WHO AM I?
OHARMAND : single muse side blog. follows back from @OHSUNSHINE. rules can be found over there. please follow the main blog and this one.
AM I MY HISTORY I HAVE ENDURED?
Keni
art blog(derogatory)

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we're not kids anymore.
Not today Justin
Stranger Things
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$LAYYYTER

Kiana Khansmith

"I'm Dorothy Gale from Kansas"
almost home
YOU ARE THE REASON

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he wasn't even looking at me and he found me
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@oharmand
WHO AM I?
OHARMAND : single muse side blog. follows back from @OHSUNSHINE. rules can be found over there. please follow the main blog and this one.
AM I MY HISTORY I HAVE ENDURED?

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
"i serve a god, it is my honour to serve" is insane coming off the back of mentioning that man
Sally Wen Mao, from “Anna May Wong Dreams of Wong Kar-Wai”, Oculus
Susan Abulhawa, from Against the Loveless World: A Novel
[Text ID: “I wanted to be chosen, maybe loved. I wanted out of my life, out of my skin,”]
Anyone want to descend into codependent madness with me or ??

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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thinkin' 'bout post s2 arma.nd being alone for the first time ever. (and it's because of his OWN choices this time). he's doing. bad.
rashidmand's disdain for daniel is genuine btw
sorry for acting batshit crazy I was feeling a little unwanted
Ada Limón, from “Lashed to the Helm, All Stiff and Stark.” [ID in alt text]
Maybe it’s too much, but I want obsession, consistency, and a love that consumes me.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Ginger Snaps (2000)
⏱️ haha. Ha. ha…
Send in a ⏱️ and I'll have my muse talk to a younger version of themselves!
the three of them sit across from each other: armand, amadeo, arun. behind amadeo, a fourth, a ghostly figure, a half-formed thing that never quite split itself from amadeo: rashid. he only exists in the periphery of armand's vision, in the shadow of amadeo's movements. behind him, too, he knows exists other versions of armand. the cult's armand, daniel's, louis', lestat's, the théâtre's. they overlap with him, are him, and at the same time aren't. it makes him feel... confused. unsure in a way that he does not like.
armand, the armands, sit straight and still, one leg crossed over the other. amadeo fiddles - with his sleeve, with the myriad rings that adorn his fingers, with his hair. arun stares, big eyes flicking between each of them in turn, assessing.
ahead of them both, unimaginable suffering. armand knows that their presents aren't easy things either, and yet he thinks he's... jealous, of amadeo in particular, and the shadow behind him. there are things about amadeo's life that he doesn't like, but there are things he does like, too. the comfort, the jewels on his fingers, the wine and sweet pastries that he'd gorged himself on each sunny afternoon, the structure that was provided to rashid, the rules and expectations.
armand's fingers twitch in his lap. arun's eyes linger on them, and he draws back even further. pathetic, armand thinks, turning vibrant orange eyes on the boy who's feet don't even reach the floor.
telegraphing the movement, he leans forward and reaches one long hand out to him. arun hesitates but takes it, allows armand to draw him into the safety and comfort of his embrace.
"rest," he murmurs into his own hair, cupping the back of the boy's head. his voice is low and warm, comforting. "you're safe, you can rest." his small body goes limp and then fades to nothing. there was no fight left in him, after all, just endless days of crying for Death to take him. this is a kindness, one small thing that armand can do for him now that arun wishes he could have done then.
amadeo watches him wide brown eyes. the rings are dull on his fingers; his ankles are nobbly, bony things where they peek out the bottom of his trouser legs.
"i don't want -"
"rest," armand cuts him off coldly, and amadeo falls silent, still, his face angled just so to best catch what little light illuminates this place. skimming the surface of his thoughts, he feels amadeo's petulance, his annoyance, his ever-present fear that underscores everything he does. it frustrates armand.
he cups amadeo's cheek, but his expression has lost its warmth. amadeo's Death is a cold, expressionless thing that chokes the life out of him without blinking once.
when he stands, he feels lighter, and more himself.
i don't belong here / i don't care if it hurts, i wanna have control / i want a perfect body, i want a perfect soul / i want you to notice when I'm not around

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Christina Marie Brown, Chronic Illness
i don't care about incorporating anything actors/creators have said about characters but i DO agree that we've not yet heard armand's true voice (both in the literal sense, we don't know his accent, cadence etc, but in the figurative sense too: we've never seen an unfiltered armand, one who is honest about how he feels about the past).
i've always wondered why he wasn't affecting an american accent in SF in the 70s. i guess we only see him interacting with louis & daniel so he has no real need to fit in with the locals, but then why is THAT the accent he's developed at this point?
hmmm chameleon boy. what's in there......