“The various motor paths. A physical interpretation of shock, exhaustion, and restoration. 1921. Â
noise dept.
we're not kids anymore.
Not today Justin
RMH
Misplaced Lens Cap
will byers stan first human second
YOU ARE THE REASON
wallacepolsom
Show & Tell

JBB: An Artblog!
I'd rather be in outer space 🛸
he wasn't even looking at me and he found me
Jules of Nature
art blog(derogatory)
Sade Olutola
2025 on Tumblr: Trends That Defined the Year
cherry valley forever
styofa doing anything

Origami Around
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@oddismycopilot
“The various motor paths. A physical interpretation of shock, exhaustion, and restoration. 1921. Â

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George Ault (American, 1891-1948), Hoboken Factory, 1932. Oil, 20 x 22 in.
via ymutate
A frog on a lily pad. Jeunesse : organe de la Section de la jeunesse de la Croix-rouge française. April 1935.Â
Audre Lorde, A Burst Of Light

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BrassaĂŻ. Foudre sur l'Observatoire, Paris, c.1934.Â
Stanislav Zhukovsky (Poland 1875–1944 Russia) July Night (1916) oil on canvas 81 x 108 cm https://goo.gl/DKBNCu
Now is the season of the year  - Christopher Richard Wynne Nevinson, 1925.
British, 1889-1946
lithograph in colours backed on linen, 102 x 126 cm
Hans Weigand (Austrian, b. 1954), Untitled, 2017. Mixed media on wood (printing block), 42.5 x 62.5 cm.
Georgia O'Keeffe (American, 1887-1986), Blue Flower, 1924/28. Oil on board, 32.4 x 24.1 cm.

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The average American politician would lose at checkers to a zoo gorilla. They’re usually in office for one reason: someone with money sent them there, often to vote yes on a key appropriation bill or two. On the other 364 days of the year, their job is to shut their yaps and approximate gravitas anytime they’re in range of C-SPAN cameras.
Alexandria Ocasio-Cortez, Crusher of Sacred Cows (via azspot)
A Vietnamese woman reading to her daughter. Alix Aymé (French, 1894-1989). Lacquer heightened with gold on panel.
Aymé and her second husband—General Georges Aymé, who later became the Commander of the French Forces in Indochina, returned to Hanoi and Aymé began teaching lacquer at the Vietnam University of Fine Arts. Fletcher says, “Aymé learned lacquer in the 1920s from a Japanese master. It is an ancient art and, at the time, it was dying out and the techniques were not being passed on to the next generation. Alix not only taught her students how to use lacquer, but how to paint with it, creating art that transcended the merely decorative.”
i will Take Him
fashion cat
Wings (fragments from adoration of the Christ-child)
Dutch, ca. 1850 - ca. 1900
Rijksmuseum
Owl and Bat, HĹŤraku (Japan, active early to mid-19th century)
Japan, early to mid-19th century, Ebony with inlays
LACMA Collections

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Alfred Eisenstaedt. Montmartre, 1930.
Joe Hilario Herrera (See Ru) -  Men’s Arrow Dance (tempera on paper, 1958)