Some recently finished ceramics, and they are up for sale in my shop! This is the first time I'm selling ceramics online, and I'm very excited about it!
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@oilan
Some recently finished ceramics, and they are up for sale in my shop! This is the first time I'm selling ceramics online, and I'm very excited about it!

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Serbian traditional costumes, illustration by Zdenka SertiÄ. Banat/Å umadija/Vicinity of Belgrade/Vranje/Knjaževac/GraÄanica/PÄinja
When Marius re-entered the redoubt with Gavroche in his arms, his face, like the child, was inundated with blood.
At the moment when he had stooped to lift Gavroche, a bullet had grazed his head; he had not noticed it.
Courfeyrac untied his cravat and with it bandaged Mariusā brow.
amen
Actual quote was like, "He should have been dancing at the ChaumiĆØre, as young people have a moral obligation to do."
One more late contribution to Barricade Week. I think M. Gillenormand is one of my favorite characters from the book. He is not a very good guardian, but everything he does is so funny. I had to pause at the end of this chapter to draw this.

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How do your knees compare to those of your friends? Is there a difference in the worth of mens' knees?
A Catalogue of Knees:
Enjolras,Ā ??/10. Genua Incognita. Virgin knees, untouched by defiling eyes. All observations must therefore be speculative, yet we may conclude from inference that they exist, and from induction that they are fine. No man grows so tall as Enjolras nor strides so boldly without the usual joints, and not even nature is so capricious as to build a thing like Enjolras and give him wobbly knees.
Feuilly, 9/10. Exemplary knees. I have no complaint against them, save that they may be too sturdy. The rest suffer by comparison; a cloud falls over the company.
Prouvaire, 8/10. Jehan can leap from a sprawl to a sprint faster than any man I have known. His knees may appear frail, but they have earned our accolades. Do not underestimate them.
Couferayc and Bahorel, 7/10. Well-formed, I will grant you, and well-toned, but through what activity? Dancing for the one. Brawling for the other. Beware, friend Courfeyrac! Beware, friend Bahorel! Such sinful living will make its mark even on the finest of knees!
Combeferre, 5/10. Rendered entirely unremarkable by a deficit of sinful living. Dancing and brawling recommended.
Joly, 4/10. Perhaps the more charming for being almost entirely ornamental. However, he refuses tell me what substances caused the ominous and shifting series of splotches that recently appeared on them, and so I am deducting points from fear of the unknown. I only pray it is neither poisonous not contagious, and that our company of knees may survive.
Laigle, 1/10. The one point is for courage; a more cowardly pair of knees would long since have fled their host.
here at the end of all things
Drink With Me
Please comment or repost If you like it TT
I sure hope this coffin on my barricade doesnāt symbolise anything
divine intervention | barricade day 2026

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"Love, the future is thine."
"In the future no one will kill anyone else, the Earth will beam with radiance, the human race will love. The day will come, citizens, when all will be concord, harmony, light, joy and life; it will come, and it is in order that it may come that we are about to die."
POV you have one minute to live
Les Mis locations: the Barricades & the Corinthe (illustrations)
[Part one with the maps is here] It might be a good idea to read it first. Iām not really planning on repeating my explanations for this stuff here.
So I know many of you have seen this Charles Marville photo of the Les Mis barricade location. But the thing is, this picture was taken over thirty years later and Rue Rambuteau (which absorbed Rue de la Chanverrerie) was one of the first big rebuilding projects of the 19th century in the historical centre of Paris. Actually I think it was THE first, and it happened even before the whole Haussmann thing started, during Louis-Philippeās reign.
So my point is, as amazing and cool as this picture is⦠it doesnāt actually give you a good idea of the location. At least in terms of itās dimensions, and it doesnāt fit Hugoās descriptions either. I wanted to comment on that but in the end I realised that the easiest way to explain this would be to draw it myself.
I used the photo as my model and this was the result:
Okay, itās not very pretty (especially everything thatās not Corinthe) but itās not supposed to be. This isnāt fanart, this is a demonstration. :p
So this is basically the same view but reconstructed to look more like how Hugo describes it. (Which is not necessarily perfectly historically accurate but weāre talking about fiction here anyway.) I also tried to add details from the book but obviously thereās some room for interpretation there too⦠Like for example Hugo mentions that the upper floor of the wineshop only had one window but thereās nothing about WHERE that window was. (Aside from that it was definitely on the Rue de la Chanvrerie side of the house.) He also doesnāt say much about the windows of the apartment of the Hucheloups that was above it. Also I donāt know where on the wall theĀ āCarpe Horasā text was exactly or how the signs were positioned etc.
Also Corinthe is green just to make it stand out. :P Thereās no other reason for that.
So mostly this is about the general look of the place, not the details. I could have drawn the houses as featureless blocks just as well. The details are just more fun.
Things to note:
1: The Rue de la Chanverrerie was much, MUCH shorter than the Rue Rambuteau. This is where it ended. Hugo describes a tall house at the end of the street with a small but sturdy door. Le Cabuc shot the portier of this house. (In real life there were two houses at the end of the street, both only half exposed to the Rue de la Chanverrerie. But again: fiction!) It was also way narrower!
2: The gutters used to be in the middle of the street and the streets would be more or less sloped towards the middle.
3: The Corinthe house is described by Hugo as shorter than the house in the photo. This isnāt super clear in my drawing but itās supposed to be just ground floor + two floors and attic.
4: The streetlamps used to hang by ropes.
5: The thing at the street corner is a āborneā which translates either as bollard or milestone. I donāt know which is accurate in this case but I just googled āborneā in canon era and this is what I got so I went with that. My reference for this comes from here, here and hereĀ and also somewhatĀ here. I was vague about the number since I have no idea what it would have been, if there even would have been a number. Hugo describes the bollards asĀ āencircled with iron hoopsā which I couldnāt find visual reference for. There were multiple on the street but I only know the exact location of this one because Valjean is mentioned sitting on it at one point.
6: I didnāt colour the street sign since I didnāt colour anything else in real colours either but in case you want to know, the street signs were ochre with either black or red text. Red text was for streets that were parallel to the river, black for every other street. The Rue de la Chanvrerie was parallel to the river so it had red text (and numbers), while the Rue MondĆ©tour had black text (and numbers). I think this system was relatively new. It probably dates back to 1805 but Iām not entirely sure. Hereās my source. Also you can see one of the signs (badly) in this painting. I didnāt add the numbers since Iām not so sure about where they would have been⦠but in any case the address of the Corinthe building would have been number 28 Rue de la Chanverrerie and the number would have been marked with red.
7: Obviously there should be all sorts of clutter on the streets but I couldnāt be bothered to draw any of it. And itās not the point here anyway.
I had to extend the picture a bit so I could include the barricades! Note that the street widens here towards the right⦠not that you can tell in the picture⦠There might have also been a bit of a slope?
And here we have the barricades. The bars have been removed from the windows of the wineshop too. Otherwise I didnāt really change much. I didnāt draw the tables and chairs that would have been taken outside, or the barrels of powder or other stuff that the revolutionaries needed, or the general destruction that happened during the building of the barricade. This is very very simplified. There should also be a lamp on the small barricade and a torch on the big one but I left them out.
I know the big barricade looks like itās just made of paving stones but thatās just because I couldnāt be bothered to extend the picture to include it completely. The random stuff is on the outside. The inside is arranged into steps so the fighters can easily climb it. You can see similar constructions in pictures of real barricades. I mean mine is a bit simple but still. (Obviously the reason people tend to draw the barricades as full of clutter on both sides is because it looks more dramatic but it actually makes way more sense to build the inside tidily out of bricks and the outside out of random stuff that makes it difficult to climb.)
I thinkĀ the paving stones inside the barricades hadnāt been torn up yet on the 5th? I think they tore them up when they started raising the height of the big barricade and building the third barricade to close the last way out.
Hereās the close-up map again for quick reference.
I hope this is helpful to somebody! :D Also if you think I made mistakes here, please let me know!
A little beyond the black corner of the alley and the Rue de la Chanvrerie, which threw a broad shadow, in which he was himself buried, he perceived a light upon the pavement, a portion of the wineshop, and behind, a lamp twinkling in a kind of shapeless wall, and men crouching down with muskets on their knees. All this was within twenty yards of him. It was the interior of the barricade.
The houses on the right of the alley hid from him the rest of the wine-shop, the great barricade, and the flag.
Marius had but one step more to take.
Then the unhappy young man sat down upon a stone, folded his arms, and thought of his father...
...He saw civil war yawning like an abyss before him, and that in it he was about to fall.
-Tome IV, Book 13: Marius Enters the Shadow
Oh wow, the Uffington White Horse mug got some traction, huh? Hello! I'm so glad so many of you liked it!! I absolutely will be making more things with that design; it's so satisfying to me. I'll definitely post more pictures when I do!
In the meantime: HAPPY PRIDE, HAVE SOME QUEER SLUGS ššššš§”ā¤ļø
Okay, I'm pretty sure all slugs are inherently queer by human standards on account of the whole thing where most species have both kinds of genitalia, and some of them can asexually reproduce, and so on (and also that if they have any kind conception of gender it's wildly incomprehensible by our standards all around), etc etc. But anyway, these ones are also having a little rainbow parade, and I like to think they're having a lovely time of it.
It's quite a small mug -- enough for a double espresso, maybe, or a small cup of tea or rich hot chocolate -- but I'm happy with it!

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You ever see something innocuous, minding its own business on the clearance shelf at Michaelās and before you know it, it takes over your life for a few weeks?
So it was with this desktop greenhouse.
I took it home and after taking an appropriate time to āseasonā my idea in my mind (read: a month or two) I set to make my vision of a mini botanical garden a reality.
I started by removing the heavy glass panels and building a raised floor above the latch. I wanted to use the base as a foundation on the building.
I wrapped the foundation in plastic stone textured flooring (meant for Christmas villages) and built a pond at one end of the same. I then gave it a more realistic paint job and designed a rough layout for my plants and displays.
I also knew I wanted to make the ironwork significantly more intricate, but I wasnāt sure how just yetā¦
Up next - PLANTS! I went wild making all kinds of plants. Some were specific species and some were more conceptual.
I made several trees with polymer clay and moss, cacti out of beads and flocking, cattails out of raffia, hot glue and coffee grounds, and giant monstera leaves out of paper and wire.
This part should have taken me a long time, but it really came together fast. I loved finding ways to replicate natural shapes and patterns using bits of this and that.
I did make adjustments to my plans as I went like eliminating benches in favor of a simpler overall design.
Then I needed to fill my pond with water. For this I used resin. Lily pads were added to the top layer, and I wired in simple LED fairy lights. The batteries are kept in the box under the foundation.
In a weekend frenzy I added more plants, metal (paper) steps, new (plexi)glass windows, a roof, wrought-iron vines (paper again), doors that open, and a hose reel disguising the latch. Suddenly, a project I thought would take months was finishedā¦
I love my desktop botanical garden. Right now it sits on a simple lazy Susan in my office. But Iād love to get it a proper display box to protect from dust.
Thank you for coming on this little journey with me. This piece packs a lot of joy into a tiny space. I always love building miniatures, and Iāll be doing more in the future Iām sure.
The Family of John Q. Aymar [A Manhattan parlor on Greenwich Street], attributed to George W. Twibill Jr., c. 1833, oil on canvas.