Duane Michals
1932-2026
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@notesonphotography
Duane Michals
1932-2026

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Echoes XXXVI
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Saara Ekstrƶm
TorbjĆørn RĆødlandĀ
Echoes XXXV
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Zed Nelson
Rebecca Norris Webb
Echoes XXXIV
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Self portrait Alphonse Mucha, 1897c
Self portrait Susan Meiselas 1971
Echoes XXXIII
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Sergio Larrain
Todd Papageorge

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āPerhaps the desire to take photographs arises from the observation that on the broadest view, from the standpoint of reason, the world is a great disappointment. In its details, however, and caught by surprise, the world always has a stunning clarity.ā
ā Jean Baudrillard, The Transparency of Evil: Essays on Extreme Phenomena
Blow-Up (1966), dir. Michelangelo Antonioni
Jane B. for Agnes V. (1988)
Chris Marker - Sans Soleil (1983)
Chen Wei / Carolyn Drake / Harry Gruyaert / Rafael Goldchain / Andrea Torrei

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Echoes XXXII
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Alex Prager Shopping Plaza 2,Ā 2015
David Simpson, "Blue Tract #7," 1975
Echoes XXXI
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FrantiŔek Drtikol
Michaela Knizova
FrantiŔek Drtikol
Echoes XXX
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Heinrich Heidersberger
Neil Leifer
Echoes XXIX
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Thomas Easkins (?)
Erst Ludwig Kirschner
If my memory serves me right, in the documentary "In No Great Hurry", about the life and work of Saul Leiter, we learn that he was a great admirer of the work of Pierre Bonnard. If so, I hope to think that when he came across this moment, his heart skipped a beat, his mind jumped to this painting, and his brain ordered to lift and shoot his camera before she finished writing that letter...
IGĀ @notesonphotography

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Echoes XXVIII
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Henri Cartier Bresson
Russell Lee
Martin Parr
1952-2025
āā¦if you give sad and depressing stories to the world, I really have the feeling that no one is going to listen to you. Thatās why I like my pictures to be bright and colourful and, I hope, acceptable. Because I want to include my audience. I donāt want to piss them off. I want to draw them in and then there is more to be read when you are more inclined. But I would never expect my photography to change anythingā¦ā