taking off a couple layers

@theartofmadeline
Three Goblin Art

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KIROKAZE

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JVL
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hello vonnie

★

oozey mess

Janaina Medeiros
Sweet Seals For You, Always

pixel skylines
Jules of Nature
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we're not kids anymore.
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@nothinging
taking off a couple layers

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Stevie & Lindsey || Fleetwood Mac Live, 1976
Anne Sexton - From Small Wire
fuck me up Anne sexton just fuck me up
Jenny Holzer Die fast and quiet… (from the Survival Series) 1990.
screenprint on brushed aluminum

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It’s okay that you’re not who you thought you would be
murakami cafe
Culture Network
i am so tired of radical vulnerability discourse that locates empowerment in divulging personal pain and i really worry about the implications of a young creative culture where your influence and your popularity and your follower count is implicitly tied to your willingness to talk about your personal trauma, your willingness to let thousands and thousands of strangers know what happened to you, your willingness to make your most private pain public.
like i really worry that our culture is commodifying trauma? a band i really like, led by a young woman about my age, they released a song in early 2015 that was quite clearly about sexual assault. and it was a great song, and it earned a very deserved warm reception, but interviewers would persistently ask the lead singer if it was “a personal account,” and she would always say that it was an observation on rape culture and leave it at that. and then about a year later she released a personal essay saying that, yes, it was about her own experience of sexual assault, and then there was another wave of secondary clickbait-y thinkpieces congratulating her for being so brave and so open.
so we have a great song addressing sexual assault, which can more than stand on its own as a piece of art. and we have a young woman who, after a year of getting the same question from reporters, says, “i was raped; the song is about me.” and then we have another wave of reporters coming in to write identical stories repeating her words, calling her brave, and collecting ad revenue.
and that’s what i mean: for every act of personal disclosure of trauma, there is this weird media apparatus that feeds on publicizing that trauma and collecting fat stacks of ad money. publications are taking what might be an empowering process for some people and they’re incentivizing and monetizing public trauma disclosure. it’s deeply fucked up.
so like. you don’t owe the world the story of your trauma. you don’t need to make your grieving and healing a public process. you are not less courageous or less creative or less empowered because you choose to go through something privately. and you should be very wary of publications that traffic in underpaying marginalized young people to describe their trauma in detail. imo.
You are not lost. You are here. Stop abandoning yourself. Stop repeating this myth about love and success that will land in your lap or evade you forever. Build a humble, flawed life from the rubble, and cherish that. There is nothing more glorious on the face of the earth than someone who refuses to give up, who refuses to give in to their most self-hating, discouraged, disillusioned self, and instead learns, slowly and painfully, how to relish the feeling of building a hut in middle of the suffocating dust.
Ask Polly: Why Should I Keep Going? by Heather Havrilesky (via khanos)

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I just wanna love everyone I meet with all my heart and I truly don’t think it could ever exhaust me.
im literally always looking at my reflection not because im conceited but because i just think it feels kind strange to have a physical form and im constantly trying to process who and what i am
I will almost always reblog this

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Inmates are Planning the Largest Prison Strike in US History
#September9 #EndPrisonSlavery