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Sharpless 308: Star Bubble
Credits: Laubing

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BLACK SWAN 2010, dir. Darren Aronofsky
"I'm sorry, it seems I wore my long legs today. What happens if I just..." Longlegs (2024) dir. Osgood Perkins
OBSESSION (2026) dir. Curry Barker

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Songs for the Witch Woman (1949) by Marjorie Cameron — Illustration
The world is violent and mercurial — it will have its way with you. We are saved only by love — love for each other and the love that we pour into the art we feel compelled to share: being a parent; being a writer; being a painter; being a friend. We live in a perpetually burning building, and what we must save from it, all the time, is love.
Tennessee Williams
NOSFERATU 2024 | dir. Robert Eggers
“Paths are the habits of a landscape. They are acts of consensual making. It’s hard to create a footpath on your own […]. Paths connect. This is their first duty and their chief reason for being. They relate places in a literal sense, and by extension they relate people. Paths are consensual, because without common care and common practice they disappear: overgrown by vegetation, ploughed up or built over. Paths need walking. In 19th century Suffolk small sickles called ‘hooks’ were hung on stiles and posts at the start of certain well-used paths: those running between villages, for example. A walker would pick up a hook and use it to lop off branches that were starting to impede passage. The hook would then be left at the other end of the path, for a walker coming in the opposite direction. In this manner the path was collectively maintained for general use.”
— Robert Macfarlane, The Old Ways: A Journey on Foot (via exhaled-spirals)

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Anne Sexton, A Self-Portrait in Letters