đ¨đđĄđŽđŤđŤđ˘đđđ§đđŹÂ :     dependent  multimuse  roleplay  blog  for lawlessfm ( jo, she / her | twenty-six | gmt+2 )
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random character headcanons, vol i  ⥠ happy developing áľá´áľ
teddy bear â does your muse have any treasured possessions? what makes it so special?
scratched cd â what genre of music does your muse hate? if someone happens to turn on that genre, will they tolerate it or leave the room?
dried paint brush â how creative is your muse? do they create anything with said creativity or are they considered 'wasted potential'?
playground equipment â what's a childhood memory, whether it's liked or not, that stands out to your muse? why does it stand out among the rest?
candy bracelet â does your muse prefer chocolate, hard candy or chewy candy? do they even like sweets at all?
broken record player â what regrets does your muse have? if they could go back and change that event / the past in general, would they?
ball pit â what does your muse do for fun?
orange creamsicle â what's a topic your muse could talk about for hours? is there a reason this particular topic means so much to them?
hopscotch â does your muse like to work out? if not, how else do they move their body from day to day?
flimsy fairy wings â did your muse used to celebrate / dress up for halloween as a child? if yes, what's a costume they remember wearing (and did they pick out or did their parents)?
instant messenger â if it's not already taken, what is your muse's go-to username?
crucial muse development questions.  send a number in my inbox to find out more about my character as a person ( because often, the most important things about character development have nothing to do with their shoe size or netflix queue ).
what would completely break your character?
what was the best thing in your characterâs life?
what was the worst thing in your characterâs life?
what seemingly insignificant memories stuck with your character?
does your character work so they can support their hobbies or use their hobbies as a way of filling up the time they arenât working?
what is your character reluctant to tell people?
how does your character feel about sex?
how many friends does your character have?
how many friends does your character want?
what would your character make a scene in public about?
for what would your character give their life?
what are your characterâs major flaws?
what does your character pretend or try to care about?
how does the image your character tries to project differ from the image they actually project?
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Yes,  a hunter of a different type lingers inside him.  Some sort of mildly bloodthirsty thing with a stomach that has no bottom.   The failure of a brother.   The dull blade of a knife as it greets your bare skin in the dark.    But she,  the looming tempest that works alongside those lightweight reproductions,  is something worse.   Like too many women crammed in one body.   This chameleon has been to Stoneage Industries many times before.  Drawn by information,  endless interrogations,  brutal conspiracies  â  an intelligence officerâs dream of dreams.   Riya,  unfortunately,  seems watertight.  A safe that has no code.   Still,  he arrives with that casual air of arrogance.  Finn checks in with the receptionist,  waits in the lounge area like some kind of first time agent without any sense of backbone.  Spineless.  Wriggling with desire to show his quality.    Finally,  he stands at her entrance,   hand not extended  â  theyâre acquainted enough now.    âEver tired of these visits?   Should shut down the whole operation  [ ⌠]   save us both some time.âÂ
㝠 ⌠ ăťđđđđđđđđđđ /  *   (  closed starter  for @ofhurricanes)
The meeting table, a massive slab of polished mahogany, dominated the room. It had a rich, dark finish that gleamed under the low lights, its surface marred by the faint scars of countless tense negotiations and heated discussions. The grain of the wood was one of resilience and endurance, much like the individuals gathered around it. The table had borne witness to the shifting tides of power, absorbing the weight of secret alliances and broken oaths. It was meant to be revered given its history.
He had already silenced a couple of DEAD HAND soldiers in the common areas, commanding them to "SHUT THE FUCK UP" about their visitors. One thing was certain about old habits: they died hard or left imprints of smut and mire along the walls, staining perfection. He would knowâhe was one of those blights on society, owning terrible manners and igniting a room with jokes. Respect was a hard lesson Bit had to learn, and it took more than a couple of years for him to finally gain that understanding. He'd spent so many of his earlier days fucking around, wasting time, antagonizing those he ought not to have fucked with, only for it to come back and bite him in the ass.
Now that the meeting was over,Bit sat for a moment, taking in the scene, before finally bowing his head to one of those with whom he'd fucked around and found out. A black bandana typically covered the slit in his throatâa mark imprinted upon him out of wrath and his own discord. Instead of rising to former Bit's inane audacities, the small talk began. "You look well, Yamato." The words hung in the air, an olive branch extended across the polished expanse of mahogany, a silent acknowledgment of old pacts being honored.
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*   â  :  ă  sen mitsuji ,   cis man  +  he/him  ă   YAMATO ISHINO ,   some say youâre a   THIRTY-SIX YEAR OLD lost soul among the neon lights.   known for being both RATIONAL and SMUG, one canât help but think of COLOSSUS  by  IDLES when you walk by.  are you still a   BOSS FOR THE HANGING MAN / OWNER OF EL ANHELO,   even with your reputation as THE ARES?   i think weâll be seeing more of you and  TRYING TO GET RID OF BLOOD STAINS FROM YOUR EXPENSIVE SUIT; CONSTANTLY CHEWING ON YOUR BOTTOM LIP UNTIL IT BLEEDS RED AND RAW; BOWING YOUR HEAD IN LOYALTY; IN SEARCH OF POWER,  although we canât help but think of SHUN KENZAKI ( ORIGIN ), VINCENZO CASSANO ( VINCENZO ), RUST COHLE ( TRUE DETECTIVE) whenever we see you down these rainy streets. Â
Your life in Tokyo is a distant memory; itâs cloudy and vague, and yet you still tell your sister stories about your parents as if theyâve been written in your diary â theyâre not lies, but not all of them are fully truthful, too.Â
You know your mom was an artist â thereâs a painting of you two saved, brought with you to New York â and you know your father could make the best monjayaki; youâve stopped searching for the savour you last tasted more than twenty years ago. And thatâs what you tell her about; you tell her about trips to the sea, late night tales, and breakfast in the sun. How youâd get scolded for not finishing homework in time, how youâve been waiting for your mom to get back from the hospital and bring your little sister home.Â
Itâs all joyful, until it isnât â this one night will haunt you until you hear the call of your grave. You donât see it, but you hear it; and thus you stay in your room, holding Emiko, until help arrives. The days following it become a blur â you come back to yourself when your feet touch the American land. They told you itâd be safer if you lived there.Â
II.
Youâll find out later that your father was a foster child of a Yakuza boss, who tried his best to distance himself from the clan and lead a normal life â of course, it could never happen. It was not for him to decide. Itâs a miracle you two stayed alive, but you never think this way â thereâs too much pain, too much guilt.Â
You grow up with your sister and your relatives, your aunt and uncle who recently moved to the States themselves. For two people, who could never have their own children, it was both a diabolical blessing and a divine curse: it was always pleasant to hear children laugh in their cramped house, but counting every penny was never easy.
Life seemed good for you, though. Good enough, at least. You never understood why it suddenly got better too. One more thing youâll find out later â the name of Hanging Man and one of its higher-ups, who stepped in to help.
III.
Some nights are worse than others, forcing you to wake up drenched in cold sweat â here he was, stuck in their apartment in Tokyo, alone with his sister, waiting for their parents to come, having a horrible internal feeling that something is wrong. Again and again.Â
Maybe thatâs why youâd savour any attention youâd get.Â
Maybe thatâs why youâd get to sit in a police car more than a few times as blood was spilling out of your nose. Hot-headed and reckless, you couldnât even count how many times you've gotten into fights.
You werenât stupid, though. Witty, sharp and always happy to finish your homework â you were kind of a mystery for everyone, including the best of your friends. But every move of yours is calculated. You know what you want, and for that you need both the brain and the fist â youâd never mention it, though. Youâre aware your intention would seem immature at best, and deranged at worst.Â
You try to join the clan as soon as you finish high school, but youâre left disappointed â they see you as a kid. And you are, you are just a kid â even if youâre not happy about it.
IV.
When she offers you to move together â start a new life â youâve already graduated and started your new life in New York. Life of power, loyalty, and found family. You promise your sister youâll visit, youâll visit often, you just canât leave. You canât.Â
You know it hurts her. It hurts you too â but you have plans, ideas, ambitions: either climb up the Hanging Man ladder, or work together with Akira and rule the city.Â
Soon, youâll have to choose. You donât know it yet, but itâll have severe consequences in the future.
You shouldâve gone with Emiko.
V.
Youâre destined to lose everyone in your life.
You meet her when youâre much younger â too young to understand the risks of your relationship. It just burns, itâs a fire that devours you both just like you devour each other. For the first time, youâre happy â you think youâre losing your mind when you start thinking about dropping your job for her. You could do something else, you could. Itâs not too late.Â
You donât get a chance to make that step â youâre ambushed, and the blood that dries on your hands is the only reminder of her for the next eight years.Â
You canât remember the funeral â and once again, itâs a cloudy blur, one that will take a clearer shape only in nightmares. You'll look for her too, with a delusional hope that she is, in fact, alive â only to be left with no clues at all.Â
VI.
Youâre destined to lose or are you destined to get it all back?
*   â  :  ă  earth vangwithayakul ,   cis man  +  he/him  ă   SĂREN âRENâ WATTANAVEKIN,   some say youâre a   THIRTY-ONE YEAR OLD   lost soul among the neon lights.   known for being both OBSERVANT and MORBID, one canât help but think of EXPERIENCE by LUDOVICO EINAUDI when you walk by.  are you still an   ACTIVE ASSASSIN FOR THE RED EYE  /  GENERAL SURGEON,   even with your reputation as THE PROMETHEUS?   i think weâll be seeing more of you and  STARING AT THE DARK CIRCLES UNDER YOUR EYES EVERY MORNING; STARING INTO THE EYES OF BOTH HADES AND GAIA; CLEANING BLOOD OFF YOUR HANDS EVERY SINGLE DAY; IN SEARCH OF MEANING,  although we canât help but think of DEXTER MORGAN (DEXTER), SHUNTARO CHISHIYA (ALICE IN BORDERLAND), JOO YEO-JEONG (THE GLORY)  whenever we see you down these rainy streets.  Â
The first memory you can recall is the experience of how the cold can lick your bones & gnaw at your skin. Itâs how you gasp for air, only for it to freeze your lungs â youâre not older than a year, and the falling snow starts to become a little too heavy for you to lift your fingers. Thatâs when you close your eyes, exhausted and hopeless.Â
It all comes back to you in your dreams from time to time. Sometimes, youâre unsure if it really happened, or if itâs always been just a nightmare to follow you everywhere you go. You mustâve been too little to be aware of this one fateful night in the street, but youâve heard many stories & you do celebrate your birthday in January â thatâs when they found you & brought you back to life after countless nights of fever and rivers of medicine; it surely was a battle. They said it was the first sign youâd be a fierce fighter too.Â
After that, there's darkness.
II.
Nunavut is, in fact, quite different to the place you spent the first eleven years of your life â but you don't exactly remember it.. To you, it's all the same â you just know you don't mind the cold. You appreciate the food they give, you appreciate the smiles you receive.
You can't remember how you ended up here, but you never question it. You never question why they speak your language either; you don't wonder why others don't, and why you're forced to learn another one. It feels natural. It has to be, right? It's probably the school they (who even are they? who were you talking to? you knew someone else?) were telling you about.
You're content.
III.
âYouâre not good enough,â they said, and you felt a tear roll down your cheek. Just like everyone else, you go through the training â no questions asked. That's why you're here. And youâd never even dare to ask â you like it. It keeps you occupied, it makes you feel valuable â even in setbacks, youâd be happy to spend hours at the training ground, going through one task over & over again. But these words felt, indeed, like a failure: not as good as everyone else, you might as well go back to the streets you came here from.Â
You soon learn theyâre not thinking about letting you go; they see something completely different in you: youâre calculated. Methodical. Meticulous. And while combat fighting might not be the perfect path to choose, thereâs another place for you â clinical precision and a detached emotional distance. The greatest weapons you can wield.Â
IV.
One more memory to keep you at night and confuse you in your drowsy state: your first kill. It was the first and, simultaneously, the last one to leave some spots of blood on the wooden floor. It wasnât as clean as you wanted it to be, and you were scolding yourself in your mind and as you watched life leave their eyes.
You leave little room for error: even after they take their last breath, you still take a moment to check their pulse, assess the severity of their injury; you check the clock and make sure whenâs the right time to leave â youâve already planned this, and it means you must close the door behind you in twenty seconds. And you do, as well as lose the jacket of the hotel concierge.
No one ever thinks to suspect you, to think of you as a murderer â youâre a reputable surgeon, why would they think that? All of you, who work at this hospital â youâre all a bit strange, especially surgeons. Your talent and smile disguises everything.
V.
The other side of you requires meticulous planning as well â itâs as if you purposefully chose the life of never ending checklists & preparations. After your first surgery, you stare at your hands, painted in red â you feel your colleagues touching your shoulders, congratulating you, but youâre focused on the blood, slowly dripping between your fingers.Â
One of them â takes lives, another â brings them back to Earth. Every day, they both go through the same routine with some exceptions, because you always wanted to save people. Are these, who die because of your touch, considered human if theyâre the destroyers of peace? Itâs a thought you bring with you to bed, and, every night, it sleeps on the pillow next to you.Â
_____________________________________
Headcanons:
Left in the streets of Copenhagen in the middle of winter, he was found by a couple of passers-by. For the first eleven years of his life, he lived in an orphanage, until he was noticed and taken by the Red Eye. He would always consider them his parental figures and he'd never remember his time in the orphanage ever again.
He decided heâd become a doctor when he was fourteen, and would spend hours studying after he was done with training. Since his overseer noticed his talents and interests, his studious nature was being encouraged and, in a way, became a part of his training.Â
Yes, heâs not as good at weaponry and combat as others in the Red Eye, but heâs still highly trained, skilled, & deadly â especially compared to an average person. However, when it comes to his assassination techniques, it requires meticulous planning & surveillance. He uses his medical knowledge to get his targets killed in a way itâd seem to be a natural death â a heart attack or a stroke. Never leaves blood behind him. If needed, he can use his other skills too, but he never had to. Not yet, at least.Â
Has his own code of ethics and tries to target individuals whom he believes deserve punishment for their own crimes & actions. A bit of moral ambiguity, of course. Especially knowing itâs not always âthe bad guysâ the Red Eye is going against. Call it brainwashing, if you will.
A survivor since childhood, to this day heâs still all about survival. Yet he's recently started to grapple with the ethical implications of his actions, especially when thereâs someone heâs already saved that has to be his next target.
Approaches his work with a sense of professionalism â both in the hospital as well as when it comes to the Red Eye matters.Â
Sleeps way too little :â) Catch him roaming the streets of New York at night.Â
Wanted connections:
His overseer. Up until now, Ren was a model Red Eye member. Obedient to a t. However, something's happening (is his chip broken?) - he's began raising questions. Well, he's not raising them out loud, not yet, but he might look different, and his overseer is probably not happy about it.
Someone whoâs coming after him. Many reasons for it, one of them being that perhaps Ren assassinated a member of their gang. Iâd love this to be an antagonistic dynamic.Â
Colleagues at the hospital. Obviously, they don't know about his involvement with the Red Eye â but does he seem odd to them because of his reluctance to speak about his childhood & youth? Is his mysterious and secretive nature quite weird to them? Possibly. Or maybe theyâre fascinated? Maybe they donât care? Lots of possibilities, I think!Â
Other Red Eye. Are they close? Are they rivals? Do they annoy each other? Did they grow up together? Once again, lots of ideas!Â
Friends, enemies, ex lovers, etc â anything and everything! Letâs plot!
*   â  :  ă  sobhita dhulipala ,   cis woman  +  she/her  ă   RIYA SHARMA ,   some say youâre a   THIRTY-TWO YEAR OLD lost soul among the neon lights.   known for being both CHARMING  and OBSESSIVE  , one canât help but think of DUSK  by  CHELSEA WOLFE when you walk by.  are you still a  HITMAN FOR THE OLD MAFIA HOUSE / LEAD CODER FOR STONEAGE INDUSTRIES,   even with your reputation as THE MEDUSA?   i think weâll be seeing more of you and  SCRIBBLING ON WHITE SHEETS OF PAPER UNTIL INK RUNS OUT; TREATING WOUNDS ON YOUR HEELS CAUSED BY YOUR FICE INCH HEELS; A SMELL OF STRONG COFFEE AND EVEN STRONGER CIGARETTES; IN SEARCH OF RECOGNITION & SELF-ACCEPTANCE,  although we canât help but think of YE WENJIE (THREE BODY PROBLEM), THEODORA CRAIN (THE HAUNTING OF THE HILL HOUSE), VICTORINE LAFOURCADE (THE FALL OF THE HOUSE OF USHER)  whenever we see you down these rainy streets.Â
For your mother, it was control. Showered with attention, you were unsure if your mother loved or envied you â every kiss on a cheek she gave you, it reeked of hatred, as if you were here to deprive her of her youth, to feed on it and steal it; and yet every time your nose bled or your forehead burned with fire, youâd feel such tenderness you never experienced before. Soon, you learn the name of every physician in the local hospital, and you spend more time there than in your warm bedroom; youâre constantly surrounded by white walls instead, gripping your motherâs hand.Â
Your mother, too, knew every doctor â and she was beaming every time youâd spend days or weeks in a sterile ward, her words full of saccharine promises and warm refuge. You wouldnât eat what wasnât allowed, and youâd gladly juggle between dozens of orange-coloured plastic bottles. Youâre a master at accommodating it. And every night you pray itâd never end.
How do you lose faith?Â
For you, itâs the loss of your father. Youâre naĂŻve enough to forget that everything ends, and you unknowingly utter your last prayer on the eve of your fatherâs passing. Cancer. You werenât aware â none of you. While you were drinking countless pills and pretending to eat, heâd devour steaks and conceal his pain with bottles of Cabernet Sauvignon. Which, by the way, seemed disgusting to you; at least until the moment you found out he was counting his days. Celebrating them.Â
It left a mark on you, of course it did; but it also bruised the relationship between you and your mother. She sees you slipping away, and you, with sharp scissors in your hands, try to cut off this invisible threat sheâs been weaving for years now.Â
You leave immediately after the funeral. She tries to call you, and sheds many tears, but youâre already in New York â with little to no money in your pockets, you find a place you share with six other people. Thatâs the first time you hear the name of Damon Stone. For the first time in your life, you feel what others would call inspiration. You hope to meet him at least once in your lifetime.Â
How do you repent for your sins?Â
For you, itâs how you crawl on your knees. Youâre not begging. Youâre trying to survive in these cold, unwelcoming streets: born with a silver spoon in your mouth and used to the caring touch of your parents, youâre not accustomed to fighting for yourself. But you learn quickly, and the newly established circle of acquaintances are eager to help you.Â
You crawl, because you know that in a few years you wonât be able to notice the scars on your delicate skin anymore â because you have a goal with the name of Stoneage Industries. They could help you â and you could help others. You know it. But you also know your path must start with education, thatâs why you save every penny, and use every admirer for your own financial gain â youâre not interested in their vows anyway.
So how do you become God?
For you, itâs intelligence, power & the thrill of it all. The first time you feel the strength at your fingertips is when you pull the trigger of your gun, and you feel warm, sticky, metallic smell on your skin. You don't care, it's just a job â but the adrenaline (and the money) makes you come back for more.
Either way, itâs a long and steady climb until you reach the seat youâre in, and itâs not without losses and proverbial, and literal, blood of the others.
Youâre content, and even happier whenever you see another replicant leave the premises of Stoneage â what a miracle it is, to see them laugh and cry, to feel their skin and be unable to tell if they came from the womb or the lab.Â
What a beautiful sight â the creation of life don't forget you create it because of the loss of the othersÂ
_____________________________________
Headcanons:
She was born in Bangalore, India, but her parents moved to the US when she was six years old.Â
As you can probably guess, Riya definitely has a bit of a god complex.
God complex was what pushed her to earn money by working for the Old Mafia House, too. She didn't notice when and how she stopped being an associate and became their hitman. She's not very loyal, to be fair. But she'll do what she's asked to do.
Her mother had Munchausen by proxy, consequently Riya seemed rather sickly as a child and suffered from numerous eating disorders. Still hates eating in front of others, even though she did get better when she moved away from her mother.Â
Absolutely fascinated and infatuated with the concept of replicants and replicants themselves. For her, itâs an absolutely scientific miracle and she sees nothing wrong with creating someone whoâs âmore human than humansâ.
Working on her PhD at the moment.Â
Wanted connections:
Someone who helped her to join the Stoneage. She mightâve been a top student and had money saved from her work with Old Mafia Houe, but it wasnât exactly easy to get a job there â someone wouldâve helped her. Was it a romantic partner, or just a very good friend? Perhaps she ditched them afterwards and they despise her now? Or perhaps they are using & manipulating her now? Would love it to be a complex dynamic and I see many ways this could develop and go.Â
A replicant who hates her. Perhaps she wronged them, perhaps itâs just a mere fact she was a part of them becoming a replicant.Â
Friends, she met when she first got to New York. It wouldâve been the six people she lived with when she came to the city â it couldâve been only a month they shared their apartment for, yet theyâre still in touch as they went through so much together.Â
Colleagues. Sheâs a perfectionist, so itâs not easy to work with her.Â
People from the Old Mafia House. Maybe they're not exactly trusting her and feel that she may not be the most loyal. Maybe they're pushing her to get more involved in their business.
Friends, enemies, ex lovers, etc â anything and everything! Letâs plot!
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