Obsessed with cinema // Cinema as art

The wild swans, 1962

Family Viewing, 1987

Режиссёр: Франтишек Влачил. 

Режиссер: Атом Эгоян.

Ο Μελισσοκόμος, 1986

Les Triplettes de Belleville, 2003

The film exudes psychosexual tension and an attractive danger hiding in almost every scene. Dolan does not need a lot of resources to recreate a tangible sappress. The history of the film is formed by a small group of people (among which two - volume and Francis) in isolated farmers, which have their own secrets. The film contains many subtle hints of what mentally unstable characters think about. This helps to explain their sometimes irrational behavior. Tom clearly reaches for violence. He discovers that he is attracted by violence and the danger that Francis exudes. Francis has its own motives for rapprochement with Tom.

Last Tango in Paris, 1972

Werner Hertzog creates a feeling of isolation, mystery, mystical trepidation, silence, Gothic romance, a broken heart, loneliness, death, sadness, impending trouble and void in every frame of the film. Externally impressive visual architecture and indescribable atmosphere arise from mechanical actions: long frames, manual chambers, complex compositions of natural natures, documentary style, slowed down and fascinating acting ... But the internal reason why all this works is the hypnotic mixing of natural and artificial; in the painful hobby of Herzog madness, death, nature and beauty; In the intuitive feeling of everything that exists in this film, and, of course, in the personal vision of Herzog as a great artist. Thanks to all this, the film comes to life, acquires an immense number of measurements, and does not look like a mannerist empty craft.