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ojovivo
Sade Olutola

blake kathryn
Stranger Things
d e v o n
occasionally subtle
we're not kids anymore.
Three Goblin Art
Acquired Stardust
Cosmic Funnies

ā

⣠Chile in a Photography ā£

izzy's playlists!

he wasn't even looking at me and he found me

Alisa U Zemlji Chuda
Claire Keane
I'd rather be in outer space šø
Lint Roller? I Barely Know Her

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@oflysithea
rp recs? ššš

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The Sorrow Festival, Erin Slaughter
Our mistrust of the future makes it hard to give up the past.
Chuck Palahniuk, Survivor (via quotespile)
Lowlife Princess

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ancient future sterling silver latiaxis earrings
I think thereās something so deeply and intimately and morbidly true about The Last of Usās primary thesis which is that humanityās fatal flaw, in that very Shakespearian way, is that we are destined to care too much about one another so much so that we discard the collective entirely. like we have such a capacity to love the human race and humanity as a whole, to grow our communities and govern cities how we know best and foster such connection with the masses which we are part of, but itās overtaken by our capacity to love even just a single other person. like one human can come into your life that creates such an intrinsic and passionate love in youā or maybe two people or a familyās worth or any small numberā and you suddenly would burn entire villages down just to keep them safe.
joel doesnāt blink twice murdering to find ellie. he doesnāt look back when he decides to do what he does at the hospital later on. he has no remorse about any of it it, because this one girl has grown to mean more to him than any possible greater good could ever mean. and itās reciprocal. ellie wouldā and doesā do anything she can to help him, save him, protect him, and, eventually, to avenge him. because thatās what you do when you love someone. not when you love people. when you love someone.
and itās selfish, in a way??? because we love these people and would do so much for them because they mean more to us than other strangers do. itās exactly like an iteration of the trolley problem, actually. one track has your daughter on it and one track has fifty people. donāt even try telling me you wouldnāt go onto track B if it meant saving your daughter and her puppy dog eyes from the whimpering and pain and fear. The Last of Us says yes, you would. I would. we all would. and like yeah that is our greatest weakness, that we have such a unique ability to love a handful of people so deeply that our compassion towards community and strangers and the bigger collective starts to slip from view. but goddamn what a fucking great fatal flaw it is to have. we are all going to die and the world will burn because we loved another person too much.
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She herself is a haunted house. She does not possess herself; her ancestors sometimes come and peer out of the windows of her eyes and that is very frightening. She has the mysterious solitude of ambiguous states; she hovers in a no-manās land between life and death, sleeping and waking.
Angela Carter, The Lady of the House of Love (The Bloody Chamber and Other Stories)
haunting can take so many forms. the word itself a vast, domed space. a contained space. haunt. begins with a voiceless consonant that starts at the back of the throat; allows for one short, voiced vowel: the kind of surprised ah exhalation you make when the air gets knocked out of you; ends sharply with another voiceless consonant, all teeth now. i want to talk about haunting as voicelessness, as sound, as the rooms which contain sound.
there are rooms that are alive. like a marble cathedral. cold and resonant, producing ghosts that come back to you again and again and again, ever softer and more distorted until they no longer resemble the living sound that created them. they take on a life of their own. and rooms that are dead. like a house. low ceilings and carpeted floors. a house like that absorbs sound so that everything is dead from the moment it takes shape. like an anechoic chamber.
haunting as sound; haunting as that which contains sound; finally, haunting as that which is the absence of sound. like an exit wound. clean. through and through. like a hole in the story, in your memory, in the ceiling of the room. you can see the sky through it. or on it.
the sound that never lived and died in your throat, and so continues to never live and never die. the absence of sound and its mirror: the potential of sound. the what if of sound, the never of sound. now your body is the room and the sound and the absence of sound.

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what did jesus do?, adam gopnik // archeology, myriam fraga (trans. chloe hill) // sacrifice: a problem for theology, simone weil //Ā amor fati, ruth awad //Ā xx, alex lemonĀ // the secret history, donna tartt //Ā music from a burning piano, traci brimhallĀ // her body and other parties, carmen maria machado //Ā eating snake, margaret atwood // saturday night special, natasha oladokun.
spring 2023: still life
mitski (pink in the night), kathy beekman, nayirrah waheed, alejandra pizarnik, kim cogan, emily palermo, felix vallotton, tatheve, sylvia plath, leonardo cremonini, nicole krauss, anaĆÆs nin, c. michael dudash, mitski (last words of a shooting star)
buy me a coffee
Headless John The Baptist Hitchhiking, C.T. Salazar
what emotion do you guys write from? like sikens is panic. mary olivers hope. what is yours?
Bone, Yrsa Daley-Ward

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Iām sorry!!! Iām sorry that we canāt go back!!! And for all the things we canāt remember. But Iām glad we did it!! The love will always be there!
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