can track the exact moment your gaze goes internal, the instant when the woman in front of him leaves the room, and the woman who misses Bobby takes her place.

He doesn't ask. He doesn't say are you thinking about him or do you want to talk about it or are you okay. He does something else instead.

He holds out his hand.

Palm up. Fingers open. The same gesture he made at the old nest, except the context has shifted, the weight of it is different now, heavier, more layered. 

His eyes are warm, and his mouth is soft. Vera Lynn sings through the walls and glitching on the word again (a-a-again), and BB stands in a kitchen he built for you with his hand extended, and the look on his face says come here, come back, I know where you just went, and you don't have to stay there.

You seize his hand in yours.

He pulls you in. Gently. Your chest against his. His hand settles at the small of your back. Low, warm, the heel of his palm resting against the base of your spine, and his other hand keeps yours, lifting it, positioning your joined hands at shoulder height, the way you showed him.

You've been teaching BB to dance.

It started as a joke, a throwaway comment about how Bobby had two left feet and you'd tried to teach him once. He'd stepped on your toes, called dancing vertical suffering, and refused to try again. 

BB had tilted his head. Asked questions. And the next evening, he'd stood in the middle of the living room with his arms stiff and his weight wrong and said show me, and you'd laughed but taken his hands and spent an hour teaching him a basic box step while he moved with the mechanical precision of something that had studied human motion extensively and participated in it never.

He's better now. Not fluid, not quite natural, still carrying that faint quality in his movements, the angles a half-degree too clean, but better. He can hold the frame. He can follow the tempo. Can move you through the small kitchen space without stepping on your feet.

'Til the blue skies drive the dark clouds far away —

The song glitches. Dark clouds becomes d-dark cl-clouds, a stutter that sounds like the record is caught in a groove, cycling, and then it releases, and the melody continues, and BB turns you slowly in the kitchen light.

You look up at him.

He's looking down at you. Bobby's face, close, the chain at his throat catching the warm not-sunlight, the earring a small bright point at the edge of your vision. His expression is—

You've run out of words for BB's expressions. The early ones had names: Bobby's grin, Bobby's smirk, Bobby's mock-wounded outrage. But BB has been building his own vocabulary of expressions on top of Bobby's, small deviations from the blueprint, micro-adjustments that belong to him and only him, and the one on his face right now is entirely his.

He smiles at you.

Small. Crooked. Genuine.

Bobby's grin was a performance, a weapon, a thing deployed with intent. This is quieter. Lopsided. One corner of his mouth lifting slightly higher than the other, the asymmetry creating warmth. It's the smile of a thing that learned to smile by watching a man smile and then, slowly, over months, forgot to copy and started to mean it.

You gaze at each other.

BB's hand is warm at your back, and your hand is in his, and you're standing close enough that you can see the individual lashes framing his eyes, dark against the blue, and the small scar on his jaw, and the way the not-sunlight catches the fine grain of his skin. Which is perfect. Which is too perfect, and has no imperfections except the ones he chose to replicate, and even those are too intentional, the blemishes of a face that was designed rather than grown.

You should look away. The tension is building in the space between your bodies the way static builds before a storm, and you should look away because looking at BB like this, in this light, with this song, is a door you're not sure you can close once you walk through it.

You don't look away.

BB's gaze drops.

To your mouth.

It's not subtle because BB doesn't do subtle. His eyes fix on your lips and stay there, and you can feel the weight of it, the physical pressure of being looked at that intently by something that ancient. Like a beam of light concentrated through a lens until it burns.

His breathing changes.

He doesn't need to breathe. You know this. You've known it for a while. The breathing is performance, a courtesy, a piece of the human costume he maintains because the alternative would unsettle you. But right now, in the kitchen, with his eyes on your mouth and the song glitching softly around you (we'll meet a-a-again), his chest expands and contracts, the air leaving him in a slow, uneven exhale, pushed out rather than released. Like whatever is happening inside him right now is too large for the shape to hold without venting pressure.

“Can I—” he starts.

Stops.

BB’s jaw twitches, that muscle at the hinge. His eyes are still on your mouth, and his hand tightens at your back. A fraction, barely perceptible, his fingers pressing into the fabric of your shirt, and his throat moves. A swallow. Another borrowed gesture, another piece of human machinery he doesn't need, except right now it looks involuntary. It looks real.

“Can I,” he rasps again, even quieter. 

His voice has dropped into that low register, the one that carries the hum's harmonic underneath it. Not the ancient-thing voice. Or the vast, reverberating frequency he uses when something threatens his territory. This is… smaller. Almost shy. A resonance that sounds like it's coming from a place BB didn't know he had.

He trails off.

The kitchen is quiet. Vera Lynn has gone silent. The song caught in a glitch, a held note, the record spinning in a groove that won't release. Only sounds are the hum, BB's unnecessary breathing, and your own heartbeat, too loud in your ears.

"What do you want?" you ask, barely above a whisper. 

You can feel the tension in him through your palm on his shoulder. Not the coiled readiness he carries in dangerous corridors. A different kind. A vibration, running through the muscle and bone of a body that is not muscle and bone. That is something else entirely, wearing the shape of a man who is shaking because he wants something and doesn't know how to take it without being taught.

BB makes a sound.

Low. At the back of his throat. A sound that lives in the space between a groan and a hum, that carries a wanting so raw it barely fits through his vocal cords. Throaty. Needy. And underneath it—beneath the borrowed voice, beneath Bobby's timbre and the human costume—a vibration that is entirely and unmistakably other. Primal. 

His hand lifts from between your bodies. Unsure. His fingers drift upward, and his thumb finds your mouth. Presses against the swell of your bottom lip. Gentle. Barely there. The pad of his thumb traces the curve of it the way he traces the edge of a doorway when he's reading a room, with that same focused attention, that same reverent precision.

“A kiss,” he whispers.

His eyes lift from your mouth to your eyes. His thumb stays on your lip. The wanting on his face is so naked, so unperformed, so completely stripped of Bobby's armour and BB's composure that it makes your breath catch. 

“You taught me to dance,” he goes on, the words coming out unevenly. Hushed. His thumb moves against your lip, the faintest drag, back and forth, and his eyes are dark and wide. The ancient thing behind them is nowhere to be seen. What's looking at you is just BB, just the being you named in a meadow, wanting something human with a desperation that borders on heartbreaking. “Teach me this. Teach me how to—” His breath shudders. Not a performance, a malfunction. A system overwhelmed. “How to do it right. I want to do it right. For you.”

Your breath hitches.

The conflict is a living thing in your chest,  a creature with teeth and a heartbeat, pulling in two directions at once. 

Bobby's mouth on yours on a sunny morning. BB's thumb on your lip in a kitchen that shouldn't exist. The man who kissed you like he invented it, and the being who is asking permission to learn how to. The love you carried through the wall and the love that grew on this side of it, stubborn and impossible and real, and the guilt, the guilt, the guilt that says this is betrayal and the counter-voice that hisses betrayal of what? Of a man who grunted at your goodbye? Of a love that was already starving when you left?

You want this.

The wanting is its own answer. It sits in your stomach, hot and undeniable, and it doesn't care about the guilt, and it doesn't care about the conflict. It doesn't care that the mouth hovering near yours belongs to a thing that heard you through concrete and chose to wear the face of the man who broke your heart. 

You want this. You want him. BB. Not the face, or the copy, not the better version of someone else, but the thing underneath. The one who learned your name, kept your promise, built you a kitchen, and is standing in it now with his thumb on your lip, his body shaking, the word please forming on his tongue.

“Please,” he breathes, his thumb dragging across your bottom lip one more time. Feather-light. And his face is so soft, so open, so wrecked with the rawness of wanting something he's never had that the word comes out like a prayer. "Please."

You don't stop him when he leans in.

His lips brush yours.

The lightest possible contact. The surface tension of a kiss, the moment before it becomes one, and the touch is tentative. So fragile, and so different from every kiss you've ever experienced that your body doesn't know how to categorise it. 

Bobby kissed like he was claiming, savouring. BB kisses like he's asking, begging. His mouth hovers against yours, barely touching, a question held in the millimetre of space between his skin and yours, and you can feel the tremor in his lips. He's shaking. Fine, continuous, a vibration that you feel more than see, and his breath—the breath he doesn't need—washes over your mouth in a warm, unsteady exhale.

Then the contact lands. Full. His lips press to yours, and the sensation is—

Heat.

Beyond warmth, beyond the gentle building of a slow kiss. A current that slams through your entire system, starting at the point of contact and radiating outward through your jaw, your throat, your chest, and the base of your spine. It's not natural, it can't be natural, because the body against yours is not a body and the mouth on yours is not a mouth, not really. It's the surface expression of something vast and old and powerful, and that power is in the kiss, threaded through it like voltage through copper, and your nervous system lights up like a circuit completing.

BB is worse.

You feel it happen. His skin, always cool, always that slightly-below-human temperature that you've gotten used to, goes hot. A flush of warmth that starts at his mouth and spreads, radiant, through his jaw and his neck and the hands on your body. His cool skin warms beneath your lips like metal left in the sun. Like the contact between your mouth and his is generating a heat that his body was never designed to process.

He makes a sound against your mouth. Soft. Greedy. A small, desperate noise that vibrates between your lips, and he can't stop it. You can tell. Because you can feel the way his jaw tightens and his breath catches. Like he's trying to contain it and failing, the sound escaping anyway, involuntary, the noise of someone encountering sensation for the first time and being unmade by it.

You tilt your head. Change the angle. Show him.

He follows. Quick, eager, that same devouring attentiveness he brings to every lesson. Your angle becomes his angle, your pressure becomes his pressure, and the speed at which BB adapts is inhuman. Seconds instead of minutes, the learning curve of a thing that absorbs information through contact. 

Your lips part, just barely, and his mirrors the movement, and the kiss deepens, and BB's hand slides up your back and grips, bunching the fabric of your shirt between his fingers. The sound he makes this time is louder. A sigh that cracks open midway through and becomes a groan, low and shaking, shot through with that sub-harmonic frequency that you feel in your teeth.

His other hand finds the side of your face, cups your jaw. His thumb traces your cheekbone, and his mouth moves against yours. He's learning. You can feel him learning, cataloguing each shift in pressure, each tilt, each breath, mapping this the way you mapped his corridors, with hunger and the desperate focus.

You run your fingers through his hair. BB shudders. A full-body tremor, head to feet, and the sound he makes is a wrecked, bitten-off thing that lives somewhere between a gasp and a whimper, and his forehead drops against yours, and his mouth chases yours, his fingers tightening in your shirt.

When you finally part, his mouth follows yours. An inch. Reluctant. Not wanting the distance.

His forehead rests against yours. His breathing is ragged. Unnecessary, performative, and completely out of his control, great shuddering exhales that fog the negligible space between your faces. His eyes are closed. The lashes dark against his flushed skin, which is still warm, still radiating that unnatural heat, and his lips are parted, and his expression is—

Ruined. That's the word. He looks ruined. Taken apart at the joints and not yet reassembled. Every layer of composure stripped away. Bobby's armour, BB's own careful vaneer, the ancient thing's vast indifference. All of it gone, peeled back, and what's underneath is just this: a being, shaking, in a kitchen, with the taste of you on a mouth he built to say your name.

“Am I doing it right?” he whispers shakily, slightly dazed. “Was that good?”

His eyes open. Find yours. And the expression in them is so earnest. So genuinely concerned that the answer might be no, that he might have gotten it wrong. That the thing he wants more than anything he's ever wanted might be the thing he's worst at, that your chest cracks along an old fault line, warmth flooding in.

You smile. Your nose bumps his.

“You're a very eager student,” you murmur, your voice thick. Roughened. 

The heat still sits in your veins, humming through the places where his mouth was, and the words come out low and warm but certain.

BB's face transforms.

The worry dissolves. What replaces it is satisfaction. Feline. Deep. The slow, spreading pleasure of a thing that’s been told it succeeded at the one task it cared about. And the expression settles onto Bobby's features in a way that is entirely BB's. Not the cocky grin, but quieter, more private, enormously pleased, a contentment so total it rearranges his face into a shape Bobby never wore.

He leans in. Presses his lips to your forehead.

Gentle. Unhurried, lingering. His mouth is warm against your skin, and you feel the hum transfer through the contact. That low, steady vibration, his frequency, the sound that lives in his chest and translates through his mouth into a pulse that settles behind your sternum like a second heartbeat. 

He holds the kiss there. Two seconds. Three. His hand cradling the back of your head, his fingers in your hair, and the gesture is so tender and so completely his that the breath leaves your body in a long, slow exhale.

You close your eyes. Lean into it.

Bobby never used to kiss your forehead.

Bobby kissed your mouth, your neck, the spot below your ear that made you gasp. Bobby kissed with intent, heat, and skill. Bobby kissed like a man who knew exactly what he was doing and wanted you to know he knew. 

But the forehead—that quiet, unhurried, undemanding press of lips to the place above your eyes—that was never in Bobby's vocabulary. 

It was too tender. Too unperformative. Too much like a devotion and not enough like a statement. Bobby declared. And the soft devotional gesture of forehead to forehead, mouth to brow, the kiss that says I cherish you instead of I want you—that was always one of the doors Bobby bricked up, one of the tender things he couldn't do because doing it would've meant admitting the size of what he felt, and Bobby's whole life was an exercise in pretending the feeling was smaller than the room.

Vera Lynn unsticks from her glitch, and the last notes of the song drift through the apartment like smoke (some sunny d-day), and you are here. In a kitchen that was built for you by something that heard you cry through a wall. 

You lean into lips gentle against your skin and close your eyes. 

BB pauses at the threshold of the apartment.

He does this now, the pause, the backward glance, the half-second where his body is already oriented toward the corridor but his attention is still tethered to you. 

It started after the first kiss. A new subroutine in him, a step added to the departure sequence that wasn't there before, and you've watched it develop over the past few days.

“Perimeter check,” he calls out casually. The half-grin flashes. “Back soon.”

You cross the kitchen, pressing your lips to his cheek. A quick, light contact, the kind of kiss that says be safe without saying it.

BB's hand catches your chin.

His fingers close around it,, his thumb and forefinger framing your jaw the way he'd frame a shot if he were Bobby, if he had a camera, if the instinct that lives in those borrowed hands were pointed at a lens instead of at your face. He tilts your head. Tips it up. Holds you exactly where he wants you.

And he kisses you.

Full, wet, unhurried, his lips parting against yours with a confidence he didn't have two days ago in the kitchen. He's been learning, replaying, refining, the way he refines everything, and the kiss he gives you now is deeper than the first, more certain, carrying the heat that slammed through both of you the first time and has been simmering since, banked but not extinguished. His tongue brushes your lower lip. His fingers tighten on your chin. 

He makes that sound again. The low, needy one, the one that lives at the back of his throat with the purr, and he tries to swallow it, almost, but not quite.

BB pulls back. A centimetre, his mouth hovering.

“Was that okay?” he breathes out, his breath on your lips. His eyes search yours with that earnest, slightly worried focus. Still checking, treating every escalation like a threshold he needs your permission to cross.

You nod. You don't trust your voice. You stay close, your forehead almost touching his, breathing the same air, and the hum in the walls dips low and warm around you.

BB presses his lips to your forehead. Holds them there. 

"Stay," he murmurs against your skin.

Then he's gone. The hum adjusts, tightens, and you're alone in the apartment with the ghost of his mouth on your brow and the taste of him on your lips.

You decide to sort the nest to kill time.

It doesn't need sorting, really.

BB arranges it with a precision that borders on pedantic, the blankets layered in an exact order, the pillows positioned at angles he's adjusted over weeks of watching how you sleep. But your hands need occupation, and your brain needs distraction, because the kiss is still on your mouth, the taste is still there, and the wanting is a warm, heavy thing in the pit of your stomach. 

And if you don't move, don't work, don't put your hands on fabric and fold, you're going to lie down on this bed and think about his fingers on your chin and his tongue on your lip and the sound he made, and you can't afford to be that soft right now. Not while he's out there. Not while Entity X is out there.

You refold the top blanket. Smooth the creases. Adjust the pillow on the left side—your side, the one that holds the impression of your head—and reach for the second pillow, the one on BB's side that he doesn't need but uses because you told him beds have two pillows and he'd looked at you with that tilted curiosity and said why? and you'd said because that's how it works and he'd said that's not a reason and you'd said because it means someone else sleeps here too and he'd gone quiet for a long time and the next morning there were two pillows.

You're smoothing the second pillowcase when you hear it.

Your hand stills.

“—not about that, can you just—”

Your voice. Your own voice, coming from somewhere beyond the apartment walls, floating through the hum the way Vera Lynn had floated. Sourceless, directionless. Except this isn't music. This is you. A version of you from before, the you that existed on the other side of the wall, and the sound of your own voice reaching you from the yellow makes your blood slow in your veins.

“—I'm just asking if we're okay, Bobby, that's all I'm asking—”

And then his. Bobby's. The real Bobby, the original, the voice you haven't heard in— 

You don't know how long. Months. Maybe onger. And the sound of it hits you in the sternum like a fist because it's exactly the same, the same timbre and cadence, the same tired dismissive flatness that used to make the back of your throat burn.

“We're fine.”

Two words. Tossed over his shoulder. The verbal equivalent of a shrug, of a turned back, of a man already looking at the television while his girlfriend stands in the kitchen with her hands gripping the counter and her chest full of words she's running out of courage to say.

“You keep saying that, but you don't—Bobby, can you look at me? Can you just—”

“I am looking at you.”

“You're not. You're looking at the screen. I'm asking you to turn around and actually—”

“What do you want me to say?" And there it is—the edge. The blade that lives under the casual, the sharp thing that comes out when he feels cornered, when the conversation is moving toward a territory he doesn't want to enter. Not anger. Worse than anger. Impatience. A man who’s decided this conversation is unnecessary before it started. “We're fine, babe. I'm here. What else do you want?”

“I want you to talk to me—”

“I'm talking to you right now. Stop trying to turn this into a fight.”

“That's not—Bobby, that's not what I mean, and you know it.”

Silence of a man who’s already disengaged follows, who’s pulled the drawbridge up mid-conversation and is now sitting behind his own walls waiting for you to exhaust yourself against them. You know that silence. You lived inside that silence for months. You drowned in it.

You set the pillow down. Your hands are trembling.

You know you shouldn't. Your instincts are screaming loudly. The animal brain hisses warnings. The brain that’s spent months learning the rules of this place and the first rule, the foundational rule, the one BB drilled into you before he taught you anything else, is stay in the nest. Stay in the apartment. Stay inside the protection he carved for you out of Level 0's guts.

But your voice is out there. Bobby's voice is out there. And the sound of that exact conversation—that devastating, ordinary conversation, the kind you had a hundred times, the kind that ended with you staring at the ceiling at two AM—is pulling at you the way gravity pulls. 

Not curiosity. Recognition. The lure of an old wound being reopened.

You step out of the apartment.

The corridor beyond the front door is yellow. Long. The sublevel hallway that connects the apartment to the main body of Level 0, the passage BB carved like a throat between his territory and yours. 

The fluorescent lights buzz overhead in that flat shadowless drone, and the hum is steady, even, unchanged. Nothing looks wrong. Nothing feels wrong, except that your voice is coming from the far end of the corridor, from beyond the doorway where the sublevel opens into Level 0 proper, and the conversation is continuing, rolling forward, playing itself out like a recording that doesn't know it's being listened to.

“—I feel like you don't even notice if I'm here or not. Bobby, do you notice? Do you notice when I'm standing right in front of you?”

Your eyes burn. The lump in your throat is solid, immovable, sharp-edged. You walk toward the sound. One hand trails the wall, and your bare feet are silent on the carpet, and the conversation beyond pulls you forward step by step.

“You're being dramatic.”

The words hit you like a slap. Not because they're new. Because they're not. 

Bobby said that. Bobby said those exact words, in that same exact tone, with that exact tired, dismissive, I-don't-have-the-energy-for-this tone, and the accuracy of the reproduction makes your skin prickle because the Backrooms shouldn't have this. 

The Backrooms shouldn't have the argument you had on a random Tuesday in October in a kitchen in Santa Clara. The Backrooms shouldn't know what Bobby sounded like when he was making you feel invisible.

“I'm not being dramatic, I'm being honest, I'm trying to tell you that I'm hurting and you won't even—”

“Hurting from what? Babe, I don’t want to fight. Stop turning everything into an argument.” Bobby's voice, louder now. The edge hardens into a wall. “You want me to sit here and—what? Have a feelings conversation? I'm tired. I worked all day. Can we just—can we not?”

You stop at the doorway.

The sublevel opens into the corridor beyond. Level 0 proper, BB's territory, the locked-down hallways that nothing enters and nothing leaves. The lights stretch into the yellow distance. The carpet extends, flat and damp, into the dark. 

The conversation is louder here, bouncing off the walls, your voice and Bobby's voice layered on top of each other in a terrible intimacy, and your eyes are full, and the anger is back. The buried anger, the one BB identified months ago, the one you folded into self-doubt and swallowed. It's risen now, pulled to the surface by the sound of Bobby refusing, again, to try. To talk. To turn around and listen. 

To look at you, see you standing there with your heart in your hands, asking for the bare minimum, and be told you're being dramatic.

The doorway is empty.

Your voices continue, playing in the walls. But there's nothing there, just the corridor. More of the yellow, and the dark at the far end, where the lights don't reach. Where the fluorescents give way to a blackness that is too thick, too solid to be ordinary shadow.

You stare at the dark.

The dark stares back.

Your sweat goes cold. A full-body temperature drop, your skin prickling from scalp to ankles, every hair on your arms standing in unison, and the moisture on your palms turns to ice water, and your heartbeat detonates. Slams against the cage of your ribs so hard you feel it in your teeth. Once. Twice. A third time that shakes your vision.

The conversation stops.

Your voice. Bobby's voice. Gone. Cut off mid-sentence like a throat being closed, and the silence that replaces it is not Level 0's silence, not the hum-filled quiet of a place holding itself still. This is the absence of sound. The void where sound should be. A silence so complete it has its own pressure, pushing against your eardrums, filling your skull with a static that isn't static but attention. 

Vast, focused, oriented entirely on you.

The dark moves.

A motion that starts at the far end of the corridor and travels toward you with unhurried, deliberate patience, like whatever it is has all the time in the world and knows it. The fluorescent lights flicker (one, two, three in sequence), and when they reignite, they’re not yellow anymore.

They’re red.

A deep, arterial crimson that transforms the corridor into a visceral maw that looks less like a hallway and more like standing in the inside of a throat. The carpet darkens. The walls darken. Familiar geometry of Level 0 warps under the red light into a place you don't recognise, a version of BB's territory that has been flooded with something foreign, something that changes the colour of the air itself.

The lights flicker again. Red, black, red, black. A strobe, pulsing, each flash revealing the dark a little closer, a little more solid, a shape forming inside it the way a body forms inside smoke, and in the stuttering crimson you see it.

Your head tips up.

And up.

And up.

It comes into the red light the way a whale breaches water. Slowly, the sheer scale of it requiring a recalibration of your visual field that your brain refuses to perform.

Your legs won't move. Your body has locked up, every muscle seized in the ancient, primate, pre-verbal grip of a fear so total it bypasses the nervous system and goes straight to the marrow. 

This isn’t the Smiler or the Howler. This isn’t six agents with weapons and tactical vocabulary. This is the thing in the notebook. The symbol you drew on page after page, updating weekly, tracking its movements at the perimeter with clinical detachment because clinical detachment was the only way to hold it at arm's length.

It's not at the perimeter anymore.

It's tall. Obscenely, horrifically tall. Its body fills the corridor from floor to ceiling, which suddenly seems too low, its shape pressing against the walls as if the hallway were built around it, or as if it had grown to fill the hallway.

It's shaped wrong, proportioned wrong, only vaguely humanoid silhouette stretched to the breaking point and then stretched further, limbs too long, muscular, joints articulating at angles that make your eyes slide off them like water off glass.

Its skin is more like a hide. Leathery. Matte. A deep, dark red that absorbs the crimson light instead of reflecting it, like something that was red once and has since become a surface that eats light and gives nothing back. No texture. No sheen. The flat, dead finish of something organic that has forgotten how to be alive.

And it has no face.

The surface where a face should be is smooth. Featureless. A blank expanse of that matte leathery skin, curved slightly, like the inside of a mask, and the blankness is worse than any feature could be because your brain keeps trying to find the face, keeps scanning the surface for eyes, mouth, nose, any anchor of recognition, any sign that what you're looking at is a being and not a wall of skin that has learned to walk.

Then the eyes appear.

They don't open, they emerge. 

Bulging outward from the surface of the face, pressing through the skin like something hatching, the leathery hide stretching and thinning and splitting apart in wet, peeling seams, and what emerges is yellow. Burning, furnace-bright yellow, the colour of the fluorescent lights distilled and concentrated and superheated until it became something that hurts to look at. Two points of searing amber in the featureless red, and they fix on you.

They fix on you, and they don't move.

Tears spill down your cheeks. 

The animal body's response to being seen by something that should not be able to see. A reflex, a pressure release, your system venting whatever it can in a desperate attempt to process the input flooding through it. 

Your heart hammers inside your chest, your mouth bone dry. Your hands are numb at your sides, the fingers bloodless and tingling, and you can feel your pulse in your throat and your temples.

Entity X.

It's bigger than you thought. Bigger than BB's clipped descriptions and careful evasions. 

It fills the corridor the way a flood would. Totally, leaving no space unoccupied. And those eyes, those burning yellow eyes, are locked on you with a focus that’s not predatory. Not hungry. Patient. 

It’s been waiting for this, you realise with a lurch. To lure you out with the sound of your own voice and Bobby's voice and the argument calibrated to the exact frequency of your buried fury, and now that you're here, now that you're standing in the doorway with your tears on your face and your anger in your throat, it’s in no rush. 

It has what it wanted. Your attention. Your recognition. 

It reaches for you.

The arm extends. Long, impossibly long, the limb unfolding like a telescope, the joints articulating in that wrong way, and the hand comes through the doorway. Into the sublevel. Into BB's territory, into the space he carved and sealed and locked down, the space where nothing enters—

The hand comes apart.

Ribbons. The skin peels away from the fingers in long, wet strips, the flesh beneath splitting and curling back, and the arm disintegrates from fingertip to wrist to forearm in a cascade of shredding tissue that falls to the carpet in dark. Heavy coils dissolve on contact, eaten by the floor, absorbed into BB's territory like an immune response rejecting foreign matter. 

The barrier—invisible, structural, woven into the very air at a level you can't perceive—is doing what BB built it to do. Unmaking anything that tries to cross inside and harm you.

You scramble backwards.

Your heel catches the carpet. You stumble, catch yourself on the wall, push off, and your body is finally moving, finally responding. The paralysis encasing you cracks, and the survival brain kicks online with a screaming urgency.

You back away from the doorway, and Entity X is standing in the corridor beyond it, and you watch in mute terror as its arm begins to regrow. The ribbons reverse, the skin re-knitting, the flesh sealing back over the bones with a wet, thick sound like clay being pressed into shape.

It tracks your retreat with those yellow eyes, and it’s not even slightly bothered.

It’s not bothered at all.

It reaches again. The same arm, healed, whole, the matte red skin glistening faintly with the residue of its own reconstruction. It pushes through the barrier, and the skin starts to peel again. It pushes harder, the arm advancing centimetre by centimetre through the invisible wall, and the peeling is slower this time. 

The barrier is straining. You can feel it in the hum. A high, tight frequency that sounds like metal under stress, and Entity X is shredding its own flesh to reach you, and it doesn't flinch. Doesn't falter, those burning eyes fixed on you with an intensity that is not rage, not hunger, is something far worse than either.

It's insistence.

You turn and run.

The corridor stretches. Or you're running slower than you think, or the sublevel is responding to the breach by elongating, by putting distance between you and the doorway, and you sprint for the apartment at full speed. Your bare feet slap against the carpet, your breath coming in ragged, tearing gasps, and behind you, you can hear it. 

Not footsteps. A sound like tearing fabric, like the barrier giving way fibre by fibre, like something enormous and patient methodically peeling through a protection that was supposed to be absolute.

You slam through the apartment doors, gasping for breath. 

You scramble for the lock. It’s decorative, you know that, it's a human gesture in a human-shaped apartment, and it will stop nothing that just shredded itself through BB's barrier, but you still try, grabbing the bookshelf next. The one BB just arranged. Your notebooks cascade to the floor as you drag it across the carpet and shove it against the door. The wood scrapes, the weight of it pathetic against what's coming. 

You grab the kitchen table. A chair. The standing lamp from the corner. Anything. Everything. Piling it against the door in a barricade of furniture that looks exactly like what it is: a pathetic attempt to buy time.

“BB!”

Your voice breaks on his name. Cracks open, raw, a scream that comes from the bottom of your lungs and fills the apartment and bounces off the walls he built for you.

“BB, COME BACK! BB!”

The door splinters.

Not from the hinges. From the surface. The wood bulges inward, warping, then splits along a line running from top to bottom, and through the crack, you see it. The red. The matte, light-eating red. And then an arm. 

It comes through the gap the way the first one came through the barrier, fingers curling around the edge of the broken door, and the wood peels away from the frame in long strips. The apartment dismantles itself around the intrusion, BB's careful construction coming apart under the weight of something that will not stop.

The clawed hand reaches into the room.

You grab the lamp. The standing lamp, with a heavy brass base, the most solid thing within reach, and you swing it. It connects with the arm, bounces off the matte skin, and the impact travels up your wrists and into your shoulders, but the thing doesn't react. The arm keeps coming. You throw the lamp. Throw books. Throw a kitchen chair that shatters against the forearm and falls into pieces.

“Stay away from me!" You're screaming, your voice stripped raw, your body backing toward the far wall with nothing left to throw. “Get away—”

Entity X's eyes find you through the wreckage of the door.

Yellow. Burning. Fixed. It hasn't blinked. Through the barrier, through the peeling, the furniture and the lamp and the screaming. Those eyes locked onto you in the corridor, and they have not left you. 

They’ll not leave you, and the constancy of the gaze is the most terrifying thing you've ever experienced because it means you. You’re the target. You’ve always been the target. Whatever this thing is, whatever it wants, whatever fuel it runs on—it wants you, specifically, personally, with a focus that transcends predation and enters the territory of purpose.

The arm reaches for you. Healed. Whole. The stripped flesh re-formed, the fingers extended, and it's close enough now that you can see the texture of the skin. Up close, it's not smooth; it's covered in fine, hairline fractures. Like dried earth, something that cracked and sealed and cracked again, a surface that has been broken and rebuilt so many times, the damage has become a pattern.

The arm detaches.

Ripped, torn from the shoulder socket with a violence so total the sound it makes isn't a tear but a detonation. A concussive, wet blast that shakes the walls and sends a spray of dark viscera across the ceiling and the wrecked furniture and your face, warm and thick, smelling of copper and something older, something mineral.

Entity X's arm hits the floor. The fingers are still curling. Still reaching. Oriented toward you, even severed from the body.

The thing that threw it is standing in the doorway.

It’s not BB and not Bobby.

Not anything that has ever worn a human face, and you understand this immediately, viscerally, in the part of your brain that predates language and operates on pure animal recognition: the shape in the doorway is wrong. 

It's Bobby's height, but the proportions have shifted. The shoulders sit too wide, the stance too low, the geometry of the body rearranged into something optimised for destruction rather than disguise. The face is Bobby's face, but it's barely holding, the features sliding, the jaw too sharp, the eyes fully black. Two pits of absolute dark in a face that is coming apart at the seams. 

The skin is cracking. Not like Entity X's fractures—like porcelain, like a mask that's been struck, fissures radiating from the jaw and the cheekbones, and through the cracks you can see—not flesh, not bone, but nothing. An absence. A dark so total it makes Entity X's darkness look like shadow.

He's covered in black. Head to chest, arms to elbows, the viscous substance coating his skin and matting his hair to his forehead, dripping from his hands in long, slow ropes. Whatever distraction Entity X deployed to pull him from the perimeter, BB didn't just fight through it. 

He annihilated it. And he didn't stop to put the face back on before he came for you.

The hum collapses. 

The ambient frequency of Level 0—the constant, ever-present vibration that’s been the background radiation of your existence since you fell through the wall—drops to a subsonic register that you don't hear so much as feel. 

A pressure wave that presses against your eardrums, your chest, and settles at the backs of your eyes. The red lights in the corridor blow out. Every single one. The apartment goes dark except for Entity X's burning yellow eyes and the fissures in BB's cracking face, which glow. Faintly, coldly, with a light that has no colour name.

BB opens his mouth, and the sound that comes out is not a voice.

It’s the hum.

The hum itself, weaponised, concentrated, forced through a throat that has stopped pretending to be human. The sound fills the apartment, the corridor, the sublevel, more vibration than language, dragged through the collapsing shape of Bobby's vocal cords with a fury so enormous it makes the floor ripple:

“Clever distraction.”

Entity X turns.

The motion is glacial. Unhurried. The massive red body rotating in the wrecked doorway of the apartment to face the thing that just removed its arm, and even now—even turning to face BB, even orienting its body toward the threat—its eyes stay on you.

Its eyes stay on you.

The head doesn't move with the body. The neck articulates. Wrong, all wrong. Rotating independently of the torso at a degree that no anatomy should permit. The burning yellow gaze remains fixed on your position against the far wall while the body faces BB, the removed arm regrowing in wet, rapid pulses at the severed shoulder, rising to meet what's coming.

The fight starts.

You can't follow it. Not really. Not the way you'd follow a human fight, with fists and momentum and the readable physics of two bodies colliding. 

This is different. These are two beings that don't obey the laws of physics, tearing at each other in a space that's coming apart around them. 

BB moves the way he moved against the agents. Too fast, fluid, the human shape abandoned for something more efficient, more angular, more suited to what he actually is, and Entity X absorbs. Takes. Endures. 

BB tears through its torso, and the flesh re-knits immediately. BB shatters its jaw with a crack, the featureless face splintering like ceramic, the yellow eyes bulging through the fissures, and the jaw reforms. BB puts his fist through its chest, and the chest closes around his arm, and for a terrible second, they're locked, joined. BB rips free with a sound like tearing metal, and Entity X is already whole again, already standing, already watching you through the chaos with those eyes that have never left, never wavered, never once looked at anything else.

You're behind BB. Pressed against the wall, moving when he moves, keeping his body between you and the thing, and you're trying to be small, trying to be invisible, but Entity X doesn't need to see you to know where you are. It knows. The way it knew your voice. The way it knew Bobby's voice. The way it knew the exact argument to play through the walls to bring you to the threshold.

BB is winning. At first. His speed is devastating, his fury enormous, and Entity X staggers under the assault, the massive body driven backwards through the wrecked apartment and into the corridor, and for a few brutal seconds you think he's got this, he's got it, he's going to unmake it the way he unmade the Smiler—

Entity X catches his arm.

The movement is casual. Almost lazy. One massive red hand closing around BB's forearm mid-strike, and the force of the stop shudders through the corridor, through the floor under your feet. BB wrenches. Twists. The hand doesn't open. Entity X holds him there—one-armed, the other still regrowing—and for the first time in the fight, it isn't retreating.

It's pushing forward.

The shift is tectonic. 

Entity X drives BB backwards, and the corridor shakes around you. BB's feet leave the ground for a fraction of a second, and when he lands, his posture has changed. Less offensive, more braced, the shape of someone absorbing impact instead of delivering it. Entity X hits him. Open-handed, a strike that catches BB across the chest and sends him into the wall hard enough to crater the surface, and the sound BB makes is not a snarl. It's a gasp. A short, involuntary, winded exhalation, the noise of a body—even a body that isn't a body—taking damage it didn't expect.

And through it all. Through the fighting and the shattering and the black blood and the reknitting flesh.

Entity X's eyes never leave you.

The gaze stays locked on you with the serene, unwavering patience that knows this fight is temporary. That knows BB is between it and you, and that BB is the obstacle, but you’re the objective and obstacles, eventually, move.

BB goes down.

A blow you don't see—too fast, too angled, connecting with something vital in BB's body—and he hits the floor and doesn't get up immediately. 

He gets to his hands and knees. The black blood drips from his mouth now, from his nose, from a gash across his chest that isn't closing the way Entity X's wounds close. His arms are shaking. The human face is flickering. BB, then the thing beneath, then BB again, the mask destabilising under the damage, slipping.

“BB!”

You're moving before you think. Scrambling across the wreckage, over the broken furniture and the shattered doorframe, toward him, toward the crumpled shape of him on the floor, and your hands reach for his shoulders—

“Stop.”

His voice. A snarled command, delivered with every frequency he has. Human, inhuman, the hum itself weaponised into a single syllable that hits you in the chest like a physical force and roots your feet to the floor. 

He lifts his head. His eyes are black, and his mouth is black with blood. The expression on his face is wild, furious, terrified. An emotion he’s never shown you before, an emotion you didn't know he was capable of, and the terror is not for himself.

“Level 974.” He spits blood. Black. Thick. “Mr Kitty. You know the route. Go, now.”

“I'm not leaving you—”

“You’re a target.” Each word costs him. You can see it. The effort of speech, of maintaining the face, of holding the human shape together while the damage tries to unmake it. “As long as you’re here, it will not stop. It doesn't want me. It wants you. And I can't—” His jaw clenches, a tremor running through his arms. “I can't fight it and protect you. I need you gone. I need you out of range.”

Entity X rises behind him. The massive body straightening. The burning eyes on you. Always on you.

“BB—”

“I am older than this place.” Low. Fierce. Black blood on his teeth, and his eyes fully dark, the ancient thing speaking through the ruined face with a conviction that shakes the walls. “I’m older than the walls and the hum and the doors and it. I have survived every horror this place has made. But I cannot do it while I'm holding back.”

Holding back.

You understand, then. Instantly and fully. 

He's been fighting at half capacity. Less. Fighting with one hand while the other shields you, positioning his body between you and the thing, dividing his attention between destruction and protection and losing ground on both. But it's more than that. 

You look at his face—the cracking face, the flickering face, Bobby's features sliding and reforming and sliding again—and you understand the other constraint. 

The one he'd never say. The Bobby suit. The face, the body, the human shape he's maintained for you since the day you came through the wall. It takes power to hold it. Focus. Resources currently being spent on keeping twenty-two-year-old Bobby Franklin's jaw attached to his skull, instead of being channelled into whatever he actually is underneath. 

He's not just protecting you with his body. He's protecting you with his form. Keeping the familiar shape, the face you trust, the lips you kissed, but keeping all of it intact costs him, bleeds him, divides the vast and ancient thing into a fraction of its true capacity. 

As long as you're here, he will keep wearing Bobby. As long as he's wearing Bobby, Entity X will keep gaining ground.

You’re not his weakness. You’re his ceiling. And as long as you're in this corridor, he will keep hitting that ceiling, and Entity X will keep pushing through it, and the math only ends one way.

“Trust me,” BB says, blood in his mouth, the face slipping. The thing underneath looks at you with an intensity that has nothing to do with age or power but with promise he made you, his hand on your cheek. “Run.”

You grab the notebook.

It's on the floor, knocked from the shelf in the barricade, pages bent, the cover dented. 

You snatch it up. Press it to your chest. The routes are in there. Level 0 to Level 1, Level 1 to the stairwell threshold, the stairwell to the passage threading through Level 2 and opening into the long, dark corridor descending to Level 974. You mapped it. You walked it with BB at your side and his hand at your back, and you marked every turn, every landmark, every shift in the hum that signals a boundary.

You look at BB one more time. On the floor. Bleeding black. The face barely holding. Entity X rising behind him, vast and red and patient, those yellow eyes burning through the dark as it turns to follow you. 

BB snarls, and Entity X’s legs crack beneath it. 

You run.

Through the wrecked sublevel. Into the corridor, into Level 0, your notebook against your chest and your bare feet on the carpet and the sound of the fight erupting behind you. Massive, structural, the sound of two ancient things finally meeting without a ceiling, and you run toward the route you mapped, the path you memorised, and you don't look back.

You run until you can't hear it anymore.

The fight stopped being audible three corridors back; the sounds of two entities tearing each other apart swallowed by the hum. 

What you're running from now is the silence. Weighted silence of a level that’s been breached, holding itself still the way an animal holds still when the predator is too close to outrun. The red light hasn't faded. It pulses occasionally, as if Level 0 itself is wounded and you're running through it.

Your bare feet slap on the carpet, the notebook clutched to your chest. The cover bent, the pages pressed against your sternum. 

You're navigating from memory now, the left fork at the junction where the carpet gets warmer, the right turn at the corridor where the hum drops a semitone, the long stretch past the section with the water-stained ceiling tiles that marks the boundary of BB's inner territory. 

You know this route, walked it with BB multiple times. Traced it in the notebook with blue ink and annotated the landmarks and tested yourself on it in the nest while BB watched with that quiet pride, and the memory of his face—the last time you saw it, cracking, bleeding black, the ancient thing surfacing through the fissures—makes your vision blur and you blink hard and keep running.

The corridor opens up.

You skid to a stop. The junction ahead is the one that leads to the stairwell threshold, the one that drops you into the transitional space between Level 0 and Level 1. 

But that’s not why you stop. You stop because the corridor is full of furniture.

And you know this furniture. The recognition is immediate, physical. The flat-packed shelving units with the Scandinavian labels. The plastic-wrapped headboards stacked against the wall. A dining table, oak veneer, the floor model with the scratch on the left leg where Bobby kicked it once, carrying inventory, and the scratch is there, exactly where it should be. The recognition hits you like a blow because this is Clark's. 

Clark's inventory: the same flatpacks and display pieces you organised on night shifts, labelled in your handwriting, and sorted by vendor into bins.

The Backrooms do this. You know they do. They absorb, they replicate, they pull pieces of the real world through the membrane and deposit them in corridors like driftwood. BB explained it once: the levels aren't separate from reality, they're underneath it, and sometimes the underneath leaks up and the above leaks down and things end up where they don't belong. 

But knowing the mechanics doesn't prepare you for the lurch of seeing Clark's dining table in a yellow corridor, and you press your hand to the wall and breathe. The wall is warm under your palm, and you think of BB, and the thought is a blade, so you keep moving—

Voices.

Entity X's lure would be sourceless, directionless. These voices have a direction. They're coming from ahead and to the left, from the section of the corridor that bends around the stacked flatpacks, and they're real. Human. Layered on top of each other with the particular rhythm of people talking in a confined space, voices bouncing off hard surfaces, and you can hear—

“—I don't care, I'm going down there, let go of—”

“Bobby, stop, you can't just—we don't know what's down there, we don't know if—”

“—came through here, right? Through this wall, through this—whatever the hell this is. If she came through here, maybe she's lost, maybe she's—”

“Bobby. Baby. Listen to me—”

Your feet stop. Your lungs cease functioning. 

Bobby.

Bobby's voice. Real, live, present. Happening right now on the other side of a bend in a corridor that shouldn't exist. 

You'd know Entity X's trick by now, the sourceless quality, the way it comes from everywhere and nowhere. This has a direction. This has Bobby's actual vocal cords behind it. And it sounds different. The tired, dismissive Bobby who said you're being dramatic is gone. This voice is raw. Stripped. A man speaking through gravel, through grief so thorough it's changed the texture of his vocal cords. Desperate in a way Bobby never used to sound because Bobby never used to let himself sound like anything except perfectly at ease.

And the other voice. The woman. Calling him baby.

You step past the wall.

The corridor opens into a wider space. One of the junction rooms, the kind where several hallways converge, and the ceiling is higher, the fluorescents brighter, and the hum is louder because more of Level 0 is accessible from a single point. The flatpack furniture from Clark's store is stacked along the walls. A rope trails across the carpet from the far wall, where the concrete appears to dip into a dark space below.

Clark stands near the rope. Older than you remember. Heavier in the face, the circles under his eyes darker, his work shirt untucked and stained, his hands clenched. He looks terrified and dazed in equal measure. 

And a woman. Young. Dark hair, cut short, slip flops. She's got one hand on Bobby's arm and the other pressed to her own chest, and her face is tight with a fear that hasn't fully landed yet, still hovering in the space between this can't be real and this is real, and I might die.

And Bobby.

Your Bobby.

He's standing in the middle of the junction room with the rope half-tied from his belt and a camera in his hand—of course, even here, even in the impossible, Bobby brought the camera—and he's thinner. 

The crop top hangs differently on him now, looser, the chain at his throat sitting lower against collarbones that are more prominent than they used to be. His face is harder. The softness that used to live at the edges, the boyish quality, the roundness that you used to trace with your fingers in the morning light, is gone. Carved away. What's left is angular, drawn, the face of a man who hasn't been sleeping right for a long time. Who hasn't been eating right, either. 

He’s been doing something to himself, or having something done to him, that has stripped the youth from his bones and left behind this sharpened, hollowed version of the person you loved.

You don't know how long it's been. You don't know what happened to him after you fell through the wall. You just know that the Bobby standing in front of you is not the Bobby you left, and the distance between those two versions is written in the new, foreign angles of his still handsome face.

The woman spots you first.

Her gasp is sharp, bitten off, the sound of a person encountering something that doesn't fit the parameters of what she was prepared for. Her hand tightens on Bobby's arm. Her eyes go wide, and her body shifts. Backwards, behind him, an instinct that tells you everything about their dynamic in a single gesture.

Bobby turns.

For a moment, there's only shocked silence. Bobby stares at you. You stare at Bobby. 

The light buzzes, and the rope trails across the carpet. The woman's hand is on his arm, and Clark's flashlight beam trembles on the floor, and you’re standing ten feet apart in an impossible place, looking at each other for the first time since the doorway, the grunt, and the don't wait up and neither of you breathes.

Bobby's mouth moves. No sound, a rasp of breath. Then, cracking at the edges:

"Baby?"

His voice splinters on the second syllable. Splits open. The word comes out ragged, disbelieving, torn from somewhere deep, and the information—you, standing in a yellow corridor, alive, alive—is too big for his face, and the room.

You don't respond. You can't. Your throat has closed around a sound that won't form. 

You're looking at him. Bobby. Real Bobby. The original. The man whose face you've been kissing on another body for who knows how long, whose voice you've been hearing through borrowed vocal cords, whose edges and angles and scars you've memorised on a copy so perfect you'd almost forgotten there was an original. 

And here he is. Diminished and sharpened, desperate and real, standing in front of you in a crop top and a chain with a camera in his shaking hand, and the distance between you is ten feet, and however long it's been and all the things neither of you said.

Bobby drops the camera.

It hits the carpet with a muted thud. 

Bobby, who’s never let go of a camera voluntarily in his life, who held onto the viewfinder the way other men hold onto control, lets it fall from his fingers like it weighs nothing. Like it was never important, like every hour of footage he ever shot was just a rehearsal for the moment he'd need his hands free to reach for you.

He yanks at the rope around his waist. His fingers are clumsy, frantic, tearing at the knot rather than untying it, his jaw clenched and his breathing coming in short, hard bursts through his nose. The woman takes a step toward him.

“Bobby, wait, you don't know if—”

He doesn't hear her. The rope falls. He steps out of it like stepping out of a skin he doesn't need anymore, and he starts walking toward you. Fast, accelerating, his stride lengthening with each step, his breathing growing more laboured, and the expression on his face is furious. 

At the ten feet of carpet between his body and yours, at whatever he's been through since you vanished, at whatever it cost him, and he’s crossing it with the barely-contained ferocity.

He stops. Three feet from you. Two.

“Fuck,” he whispers, his eyes glassy, red-rimmed. His lashes are wet. Bobby, who doesn't cry in front of people, who presses the heels of his hands into his eyes and grinds the tears back, who’s never once let you see him break, is standing in front of you with tears in his eyes and making no effort to hide them. 

“Fuck,” he says again, softer, cracking, his whole face contorting around the word like it's the only syllable left in his vocabulary. 

He's looking at your face. Scanning every feature the way he used to scan you through the viewfinder, except there's no viewfinder now, no glass, nothing between his eyes and your face, and you can see the exact moment his brain confirms what his body already knows.

It's you. It's really you.

His hand lifts. Shaking. Visibly, violently shaking, the tremor running from his shoulder through his elbow through his wrist through his fingers, and his hand reaches across the two feet of air between you and lands on your shoulder.

You flinch.

Bobby makes a sound. A wrecked, gutted thing. Less than a gasp, more than a breath. His fingers tighten on your shoulder, involuntary, desperate, like he's afraid you'll dissolve if he loosens his grip. His other hand comes up and grabs your other shoulder, and he's holding you at arm's length with both hands, his face falling apart, the composure crumbling, and his voice when it comes out is barely there:

“You're real. God, please, tell me you're real, baby. Tell me this isn't—tell me I'm not—”

You're both breathing hard. Standing in a yellow corridor, his hand on your shoulder. Your body is rigid, his eyes wet as they drink you in, and the woman behind him is watching you both. Clark mumbles his disbelief faintly, and the world reduces to the two feet of air between your body and Bobby’s and all the wreckage on either side.

Bobby whispers your name.

Not baby. Your name. The real one, the full one, spoken so quietly you almost don't hear it, spoken the way you'd speak a word you're afraid will break if you say it too loud. Your name in Bobby's real mouth, the one that kissed you on a Thursday morning and said stay and meant it, and the sound of it cracks you open. 

He throws his arms around you.

Without gentleness, without hesitation. Bobby grabs you with both arms and pulls you into his chest so hard you stumble, your bare feet sliding on the carpet. His arms lock around your back, and his face buries in your neck. He's holding you desperately, with the full-body grip, a man who’s just recovered the thing he was drowning without.

He's warm.

The realisation hits you with a horrible, dizzying vertigo. He's warm. His hands on your shoulders were hot. Searingly, really, shockingly hot after months of BB's cool skin, BB's below-human temperature, the constant slight chill of a body that generates heat only when kissed into producing it. 

Now his whole body is pressed against yours, and he’s a furnace. Metabolic, organic, almost unbearable. The heat of blood moving through capillaries, of a heart pumping in a chest that rises and falls because it has to, because it will stop if it doesn't. He smells like soap. Faintly. Under that, sweat. Actual sweat, the salt-and-skin smell of a human body under stress. 

And underneath that, barely there, weed. Like he smoked before coming down here. Like Bobby needed his hands to stop shaking long enough to hold the camera, and the specificity of it, the humanness of it, the biochemical reality of a man who self-medicates his anxiety with marijuana and has done it since he was nineteen, is so overwhelmingly, violently real that your knees buckle.

You cling to him. 

Your arms come up—late, delayed, your body catching up to the fact that this is happening—and your fingers grab fistfuls of his shirt, and you hold on. He holds on too, and you're both shaking. Both gasping, making sounds that aren't words at the sheer impossibility of it all. 

Just grief and relief and terror and love, suddenly all the same thing. 

Bobby's hand is on the back of your head, pressing your face into his neck, and his chest is heaving, his pulse hammering against your cheek, and he's alive, he's alive, he came for you, he found the wall, and he came through, and he's here and—

“Bobby?”

The woman's voice. Small. Wary. She's standing behind Bobby with her arms wrapped around herself and her face pinched with confusion, frightened, and underneath both of those, a hurt she's trying very hard not to let surface. She's staring at you. At your head, pressed into Bobby's neck. At Bobby's arms around you, locked, total. 

The way he's holding you like the building could come down, and he wouldn't let go.

Bobby pulls back. Only his head, only enough to see your face. His hands come up and cup your jaw, framing your face the way he used to frame shots, and his thumbs trace your cheekbones and his eyes drag over your features with the starving hunger.

“You're alive,” Bobby says hoarsely, his thumbs on your cheekbones and his eyes bright. “You're alive. I thought—the tapes, they went blank, they all went—I thought you were—fuck, you're alive. I missed so fucking much—"

The lights go red.

A sudden, total shift. Every fluorescent in the junction room snaps from yellow to deep crimson in the space of a single heartbeat, and the hum screams. A high, keening frequency that's less sound and more pressure, a vibration that pushes against your eardrums again and fills your skull. An alarm. Organic, not mechanical. 

The level itself shrieks, Level 0 responding to a breach so severe that its entire frequency is destabilising.

You know this sound, know what it means. Your body knows before your brain catches up. The red means Entity X. The alarm means the fight has moved, or ended, or escalated beyond what the level can contain. The walls are wrong, and the carpet under your feet is vibrating with a frequency you've never felt before, and every nerve in your body is firing the same message: move.

You grab Bobby's hand. Hard. Your fingers lacing through his.

“Come with me. Right now.”

“What—what is that, what's happen—”

“Right now, Bobby.”

The woman closes the distance. She's been standing behind him, arms wrapped around herself, but the alarm has shaken her forward, adrenaline overriding the hurt on her face, and she grabs Bobby's other arm with both hands.

“Bobby is not going anywhere," she insists, her voice steady. Tighter than her face. “We came here together, and we're leaving together—back through the wall, not deeper into—”

You look at her. Really look at her for the first time. Dark hair. Round jaw. Pretty in a girl-next-door way. You focus on the way she holds Bobby’s arm, the way she positions herself behind him, and remember the baby she called earlier. You see it, and something cold slides between your ribs and sits there.

“Who are you?” you ask flatly.

Bobby's hand tightens in yours. “She's—this is Kat, she works at—”

A scream splits the corridor.

Not human. Long, oscillating, rising in pitch until it hits a frequency that makes the flatpack shelving units rattle against the walls. Howler. Close. Moving fast, drawn by the alarm the way predators are drawn by distress signals, and the sound of it snaps through the junction room like a whip.

“If you want to live,” you begin, your voice dropping into a register you didn't know you owned, calm, flat, cold, the voice of a woman who’s mapped multiple levels and catalogued fifty-three entity types and survived— “you'll follow me. Now.”

You pull Bobby. Bobby grabs Kat, and you move.

You lead them the only way you know how. By the notebook, by the months of repetition and documentation. 

You check each junction against the layout in your head, cross-referencing the hum's pitch and the angle of the corridor walls. Left at the warm patch. Right at the stain. Down the corridor, where the ceiling drops by three inches and the air smells damp. Through the threshold that shifts from carpet to tile and tile to the stairwell that descends between levels.

Bobby is behind you. His hand in yours. He won't let go. His grip is crushing, his callused fingers locked around your palm with a force that will leave bruises, and every few steps, his thumb moves against your wrist. Some involuntary check, a pulse-read, confirming you're still there, still solid, still real.

“How long have you been here?” he asks. Moving fast, breathing hard, his voice pitched low. The camera is gone. Left on the carpet in the junction room, the first time Bobby has abandoned a camera since he was a boy. “How did you—are you hurt? Are you okay?”

“I'm fine.”

“You're not fine, you're barefoot in a—what is this place? Where are we?”

You work your jaw, scanning ahead to escape the storm of warring emotions in your chest. “Keep moving.”

“Baby—”

“Don't call me that.”

The words leave your mouth before you can catch them. Sharp. Reflexive. A flinch turned verbal. 

Bobby's hand tightens on yours, and you feel the impact of the words travel through his grip like a current. A brief, rigid shock, a stiffening of the fingers.

You keep walking. The stairwell descends. Kat is behind Bobby, her hand on the back of his shirt, her breathing ragged, her head on a swivel. She's terrified. You can hear it in the quality of her breath. Short, high, the particular arrhythmia of a nervous system running on pure cortisol. But she's moving. She's keeping up. She hasn't frozen up. 

Some distant, clinical part of you notes this with grudging respect.

Through Level 2. The dripping pipes and the dark. Bobby pulls Kat closer as the dripping grows louder and the shadows lengthen. Something in the walls makes a sound like breathing, and you watch him do it from the corner of your eye—watch his hand find her shoulder, watch his body angle between her and the dark—and the cold thing between your ribs turns over.

Through the transitional corridor. Down. The air changes again. Warmer, sweeter, carrying the faint smell of grass and dust, the signature of the levels that sit closer to the organic stratum. You check the notebook. Page thirty-seven. The route to 974.

Bobby is watching you. You can feel his eyes on the back of your head, on your bare feet, on the notebook clutched in your hand. On the way you navigate this impossible place with confidence. You feel him putting pieces together. That you’ve been here long enough to stop being lost. Long enough to have a system. To have bare feet, which means long enough to have stopped expecting to leave.

“You know this place,” he says. Not a question. His voice is careful, testing, wariness of someone who’s assembling a picture he doesn't want to see. “You've been—you've been here this whole time?”

“Yes.”

“Eighteen months?”

You pause. “Is that how long it's been?”

The silence behind you is devastating. Bobby's thumb stops its circuit on your wrist. Kat makes a small, wounded sound of realisation. If she wasn’t sure who you were before, she is now. 

“You didn't know,” Bobby says quietly. “You didn't know how long.”

You keep walking. The corridor opens up, the air changing again. A final threshold, a shift in the hum, and the space ahead brightens. Not with fluorescent light but something softer, golden. 

Scent of freshly cut grass, old wood and sugar fills your nose, followed by the particular mustiness of a house that’s been lived in by a being both patient and old for a very long time.

Level 974.

Mr Kitty appears at once.

One moment, the entrance to 974 is empty. The amber light, the corridor opening onto a landscape of gently rolling hills and scattered structures, some of them painted in colours too cheerful for the Backrooms, pinks and pastels that shouldn't survive down here. 

The next moment, he's there. Tall. Black. A humanoid shape standing in the centre of the path, its skin the deep, light-absorbing matte of a body that exists as a silhouette even in full illumination. It has no face. The surface where features should be is smooth, blank, and featureless, but the blankness differs from that of Entity X. 

Where Entity X's facelessness was a threat, a void, a surface that peeled open to reveal burning eyes, Mr Kitty's is gentle. Calm. The blankness of a thing that doesn't need a face because its presence communicates everything a face would. It stands with its long arms at its sides, and its smooth head tilted toward your group, its posture radiating patience the way the hum radiates sound.

Kat screams.

A sharp, bitten-off shriek at the wrongness of it, the too-tall body, the faceless head, the quality of ancient, unhurried presence that radiates from it. The scream bounces off the corridor behind you and fades into the amber light.

Bobby jerks to action. Reflex, instinct, the hardwired response to protect the person behind him. He steps in front of Kat, his arm sweeping back to push her behind his body, his jaw set and his eyes wide. His other hand still grips yours so tightly the bones grind together. 

His body is a wall between her and the threat, and the positioning is automatic, total, the posture of a man who does this without thinking.

Your stomach hollows out.

A different emptiness than fear. A cavity that opens beneath your ribs and fills with something cold and acidic. You watch Bobby shield Kat with his body the way he should have shielded you, the way you wished he would have shielded you, the way you spent months standing in doorways wishing he'd turn around and step toward you and put himself between you and anything at all. 

And he's doing it now. For her. The reflexive, unthinking protectiveness he could never perform for you when it was you who needed it. The muscle he let atrophy while you were his has somehow been rebuilt for someone else.

“It's okay,” you say, and your voice comes out even. Controlled. The cold thing behind your ribs makes your words clear. “He won't hurt you. He's safe.”

“He?” Bobby stares at the figure. The figure's blank face turns toward him. Bobby's hand tightens on yours.

“Mr Kitty.” You step forward. The tall, dark shape inclines its head toward you. A brief, acknowledging tilt, the gesture of a being that knows you and has been expecting you. “I need your help. Entity X breached the sublevel. BB is fighting it. I need—”

I'm aware.

The voice arrives inside your skull. A warm, dense pressure that fills the space behind your eyes and settles into your thoughts like sediment into still water. Mr Kitty's blank face is angled toward yours. The stillness radiating from him is calm. Steady. 

The disturbance registered across many levels. The barrier on Level 0 has been partially compromised. Your boy is still engaged.

Your stomach knots. “Is he winning?”

That depends on your definition.

“Is he alive?”

A pause. Mr Kitty's blank head inclines slightly, a gesture you've come to read as contemplation. He does not die the way you understand dying. But he is diminished. The sustained engagement is costly. The red one first used other entities to weaken him.

“Can we use your house? I need to get them somewhere safe.” Your voice catches. “Please. Just…”

Follow the path, little one. You’ll see it in the distance. I need to check the perimeter first. It’s chaos out there. Something else might slip through. 

You nod, gratitude plain on your face. Bobby and Kat are staring at you with matching expressions of blank, dissociated horror when you turn to them. 

“You were talking to it,” Bobby blurts out, flat with disbelief when Mr Kitty flickers out of sight. "You were having a conversation with a faceless thing. What the fuck.”

“It's complicated,” you mutter. “Follow me. Quickly.”

You lead them up the path. The amber light is steady here, warm and sourceless, and the hills roll gently toward a cluster of structures. 

Houses, loosely, buildings with doors and windows and roofs that approximate the concept of dwelling in the way the Backrooms approximate everything. Close enough to function but underlaid with a wrongness that only registers if you look too long. The second structure on the right is small. Wooden. A porch with a rocking chair. 

The door opens when you touch it, and the inside smells like dust and old paper and tea and the particular warmth of a house that is, impossibly, safe.

Mr Kitty is already inside. Standing in the corner of the kitchen, his dark shape nearly touching the ceiling, his long arms folded in front of him with a stillness that radiates patience. The plate of scones sits on the counter beside him.

You usher Bobby and Kat inside. Kat's hands are shaking. Bobby's jaw is tight, and his eyes are moving—scanning the room, the windows, Mr Kitty's dark shape in the corner, you—with the frantic, comprehensive attention of a man who is trying very hard to apply logic to a situation that has left logic behind long ago.

“Sit,” you say. “Eat. Don't touch anything you don't recognise, especially the toys.”

You look behind them. The doorway is empty. The amber path stretches back toward the corridor, quiet.

“Where's Clark?”

Bobby's jaw tightens. He doesn't look at the door. “We got separated. The dark section, with the pipes. Something moved in the walls, and he panicked and ran the wrong direction and I—” He stops. Swallows. The guilt on his face is immediate, reflexive. “I couldn't go after him. I had to keep—I had to keep moving forward."

Kat puts her hand on his arm. “He had the rope. He can follow it back.”

“The rope was tied to me.”

The silence fills the room. You look at the door. Clark is somewhere in the Backrooms, alone, without a map, without a guide, without the months of hard-won knowledge sitting in the notebook pressed to your chest. Clark is somewhere in the dark, and he’s still a man who hired you, who complimented your attention to detail, told you once in an offhand way that seemed to surprise even him that you would’ve made a fine architect, like him. 

“Mr Kitty,” you say, turning toward the entity. “Clark. He's on Level 2. Can you—”

I'm aware. I'll send guidance. The older male is frightened but unharmed. For now.

You cross to the window. The amber light outside is steady. The green hills are quiet. No red in sight. You press your palm flat against the glass and close your eyes, reaching the way BB taught you. Not with your hands but with the part of you that connects to the hum, the part that learned to feel Level 0's frequency like a second heartbeat—

Nothing.

“BB,” you call out. Into the glass and beyond it. “BB, please, answer me. BB?”

Nothing. The window is cold under your hand. He always answers you. Always. From any level, from any distance.

“Who's BB?”

Bobby. Behind you. Standing by the kitchen table, a scone untouched in his hand, watching you with an expression that has shifted from shock to something more complicated. Suspicious, calculating.

You turn back to face the window. “Not now.”

“You just called someone's name into a window. In a house inside a nightmare. I think now is pretty much exactly when.”

“Bobby—”

“Is it a person? Another… another one of those things, like the tall one? Are you with someone down here?” He sets the scone on the table. His frown deepens when you don’t correct him. “What—is he your new boyfriend or something? Does he have a face, at least?”

The laugh that comes out of you is ugly. Short, throaty, carrying a bitterness you didn't know you had room for on top of everything else. You turn from the window, glaring, ignoring the pang of relief, love, and warmth you feel at the sight of him despite it all.

“You don't get to ask me that.”

“I don't get to—I just found you. I've been looking for you for eighteen months. I sat in a basement and talked to a goddamn wall for seven months because I thought—because I hoped— nd you're down here with a name for someone and—”

“And what, Bobby? What were you doing while you were sitting in that basement? Because it looks like you were doing pretty well.” Your eyes cut to Kat, who’s standing by the counter with a scone in her hand and her face pinched still. “Looks like you bounced back just fine.”

The room goes quiet. 

Bobby stares at you. The hurt on his face is immediate, unguarded, a direct hit. The flinch he didn't have time to armour against, the naked impact of being told by the woman he's been grieving that his grief wasn't enough. His jaw tightens, eyes hardening.

“You think I bounced back?” Low. Dangerous. Bobby's edge, the blade under the casual, the sharp thing that used to make you go quiet, except right now it's not going to make you go quiet because you’ve spent months in the impossible learning how to not go quiet. “You think—do you have any idea what it was like? You disappeared. You just vanished. No note, no call, no body, nothing. The cops thought I killed you. They hauled me in, sat me down and looked at me like I was something he scraped off his shoe. I sat there, and I took it because what was I gonna say? She up and vanished? The neighbours heard us fighting. Terrence would barely talk to me unless it's about searching for you. People won’t look at me around town. My own mother—”

“Bobby, maybe this isn't the—” Kat starts.

“And the tapes.” Bobby's voice cracks, just slightly. A tiny fracture in the anger and grief. “The tapes went blank. All of them. Every single one. Years of footage and it just—you just—disappeared. From the tapes, from people's memories, from everything. Terrence couldn't remember what you looked like. My mom called you 'Bobby's friend.' Nobody remembered you. Nobody, except me. And I thought I was losing my fucking mind because I could remember and no one else could, and the tapes were blank and you were gone and I had nothing, nothing—”

“I'm sure your new girlfriend was very comforting,” you cut in coolly. “In your grief.”

The words come out serrated. Cruel. You hear them leave your mouth, and you can feel the wrongness of them, the unfairness. This woman is standing three feet away, and you don't know her. You’re aiming your pain at her like a weapon because she's standing next to Bobby and keeping his name in her mouth, and the alternative is aiming the anger at yourself.

Kat's face goes white. Then red. Her hand tightens around the scone, and she sets it down on the counter, carefully, the controlled gesture of a woman who’s choosing her next words carefully.

“I kept him alive,” Kat says. Quiet. Level. A statement of fact delivered with a steady gaze. “When everyone else gave up or thought he was a killer, I was there. Every night. I didn't leave.”

Your mouth compresses into a bloodless line. “How noble.”

“You left.”

“I didn't leave, I—”

“I know, I’m sorry that came out wrong.” Kat's voice doesn't rise. It drops, gets quieter. Gets closer to the bone. “I know something happened to you. Clearly. Since you’re here. I know you didn't choose this. But he didn't know that. He sat in a basement for seven months talking to an empty wall, and then Clark kicked him out, and he sat in a parking lot, screaming at me because he couldn't scream at you, and I stayed. I stayed when everyone else left. So don't stand there and act like I stole something from you. I picked up what you couldn't carry anymore because you weren’t there."

The room vibrates. Not with sound. With the tension of three people, holding pain that doesn't fit. Pain that belongs to eighteen months of separation and misunderstanding and choices made in the dark by people who were all, in their own ways, trying to survive.

Bobby is looking at you. His eyes are red, jaw set, his hands fisted at his sides.

“It took months,” he chokes out. “It took months after Clark kicked me out. Months before—before anything. I was a wreck, and she was kind to me. I pushed her away, and I pushed her away, and I pushed her away, and eventually I—” He swallows thickly. “I had nothing. You were gone. The tapes were gone. And I had to—I had to keep living, baby. I'm sorry. I'm sorry that I kept living.”

“I'm sure it was very hard," you bite out coldly. “Having to move on after seven whole months.”

“Seven months of sitting on a concrete floor talking to you.” Bobby takes a step toward you. His voice rising now, the anger competing with the grief, both of them pushing through the cracks in his face. “Seven months of bringing you coffee, your order, every night, and pouring it down the drain at two in the morning because you weren't there to drink it. Seven months of sleeping on your side of the bed because it still smelled like you for the first three weeks, and then it didn't, and that was worse. Seven months of saying I love you to a wall, night after night after night, and the wall never answered. So yeah. Yeah, it was hard. Sorry, it wasn't long enough for you.”

“Then maybe you should have told me you loved me before I disappeared.”

The words come out cold. A scalpel drawn across the exact right vein, delivered with a fury so controlled it's almost calm, practically a snarl. Your jaw sits tight, and your eyes burn, voice carrying the compressed weight of every night you lay three feet from Bobby in the dark and wondered if you were still visible.

“Maybe if you'd said it once—” Your voice cracks. Splits. Your anger rises like bile, flooding your throat, and you can feel it. The rage, the one BB heard through the wall, the one you buried under self-doubt and swallowed until it poisoned you. It's here. Right here. Pressing against your teeth, trying to get out. “Maybe if you'd just—maybe—”

You stop.

Your jaw clamps shut, your hands fisted at your sides. You can feel the anger writhing in your chest, trying to claw its way up your throat, and you swallow it. Again. The way you've always swallowed it. Push it down. Fold it in. Turn it inward because the alternative is letting it out, and if you let it out, you don't know what might happen, you don't know what it might burn down, you don't know—

In the corner of the room, Mr Kitty tips his head.

A slow, measured tilt. His blank face angling toward you with a quality of attention that's different from his usual patient stillness. Then the moment passes, and Mr Kitty's head straightens again. 

Bobby is staring at you. The anger on his face has fractured. What's underneath it is worse. Hurt, raw and exposed. Kat stands at the counter behind him with her arms crossed and her face closed. The hurt she's refusing to show bleeds through anyway, visible in the set of her mouth and the brightness of her dark eyes.

You're about to speak. The words are loaded, chambered, aimed—the doorway, the grunt, the don't wait up, the months of feeling like furniture in your shared apartment and now learning it took him seven whole months of dramatic wall-performances before he found a fucking replacement—

And then you hear what he said.

You hear it. Underneath the anger, underneath the accusations. The specific, factual content buried in the grief.

Seven months of sitting on a concrete floor talking to you.

The basement. Clark's basement. The storage level, the concrete floor, and the wall that breathes. 

Bobby sat in the basement and talked to the wall you fell through. For seven months. Talked to you, through the wall, the same wall that separates the real world from the Backrooms, the same wall that BB sat on the other side of and listened through. BB heard you through the wall. That's what he told you himself. I heard you. From the other side.

If BB heard you through the wall, then BB heard Bobby, too. Bobby's voice, Bobby's grief, Bobby's confessions and apologies poured into concrete for seven months. BB heard a man sitting on the other side of the wall begging you to come back, searching for you, refusing to give up.

BB heard all of it.

BB knew Bobby was looking for you. Knew Bobby loved you. Bobby was sitting three inches of concrete away from the woman BB was holding in the dark, and BB said nothing. BB held you while you cried about Bobby's indifference, and he said it was never you, it was his malfunction, and he knew (he knew) that Bobby was on the other side of that wall. 

He chose, deliberately, consciously, with the full weight of whatever passes for his moral compass, to keep that from you.

BB let you believe Bobby didn't care.

BB let you grieve a living man.

And the worst part—the part that makes your vision narrow and your hands shake and something hot and corrosive flood the back of your throat—is that it worked. It worked. 

You grieved Bobby. You swallowed the anger, folded the hurt inward, and accepted BB's version of the story. He got scared and retreated; that's his malfunction, not yours. 

You let it hollow you out, let it carve the space that BB then filled, and the filling felt like love. The forehead kisses. The promise. The apartment he built for you, the bookshelves by colour, the way he learned to dance and to kiss and to hold you through nightmares. All of it—every tenderness, every moment you thought this is what it feels like to be seen, to be loved—was planted in soil he'd poisoned. 

He didn't just withhold information. He cultivated your grief. He let the hurt grow until it choked out everything else, until Bobby was a wound instead of a person, until you stopped hoping for the door back because what was the point of a door that opened onto a man who didn't love you?

Except Bobby loved you. Bobby loved you the whole time. He loved you so much he sat on a concrete floor for seven months saying it to a wall that wouldn't answer and BB was on the other side of that wall listening and he heard every word and he held your face and said how odd and kissed your forehead and never once, not once, said he's looking for you, he's right there, he hasn't stopped.

The realisation doesn't land like a blow. It lands like a floor giving way. Every tender moment. Every I heard you and nobody else did. Every forehead kiss, every promise, every night in the nest with his cool hand on your back and his hum in your bones. 

All of it built on an omission so vast it restructures everything it touches.

You want to scream. Want to put your fist through the window of this safe house and scream BB's name into the amber light and demand—demand—that he explain himself, that he look at you with those borrowed eyes and tell you why. 

Why did he let you believe you were forgotten? Why did he let you ache for a man who was aching back, three inches of concrete and a universe apart, both of you reaching for each other in the dark while the thing between you held you close and said I've got you, baby, nothing touches you.

Nothing touches you. Because BB made sure nothing reached you. Not even the truth.

Part of you—small, stubborn, lodged behind your ribs like a splinter—whispers that he did it because he loves you. 

That the omission wasn't deliberate cruelty but desperation. That BB heard Bobby through the wall and understood, with the clarity of a thing that’s never been loved or chosen, that the truth would take you away from him. That the choice was between honesty and losing the only person who ever said his name kindly. And the whisper sounds like BB’s voice, and it sounds like the hum. It makes your eyes burn because you understand desperation and loneliness, you understand choosing wrong because the right choice is unbearable—isn't that exactly what Bobby did? What you did by choosing to stay? 

Isn't that the whole stupid, devastating circle? Bobby loved you and showed it by looking away. BB loved you and showed it by keeping you blind.

The whisper doesn't survive the inferno in your chest.

He knew. He knew. And he kept you anyway.

Your mouth opens. The questions forming on your tongue, taking shape, gaining mass—

A crack splits the room. Structural, not sonic. The walls of the house shudder. The windows fracture, the glass spiderwebbing from the centre to the frame in a pattern that resembles stress lines. Kat screams, a sharp, yelping sound. Mr Kitty straightens to his full height, his dark shape pressing against the ceiling, his blank face oriented toward the source of the disturbance with a sudden, absolute alertness.

Bobby is wrenched forward.

One second, he's standing by the kitchen table. The next he's airborne, yanked off his feet by a force that crosses the room faster than sight, faster than the sound that follows it. A percussive boom that blows the scones off the counter and knocks Kat sideways. 

Bobby slams into the far wall, and the wall cracks behind him. He's pinned there, three feet off the ground, his feet dangling, his hands clawing at the thing around his throat.

BB's hand.

BB is in the room. Not entered, arrived, the air displacing around his sudden presence with a pressure change you feel in your sinuses. 

He's holding Bobby against the wall by the throat, one-handed, arm extended, and the face he's wearing is Bobby's face, but it's not—it's wrong, more animal than human, the features sharpened past recognition, the jaw too wide, the teeth visible behind lips that have pulled back in a snarl that doesn't belong on any human mouth. His eyes are black. Fully black. The fissures from the fight are still visible, tiny cracks radiating from his jaw and cheekbones, leaking that colourless light, the mask of Bobby held together by fury and will and nothing else.

One arm hangs at an angle that isn't right. Dark, viscous blood streaks his chest, his neck, his hair. The crop top is torn. The chain is broken, hanging from one side of his throat. He looks like he walked through a war to get here, and the war isn't over; it's just been put on pause long enough for him to cross the Backrooms and find the one thing in his territory that doesn't belong.

Bobby chokes. His feet kick. His hands grab BB's wrist, but BB doesn't move, doesn't register the resistance, a marble statue with a throat in its hand.

BB leans in. Close. His face inches from Bobby's, the original and the copy, face to face at last, the man and the thing that chose his face. Bobby's eyes are wide, bulging, filled with a terror that’s different from any terror he’s ever felt because he’s looking into his own features and finding nothing human behind them.

BB bares his bloodied teeth, snarling low in his chest. 

“How dare you be here?”

His voice is soft. Bobby's voice is never careful, not even this version, but soft, like someone asking a question they're not sure they want the answer to.

You don't answer that. Instead, you say, “Are you going to hurt me?”

He blinks.

“The way you hurt that thing.” Your voice is steadier than you expected. Flat, almost. The flatness of a person who’s run out of room for new fear and is now operating from somewhere clinical. Survival-practical. “Whatever it was. The sounds it made. The sounds you made.”

There’s movement behind his eyes. He doesn’t flinch, but you spot a shift, a recalibration, like a camera adjusting focus. He remembers what you heard. That low rumbling from his chest that didn't belong in any throat shaped like a human's.

“No,” he says. Immediate. No hesitation, no pause to consider. The word comes out of him with absolute certainty, like a reflex. “No. Never.”

You watch him closely. He looks back at you. The fluorescent light buzzes overhead, casting that flat, shadowless yellow across everything. Better Bobby's face is open and sincere, but you don't believe him. Not completely. Not after what you heard through your closed eyelids. The shrieking and the wet dragging sound and the silence after, the horrible, total silence. The way he'd come back to you without a drop of anything on him. Like unmaking something in the dark was a minor errand.

And not after Bobby. Not after learning what it looks like when someone says I would never and means it and does it anyway. With the slow, grinding, erosive negligence of a man who might have loved you once but still started disappearing while standing right next to you. 

Bobby never hit you. Never raised his voice in a way that carried a threat. Not once. Bobby simply stopped. Stopped seeing you, stopped hearing you, stopped reaching for you in the morning, and the absence was its own kind of violence, bloodless and total.

Now you're in a yellow hallway with a thing wearing his face telling you never with the same mouth and you cannot—you cannot—take that word at face value. Not from that face. Not anymore.

And he sees it. The disbelief. He reads it on your face the way real Bobby used to read light through a viewfinder. With instinctive precision, without needing to be told what he's seeing.

Better Bobby reaches out. Tips your chin up with one knuckle. Gentle. So gentle. Guiding your face back to his when you'd started to drift, to look away, to find a spot on the yellow wall that was easier to stare at than his eyes.

“Why do you think I chose this face?”

He says this face with an edge to his voice. Not quite contempt, not quite amusement. But snide. A little sharp. The closest thing to edge you've ever heard from Better Bobby. This brief flash of awareness that the face he's wearing belongs to someone else. Someone who wasted it, and he knows it, and he wears it anyway because—

You're silent.

Better Bobby smiles. Gentle. The sharpness folds back into warmth the way a blade folds back into a handle.

“I heard you,” he says quietly.

Your breath catches.

“From the other side. Through the wall.” He says it simply, his thumb working carefully over the dip of your chin. “He used to come to the store. Bobby. In the beginning. Before you worked the night shifts alone. He'd come hang out, and you'd be downstairs together, and I could hear you. Both of you. I could hear what it sounded like when he was still—” He pauses, expression twisting. You see him choose and settle on his next words. “When he was still trying.”

The lights flicker. Once. Settle again.

“And then he stopped coming. And you were alone down there. And I could hear that too.”

Your chest goes tight.

“You used to talk,” Better Bobby goes gently, watching your face. “Not to anyone. Not on the phone. Just—out loud. To the room. To yourself. To him, even though he wasn't there. Do you remember?” His thumb traces your jawline, feather-light. “You'd say things like he doesn't listen anymore. And he didn't kiss me goodbye again today, that's the third day in a row, am I keeping count now? Is that what I'm doing? Keeping count?”

Your eyes burn, blurring his familiar features. 

“And I don't think he sees me. I'm standing right in front of him, and he's looking through me like I'm furniture. Like I'm one of Clark's display pieces. Something you walk around.”

“Stop,” you whisper.

He doesn't stop, but his voice goes softer. Almost tender.

“You were so lonely.” He says it like it's the saddest thing he's ever learned, and maybe it is. Maybe loneliness sounds different from the other side of a wall. Rawer, louder, the way a voice sounds in an empty room because there's nothing else to absorb it. “And so sad. And so angry, baby—”

You flinch because you don't—you weren't angry. You were hurt. That's a smaller, quieter, more acceptable thing than anger.

Because anger would mean admitting that what Bobby did wasn't just a failure of attention but a choice. Night after night after night, a man choosing the path of least resistance over the person lying next to him, and if you let yourself be angry about that, then the whole careful belief of maybe it's me, maybe I'm asking for too much, maybe love is supposed to feel like this after a while collapses, and what's underneath it is—

“—you were so angry, and you didn't even let yourself feel it. You said it like it was your fault. Like if you could just be more interesting or prettier or less needy, he'd—”

Hot, liquid feeling surges up from your chest to your throat. “Stop.”

He stops. But his eyes don't leave yours, and in them you can see that he knows. He heard it all, you realise. Every whispered self-indictment, every quiet renegotiation of your own worth to accommodate Bobby's shrinking attention.

He heard the thing underneath it too, the thing you buried so deep you forgot it was there. 

The rage. The white-hot, screaming, incandescent fury of a woman who gave everything to a man who couldn't be bothered to look up from a television screen, who turned your love into background noise and let you stand in doorways wondering if you were still visible. 

You buried it because anger felt like giving up. Because if you were angry, it meant something was wrong, and if something was wrong, it could be over. If it was over, then you'd given your whole heart to someone who let it sit on a shelf and gather dust, and that was unbearable. So you turned the anger inward instead, folded it into self-doubt, and let it eat you rather than the situation, because at least that way the situation could still be saved.

Better Bobby heard you bury it. He heard the burial, and he heard the body underneath it, and he's looking at you now with something that isn't pity or judgment. Isn't the performative concern that Bobby used to deploy in those final months when he bothered to notice you were hurting at all. That tight-jawed what's wrong that really meant please don't make me deal with this. 

This is something else. Recognition. The look of a thing that knows what it sounds like when someone swallows their own rage until it poisons them. Until it makes them abandon everything they once knew for a world of yellow, buzzing lights and monsters in the dark. 

“It wasn't you,” he says, his hand cupping your cheek. His palm is cool, his fingers curving, and he holds you there. There’s no force, no hard grip, he’s just holding. Cradling. The way you'd hold something you found in the dark that was shaking. “It was never you. You could've been perfect. You were perfect. And he still would've pulled away because that's what he does. That's how he's built. He gets close, and it scares him. So he retreats, and that's his malfunction, not yours.”

It’s then you start crying.

Not like earlier. After the attack. That was shock, adrenaline, your nervous system shorting out. 

This is different. This is slow and terrible, coming from somewhere so deep you didn't know the room existed. 

It's the crying you should've done months ago, in the apartment in Santa Clara, on the nights when Bobby was asleep three feet away, and you were staring at the ceiling, wondering when you became the kind of woman who measures love in absences. He didn't kiss me today. He didn't ask about my day. He didn't look up. Keeping count. Tallying the deficit. The anger you didn't let yourself feel and the grief you couldn't afford mixed with the loneliness you absorbed like radiation, quietly, invisibly, until it changed the composition of your bones.

Better Bobby pulls you in when the first sob breaks. Slow and careful, his arms folding around you, and your face presses into his chest.

He holds you while you shake apart. His hand moves on your back, but there's more uncertainty in it now. He pauses at your shoulder blade. Adjusts. Resettles his palm. Like he's figuring out the right pressure in real time. Learning the weight of comfort.

His chin rests on top of your head, and you can feel the slight furrow of his brow against your hair, the way his body is holding very still around the motion of his hand. He’s noting each shudder, each ragged breath, trying to understand the mechanics of this. What crying is. What it means. Why your body does it and what it needs from his.

“I love him,” you choke out. Waterlogged. Muffled against his chest. “I love him so much. And he just—he stopped. He just stopped, and I keep thinking if I'd done something different, if I'd been—”

“No.” Firm the way a hand on your shoulder is firm when you're about to step into traffic. “Don't do that.”

“—if I'd been less”—”

“No.”

His arms tighten around you. You feel his jaw clench against the top of your head, a brief flash of what might be anger.

At the sentence, at the shape of the thought, the idea that you would carve yourself smaller to fit inside Bobby's shrinking attention span. His hand on your back goes still and then resumes, slower, like he's reminding himself to be gentle.

“You did nothing wrong,” he says into your hair. “You loved someone. You loved them well. And they couldn't hold it. That's not a flaw in the love. That's a flaw in the hands.”

You cry until there's nothing left. Until you're just breathing, wet and ragged, against his chest. The sobs eventually thin to hiccups, then to shudders, finally settling into a deep, wrung-out stillness, the exhaustion that comes after. 

Better Bobby holds you through all of it. Doesn't shift. Doesn't pull back. Doesn't ask if you're okay, which is a kindness in itself because the answer is obviously no and being asked to say it out loud would be one more weight.

When you finally pull back, your face is swollen, and your eyes are raw. Better Bobby looks at you with an expression you've never seen on Bobby's face. Open and bewildered, creased with tenderness in a way that seems to be happening to him without his permission. Like he reached for the right emotion, grabbed something bigger than he expected.

He touches your face. Thumbs the tears off your cheekbone, one side and then the other, careful, methodical. His brow furrows. Curious. The furrow of a thing encountering a phenomenon for the first time and finding it far more complex than anticipated.

“Sad,” he murmurs. Almost to himself. Almost wonderingly.

You sit together in the yellow light for a long time. The hum fills the silence.

Then you reach out and touch his face.

Your fingertips on his cheekbone. Tracing the line of his jaw. The scar from the cabinet door. The corner of his mouth where real Bobby's grin always starts, one side before the other, that lopsided asymmetry that used to make your heart stutter.

Better Bobby goes still.

Then he hums. Low in his throat. Warm. A sound that starts in his chest and travels up through all of him like a vibration through a struck bell. His eyes close. His head tips into your palm like a cat pressing into a hand, like he's been waiting for this, this specific thing, your skin on his skin, voluntary and gentle, initiated by you.

The difference matters; it matters enormously, you can tell by the way his breath changes, goes uneven, almost delicate. 

His lips part, just slightly, lashes fluttering against your thumb.

“That feels good,” he whispers huskily. And then, quieter, with a note of genuine wonder, “How odd.”

You watch him lean into your hand, and the expression on his face is unguarded in a way that makes your chest ache. Bobby's face, but not Bobby's expression. It could never be Bobby's expression, you realise suddenly, because Bobby would've turned it into a joke by now, would've kissed your palm or made a quip or done something to break the sincerity before it got too heavy. 

Your hand stills on his cheek. He opens his eyes. Looks at you.

“I need you to make me a promise,” you say.

There’s another ripple in his expression. The tilt of his head. That almost animal curiosity, the slight cock to one side that doesn't quite track as human body language. “A promise?”

“Yes.”

He studies you. Processing. “What is a promise?”

The question is genuine. Not rhetorical, not evasive. He's looking at you the way he looked at your tears. With concentration, focus, and a desire to understand. You can almost see the gap between knowing the word and understanding the weight, and he's standing at the edge of it, waiting for you to build the bridge.

“It's—it's a commitment. Something you say that you can't take back. Something you keep even when it's hard. Even when you don't want to. Even when circumstances change.” You swallow thickly. “When you make a promise, you don't break it. That's the whole point. It's the one thing that's supposed to be unbreakable.”

Better Bobby is quiet. Considering. His eyes move across your face in that precise, reading way.

“I understand,” he says carefully, solemnly. Like he's holding the concept in his hands and turning it to see all sides. “An oath. A contract between two beings that supersedes circumstance.”

You blink. “Something like that.”

He angles his face closer, attention fixed and unblinking on you. “Then ask.”

You drag your eyes over his face. Bobby's face, Bobby's eyes, Bobby's scar. The face of a man who loved you and couldn't say it and showed it by looking away until you forgot what it felt like to be seen. The face of a thing that isn't that man and chose to wear him anyway because it heard you through a wall and wanted to be the version that stayed.

“Promise me… you won't hurt me,” you say quietly. “Not the way he did.”

The words hang in the yellow air. The hum shifts. Not louder, but denser somehow, as if the walls themselves are listening, as if the promise is being registered by something larger than the two of you.

Better Bobby's expression changes. Curiosity dissolves. What replaces it is— 

You don't have a word for it. Not solemnity, a gravity older than language. It rises from the part of him that isn't Bobby: the vast and ancient thing beneath the boy’s face. The part of him that understands what you are asking is not a small thing. That the promise you want is, for a being like him, a kind of architecture. A structure that, once built, holds.

“I promise,” he says. No hesitation, no charm, no Bobby-grin to soften the weight of it. Just the words, low and clear, carrying the same absolute certainty as his no earlier. A reflex, a law carved into whatever he is at a level deeper than the face, deeper than the voice. “I will not hurt you. Not the way he did. Not any way.”

His hand covers yours on his cheek. Presses it there. Holds it.

“I don't know how to break a promise,” he tells you, quieter now. “But I think that's the point.”

You nod, unable to speak. Your hand is on his face, cool to the touch, and his hand is on your hand. You watch each other for a long time, unwilling to move first.

He breaks the stalemate first, taking your hand into his.

“Come with me,” he urges with that restrained excitement in his eyes, barely contained behind Bobby's careful coolness. Something almost boyish in its sincerity. “Somewhere that's not yellow.”

You look at his hand, using your other to wipe the tear tracks off your face. “Is it safe?”

And then it returns. 

Not the gentle Better Bobby who strokes your hair and says I've got you. The other one. It surfaces behind his eyes like a shape moving under dark water. Vast, amused, ancient. His chin dips slightly. His mouth curves.

And for a half-second, the thing looking out at you from Bobby's face is not performing warmth or mimicking tenderness. It's something that has walked these hallways since the beginning. Something that heard you through a wall and chose to want you rather than simply take you, and the distinction between those two things is the only reason you're still breathing.

“Baby,” he drawls, and his voice is Bobby's, but the tone is deeper, older. “I am what's safe here.”

It lasts a second. Less. Then he blinks and the ancient thing submerges and Better Bobby is back, warm-eyed and easy-mouthed, holding his hand out to you in the yellow light like nothing happened.

“Come on,” he says, lighter now. Normal. That crooked half-grin back. “Trust me.”

You take his hand, and he pulls you up.

He leads you through the hallways. Different route this time. Sharper turns, narrower corridors, and Better Bobby moves through them with liquid confidence, his hand secure around yours, his pace unhurried. You pass through a section where the carpet gives way to tile, and the tile gives way to something that feels like packed earth beneath your feet. 

The walls shift from yellow to grey, and you tense, your grip tightening, and he squeezes back. Once. Reassuring.

Then the hallway opens.

You stop.

It takes your brain a moment. Several moments. Because what you're looking at doesn't belong here, can't belong here, is fundamentally incompatible with everything you've experienced in this place so far, and yet here it is: sky. Actual sky. 

Not blue exactly, but deeper and richer. The colour of late afternoon, easing toward evening, a gradient of gold and amber, close to violet at the edges. And beneath it, trees. Dense, old-growth, the kind of towering canopy you'd find in the Santa Cruz Mountains, all ferns and filtered light and the rich, complex smell of living earth. A path winds through them, beaten dirt, dappled with sun. 

You can feel it on your face. Not quite the real sun of your world, but it’s not fluorescent. 

You stand in the threshold between the hallway and the forest, and you don't breathe because if you breathe or blink, it might disappear.

“Level 14,” Better Bobby announces behind you casually, tracking your reaction. “Some people call it Paradise.”

“How—”

“Doors.” He shrugs. “Everything here has doors. Entrances and exits. You just have to know where they are.”

You step forward. Grass. Real grass, or something so close you can't tell the difference, and the sensation is so overwhelmingly normal after the carpet and concrete and yellow that your eyes fill again, and you press your hand over your mouth.

Better Bobby steps up beside you. He's watching the trees with that curious expression, head slightly tilted, but underneath it, there’s satisfaction. Quiet pride. He found this, and he brought you here because you were crying on the floor, and he didn't know what else to do except find you somewhere beautiful.

You grab his hand.

Hard, sudden, fingers lacing through his, knuckles blanching. Because there are trees and you don't trust anything that looks like the real world, because the real world abandoned you.

Better Bobby looks down at your joined hands, and his lips part. That smile appears again. The new one, the one still taking shape on features designed for smirking, learning in real time how to hold something softer. Slow. Almost shy.

He doesn't comment. Doesn't tease. Just holds your hand back and starts walking.

“It's safe here,” he tells you, feeling the tension in your grip, the coiled readiness. “This level is safe. Nothing hunts here.”

“You said the yellow—Level 0 was safe.”

“Level 0 is my territory. Things occasionally wander in.” He says my territory without emphasis, but the words land heavily anyway, carrying the weight of what you saw behind his eyes a few minutes ago, the brief flash of the creature that owns these hallways. “Here—” He gestures with his free hand. The amber light moves across his skin, and he looks different in it, softer. More like Bobby at golden hour on the fire escape back home, and the resemblance hits you like a fist. “Nothing wanders. Nothing wants to wander. It's peaceful. Even the things that live here are gentle.”

You walk. He leads you deeper, and the canopy closes overhead like a ceiling, green and gold, light falling in shafts through the leaves and landing in warm patches on the path. You hear birdsong. Birdsong. You haven't heard birdsong in… you don't know how long. The sound cracks something open in your chest that you thought had scarred over.

Your grip on his hand loosens. Slightly.

The path winds along a stream. Clear water over smooth stones, the sound of it gentle. Nothing like the dripping in the pipes on Level 2. Simply water moving over rocks because gravity says so. 

The path opens into a clearing. Tall grass. A meadow ringed by trees, the canopy breaking to reveal that impossible sky, and in the centre a fallen log covered in moss, the kind of thing you'd find on a trail in Big Basin or Castle Rock. The kind of thing you and Bobby used to perch on when you went hiking in the early days and kiss until your mouths went numb.

Better Bobby guides you to the log. You sit. He sits beside you. Hands still joined.

A bird—small, brown, ordinary—lands on a branch above you and turns its head and looks at you with one bright black eye, and you stare back at it, your chin trembling. Because it's a bird, just a bird, and you'd forgotten how much of the world you were missing.

“I didn't think this place could be beautiful,” you say quietly, looking at the amber light filtering through the canopy, the way it falls on the tall grass in warm pools. “I thought it was just… yellow. And carpet. And things with teeth.”

“Most of it is,” Better Bobby replies honestly. Not sugar-coating it.”But most of anywhere is. The trap of this place, if you can consider it one, is that you’d never want to leave. How could you? When everywhere else there’s death.”

“This is different.”

“Why?”

“Because it shouldn't exist. Because this whole place is wrong. It's not supposed to be here. None of it. And somewhere inside all that wrongness, there's this—” You gesture at the meadow, the sky, the bird, the stream. “It doesn't make sense.”

Better Bobby is quiet for a moment. Watching you the way he does—full attention, total focus, the listening that feels less like politeness and more like study.

“Maybe that’s exactly why it exists,” he says. “Maybe it was built by mistake. Or maybe it exists because nothing is ever just one thing.”

You turn to look at him. He's sitting beside you in amber light with his earring catching gold instead of fluorescent. And his face is Bobby's face, but the expression on it is something Bobby hasn’t worn in a long time, if ever. Patient, present, content with simply being here without reaching for a camera, without filtering the moment through a lens, or needing a barrier between himself and the thing he's looking at.

“I don't want to call you Bobby anymore.”

He goes still.

The uncertain one. A brief, visible tension through his shoulders, his jaw, the hand holding yours tightening by a fraction. His eyes flick to your face, and the light in them is guarded in a way you haven't seen from him before. Wary. Like you've touched something unexpectedly tender and he's bracing for what comes next.

You see the calculation, the quick processing, and you understand. He thinks this is the beginning of something else. A rejection. A pulling away. You're not Bobby, you'll never be Bobby, and I don't want the reminder. He's already building the wall behind his face, that smooth, easy mask he can slip back into, the charming nonchalance to protect himself. 

“You're not him,” you go on quickly. Before the wall finishes closing. “That's—that's the point. You're not him. You're something else. And it feels wrong to call you by another person's name when you're your own—” You fumble. Gesture at him, at the clearing, at everything. “Your own being. Your own person. Or—whatever you are. Whatever the word is. Entity?”

His jaw loosens, shoulders dropping a fraction. The wall stops building.

“What would you call me?” he asks quietly. Like the answer matters more than he wants to show.

“Maybe… BB?” You say it, and it feels right. Simple. Still him, still connected, but his. Not borrowed. Not a copy of a copy. “If that's okay?”

He's quiet for a long moment, simply gazing at you. The light shimmers on his face, and his expression shifts through layers. The careful architecture of Better Bobby rearranging itself around this new information, this small, enormous thing you've just given him. A name. His own name. Not the one he stole. The one you chose.

You lean your head against his shoulder lightly.

You can feel it through the contact between you, through the place where your temple rests against his shoulder. Something in him settles. Deepens. A satisfaction so total it's almost palpable, like a beam slotting into place.

He likes it. Being seen as separate, being known as his own being. Not the understudy, not a replacement, not the better version of someone else, but simply a version of himself. You can feel how much he likes it in the way his thumb resumes its slow circuit over your knuckles, in the way his head tips to rest on yours, in the breath he lets out that sounds like it's been held for centuries.

“BB,” he repeats, testing it. His voice comes in a low, warm rumble. Bobby's timbre with something deeper underneath, and the two letters sit in the balmy air, small and perfect.

“Yeah,” you breathe. “BB.” A beat, then, “Thank you. For hearing me.”

A hum starts low in his chest, a thrum you feel before you hear it. It travels the length of his arm to where his fingers are laced through yours. He squeezes once, and when he speaks again, the easy charm has drained out of his voice, leaving it quieter, almost reticent.

“I was lonely too,” he admits.

Your heart squeezes, quick and helpless.

You sit together for a long, long time, the light pooling thick and lazy around you. And for the first time since you fell through the wall, what settles in your chest isn't fear, isn't confusion, and not grief.

It's peace.

The walk back is different.

BB leads you through the same threshold, and the yellow returns, followed by the buzz that resettles on your skin like a coat you forgot you were wearing. But something in you has shifted. Loosened. The meadow is still sitting inside your chest, warm and quiet. You carry it back into Level 0 the way you'd carry a cupped handful of water.

And you're talking.

Actually talking. Not the halting, guarded exchanges of the past weeks. Or the questions that go in circles, the silences that stretch like hallways.

You're talking, and BB is listening. Somewhere between the threshold and the familiar territory of your room, you say something about Clark—about the time Clark tried to assemble a display bookshelf himself and got the shelves in upside down, and you'd had to redo the entire thing at midnight while Clark stood behind you insisting it looked fine—and BB laughs.

It's a good laugh. It's Bobby's laugh. Low, surprised, that huff through the nose that real Bobby does when something catches him off guard, and it makes you smile. Actually smile. Your cheeks ache with it. 

You can't remember the last time your face did that.

“He sounds like an idiot,” BB remarks, grinning. That cocky half-grin, the one that crinkles one eye.

“He's not—okay, he's a little bit of an idiot. But he means well. He’s just going through a rough patch right now. He doesn't know how to—”

“Accept help?”

“I was going to say read an instruction manual.”

BB snorts. “Same thing.” 

He bumps your shoulder with his. Easy. Playful. And you bump him back, and the normalcy of it—the sheer, stupid, ordinary normalcy of walking and talking and bumping shoulders with someone—is so sweet it makes your throat tight with a different kind of ache. An emotion closer to joy, which is worse because joy in a place like this is borrowed. 

“You know,” you begin, squinting at him, “for a—” You stop, gesturing vaguely at him. “You're not bad company.”

“Not bad company.” He puts his hand over his chest. Bobby's mock-wounded face, the one real Bobby used to pull when you beat him at cards. “I'm overcome with emotion.”

“Shut up.”

“No, no, I'm serious. I'm going to treasure this moment. Not bad company. I'm getting that tattooed.”

“Can you even get a tattoo?”

His mouth hooks into that infuriating half-smirk that unfailingly warmed your blood for years, “Baby, I can do whatever I—”

He stops.

Mid-word. Mid-stride. His body goes rigid so fast it's like watching someone get hit with a current. Every muscle locking at once, his hand tightening on yours hard enough to hurt. His head turns. Not the way a person turns their head. The way a thing turns. Too sharp, too angular, his chin cocking to one side at a degree that doesn't belong on a human neck with a faint click. His eyes go flat and dark, and the creature behind them surges to the surface, breaching deep water.

You suck in a breath, eyes snapping around you, searching. “BB?”

He doesn't answer. He's listening. Every line of his body orients toward something you can't hear, his nostrils flaring slightly, and the hum in the walls shifts tone. Barely. A semitone. Like the whole level just inhaled.

“BB, what—”

He moves.

He doesn't explain. His hand releases yours and both of his are on your shoulders, turning you, walking you. Fast, with an urgency you haven't seen from him before, not even with the strange thing in the hallway. His jaw is set, eyes scanning the corridor with a focus that's mechanical, inhuman, processing information from sources you can't perceive.

“Please talk to me—”

“Shh.”

It’s not BB's voice. But an older rumble. Something that's done calculating, moved on to acting, and doesn't have the bandwidth for warmth right now.

He takes you to your room. The warm nest. The blankets. He guides you down with one hand on the back of your head, the way you'd ease someone into a car, pulling the blankets around you, and you grab his wrist because his eyes are wrong. They're flat, black, and old.

The thing in the hallway, whatever it is, has made him become the thing he was in the dark with the Smiler, and that version of BB is a version you can't reach.

“Stay here,” he instructs sternly. His voice is low and tight, thrumming with that sub-frequency that vibrates in the walls. “Don't move. Don't make a sound.”

“What's happening? What's—”

“Stay.”

He looks at you. One second. A flash of the warmth—buried deep, almost submerged, but there, still—and then his expression closes like a door slamming. BB straightens and turns toward the hallway.

You blink, and he's gone.

Just gone. Between one blink and the next, the space where BB stood is empty. The air where his body was is settling, displaced, like water closing over the place where a stone sank. 

The hum holds its earlier shifted note. That slightly wrong semitone, tense and high, like a held breath.

You sit in the blankets with your knees pulled to your chest, heart in your throat, and stare at the empty doorway and beyond it, listening intently.

Nothing. No tearing. No shrieking. No sounds at all. Just the hum and the buzz and your own breathing and the silence so total it frightens you more. 

You wait.

The meadow is still inside you: the bird, the stream, the warm light, the way BB laughed when you told him about Clark's bookshelf. The stupid, gentle joke about the tattoo, the way his shoulder bumped yours, and you bumped him back, and for thirty seconds, you forgot where you were and what he was, and the whole impossible situation felt like a walk home from somewhere good with someone you liked.

You press your face into your knees. You wrap your arms around yourself.

You wait.

BB comes back eventually.

You don't know how long it's been. Time in the Backrooms is a broken clock. Sometimes the minutes stretch into hours; sometimes what feels like an afternoon is over before a thought can finish forming. 

You've been sitting in the blankets, knees to chest, listening to the hum slowly, slowly settle back to its normal pitch, the tension of Level 0 releasing one degree at a time. You didn't sleep. You didn't move. You just sat and breathed, holding the meadow inside you like a candle flame in cupped hands.

You hear him before you see him. Footsteps. Slow. The particular rhythm of his walk. Bobby's gait, but smoother, more intentional, the way a predator moves even when it's not hunting. Then his shape appears in the doorway.

Something's off.

He's standing the way he always stands—one shoulder against the doorframe, hip cocked, that easy lean—but the details are wrong. Slightly. His edges are too sharp. The line of his jaw looks as if it were drawn rather than grown. His skin has a quality to it, like wet paint, freshly applied. And his eyes.

BB’s eyes are settling. That's the only word for it. The flat, black depth that swallowed the warmth when he left is receding, draining away, and Bobby's eyes are rising to the surface again. You watch it happen. You watch him reassemble himself.

He was something else, you realise. Whatever he went to do, wherever he did while away, he dropped Bobby's face to do it. And what you're looking at now, standing in the doorway, is the process of putting it back on. Climbing back inside the shape of a person. Buttoning up the human suit.

“BB.”

He blinks. The last of the darkness drains from his eyes. He looks at you, and the warmth returns. In layers, like watching a photograph develop, his shoulders relaxing at the sight of you. The too-sharp lines of his face soften into the Bobby you know, and his mouth does that almost-smile, the one that says I'm here without words.

“Hey, baby.”

“What happened?”

Not a question. A demand. You say it flat and steady, holding his gaze, and you don't let him do the easy-grin deflection, the don't worry about it. You've had enough of that for one lifetime. You made him promise.

BB reads it on your face. The refusal to be contained.

He exhales through his nose—Bobby's habit, the one that means I don't want to talk about this, but I'm going to—and pushes off the doorframe and comes to sit beside you on the blankets. Close. His knee touches yours.

“There's something new,” he says after a pause. “In the Backrooms. Something I haven't encountered before.”

You stare. “An… entity?”

“Yes.” He turns the word over like he's not sure it's sufficient. “It’s been… circling. Mainly the perimeter of Level 0. Not entering. Not yet anyway. Just... moving along the edge. Testing it.” His jaw works. That muscle at the hinge, the one that flexes when Bobby's thinking, when Bobby's holding something back. “It's been doing it intermittently. Coming close, then retreating. Like it's taking measurements.”

A shiver skitters down your spine. “What does it want?”

“I don't know.” And you understand that BB doesn't say I don't know often or easily. BB is the thing that knows this place, that moves through it like blood through a vein, that owns Level 0. Admitting ignorance is not in his nature. It sits wrong on his face, like a shirt buttoned crooked. “It's different from the others. Not like the Smiler. Not like the Howlers, either. Not like anything in my experience. It's very new.” A tense pause, then, “And very, very powerful.”

The way he says powerful makes the hum in the walls dip. Just for a second. A brief, almost subliminal drop in frequency, as if Level 0 itself heard the word and flinched.

You stare at him, your heart thrumming in your chest. Bobby's face, creased with a concern that doesn't quite fit the cocky architecture of it. BB in a rare moment of honesty about his own limits. Something new, he said. Something powerful. Something that makes a thing that unmade another entity with its bare hands sit next to you on a pile of blankets and admit it doesn't have an answer.

You exhale, turning to stare at the yellow wall instead. 

“I want you to teach me,” you tell him after a moment.

His head turns. The dog-tilt. Quick, surprised.

You look back towards him. “About this place. The levels. The entities. The doors, the rules, whatever—I want to understand it. I don't want to just—” You gesture at the blankets, the room, the warm patch you've been sleeping in for however long you've been here. “I don't want to be something you put in a nest and guard. I want to know what's out there. How to move through it. I don't want to be helpless whenever you leave.”

BB studies you. That long, reading look, line by line, extracting meaning. You expect resistance. Protectiveness. The instinct to keep you in the soft, warm place where nothing can touch you, where he can fold himself around you like armour and pretend the world ends at the walls of this room.

Instead, slowly, he nods.

“There are rules,” he insists. The caution is audible. Measured, considered, a thing that’s used to absolute control, negotiating the edges of a concession. “I go with you. Always. You don't wander alone. Not until you understand enough.”

“Okay.”

“And there are levels I won't take you to. Places where my presence doesn't offer the protection it does on 0. Places where—” He pauses, choosing his words the way you'd choose a path through uneven ground. “Places where going would be… foolish.”

“Okay. Deal.”

You watch him watch you, just like earlier in the sunlight. “Okay,” he says eventually. “I'll teach you.”

Time passes.

You don't know how much. The Backrooms don't have seasons, don't have sunrise and sunset. No reliable Monday into Tuesday into Wednesday that structures a life on the other side of the wall. What you have is rhythm—the rhythm of sleep and waking, of walking and resting, of BB's hand on yours as he leads you through doorways you're learning to see.

You miss the real world.

It hits you at strange moments. 

Not when you'd expect, not during the long stretches of yellow or the nights when the hum shifts pitch and BB goes rigid and watchful beside you. It hits you in the quiet. In the nothing moments.

You'll be sitting in the nest sketching a corridor layout, and the pen will skip, and you'll shake it the way you used to shake the pens at Clark's register. And the muscle memory will drag the whole world through. 

The smell of the showroom, lemon polish and particleboard, the radio playing low from the boombox behind the counter, the particular quality of California dusk through the front windows when the strip mall parking lot emptied out.

The apartment. The couch. The sound of Bobby's camera clicking in the other room.

You miss rain. Not Level 14 rain, or drizzle of the Poolrooms. Actual rain, East Bay winter rain, the kind that hammered the apartment windows and turned the parking lot at Clark's into a shallow lake and made Bobby curse because he'd left the car windows cracked again.

You miss the smell of wet asphalt. You even miss traffic. The dull boredom of a slow Tuesday shift with no customers, leaning on the counter with a magazine, watching the clock crawl toward closing.

You miss cereal. The specific crunch of it, dry, eaten by the handful out of the box at midnight because you were too tired to make real food after a close. You miss the weight of your own blankets on your bed, not the gathered nest-pile BB assembled for you. You miss the answering machine clicking on. You miss the phone ringing at all.

You think about going back.

Not the way you thought about it in the first weeks. That was rantic, clawing, animal desperation to find the wall you fell through and push back to the other side. That's burned out. What's left is quieter. More deliberate. A slow, circular calculation that runs in the background of your brain like a programme you can't close: Is there a way? If BB knows the doors, if the doors go between levels, if levels connect to each other in ways that don't follow geometry, could one of them connect back? Could there be a threshold that opens onto Clark's storage basement, onto the real world?

You don't ask BB. Because the calculation always stalls at the same place, the same, indestructible wall. 

The wall in your chest. The one built from the last six months of your life in Santa Clara, from every unanswered question and unfinished sentence and cold sheet and blue TV light and grunt. 

The wall that asks one simple question: Go back to what?

Go back to the apartment where Bobby looked through you like glass? Go back to the doorway where you stood with your keys in your hand and your heart in your eyes, and he didn't look up? Go back to being the woman who measures love in deficits, who keeps count of kisses the way she keeps count of inventory, watching the numbers dwindle, knowing exactly what the shortage means, and not being able to stop counting.

Bobby is probably relieved.

The thought arrives fully formed, mid-step, on a walk through Level 4, and it stops you so completely that BB turns back, his hand sliding to the small of your back, his head doing that quick, concerned tilt. You wave him off. Fine. I'm fine. But the thought is there now, lodged behind your sternum like a splinter, and you can feel it every time you breathe.

Bobby is probably relieved. Bobby is probably sleeping diagonally again. Bobby is probably eating cereal over the sink, leaving his bowl on the counter. Watching TV with his feet up and the apartment is probably messier, quieter. Less cluttered without your books and your magazines and your shoes by the door.

Your presence in every corner asking to be noticed. 

Bobby is probably lighter, breathing easier. Maybe he looked up from the television one day and realised the doorway was empty and felt—what? Guilt? Or the guilty cousin of relief, the exhale of a man whose obligation to pretend has been finally lifted?

You haven't felt needed in months. Not once.

The realisation surfaces slowly, a gradual saturation of a truth you've been standing ankle-deep in since before you fell through the wall. 

Bobby didn't need you. Bobby needed the idea of you—the girlfriend, the warm body, the person in the apartment who made it feel less empty—but he didn't need you. The particular, inconvenient you who wanted to be talked to and looked at and held and kissed goodbye every morning. That version of you was too much work. 

That version required maintenance he couldn't be bothered to perform.

But the ache—god, the ache. It hasn't faded. You thought it would. You thought time and distance and the sheer alien absurdity of your circumstances would erode it the way the Backrooms erode seemingly everything. Until the original shape is unrecognisable. 

But the ache for Bobby sits in the centre of your chest like a second heartbeat, stubborn and alive, and it doesn't care that he let you down.

It doesn't care that the last thing he gave you was a grunt. Love has no quality control. Love doesn't audit the recipient and adjust its intensity based on merit. 

You still love Bobby with the same enormous, stupid devotion you loved him with on that Thursday morning when the sun was on the sheets and he ignored the phone and pulled you closer and rasped stay. That love has not diminished by a single degree despite every reason it should have, and the persistence of it is the cruellest thing about being here. 

Because it means you’re aching for a man who made you feel invisible while standing in front of a being who has never once looked away.

You cry about it. Once. In the nest, in the dark, turned away from BB, muffling it in the blankets.

He doesn't say anything. His hand finds your shoulder. His thumb moves, once, twice, a slow circuit over the curve of bone. He doesn't ask what's wrong because he already knows—he's always known, he heard it all through the wall—and the kindness of his silence, the restraint of it, the choice to hold space instead of fill it, makes you cry harder.

You stop crying. You wipe your face. You pick up the notebook.

And you start mapping instead.

BB finds the notebook for you. God knows where, god knows how, a composition book with a mottled black-and-white cover and pages that smell like basement storage. 

You hold it and the weight of it in your hands feels so familiar it aches. The pen he gives you is a ballpoint, blue ink, the cheap kind that skips if you press too hard. You uncap it and the click of the cap settles something in your chest. An old reflex. The same one that used to kick in when you opened the inventory binder at the store. 

The satisfaction of a system, a structure, a way to organise chaos into a shape you can hold.

If you can't go back, you'll go forward. If you can't be needed there, you'll be needed here. Anything but the slow decay of being unwanted. And then, one day, when you're ready, you'll ask BB to find you a door back.

One day.

Level 0 comes first. The hallways you know, the ones BB takes you through, the turns and junctions and the places where the carpet changes texture and means something. A border, a threshold, a shift in territory. 

You draw diagrams. Floor plans. Rough, imprecise, the proportions wrong because the proportions are wrong. Because the hallways don't obey geometry in any way you can verify. But the act of drawing them—of putting pen to paper, using the things Clark used to tell you about rendering shapes and rooms—makes it less vast. Less formless. Containable. 

The pen moves and the world shrinks and for the first time in months you have purpose.

BB watches you work with undisguised fascination.

He sits beside you while you sketch, his chin on your shoulder, his breath warm on your neck, and sometimes he corrects you (that corridor turns left, not right or there's a junction there you haven't found yet) and sometimes he just watches your hand move and hums in his throat. That low, warm rumble that you've started to associate with contentment. 

His chin digs into your shoulder when he leans in to see your shorthand and you flick his nose without looking up and he huffs—offended, amused, delighted, nosing closer—and the exchange is so easy, so thoughtless, so much like two people who’ve known each other long enough that the edges have been worn smooth by repetition.

Half the time you forget he's not human.

That's the truth you don't examine too closely. Because it would mean confronting what it says about you, about your standards, about how broken your idea of normal has become. 

But BB sits beside you with his chin on your shoulder and his warmth against your side. He asks about your shorthand, remembers the answer, asks follow-up questions. He brings you food without being asked.

The line between an inhuman entity wearing a man's face and a person who cares about me blurs until it's less a line and more a smudge, a gradation, a slow dissolve from one thing into the other.

He cares for you. Genuinely. Not the way you care for a pet. 

You see it in the small things first. The way he checks the temperature of the carpet before he lets you sit, and how he positions himself between you and the corridor when you sleep. His head turns toward you when you shift in the nest, tracking your movement the way a compass tracks north. 

Most of all in how he says your name. Not baby, not the endearment—your actual name, the one he uses rarely, carefully, like he's holding it in his mouth and tasting each syllable. When BB says your name, it sounds like a discovery. Like a fact he's still pleased to know.

“You're organising it,” he says one day. Amused. Impressed. “The way you organised the inventory at the store.”

“It helps me think.”

“You're applying human systems to a place that doesn't follow human rules.”

“Is that a problem?”

He considers this. His head tilts. “No,” he replies slowly, like he's arriving at a conclusion that surprises him. “No, I think it might be… useful. No one's ever tried to map it like this. Most wanderers are too busy surviving to catalogue."

“Well,” you say teasingly. “I've got you for the surviving part.”

He goes quiet. You glance up from the notebook. His face is going through layers again, rearranging, the cocky default giving way to the newer expression underneath. The one that showed up when you named him. A door opening inward.

He catches you looking, and the default snaps back, the half-grin, the raised eyebrow.

“Yeah,” he drawls lightly. Entirely failing to conceal the sudden warmth radiating off him like heat from a furnace. “Yeah, you do.”

You add to the notebook every day. Layouts, landmarks, and the sensory details that serve as navigation. 

BB takes you exploring.

Not every day. Some days the hum is wrong, or BB is tense in a way he won't explain, or you can feel the level holding its breath the way it did the night he disappeared and came back wearing a freshly assembled face. On those days, you stay in the nest. You write in the notebook. You read the pages you've already filled and trace the paths you've already walked and commit them to memory because memory is the only filing system you've got. 

On those days, the ache comes back—Bobby's hands, Bobby's mouth, the way he used to drop his forehead against yours in the dark and whisper your name, just your name, over and over—and you let it sit in your chest and you don't fight it. But you don't follow it, either. 

You just write around it. Inventory the grief the way you inventory everything else. Label it. File it. Move on to the next entry.

But most days, BB takes you out.

Level 1, first. BB walks beside you, and his posture changes here. Subtly mostly, the ease tightening into a coiled attention. His head on a swivel, hand at the small of your back with a pressure that says I'm tracking everything in this room and nothing will get within twenty feet of you.

You sketch the layout in the notebook while he stands guard. You mark the exits, the supply caches, the places where other wanderers have left graffiti on the shelving units. Messages, warnings, crude maps of their own.

You get braver. You ask questions. About the Smilers, the Howlers, about the hierarchy of things that live here. How they relate to each other and what makes some dangerous and some merely present. 

BB answers. Not always fully, not always clearly. There are concepts here that he doesn't have a human language for. Mechanics that exist in the gap between what he perceives and what your brain can hold, but he answers, and you write it all down, and the notebook fills.

You develop a routine. You wake up, eat whatever BB has found or produced, and you walk. You explore together, map, and come back. You sit together in the nest afterwards and talk. 

And the talking is easier now, less charged, less careful. You tell him about your life. The books you loved. The way you used to organise your bookshelves by colour rather than by author, because it made you happy to look at them. The hiking trails in the Santa Cruz Mountains, Big Basin and Castle Rock, the way the redwoods smelled after rain.

He listens the way he always listens. Total attention. Full presence. The thing Bobby couldn't do. The thing BB does like breathing.

And you catch yourself, one evening, doing something unthinkable. 

You’re sitting in the nest with your notebook open, pen behind your ear, telling BB about the time you got lost on the Skyline-to-the-Sea trail. You had to navigate back using a park map you'd annotated so heavily it was more your handwriting than cartography. BB’s laughing. That low huff through his nose, his shoulder pressed against yours. 

You're laughing too, and the yellow light is warm, and you realise, suddenly, that you haven’t thought about Bobby in three days.

The guilt is instantaneous.

A hot, lurching, physical thing that grabs you by the sternum and pulls. Three days. You went three days without the ache, and the absence of it feels like a betrayal so total it makes you nauseous. As if the love you carry for Bobby is a fire that requires constant tending, and you let it gutter, and that makes you—what? 

The kind of woman who forgets? The kind who moves on? The kind who finds comfort in a pair of borrowed eyes while the original owner of those eyes is somewhere in Santa Clara, probably sleeping diagonal, probably relieved?

You go quiet. BB notices. 

His shoulder presses against yours (a question, not a demand), and you shake your head, picking up the pen. Start sketching a corridor you mapped that morning, but the lines are slightly too hard, the ink pressing dents into the page. 

BB watches your hand and says nothing, and the nothing is the right thing, the exact right thing, and you hate him a little for being so consistently, unbearably right.

You grow comfortable.

Not comfortable like safe, or comfortable like home. Because this place is neither of those things, and you know it. The notebook full of entity classifications and danger ratings is proof that you know it.

But comfortable the way you get with a person—a being, entity, a whatever-he-is—when enough time has passed that their presence stops being a question and starts being an answer. 

You stop flinching when he appears in doorways. You stop tensing when his hand finds yours. You lean into his shoulder when you're tired, and he holds steady. The meadow on Level 14 becomes your Sunday, your weekend, the place he takes you when the yellow gets to be too much, and you need to remember what sky looks like.

You stop keeping count.

You don't notice it happening. It's quiet cessation of a habit so ingrained you didn't know it was still running until it stopped. 

No more tallying. No more, he didn't today, that's the fourth day in a row. Because BB doesn't generate deficits. BB doesn't create gaps to count. He’s present the way the hum is present. Woven into the structure of your days so thoroughly that his attention isn't an event anymore, it's an environment. 

You live inside his attention the way you live inside Level 0. It's just where you are.

But the ache for Bobby doesn't go away. Only migrates from the centre of your chest to somewhere deeper, somewhere quieter, a room in the back of you where it can sit with the memory of your first kiss and his arm around your shoulder by the ocean and the way he used to say stay and mean it. 

You don't visit that room every day anymore. But you know it's there. You can feel its weight when you lie down at night, BB's arm around your waist, his breath on your neck. 

The ache says remember, and you say I know, and you close your eyes, and you stay.

Your handwriting fills the notebook. Page after page. The careful, slightly messy script. A system. A structure. 

A way to survive.

“It's circling again.”

You look up sharply. 

BB is standing at the edge of the nest, head tilted, that almost-human listening posture—chin cocked, eyes unfocused, his whole body oriented toward a frequency you can't hear. His jaw is tight.

You set the pen down. “How close?”

“Closer than last time,” ee says evenly, too evenly. “It's running along the edge and then pulling back. Then running a little further.”

Ignoring the sudden chill at your nape, you say, “Like it's looking for a gap.”

His eyes flick to you. A beat of surprise follows. Quick and subtle, the kind he still has when you demonstrate that you've been paying attention to the lessons, that the notebook isn't just busywork but comprehension.

“Yes,” he agrees. “Like that.”

You pull your knees up. Wrap your arms around them. The notebook sits open on the blanket beside you, the page half-covered in your shorthand. A corridor map, danger annotations, the new symbol you invented last week for an unknown entity, and behaviour unclassified. You used it for the first time yesterday. The ink is still dark.

“What are you going to do?”

“I need to check the perimeter. See if anything's shifted. If it's been probing a specific section or moving along the full boundary.” He's already calculating. The ancient one surfaces behind Bobby's eyes, not all the way, just enough to sharpen the edges. To give his posture that predatory geometry that doesn't belong on a twenty-something in a crop top. “I want to understand its pattern before I kill it.”

“BB.” You say his name, and he stills. Focuses. The ancient thing recedes a fraction, and the warmth returns to the surface. You hold his gaze and say, carefully, gently, “Be careful.”

His mouth parts. 

He crosses the nest in two steps. Drops into a crouch in front of you, his knees on the blanket, and his hand finds the side of your head. His fingers glide over one side of your face slowly. He strokes, long, gentle, from your temple to the nape of your neck. 

“Stay here,” he says gently, his thumb tracing the curve behind your ear. “Stay in the nest. Don't go into the corridor. Not even the first junction.”

“I know the rules.”

“I know you know.” His hand stills in your hair, cupping the back of your skull. He dips his head until his forehead is close to yours, not quite touching, his breath warm on your face. His eyes are darker, layered, and the thing behind them is looking at you, too. For a moment, both of them are present. BB and the creature he's built on top of, and both of them are saying the same thing. “I'll be back.”

“You better be.”

The corner of his mouth lifts. Just barely. The private curve that's his and not Bobby's, the one you named into existence in a meadow on Level 14. He presses his lips to your forehead. Holds them there for a beat. You feel the hum vibrate through the contact, that low sub-frequency that lives in his chest and transfers through skin, settling behind your sternum like a second pulse.

Then he straightens. His hand slides from your hair. The softness drops from his posture in a single clean motion. 

What's left is the thing that walks these hallways, silent and certain and very, very old.

He rounds the corner, and the yellow swallows him.

You pick up the pen. Open the notebook to a fresh page. You write: Entity X — perimeter — closer. Testing the boundary for gaps. BB checking pattern. Unknown motivation. Unknown capability.

You underline unknown twice.

Eleven minutes.

You know this because you've been counting. 

Your brain just does it now, keeps a running tally of the seconds since his silhouette disappeared. Because your body has learned that when he's not here, the math of your survival changes. 

With him, you’re the safest thing in this strange place. Without him, you’re a girl sitting on a damp carpet in a place that eats people. But BB always comes back, you remind yourself. Always. 

You're sketching the rough map of the corridors you explored yesterday, trying to get the proportions right on a hallway junction that you're fairly sure had five walls, when you hear the footsteps.

Not his. His steps are almost silent, a predator's tread, weight distributed in a way that isn't quite human. These are boots. Multiple sets. Heavy, deliberate.

You close the notebook slowly.

Six figures come around the corner.

Not researchers BB warned you about. Wrong uniforms, wrong insignia, a logo you don't recognise stitched onto black tactical gear. They're armed. Not with the improvised weapons most wanderers carry. Real weapons. Professional grade. The kind that suggests funding, organisation, a chain of command that exists somewhere outside this place.

The one in front spots you and signals the others to stop. He says something into the radio on his shoulder, clipped and fast, and you catch the words “confirmed,” and “companion” and “entity absent.”

They waited for BB to leave.

“Ma'am.” The lead one steps forward. Voice flat. Professional. “You need to come with us. We're here to extract you.”

Your body tenses at those words, coiling, and you stand at once. “No.”

It comes out sharper than you expect. Hard-edged. The backrooms have made you harder than you realise.

“Ma'am, that's not—”

“I said no,” you repeat firmly. “I'm not going anywhere with a bunch of strangers.”

His jaw tightens. He glances at the others. Some signal passes between them. A shift in posture, a nod, the silent language you’re not privy to.

He reaches for your arm.

You hit him.

A closed fist, fast, driven by weeks of survival instinct and adrenaline and the specific, white-hot fury of being grabbed by a stranger in a place where the only person who touches you has earned it inch by inch.

Your knuckles connect with his cheekbone. The man’s head snaps sideways, and for one bright second, you feel savage satisfaction.

Then three of them are on you.

You kick. You bite. Drive your elbow into someone's throat and hear someone choke behind you. You're feral with it. No technique, no training, just the scrappy, vicious fighting of a girl who's survived the backrooms and is not going to be dragged by men who couldn’t even bother to introduce themselves. 

Your nails rake across someone's forearm and draw blood. You wrench free of one grip and slam your heel into a kneecap. Someone swears, loud, furious.

“Fucking—hold her, HOLD HER—”

A hand fists in your hair. Yanks. Your neck snaps back, and your eyes water. Someone wrenches your arm behind you hard enough that the joint screams. You thrash, snarling. Your free hand catches someone across the mouth. You feel a tooth cut your knuckle.

The lead one is in front of you again. There's a red mark blooming on his cheekbone where you hit him, and his professionalism has curdled into something uglier.

“You want to do this the hard way?”

You spit at him. It catches his vest.

He hits you.

Open palm across your face. Your head rocks to one side. The world around you whites out for half a second, and then there's carpet under your hands and knees. Your lip throbs, burning numb, and you can taste copper in your mouth, dribbling. A boot slots between your shoulder blades, pressing you flat, and your cheek presses against the damp fibres. 

Your wrists get pinned behind you roughly at an angle that sends bright, screaming pain up to your shoulder.

“Stay DOWN—”

You’re on the floor, bleeding. There’s a boot on your back and hands pinning your wrists. You’re away from the only safe thing in this place, and the carpet is wet against your split lip. You’re afraid. For the first time since your encounter with the Smiler, you’re terrified. Immediate, animal fear of being held down by someone stronger than you.

You open your mouth. You fill your lungs.

And you scream.

“BB—”

One word. It tears out of your throat raw and desperate, hitting the yellow walls, and the walls absorb it, and the walls move.

The fluorescent lights don't flicker. They detonate.

Every tube in the hallway blows simultaneously, glass raining down like ice, and in the darkness that follows, the hum of level 0 drops—drops—drops into a frequency that you feel in your teeth, in your ribs, in the boot on your back that suddenly isn't pressing as hard because the man wearing it has stopped breathing. Not dead. Frozen. 

The way an animal freezes in terror when it smells something at the top of the food chain.

The walls crack. Clean fissures running floor to ceiling, splitting the drywall in deliberate, surgical lines, as if something were tearing its way through the building's architecture. The carpet ripples under your cheek. You feel it. The backrooms responding, contracting, the whole of level 0 seizing like a body in pain.

The boot lifts off your back.

Not because the man chose to move it. Because the floor tilted. Subtle. Just enough to shift his weight. Just enough to free you. The backrooms—him, it, the thing that is both—clearing the path.

You hear them before you see them react. The soldiers. Breathing fast. The click of weapons being raised. Someone screaming “what the fuck what the fuck what the—”

He comes out of the dark.

Not through a door but from the dark itself. Like the darkness peeled open and someone stepped through the seam. 

He’s not fully human-shaped.

The Bobby suit is slipping. Shoulders too wide. Arms too long, hanging at angles that make your hindbrain scream. His fingers have too many joints—you can see them in the fractured emergency glow of the one tube that didn't shatter—long and wrong, curling like they're remembering a shape that predates hands. 

His face is still Bobby's face but the geometry behind it is pressing outward, cheekbones like blades, jaw too sharp, too angular, the skull beneath rearranging itself into something that was never meant to be looked at directly. And his eyes are black. Fully, completely, endlessly black. Two holes in the front of his skull that open onto something without a floor.

He sees you on the ground.

The blood on your lip. The bruises on your skin. The tear tracks cutting down your face.

BB sees the boot print on your back.

There’s a sound.

It booms from the walls, the floor, and the ceiling simultaneously. From every surface of level 0, because he is level 0, and every square inch of it is snarling.

The remaining fluorescent tube doesn't shatter. 

It melts. The glass softens and drips. The carpet under the soldiers' feet goes wet, soaked, saturated, as though the floor is turning into a swamp.

You press your face into the carpet and close your eyes.

It takes less than a minute.

You don't watch, but you hear it. Screaming that starts human and ends keening. Wet sounds. Heavy sounds. The particular acoustic signature of a body being opened by something that doesn't need tools. That horrible, snarling, clicking growl of pure rage.

One of them manages to fire a weapon, and the sound of the shot is enormous in the enclosed hallway. It cuts out, followed by a crunch of bone, and another, and another, and another—

Then there's nothing.

Silence.

The level settles. The hum reasserts itself, climbing back up from that sub-basement frequency to its usual buzz. You can feel it in the carpet against your cheek, scratchy and too warm.

One fluorescent tube fizzes back to life overhead. Yellow. Sickly. 

You feel the air change. The temperature drops, and you know he's close before anything touches you. 

When it does—a hand on your shoulder, delicate, so delicate—it's not quite a hand yet. Too many joints. The fingers too long, still retracting to Bobby's proportions, still remembering how to be the thing that strokes your hair instead of the thing that just—

You turn over.

He's crouching over you. Still wrong. The proportions haven't settled. BB’s arms are too long, and his spine is curved at an angle that doesn't work with human vertebrae. His face is a rough draft. Bobby's features sketched over the older, sharper one. Black fluid coats his hands. His jaw. His chest. Not all of it is black.

His eyes are still dark, but the blue is bleeding back in around the edges. Like ink dropped into water, spreading, reclaiming.

You reach for him.

Your hands are shaking so badly that you miss the first time. 

Your fingers slip against the wrong texture of his jaw, the skin too smooth, too cool, still settling back to its bony configuration. You reach again, and this time you get his neck (too long, the vertebrae too prominent, sharp ridges under your palms where Bobby's neck was smooth), and you pull.

You pull yourself into him, and you cling. 

Arms around his neck, face buried in his throat, legs curling up, making yourself as small as possible against his chest because if you can get close enough, maybe nothing will ever reach you again. 

You wrap yourself around him with a muffled sob. One sob, then another, then a third that breaks open into something ragged and ugly and not at all brave.

You’re shaking and bleeding, crying into the neck of a monster, and you don't care. You don't care about the wrong temperature, the wrong shape or the black fluid soaking into your shirt. 

You don't care.

BB freezes. One second. Two. The violence still running, the gentleness needing a moment to boot up. You feel it. The exact instant the system switches. His whole body shudders once, and then his arms come around you.

Tight. So tight. He scoops you up like you're nothing—one arm under your legs, one around your back—and pulls you into his chest and holds you against him like he's trying to absorb you. Like he could fold you into his body and keep you there where nothing touches you ever again. 

His chin comes down on the top of your head. His whole body curves around you. You feel the strength in every inch of him. The same strength that just did what it just did, repurposed. Every ounce of force that tore six armed men apart, now calibrated with impossible precision to the exact pressure of holding without breaking.

“I'm here.” His voice. Rough. Not fully Bobby's voice yet. There's an edge underneath it still, something vast and deep, like hearing someone speak from several floors down. “I'm here, baby. I'm here.”

You press closer. Your fingers curl into the fabric of his jacket. Bobby's jacket. Your face is against his throat, and you can feel the absence of a pulse under your cheek. No heartbeat. Just the hum. His hum. Vibrating through his chest and into yours.

“They—” Your voice is thick, muffled against his skin. “They grabbed me, they were trying to—I fought, I tried to—”

“I know.” His hand finds the back of your head. Cradles it. His fingers—the right number of joints now, almost fully Bobby-shaped again—thread into your hair the way they do in the nest, slow, gentle, the careful repetitive motion that means safe, you're safe, I'm here. “I know. It's over.”

“There were six of them and I couldn't—”

“You don't have to.”

His other hand finds your face. Tilts it up. His thumb traces your split lip with a touch so light it barely registers. Just the ghost of contact, the pad of his thumb skating over the cut, and you watch his jaw tighten. The blue in his eyes flickers. Darkness swims underneath it, surfacing and submerging, and you know he is looking at the blood on your mouth, and memorising who put it there, and the fact that they’re already dead is not enough. Will never be enough.

“Does it hurt?” Quiet. Bobby's voice now, almost entirely. That specific soft register he uses in the nest, the one that makes your chest ache.

“A little.”

His thumb moves to the bruise on your cheekbone. Traces the edge of it. Down to your jaw. Along the finger-shaped marks on your wrist, and the sound he makes is barely audible. Low, tight snarl. A vibration caught behind his teeth.

“I should have been here.”

“You came.”

“Not fast enough.”

You almost laugh. What comes out instead is a wet, clogged sound. “You came very quickly, BB.”

“Not fast enough,” he repeats, and means it. 

You put your head back against his chest. He holds you tighter. He hums. Shaky at first, the frequency wobbles. Then it steadies. Finding its rhythm. His song. The one that doesn't exist anywhere outside of him.

You feel the backrooms settle around you both. The lights dim softer. Temperature rises, degree by gentle degree, until the air feels like a room in a house instead of a hallway in purgatory. He’s doing that. Rewriting the space around your body because you’re shaking, and he can't make you stop shaking, but he can make everything else softer.

“BB.” Your voice is small. Muffled against his chest.

“Yeah?” Immediate. Soft.

“Don't leave.” You swallow. Press your face harder into the fabric of his jacket. “Just—for a bit. Don't leave.”

His arms tighten, cheek pressing against the top of your head. You feel him breathe—not because he needs to, but because you need to feel it, and he knows what you need, even before you know it yourself.

“Never,” he whispers.

One word. A law. Written into the fabric of this place. Never. As in: the sun will come up. As in: water runs downhill. As in: I will be here.

You close your eyes.

The shaking ebbs, not all at once but in increments, your body releasing its grip on the panic the way a fist unclenches. One finger, then another, then another. His hand keeps moving over your hair. Rhythmic. Patient. He will do this for as long as you need.

He will do this forever if you let him.

You stay like that. On the floor. In the hallway. Curled in the lap of a thing that’s just killed six men.

The backrooms are changing. You can feel it beneath you, a shuddering grind. Hallways folding. Routes sealing shut. The architecture of level 0 quietly, methodically, permanently rearranging itself around you both. Doors that used to lead here now lead nowhere. 

He’s taking you somewhere no one will find you.

And you let him. Eyes closed. Face against his chest. Listening to the hum.

You let him.

M.E.G. INTERNAL — MAJOR EXPLORER GROUP

DEPARTMENT OF ENTITY RESEARCH & CONTAINMENT

▓▓▓▓▓▓ CLASSIFIED // LEVEL 4 — RESTRICTED // URGENT REVIEW ▓▓▓▓▓▓

INCIDENT REPORT: IR-0-27 DOCUMENT ID: MEG-ENT-0000-IR-0-27 CLASSIFICATION: LEVEL 4 — URGENT FILED BY: Operations Director ██████ DATE: ██/██/199█ RE: Unauthorised Engagement With Entity 0 / Companion — Hostile Extraction Attempt by External Agency STATUS: CRITICAL — ONGOING CONSEQUENCES

SUMMARY OF INCIDENT

On ██/██/199█, at approximately ██:██ hours, a six-person tactical unit operating under the authority of ██████████████████████████████████ (hereafter "the Agency") conducted an unauthorised extraction attempt on the individual designated "the Companion" in M.E.G. Entity 0 documentation.

M.E.G. had no advance knowledge of this operation. We were not consulted or informed. We were not given the opportunity to do what we have spent the last eighteen months doing, which is explicitly and repeatedly recommending against exactly this course of action.

Our recommendation, stated in Section 7.2 of the Entity 0 dossier and reiterated in no fewer than six inter-agency memoranda, was as follows:

"Do not intervene. Do not extract. Do not, under any circumstances, threaten the Companion's safety within Entity 0's perceptual range."

The Agency disregarded this recommendation.

All six members of the tactical unit are dead.

RECONSTRUCTION OF EVENTS

The following timeline has been assembled from recovered equipment (three body cameras, one partially functional radio unit) and corroborating seismic data from M.E.G. monitoring equipment on Levels 0 through 3.

██:██ — Six-person tactical unit enters Level 0 via access point ██████. Equipment and insignia consistent with ██████████████████████████████████. The unit is armed with ██████████████████████████████████. They are equipped for a hostile extraction. This was not a rescue. This was a retrieval.

██:██ — Unit locates the Companion in a hallway junction on Level 0, sublevel ██████. Entity 0 is not present. Body camera footage confirms the unit waited for Entity 0 to leave the Companion's immediate vicinity before approaching. This indicates prior surveillance. The Agency was watching. We did not know they were watching. This is itself a security failure that is being reviewed separately.

██:██ — Unit lead makes verbal contact with the Companion. Instructs her to comply with the extraction. Companion refuses. She states clearly, on camera, that she does not wish to be removed. Her exact words are "No" and "I'm not going anywhere."

██:██ — Unit lead attempts physical restraint. The Companion resists violently. Body camera footage shows her striking the unit lead in the face, drawing blood from a secondary operative, and disabling a third with a knee strike before being subdued by multiple operatives simultaneously. She fought like someone who has been surviving the Backrooms for ██████, and it shows. The Companion is subsequently struck across the face by the unit lead and forced to the ground. Bruising consistent with forcible restraint is visible on both wrists.

I will repeat that for the record: a civilian who had clearly, verbally, on camera refused extraction was beaten to the floor by a six-person tactical unit. 

██:██ — M.E.G. seismic monitoring stations on Levels 0, 1, 2, and 3 register a simultaneous anomalous event. The reading does not correspond to any known geological or structural phenomenon. Dr. ██████ has described the waveform as "an earthquake." I am including her analysis verbatim because I do not have a better description.

██:██ — The Companion screams.

██:██ — Entity 0 arrives.

The gap between ██:██ and ██:██ is approximately 1.3 seconds. Entity 0's last confirmed position was ██████████████████████████████████, an estimated █████████████ meters from the Companion's location. It covered this distance in 1.3 seconds. We do not have a theoretical framework for this. We are not going to develop one. It doesn't matter. What matters is what happened next.

██:██ (CONCURRENT) — What we did not understand at the time—and what has only become clear through post-incident analysis—is that Entity 0 did not move through the Backrooms to reach the Companion. It moved the Backrooms.

Temporal monitoring equipment across Levels 0 through 266 recorded simultaneous, catastrophic time distortion events at the moment of Entity 0's displacement. On Level 1, clocks ran backwards for approximately 3.7 seconds. On Level 2, a monitoring team reported experiencing the same eleven-second interval twenty times in succession. On Level 49, two operatives aged approximately 6 years in the space of 1.3 real-time seconds. Medical examination confirmed accelerated cellular turnover consistent with temporal compression. Both operatives have been placed on medical leave.

Entity 0 tore through the temporal fabric of the Backrooms to close the distance between itself and the Companion. It did not navigate. It did not transit. It ripped a hole through the structure of the intervening space.

The damage on the lower levels was temporary. The damage on Level ███ was not.

Level ███ is gone.

Level ███—a fully mapped, documented, and intermittently populated level of the Backrooms—no longer exists. It was not sealed. M.E.G. operatives who attempted to access Level ███ via three separate confirmed entry points found nothing. Not empty corridors. Not blank walls. Nothing. The space that Level ███ occupied is simply absent. As though it was never there at all. 

Entity 0's transit path between its last confirmed location and the Companion passed directly through Level ███. The conclusion is unavoidable: Entity 0, in the 1.3 seconds it took to reach the Companion, annihilated an entire level of the Backrooms as collateral damage. The way a bullet destroys the wall behind the target. Level ███ was simply in the way.

We do not know if there were casualties. Level ███ was classified as intermittently populated. Wanderers passed through; some may have been sheltering there at the time of the event. We will likely never know. There is nothing left to recover. There is nothing left to examine. An entire level of reality was erased in 1.3 seconds.

Dr. ██████ has requested that this section of the report be classified as Level 5. I have denied this request. Everyone needs to read this. Everyone needs to understand what we are dealing with.

██:██ through ██:██ — Body camera footage for this period is partially corrupted. What remains has been reviewed by myself, Dr. ██████, and Dr. ███████████. Dr. ████ has declined to review it. Her decision is respected.

Entity 0 was not in its standard manifestation. I am not going to describe the specific deviations in this report. The footage is available for personnel with Level 4 clearance and a strong stomach.

The engagement lasted approximately 42 seconds.

Entity 0 did not use weapons. Entity 0 is the weapon.

All six operatives were killed. Cause of death for four: ████████████████████████ Cause of death for the remaining two: ██████████████████████████████████. Recovery of remains has been deemed inadvisable at this time, as Entity 0 ██████████████████████████████████.

██:██ — Final body camera footage shows Entity 0 approaching the Companion. It is partially restructured to its usual template, but not fully. The Companion does not retreat. She reaches for it. She clings to it. Entity 0 gathers her. The word "cradles" appears in three separate reviewer notes, and I am allowing it despite its lack of clinical precision because nothing else is accurate, and assumes a protective posture. Audio, though degraded, captures the Companion's voice saying something indistinct, and Entity 0 responding with a single word. Audio analysis has been unable to confirm the word. Dr. ██████ believes it was "never." The camera fails shortly after.

ASSESSMENT OF CONSEQUENCES

I said in Section 7.2 of the Entity 0 dossier that I did not want to see what it does to us. I have now seen it. I was right not to want to.

But the killings are not the primary concern of this report. Soldiers die. Operations fail. This is the nature of work in the Backrooms. The primary concern is what this incident has done to years of carefully maintained observational neutrality between M.E.G. and Entity 0.

Entity 0 tolerated us. That is not an exaggeration or a simplification. We have operated monitoring equipment on Level 0 for eighteen months. Entity 0 knew it was there. It knew we were watching. And it allowed it, the way a homeowner allows a bird to nest in their gutter. Not because they approve, but because it doesn't bother them enough to act.

That tolerance is, as of this incident, in question.

Within 48 hours of IR-0-27, the following changes were observed:

Level ███ remains nonexistent. Repeated attempts to locate it via all known access points have failed. Dr. ██████ has formally recommended that it be struck from the Backrooms cartography index. The level is not missing. It was unmade. The temporal scarring along Entity 0's transit path shows no sign of healing or regeneration. This is, as far as we can determine, permanent. An entire level of the Backrooms has been permanently destroyed as a byproduct of Entity 0's emotional response to a threat against the Companion. 

M.E.G. monitoring equipment on Level 0, sublevel ██████ through ██████, ceased functioning. Not damaged. Removed. Every sensor, every camera, every seismic monitor. Gone. No debris. No evidence of destruction. The equipment is simply no longer there.

Three M.E.G. personnel conducting routine observation on Level 0 reported that the hallways they had used for months had "rearranged." Routes that previously led to confirmed Companion sighting locations now terminate in dead ends. Level 0 has been restructured. We believe Entity 0 has deliberately altered the architecture to prevent future observation.

The Companion has not been sighted since IR-0-27. She is not at any previously confirmed location. The blanket nest—documented across seven sighting reports as Entity 0's primary base of operation with the Companion—is empty. Every blanket, every scavenged item, every trace of habitation has been removed. As though no one was ever there.

Entity 0 has not been sighted on Level 0 since IR-0-27.

The implication is clear: Entity 0 has relocated the Companion. To where, we do not know. Dr. ██████ has proposed that they may have moved to a sublevel of Level 0 that is not represented in our current mapping. A level beneath the level, a space that Entity 0 has carved out or always possessed and simply never used until now. Until it had a reason to hide something it could not afford to lose.

We have, in the space of one unauthorised operation conducted by an agency that ignored every warning we provided, lost the single greatest research asset in the history of M.E.G. entity studies. The Companion is gone. Our access is gone. Years of carefully accumulated observational data has been rendered functionally useless because the subject has moved to a location we cannot find and sealed the door behind it.

FORMAL OBJECTIONS

I want the following on the record:

M.E.G. explicitly, repeatedly, and in writing recommended against any attempt to extract, contain, or engage the Companion. These recommendations were provided to the Agency through proper inter-organisational channels on ██/██/198█, ██/██/198█, ██/██/198█, ██/██/199█, ██/██/199█, and ██/██/199█. Each was acknowledged. None were followed.

The Companion was not a hostage. She verbally refused extraction, clearly, and on camera. The Agency proceeded with force. This is not a rescue. This is an assault on a civilian by a government-adjacent organisation operating without jurisdiction inside a space they do not understand.

The Companion was injured. She fought back and was beaten to the ground for it. She bled. And the thing that has been protecting her heard her scream its name. We told them what it does to things that threaten what belongs to it. We told them. They didn't listen. At least six people are dead because they didn't listen.

Entity 0 has, until now, operated within a framework that M.E.G. was beginning to understand. It was predictable. Perhaps not in its actions, but in its priorities. The Companion was the variable. The Companion was the key. And now the Companion is gone, and Entity 0 has demonstrated that its response to perceived threats is not merely violent but architectural. It didn't just kill the threat. It restructured its entire domain to prevent the threat from recurring. It sealed Level 0. It erased its footprint. It took its Companion, and it disappeared.

An entire level of the Backrooms was destroyed. Gone. Erased from existence as collateral damage during Entity 0's transit. If there were wanderers sheltering on Level ███ they are dead. Or worse. Or something we don't have a word for because the space they occupied no longer exists in any meaningful sense. We will never know. The Agency's unauthorised operation may have cost lives far beyond the six operatives they sent in, and we have no way to calculate the true body count because there is nothing left to count.

We do not know where Entity 0 is. We do not know if it will allow future contact. We do not know if, the next time an M.E.G. operative enters Level 0, Entity 0 will distinguish between us and the Agency. We may have inherited the consequences of someone else's stupidity, and we may pay for it in personnel.

RECOMMENDATIONS

All M.E.G. operations on Level 0 are suspended indefinitely pending reassessment.

The Agency is to be formally censured and barred from independent Backrooms operations until further notice. Their response to this censure is noted and disregarded.

No further attempts to locate, contact, or extract the Companion are to be conducted by any organisation, under any authority, for any reason.

If—and I stress if—Entity 0 re-establishes contact with M.E.G. personnel, the interaction is to be treated as a diplomacy scenario, not a research scenario. Entity 0 is not a subject. Entity 0 is, functionally, a sovereign power that we have just watched an allied agency declare war on. We will conduct ourselves accordingly.

Someone needs to tell the Agency what "apex predator" means. I have included a dictionary to help and clear the confusion.

Filed: ██/██/199█

Operations Director ██████

Addendum, handwritten:

She screamed his name, and the level cracked open.

I've been doing this for eleven years. I have never seen a response that fast. 1.3 seconds. It wasn't travel. He didn't cross the distance. The distance stopped existing. She called, and the Backrooms folded to put him where she was. And everything between them—every hallway, every corridor, every room, an entire level—ceased to exist because it was in his way.

The body camera audio from the aftermath is mostly static. But there is a moment, mostly degraded, where you can hear humming. And underneath the humming, faintly, a voice. Hers. Saying "don't leave." And then his. One word.

We are not dealing with an entity that lives in the Backrooms.

We are dealing with the Backrooms. And it is in love.

God help us all.