L'Art et la mode, no. 22, vol. 43, 3 juin 1922, Paris. Robe en organdina "citron" garnie de jours. CrÊation de A. SouliÊ. Bibliothèque nationale de France
cherry valley forever

if i look back, i am lost

⣠Chile in a Photography âŁ

shark vs the universe
taylor price

pixel skylines

titsay

Andulka
Stranger Things
tumblr dot com
we're not kids anymore.


â
styofa doing anything

Origami Around
Sade Olutola
I'd rather be in outer space đ¸
Jules of Nature
noise dept.
Xuebing Du

seen from United States

seen from United States

seen from United States
seen from United States
seen from Canada
seen from United States
seen from Brunei

seen from United States

seen from United States

seen from Canada
seen from Malaysia

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from Malaysia
seen from China

seen from United States
@nostalgicallyyours
L'Art et la mode, no. 22, vol. 43, 3 juin 1922, Paris. Robe en organdina "citron" garnie de jours. CrÊation de A. SouliÊ. Bibliothèque nationale de France

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Printed Muslin Dress
c. 1848-1850
England
Victoria and Albert Museum
1925 "Bubble Dancer" by Armand Godard. From Art Deco, FB.
Evening Dress
1880s
by Liberty & Co.
The Metropolitan Museum of Art
annoying when shows set in the medieval period have the women with thier hair just long and unstyled and out . girl go put on your wimple girl đ¤Śââď¸
like there are so many fun medieval hair and headgear options, it's so boring just seeing loose beachy waves meant to appeal to 21st century beauty standards
put that hot prince in a gay little hood with an ostrich feather or so help me god
Book! (The mode in hats and headdress - Ruth Turner Wilcox)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Dress
c. 1905
American
Kent State University Museum
Woman's Coordinates (Bodice, Petticoat, Train, Fancy Dress Bodice, Fancy Dress Collar (Whisk))
c. 1845
Portugal
LACMA
Fred Freeman was an old-school cutaway artist. For Sci-Fi Cutaway Saturday, here are a few Freeman illustrations from, I believe, the 1950s.
Cashmere Lounge Suit
1860s
The Los Angeles County Museum of Art
What was the difference between a late victorian dinner dress vs a evening dress?
Dinner dress is a type of evening dress, but since it was used for dinners, which was on the more intimate side of evening occasions, it was less formal. And being less formal it usually had long sleeves (during Late Victorian period you sometimes see examples of sleeves that are not full length, like elbow length) and more covering neckline than other evening dresses, though usually fully covering like day dresses. Here's some examples!
Extant garment from 1880-1885 (according to MET, to me it looks like 1887-89). Fashion plate from 1883 - in this one the dress on the left is a ball gown, the one on the right is a dinner dress. It's pretty common to have a ball gown and a dinner dress in the same plate.
Fashion plate from 1892. Fashion plate from 1896 - again the dress in the left looks like a ball gown, while the dress on the right is a dinner dress.
Dinner dress can be sometimes hard to distinguish from some more formal day dresses, but if there's some visual context (like it's a fashion plate or painting), no hat and a fan are pretty good signs of it being an evening dress. Otherwise you might need some textual context. For example these three fashion plates (in the first one I'm talking about the dress on the left, in the last one also the one on the left), all from 1895 have same length of sleeves and same coverage of neck. However in the first plate the woman is holding an umbrella and a hat (even if it's not in her head), in the second plate the woman is holding a fan and not wearing a hat and in the third one she's not wearing glows and she is clearly receiving a guest in a visiting gown. Also the hem is a bit shorter in the first one which does imply walking skirt, and the style is a little plain for dinner, and in the last one the bodice is not made to look like part of the same dress as the skirt (it's giving very fancy version of skirt and shirtwaist combo).
In the mid 1890s it's also sometimes hard to distinguish dinner dresses from the ball gowns, since the poof of the sleeve got so large, they became actually pretty long too, and the fashionable necklines did rise a bit as well. For example compare the first plate from 1893 here to the second. Is it a Dinner dress? I think so, it has a little too high neckline for a ball gown, but when compared to the second plate from 1894 which I'm pretty sure is a ball gown, it's really not that far.
In practice people could wear same clothing for different occasions, if the occasions were close in formality. They could have two bodices for one skirt too, one more covering the other less covering.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Dress
c. 1842
British
The Metropolitan Museum of Art
L'Art et la mode, no. 10, vol. 6, 7 fĂŠvrier 1885, Paris. Cirque dâĂtĂŠ: les escrimeuses viennoises, dessin de Mars. Bibliothèque nationale de France
Gene Ahern in the Evansville Press, Indiana, February 2, 1918
Beautiful fashion designs by Lucien Lelong.
Silk velvet evening gown worn by Countess Courten, 1901
from the Munchner Stadtmuseum

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
La Mode nationale, no. 49, 5 dĂŠcembre 1896, Paris. No. 14. â Toilettes de mariage. Bibliothèque nationale de France
Explications des gravures:
Keep reading
Cobalt Blue Silk Velvet and Gold Lace Evening Gown
c. 1910
House of Worth
Phoenix Art Museum