Incoherent Screaming

while this is mostly about facts, there are a lot of opinions in this tutorial (namely my distrust on several brands marketing strategies, and my opinion that’s better to start with cheap student quality stuff. LOTS of people disagree on that point) as well that you should take as what they are: personal opinions.

here is slightly more readable than on tumblr

this is the result of several years of research on creating a cheap but high quality palette that would help me.

other things to be aware of: pigments are generally more resistant in oil and acrylics than they are in watercolor. but there are a couple of pigments that work well in watercolor but really badly in oil.

How to draw folds

Notes on how to draw folds back when I was teaching manga classes back in 2006. From the book “Drawing people” by Barbara Bradley.

http://www.amazon.com/Drawing-People-Portray-Clothed-Figure/dp/1581803591

This book has a very detailed description of 6 types of commonly seen folds and I think is one of the most educational resource on how to draw folds(Besides Vilppu and Bridgeman).

這是我以前教漫畫課程時給學生看的講義.來源是芭芭拉布莱德丽的"着装人物素描"<<上海人民美术出版社出版>>.

Listen up you fucks because I’m not wasting thousands of dollars on an art degree to watch y’all fuck up basic color theory.

Red, yellow, and blue are the primary colors

If you’re using p i g m e n t.

Do you hear me? When you’re using traditional media, fucking actual goddamn paint, Bob Ross style, your primary colors are!

When you use paint, your primary colors are red yellow and blue and don’t forget it.

NOW THAT CHANGES COMPLETELY WHEN YOU GO FUCKING DIGITAL.

THE DIGITAL PRIMARY COLORS ARE RED BLUE AND GREEN IF AND ONLY IF YOUR WORK IS GOING TO STAY DIGITAL, ON THE SCREEN, AND NEVER LEAVE THE SCREEN, AND OF COURSE IF YOUR WORK IS GOING TO BE PRINTED. ON A PRINTER. WITH INK. THEN. AND O N L Y  T H E N.

ARE YOUR PRIMARY COLORS.

CYAN. 

MAGENTA.

AND YELLOW.

So say it with me folks!

Red yellow and blue, are the primary colors for traditional pigment that’s mostly used in paints and shit. You use red yellow and blue when you’re painting traditionally, Bob Ross style. 

Red blue and green is light, which is what you’re painting with when you pick up your tablet and go digital.

CMYK is ink, and ink only. You could use cyan, magenta, and yellow as your primary colors in paint if you wanted to be a complete dick, but they’re not your primary colors unless your work is going to be printed using. i n k. The only time they could be considered the primary colors in a traditional medium is if you’re using ink.

Is my icon. I painted this using RED. GREEN. AND BLUE. AS MY PRIMARY COLORS and they turned out fine. Of course, I used the finger smudge tool first and then the color mixing tool and then the blur tool, but hey what do I know.

Clearly using the blur tool only doesn’t cut it.

“Oh but Leo!” You say. “You used cyan and magenta in that color wheel!”

Well bitch guess what.

this is the digital color wheel. I’d say I mimicked that pretty well, don’t you think?

Oh and one other thing, notice how Blue and Yellow are directly opposite each other on this color wheel? That’s because we’re dealing with light, and with light, yellow and blue are complimentary colors.

Which is why when you mix them, it looks like this:

Which is a pretty neutral gray tone: They cancel each other out on the rgb color wheel when you mix them together.

BUT WITH PIGMENT THE PLACEMENT IS DIFFERENT

If you’ll notice, yellow and violet are now opposite each other, meaning they’re complimentary colors and if you mix  them, they’ll make a neutral gray.

But if you mix yellow and blue, same colors as before, YOU GET THIS:

Now keep in mind that the person in the video uses a darker blue, so they get a darker green, but the point is that it doesn’t make that neutral gray.

Now what happens when we mix yellow and violet paint?

Ah yes, you get a bunch of muted colors the more evenly you mix them.

What happens when you mix yellow light and purple light?

The reason the primary colors for light are so dramatically different from the primary colors for paint and ink is because your eye only receives combinations of red light, blue light, and green light. Our eyes do not have a sensor (cone cell) for yellow light. So when we paint with light, red green and blue are our primary colors. Because of our eyes.

Furthermore, paint primary colors are colors that cannot be created by mixing other colors together. For paint, they are red yellow and blue, because you cannot mix orange and green to get yellow. Mixing orange and purple paint does not make red. And mixing green and purple paint does not make blue.

Mixing blue and green paints will make cyan. Mixing red and blue paints will make magenta.

That’s why cyan and magenta aren’t primary paint colors.

However, you can’t mix yellow and blue ink and get cyan. You can’t mix red and blue ink to get magenta.

And that’s why cyan and magenta are the primary ink colors.

Brighter and stronger paints are created through tints and shades, through a thorough understanding of color theory and a few quality paint recipes. Not by bullshit posts on tumblr designed to mislead you.

I say cadmium yellow because lemon yellow leans towards green, and the green in the pigment reacts badly to the red pigments and dulls the mixed color. That’s also why you don’t want to mix lemon yellow with ultramarine blue. Ultramarine has some violet in it, and so to make a pure violet or green, you should probably not mix it with cadmium red or lemon yellow.

I have a three inch binder full of color theory, and I’ve tried it all out in watercolor, acrylic and oils paints. Basically, if you want to have a well-rounded traditional palette of colors, go with these six colors: cadmium red (or scarlet lake for watercolors), alizarin crimson, ultramarine blue, pthalo blue, lemon yellow, and cadmium yellow (or sometimes permanent yellow for watercolors). And if you want to save some time, dioxizine violet or pthalo purple are generally perfect violets. This holds true with basically every brand of paint. I did give some alternatives for watercolor paint because some pigments in watercolor act more unruly than when in acrylic or oil. Cadmium is always super intense and opaque, so in watercolor it can be a pain in the ass at times. 

To get a pure red, mix cadmium red (or scarlet lake) with alizarin crimson. For a pure yellow, cadmium yellow and lemon yellow. And lastly, for a pure blue mix ultramarine with pthalo blue. With these combos, the secondary natures of the pigments will cancel out, and you will be left with the pure color. 

Listen up you fucks because I’m not wasting thousands of dollars on an art degree to watch y’all fuck up basic color theory.

Red, yellow, and blue are the primary colors

If you’re using p i g m e n t.

Do you hear me? When you’re using traditional media, fucking actual goddamn paint, Bob Ross style, your primary colors are!

When you use paint, your primary colors are red yellow and blue and don’t forget it.

NOW THAT CHANGES COMPLETELY WHEN YOU GO FUCKING DIGITAL.

THE DIGITAL PRIMARY COLORS ARE RED BLUE AND GREEN IF AND ONLY IF YOUR WORK IS GOING TO STAY DIGITAL, ON THE SCREEN, AND NEVER LEAVE THE SCREEN, AND OF COURSE IF YOUR WORK IS GOING TO BE PRINTED. ON A PRINTER. WITH INK. THEN. AND O N L Y  T H E N.

ARE YOUR PRIMARY COLORS.

CYAN. 

MAGENTA.

AND YELLOW.

So say it with me folks!

Red yellow and blue, are the primary colors for traditional pigment that’s mostly used in paints and shit. You use red yellow and blue when you’re painting traditionally, Bob Ross style. 

Red blue and green is light, which is what you’re painting with when you pick up your tablet and go digital.

CMYK is ink, and ink only. You could use cyan, magenta, and yellow as your primary colors in paint if you wanted to be a complete dick, but they’re not your primary colors unless your work is going to be printed using. i n k. The only time they could be considered the primary colors in a traditional medium is if you’re using ink.

Is my icon. I painted this using RED. GREEN. AND BLUE. AS MY PRIMARY COLORS and they turned out fine. Of course, I used the finger smudge tool first and then the color mixing tool and then the blur tool, but hey what do I know.

Clearly using the blur tool only doesn’t cut it.

“Oh but Leo!” You say. “You used cyan and magenta in that color wheel!”

Well bitch guess what.

this is the digital color wheel. I’d say I mimicked that pretty well, don’t you think?

Oh and one other thing, notice how Blue and Yellow are directly opposite each other on this color wheel? That’s because we’re dealing with light, and with light, yellow and blue are complimentary colors.

Which is why when you mix them, it looks like this:

Which is a pretty neutral gray tone: They cancel each other out on the rgb color wheel when you mix them together.

BUT WITH PIGMENT THE PLACEMENT IS DIFFERENT

If you’ll notice, yellow and violet are now opposite each other, meaning they’re complimentary colors and if you mix  them, they’ll make a neutral gray.

But if you mix yellow and blue, same colors as before, YOU GET THIS:

Now keep in mind that the person in the video uses a darker blue, so they get a darker green, but the point is that it doesn’t make that neutral gray.

Now what happens when we mix yellow and violet paint?

Ah yes, you get a bunch of muted colors the more evenly you mix them.

What happens when you mix yellow light and purple light?

The reason the primary colors for light are so dramatically different from the primary colors for paint and ink is because your eye only receives combinations of red light, blue light, and green light. Our eyes do not have a sensor (cone cell) for yellow light. So when we paint with light, red green and blue are our primary colors. Because of our eyes.

Furthermore, paint primary colors are colors that cannot be created by mixing other colors together. For paint, they are red yellow and blue, because you cannot mix orange and green to get yellow. Mixing orange and purple paint does not make red. And mixing green and purple paint does not make blue.

Mixing blue and green paints will make cyan. Mixing red and blue paints will make magenta.

That’s why cyan and magenta aren’t primary paint colors.

However, you can’t mix yellow and blue ink and get cyan. You can’t mix red and blue ink to get magenta.

And that’s why cyan and magenta are the primary ink colors.

Brighter and stronger paints are created through tints and shades, through a thorough understanding of color theory and a few quality paint recipes. Not by bullshit posts on tumblr designed to mislead you.

One reason there is such a controversy about CMYK vs. RBY is because when we talk about CMYK we are talking about transparent color (color that allows the white to show through) and when we talk about RYB we are talking about opaque colors, which do not allow the white of the paper to show through.

Check out the color swatch on this Golden paint bottle. The color is painted over a striped b/w bar. Fluid acrylics are more transparent, so the colors underneath change the perceived (I’ll talk more about perceived color in a minute) final color.

Same shade over same bar. You almost can’t see the black or white (the color is almost identical across the swatch) because the heavy body acrylic is more opaque.

When we mix paints the RYB color model is pretty accurate, (we haven’t even mentioned high pigmentation vs. low pigmentation yet) and is a base model and why it is taught in primary education. CMYK is more accurate for inks that are transparent and also have that neat little “k” which is black. You can’t CMYK print on black paper but you can paint on black canvas. So the color model is going to shift the more transparent you’re paints become. Additionally CMYK can only produce a limited number of colors. When mixing paints or inks pantone colors are often used as a standard because CMYK can’t make all the colors possible. Pantone includes 1114 colors which require 13 base pigments and black - far more than either RYB or CMYK. That’s why most basic paint sets come with more base colors - you can create a broader palette than when working with either CMYK or RYB.

Another component is pigment quality. Artist grade paints have a higher pigment to binder ratio which greatly affect the resulting colors when mixing. Binders will both reduce the intensity of the color as well as the opacity, So when I mix a cheap paint it will immediately be less bright and the further the colors are apart on the color wheel (compliments for example) the worse this dullness gets. This is the reason those $1 craft paints come in so many colors - they gray out when you mix them. It’s also why they’re $1. I’d refer you to the video above of what you get when you mix compliments (purple and yellow) in this case) - you get rich earth tones instead of grayish mud.

Another consideration is what color are you buying. Red is red - right? NO! If your red is even slight off (say just a smidge towards orange) it won’t make purple when mixed with blue. I loved when Liqutex used to put where there colors fell on the wheel. It made mixing them a dream.

This link has an even better break down of the components of paint and how they effect color mixing.

An even more accurate model for opaque color mixing is the Munsell model which is based on a 3-d model of Hue, Value and Chroma, and is the model I learned in art school many moons ago.

In the Munsell system there are 5 primary hues (colors), Value (light/dark) and Chroma (the intensity of the hue. For me this was a light bulb turning on. Once I thought of color in that third dimension I could much more accurately predict what colors I was going to get when mixing paints. Munsell  developed the system to have a way to accurately and scientifically describe every color that exists. This system is used in numerous scientific areas from identifying forensic evidence to color naming in geology. Munsell colors are considered scientific absolutes.

One really complicated aspect of color that is still missing is our perception of color - because technically we don’t ‘see’ color at all. I’m sure you all remember the infamous internet meme dress.

The Times has a great article that explains why we see it a certain way.

We all learned in science that we have cones in our eyes that sense light waves, but we also have a filter that processes those waves and determines which colors we can see. This article explains it much better than I can.

We haven’t even talked about how much variance in color you can get across moitors and printers. Color spaces is one of the hardest things to master in Photoshop. I can guarantee you that my Epson CMYK printer will not print the same way as your Canon CMYK printer. There are dozens of resources on the internet that delve into this more deeply.

Color theory has been around for more than four centuries and there’s a lot of material out there and more being discovered everyday. In fact recent discoveries theorize that language effects how we see and categorize color:

Can you see which square is a different shade of green? A tribe in Africa can but they have trouble identifying colors we would describe as blue. Source.

Even gender can play it’s part in color perception - due to the way our eyes developed in early hunter-gatherer cultures.

Listen up you fucks because I’m not wasting thousands of dollars on an art degree to watch y’all fuck up basic color theory.

Red, yellow, and blue are the primary colors

If you’re using p i g m e n t.

Do you hear me? When you’re using traditional media, fucking actual goddamn paint, Bob Ross style, your primary colors are!

When you use paint, your primary colors are red yellow and blue and don’t forget it.

NOW THAT CHANGES COMPLETELY WHEN YOU GO FUCKING DIGITAL.

THE DIGITAL PRIMARY COLORS ARE RED BLUE AND GREEN IF AND ONLY IF YOUR WORK IS GOING TO STAY DIGITAL, ON THE SCREEN, AND NEVER LEAVE THE SCREEN, AND OF COURSE IF YOUR WORK IS GOING TO BE PRINTED. ON A PRINTER. WITH INK. THEN. AND O N L Y  T H E N.

ARE YOUR PRIMARY COLORS.

CYAN. 

MAGENTA.

AND YELLOW.

So say it with me folks!

Red yellow and blue, are the primary colors for traditional pigment that’s mostly used in paints and shit. You use red yellow and blue when you’re painting traditionally, Bob Ross style. 

Red blue and green is light, which is what you’re painting with when you pick up your tablet and go digital.

CMYK is ink, and ink only. You could use cyan, magenta, and yellow as your primary colors in paint if you wanted to be a complete dick, but they’re not your primary colors unless your work is going to be printed using. i n k. The only time they could be considered the primary colors in a traditional medium is if you’re using ink.

Is my icon. I painted this using RED. GREEN. AND BLUE. AS MY PRIMARY COLORS and they turned out fine. Of course, I used the finger smudge tool first and then the color mixing tool and then the blur tool, but hey what do I know.

Clearly using the blur tool only doesn’t cut it.

“Oh but Leo!” You say. “You used cyan and magenta in that color wheel!”

Well bitch guess what.

this is the digital color wheel. I’d say I mimicked that pretty well, don’t you think?

Oh and one other thing, notice how Blue and Yellow are directly opposite each other on this color wheel? That’s because we’re dealing with light, and with light, yellow and blue are complimentary colors.

Which is why when you mix them, it looks like this:

Which is a pretty neutral gray tone: They cancel each other out on the rgb color wheel when you mix them together.

BUT WITH PIGMENT THE PLACEMENT IS DIFFERENT

If you’ll notice, yellow and violet are now opposite each other, meaning they’re complimentary colors and if you mix  them, they’ll make a neutral gray.

But if you mix yellow and blue, same colors as before, YOU GET THIS:

Now keep in mind that the person in the video uses a darker blue, so they get a darker green, but the point is that it doesn’t make that neutral gray.

Now what happens when we mix yellow and violet paint?

Ah yes, you get a bunch of muted colors the more evenly you mix them.

What happens when you mix yellow light and purple light?

The reason the primary colors for light are so dramatically different from the primary colors for paint and ink is because your eye only receives combinations of red light, blue light, and green light. Our eyes do not have a sensor (cone cell) for yellow light. So when we paint with light, red green and blue are our primary colors. Because of our eyes.

Furthermore, paint primary colors are colors that cannot be created by mixing other colors together. For paint, they are red yellow and blue, because you cannot mix orange and green to get yellow. Mixing orange and purple paint does not make red. And mixing green and purple paint does not make blue.

Mixing blue and green paints will make cyan. Mixing red and blue paints will make magenta.

That’s why cyan and magenta aren’t primary paint colors.

However, you can’t mix yellow and blue ink and get cyan. You can’t mix red and blue ink to get magenta.

And that’s why cyan and magenta are the primary ink colors.

Brighter and stronger paints are created through tints and shades, through a thorough understanding of color theory and a few quality paint recipes. Not by bullshit posts on tumblr designed to mislead you.

For the pigment color wheel, the colors actually are red, yellow and blue. These are the colors you mix on paper with either crayons, colored pencils or paints, like I’m sure most of us did when we were around grade school age.

For the light color wheel, the colors for that one are red, blue and green (notice how in MS Paint or the ability to optimize the color of the text boxes in Final Fantasy VII that the primary colors there are red, blue and green? Because those involve the mixing of light.

Yellow magenta and cyan are the primary pigment colours.

Red, blue and green are the primary light colours (the wavelengths we have cones for)

And what you’ll notice about these two colour sets is that they’re each other’s secondary palettes.

This is because pigments reflect light, and our eyes see light, and the more light can come from something the brighter it looks, and if it’s activating as few cones it can at a time, the more pure it looks.

So colours that tidily activate just two colour cones will look the brightest while looking as pure as possible.

Ie:

green and blue cones= cyan pigments,

red and green cones= yellow pigments (because yes red and green light makes yellow),

and blue and red cones= magenta pigment (this is how our brains invent magenta, remember that?)

Mixing these back together to form “secondary” colours still looks like far more of a pure colour than ever found in nature and overwhelmingly give off more red green or blue light than you’d ever normally see, plus enough added full spectrum light to appear bright, so they still look unmuddied. (Despite technically being tertiary in terms of our eyes)

So why don’t we use pigments that only reflect PURE red green and blue light and consider those primary for pigments too?

1. Pigments like that are rare and not naturally occurring.

1 a. They’re also hard to make easily soluble in various mediums making them bad or very challenging for inks etc…

2. A colour actually only activating one colour cone looks duller to us than when it activates two, because it’s less light.

3. Pigments that only activate one cone purely by itself aren’t naturally occurring and we didn’t evolve to look at them much so it literally hurts our eyes/brains to look too long and very quickly tires out that colour cone while not stimulating the others to the point that it feels like there must be light information there we just aren’t seeing. Like have you ever had a really pure blue light in your vision for long enough? You start to feel like you can’t see. It’s like phantom limb pain for your eyes. Our brains no likey.

3b. Also consider neon, neon works by bending all light that enters it, or re emitting it, into a very narrow range of wavelengths, aka some very pure light information… but it gets hard to look at doesn’t it? It hurts after a while doesn’t it? It took us thousands of years to discover, refine and make common those pigments, didn’t it. And they still give off an unnatural look and a “something is missing and also too much” vibe, don’t they? We’re never going to consider some kind of rare red blue and green eye-stabbing day-glow colours to be the primary pigment colours. We just aren’t. We’re too weak.

And thus it is as it is and as I already outlined above.

And I’m so glad to see teachers still can’t get this straight and trust their students to understand.

(And obv, your monitor only displays in rgb, because it’s light)

Red yellow and blue just came up because of what pigments hit the mark the closest and we’re common and cheap at the time when painting got popular, clashing with an oversimplification of the primary colours to be taught to kids.

That’s why you can magenta cyan and yellow with paints too for a really clean result that’s often better than ybr, we have better pigments now.

Listen up you fucks because I’m not wasting thousands of dollars on an art degree to watch y’all fuck up basic color theory.

Red, yellow, and blue are the primary colors

If you’re using p i g m e n t.

Do you hear me? When you’re using traditional media, fucking actual goddamn paint, Bob Ross style, your primary colors are!

When you use paint, your primary colors are red yellow and blue and don’t forget it.

NOW THAT CHANGES COMPLETELY WHEN YOU GO FUCKING DIGITAL.

THE DIGITAL PRIMARY COLORS ARE RED BLUE AND GREEN IF AND ONLY IF YOUR WORK IS GOING TO STAY DIGITAL, ON THE SCREEN, AND NEVER LEAVE THE SCREEN, AND OF COURSE IF YOUR WORK IS GOING TO BE PRINTED. ON A PRINTER. WITH INK. THEN. AND O N L Y  T H E N.

ARE YOUR PRIMARY COLORS.

CYAN. 

MAGENTA.

AND YELLOW.

So say it with me folks!

Red yellow and blue, are the primary colors for traditional pigment that’s mostly used in paints and shit. You use red yellow and blue when you’re painting traditionally, Bob Ross style. 

Red blue and green is light, which is what you’re painting with when you pick up your tablet and go digital.

CMYK is ink, and ink only. You could use cyan, magenta, and yellow as your primary colors in paint if you wanted to be a complete dick, but they’re not your primary colors unless your work is going to be printed using. i n k. The only time they could be considered the primary colors in a traditional medium is if you’re using ink.

Is my icon. I painted this using RED. GREEN. AND BLUE. AS MY PRIMARY COLORS and they turned out fine. Of course, I used the finger smudge tool first and then the color mixing tool and then the blur tool, but hey what do I know.

Clearly using the blur tool only doesn’t cut it.

“Oh but Leo!” You say. “You used cyan and magenta in that color wheel!”

Well bitch guess what.

this is the digital color wheel. I’d say I mimicked that pretty well, don’t you think?

Oh and one other thing, notice how Blue and Yellow are directly opposite each other on this color wheel? That’s because we’re dealing with light, and with light, yellow and blue are complimentary colors.

Which is why when you mix them, it looks like this:

Which is a pretty neutral gray tone: They cancel each other out on the rgb color wheel when you mix them together.

BUT WITH PIGMENT THE PLACEMENT IS DIFFERENT

If you’ll notice, yellow and violet are now opposite each other, meaning they’re complimentary colors and if you mix  them, they’ll make a neutral gray.

But if you mix yellow and blue, same colors as before, YOU GET THIS:

Now keep in mind that the person in the video uses a darker blue, so they get a darker green, but the point is that it doesn’t make that neutral gray.

Now what happens when we mix yellow and violet paint?

Ah yes, you get a bunch of muted colors the more evenly you mix them.

What happens when you mix yellow light and purple light?

The reason the primary colors for light are so dramatically different from the primary colors for paint and ink is because your eye only receives combinations of red light, blue light, and green light. Our eyes do not have a sensor (cone cell) for yellow light. So when we paint with light, red green and blue are our primary colors. Because of our eyes.

Furthermore, paint primary colors are colors that cannot be created by mixing other colors together. For paint, they are red yellow and blue, because you cannot mix orange and green to get yellow. Mixing orange and purple paint does not make red. And mixing green and purple paint does not make blue.

Mixing blue and green paints will make cyan. Mixing red and blue paints will make magenta.

That’s why cyan and magenta aren’t primary paint colors.

However, you can’t mix yellow and blue ink and get cyan. You can’t mix red and blue ink to get magenta.

And that’s why cyan and magenta are the primary ink colors.

Brighter and stronger paints are created through tints and shades, through a thorough understanding of color theory and a few quality paint recipes. Not by bullshit posts on tumblr designed to mislead you.

Listen up you fucks because I’m not wasting thousands of dollars on an art degree to watch y’all fuck up basic color theory.

Red, yellow, and blue are the primary colors

If you’re using p i g m e n t.

Do you hear me? When you’re using traditional media, fucking actual goddamn paint, Bob Ross style, your primary colors are!

When you use paint, your primary colors are red yellow and blue and don’t forget it.

NOW THAT CHANGES COMPLETELY WHEN YOU GO FUCKING DIGITAL.

THE DIGITAL PRIMARY COLORS ARE RED BLUE AND GREEN IF AND ONLY IF YOUR WORK IS GOING TO STAY DIGITAL, ON THE SCREEN, AND NEVER LEAVE THE SCREEN, AND OF COURSE IF YOUR WORK IS GOING TO BE PRINTED. ON A PRINTER. WITH INK. THEN. AND O N L Y  T H E N.

ARE YOUR PRIMARY COLORS.

CYAN. 

MAGENTA.

AND YELLOW.

So say it with me folks!

Red yellow and blue, are the primary colors for traditional pigment that’s mostly used in paints and shit. You use red yellow and blue when you’re painting traditionally, Bob Ross style. 

Red blue and green is light, which is what you’re painting with when you pick up your tablet and go digital.

CMYK is ink, and ink only. You could use cyan, magenta, and yellow as your primary colors in paint if you wanted to be a complete dick, but they’re not your primary colors unless your work is going to be printed using. i n k. The only time they could be considered the primary colors in a traditional medium is if you’re using ink.

Is my icon. I painted this using RED. GREEN. AND BLUE. AS MY PRIMARY COLORS and they turned out fine. Of course, I used the finger smudge tool first and then the color mixing tool and then the blur tool, but hey what do I know.

Clearly using the blur tool only doesn’t cut it.

“Oh but Leo!” You say. “You used cyan and magenta in that color wheel!”

Well bitch guess what.

this is the digital color wheel. I’d say I mimicked that pretty well, don’t you think?

Oh and one other thing, notice how Blue and Yellow are directly opposite each other on this color wheel? That’s because we’re dealing with light, and with light, yellow and blue are complimentary colors.

Which is why when you mix them, it looks like this:

Which is a pretty neutral gray tone: They cancel each other out on the rgb color wheel when you mix them together.

BUT WITH PIGMENT THE PLACEMENT IS DIFFERENT

If you’ll notice, yellow and violet are now opposite each other, meaning they’re complimentary colors and if you mix  them, they’ll make a neutral gray.

But if you mix yellow and blue, same colors as before, YOU GET THIS:

Now keep in mind that the person in the video uses a darker blue, so they get a darker green, but the point is that it doesn’t make that neutral gray.

Now what happens when we mix yellow and violet paint?

Ah yes, you get a bunch of muted colors the more evenly you mix them.

What happens when you mix yellow light and purple light?

The reason the primary colors for light are so dramatically different from the primary colors for paint and ink is because your eye only receives combinations of red light, blue light, and green light. Our eyes do not have a sensor (cone cell) for yellow light. So when we paint with light, red green and blue are our primary colors. Because of our eyes.

Furthermore, paint primary colors are colors that cannot be created by mixing other colors together. For paint, they are red yellow and blue, because you cannot mix orange and green to get yellow. Mixing orange and purple paint does not make red. And mixing green and purple paint does not make blue.

Mixing blue and green paints will make cyan. Mixing red and blue paints will make magenta.

That’s why cyan and magenta aren’t primary paint colors.

However, you can’t mix yellow and blue ink and get cyan. You can’t mix red and blue ink to get magenta.

And that’s why cyan and magenta are the primary ink colors.

Brighter and stronger paints are created through tints and shades, through a thorough understanding of color theory and a few quality paint recipes. Not by bullshit posts on tumblr designed to mislead you.

Oh this is the sexiest fucking color wheel I’ve ever seen.

Listen up you fucks because I’m not wasting thousands of dollars on an art degree to watch y’all fuck up basic color theory.

Red, yellow, and blue are the primary colors

If you’re using p i g m e n t.

Do you hear me? When you’re using traditional media, fucking actual goddamn paint, Bob Ross style, your primary colors are!

When you use paint, your primary colors are red yellow and blue and don’t forget it.

NOW THAT CHANGES COMPLETELY WHEN YOU GO FUCKING DIGITAL.

THE DIGITAL PRIMARY COLORS ARE RED BLUE AND GREEN IF AND ONLY IF YOUR WORK IS GOING TO STAY DIGITAL, ON THE SCREEN, AND NEVER LEAVE THE SCREEN, AND OF COURSE IF YOUR WORK IS GOING TO BE PRINTED. ON A PRINTER. WITH INK. THEN. AND O N L Y  T H E N.

ARE YOUR PRIMARY COLORS.

CYAN. 

MAGENTA.

AND YELLOW.

So say it with me folks!

Red yellow and blue, are the primary colors for traditional pigment that’s mostly used in paints and shit. You use red yellow and blue when you’re painting traditionally, Bob Ross style. 

Red blue and green is light, which is what you’re painting with when you pick up your tablet and go digital.

CMYK is ink, and ink only. You could use cyan, magenta, and yellow as your primary colors in paint if you wanted to be a complete dick, but they’re not your primary colors unless your work is going to be printed using. i n k. The only time they could be considered the primary colors in a traditional medium is if you’re using ink.

Is my icon. I painted this using RED. GREEN. AND BLUE. AS MY PRIMARY COLORS and they turned out fine. Of course, I used the finger smudge tool first and then the color mixing tool and then the blur tool, but hey what do I know.

Clearly using the blur tool only doesn’t cut it.

“Oh but Leo!” You say. “You used cyan and magenta in that color wheel!”

Well bitch guess what.

this is the digital color wheel. I’d say I mimicked that pretty well, don’t you think?

Oh and one other thing, notice how Blue and Yellow are directly opposite each other on this color wheel? That’s because we’re dealing with light, and with light, yellow and blue are complimentary colors.

Which is why when you mix them, it looks like this:

Which is a pretty neutral gray tone: They cancel each other out on the rgb color wheel when you mix them together.

BUT WITH PIGMENT THE PLACEMENT IS DIFFERENT

If you’ll notice, yellow and violet are now opposite each other, meaning they’re complimentary colors and if you mix  them, they’ll make a neutral gray.

But if you mix yellow and blue, same colors as before, YOU GET THIS:

Now keep in mind that the person in the video uses a darker blue, so they get a darker green, but the point is that it doesn’t make that neutral gray.

Now what happens when we mix yellow and violet paint?

Ah yes, you get a bunch of muted colors the more evenly you mix them.

What happens when you mix yellow light and purple light?

The reason the primary colors for light are so dramatically different from the primary colors for paint and ink is because your eye only receives combinations of red light, blue light, and green light. Our eyes do not have a sensor (cone cell) for yellow light. So when we paint with light, red green and blue are our primary colors. Because of our eyes.

Furthermore, paint primary colors are colors that cannot be created by mixing other colors together. For paint, they are red yellow and blue, because you cannot mix orange and green to get yellow. Mixing orange and purple paint does not make red. And mixing green and purple paint does not make blue.

Mixing blue and green paints will make cyan. Mixing red and blue paints will make magenta.

That’s why cyan and magenta aren’t primary paint colors.

However, you can’t mix yellow and blue ink and get cyan. You can’t mix red and blue ink to get magenta.

And that’s why cyan and magenta are the primary ink colors.

Brighter and stronger paints are created through tints and shades, through a thorough understanding of color theory and a few quality paint recipes. Not by bullshit posts on tumblr designed to mislead you.

Listen up you fucks because I’m not wasting thousands of dollars on an art degree to watch y’all fuck up basic color theory.

Red, yellow, and blue are the primary colors

If you’re using p i g m e n t.

Do you hear me? When you’re using traditional media, fucking actual goddamn paint, Bob Ross style, your primary colors are!

When you use paint, your primary colors are red yellow and blue and don’t forget it.

NOW THAT CHANGES COMPLETELY WHEN YOU GO FUCKING DIGITAL.

THE DIGITAL PRIMARY COLORS ARE RED BLUE AND GREEN IF AND ONLY IF YOUR WORK IS GOING TO STAY DIGITAL, ON THE SCREEN, AND NEVER LEAVE THE SCREEN, AND OF COURSE IF YOUR WORK IS GOING TO BE PRINTED. ON A PRINTER. WITH INK. THEN. AND O N L Y  T H E N.

ARE YOUR PRIMARY COLORS.

CYAN. 

MAGENTA.

AND YELLOW.

So say it with me folks!

Red yellow and blue, are the primary colors for traditional pigment that’s mostly used in paints and shit. You use red yellow and blue when you’re painting traditionally, Bob Ross style. 

Red blue and green is light, which is what you’re painting with when you pick up your tablet and go digital.

CMYK is ink, and ink only. You could use cyan, magenta, and yellow as your primary colors in paint if you wanted to be a complete dick, but they’re not your primary colors unless your work is going to be printed using. i n k. The only time they could be considered the primary colors in a traditional medium is if you’re using ink.

Is my icon. I painted this using RED. GREEN. AND BLUE. AS MY PRIMARY COLORS and they turned out fine. Of course, I used the finger smudge tool first and then the color mixing tool and then the blur tool, but hey what do I know.

Clearly using the blur tool only doesn’t cut it.

“Oh but Leo!” You say. “You used cyan and magenta in that color wheel!”

Well bitch guess what.

this is the digital color wheel. I’d say I mimicked that pretty well, don’t you think?

Oh and one other thing, notice how Blue and Yellow are directly opposite each other on this color wheel? That’s because we’re dealing with light, and with light, yellow and blue are complimentary colors.

Which is why when you mix them, it looks like this:

Which is a pretty neutral gray tone: They cancel each other out on the rgb color wheel when you mix them together.

BUT WITH PIGMENT THE PLACEMENT IS DIFFERENT

If you’ll notice, yellow and violet are now opposite each other, meaning they’re complimentary colors and if you mix  them, they’ll make a neutral gray.

But if you mix yellow and blue, same colors as before, YOU GET THIS:

Now keep in mind that the person in the video uses a darker blue, so they get a darker green, but the point is that it doesn’t make that neutral gray.

Now what happens when we mix yellow and violet paint?

Ah yes, you get a bunch of muted colors the more evenly you mix them.

What happens when you mix yellow light and purple light?

The reason the primary colors for light are so dramatically different from the primary colors for paint and ink is because your eye only receives combinations of red light, blue light, and green light. Our eyes do not have a sensor (cone cell) for yellow light. So when we paint with light, red green and blue are our primary colors. Because of our eyes.

Furthermore, paint primary colors are colors that cannot be created by mixing other colors together. For paint, they are red yellow and blue, because you cannot mix orange and green to get yellow. Mixing orange and purple paint does not make red. And mixing green and purple paint does not make blue.

Mixing blue and green paints will make cyan. Mixing red and blue paints will make magenta.

That’s why cyan and magenta aren’t primary paint colors.

However, you can’t mix yellow and blue ink and get cyan. You can’t mix red and blue ink to get magenta.

And that’s why cyan and magenta are the primary ink colors.

Brighter and stronger paints are created through tints and shades, through a thorough understanding of color theory and a few quality paint recipes. Not by bullshit posts on tumblr designed to mislead you.

Sure Magenta is a fake color.

Listen up you fucks because I’m not wasting thousands of dollars on an art degree to watch y’all fuck up basic color theory.

Red, yellow, and blue are the primary colors

If you’re using p i g m e n t.

Do you hear me? When you’re using traditional media, fucking actual goddamn paint, Bob Ross style, your primary colors are!

When you use paint, your primary colors are red yellow and blue and don’t forget it.

NOW THAT CHANGES COMPLETELY WHEN YOU GO FUCKING DIGITAL.

THE DIGITAL PRIMARY COLORS ARE RED BLUE AND GREEN IF AND ONLY IF YOUR WORK IS GOING TO STAY DIGITAL, ON THE SCREEN, AND NEVER LEAVE THE SCREEN, AND OF COURSE IF YOUR WORK IS GOING TO BE PRINTED. ON A PRINTER. WITH INK. THEN. AND O N L Y  T H E N.

ARE YOUR PRIMARY COLORS.

CYAN. 

MAGENTA.

AND YELLOW.

So say it with me folks!

Red yellow and blue, are the primary colors for traditional pigment that’s mostly used in paints and shit. You use red yellow and blue when you’re painting traditionally, Bob Ross style. 

Red blue and green is light, which is what you’re painting with when you pick up your tablet and go digital.

CMYK is ink, and ink only. You could use cyan, magenta, and yellow as your primary colors in paint if you wanted to be a complete dick, but they’re not your primary colors unless your work is going to be printed using. i n k. The only time they could be considered the primary colors in a traditional medium is if you’re using ink.

Is my icon. I painted this using RED. GREEN. AND BLUE. AS MY PRIMARY COLORS and they turned out fine. Of course, I used the finger smudge tool first and then the color mixing tool and then the blur tool, but hey what do I know.

Clearly using the blur tool only doesn’t cut it.

“Oh but Leo!” You say. “You used cyan and magenta in that color wheel!”

Well bitch guess what.

this is the digital color wheel. I’d say I mimicked that pretty well, don’t you think?

Oh and one other thing, notice how Blue and Yellow are directly opposite each other on this color wheel? That’s because we’re dealing with light, and with light, yellow and blue are complimentary colors.

Which is why when you mix them, it looks like this:

Which is a pretty neutral gray tone: They cancel each other out on the rgb color wheel when you mix them together.

BUT WITH PIGMENT THE PLACEMENT IS DIFFERENT

If you’ll notice, yellow and violet are now opposite each other, meaning they’re complimentary colors and if you mix  them, they’ll make a neutral gray.

But if you mix yellow and blue, same colors as before, YOU GET THIS:

Now keep in mind that the person in the video uses a darker blue, so they get a darker green, but the point is that it doesn’t make that neutral gray.

Now what happens when we mix yellow and violet paint?

Ah yes, you get a bunch of muted colors the more evenly you mix them.

What happens when you mix yellow light and purple light?

The reason the primary colors for light are so dramatically different from the primary colors for paint and ink is because your eye only receives combinations of red light, blue light, and green light. Our eyes do not have a sensor (cone cell) for yellow light. So when we paint with light, red green and blue are our primary colors. Because of our eyes.

Furthermore, paint primary colors are colors that cannot be created by mixing other colors together. For paint, they are red yellow and blue, because you cannot mix orange and green to get yellow. Mixing orange and purple paint does not make red. And mixing green and purple paint does not make blue.

Mixing blue and green paints will make cyan. Mixing red and blue paints will make magenta.

That’s why cyan and magenta aren’t primary paint colors.

However, you can’t mix yellow and blue ink and get cyan. You can’t mix red and blue ink to get magenta.

And that’s why cyan and magenta are the primary ink colors.

Brighter and stronger paints are created through tints and shades, through a thorough understanding of color theory and a few quality paint recipes. Not by bullshit posts on tumblr designed to mislead you.

So in classic art, we see blue as cold, red as warm and yellow as roughly neutral, but the lines shift in cosmetics - red is cold, yellow is warm, blue is neutral. But also, the secret with true and effective colour correction with makeup is not, as the industry seems to think, to cancel out the colour you don’t want by using its opposite - that will make you grey. You see it mostly with people with rosacea being told to use green stick to cancel the red. It’s ineffective, and it looks awful.

Instead, you go rock-paper-scissors with it. Red is cancelled by yellow, yellow by blue, and blue by red. 

Listen up you fucks because I’m not wasting thousands of dollars on an art degree to watch y’all fuck up basic color theory.

Red, yellow, and blue are the primary colors

If you’re using p i g m e n t.

Do you hear me? When you’re using traditional media, fucking actual goddamn paint, Bob Ross style, your primary colors are!

When you use paint, your primary colors are red yellow and blue and don’t forget it.

NOW THAT CHANGES COMPLETELY WHEN YOU GO FUCKING DIGITAL.

THE DIGITAL PRIMARY COLORS ARE RED BLUE AND GREEN IF AND ONLY IF YOUR WORK IS GOING TO STAY DIGITAL, ON THE SCREEN, AND NEVER LEAVE THE SCREEN, AND OF COURSE IF YOUR WORK IS GOING TO BE PRINTED. ON A PRINTER. WITH INK. THEN. AND O N L Y  T H E N.

ARE YOUR PRIMARY COLORS.

CYAN. 

MAGENTA.

AND YELLOW.

So say it with me folks!

Red yellow and blue, are the primary colors for traditional pigment that’s mostly used in paints and shit. You use red yellow and blue when you’re painting traditionally, Bob Ross style. 

Red blue and green is light, which is what you’re painting with when you pick up your tablet and go digital.

CMYK is ink, and ink only. You could use cyan, magenta, and yellow as your primary colors in paint if you wanted to be a complete dick, but they’re not your primary colors unless your work is going to be printed using. i n k. The only time they could be considered the primary colors in a traditional medium is if you’re using ink.

Is my icon. I painted this using RED. GREEN. AND BLUE. AS MY PRIMARY COLORS and they turned out fine. Of course, I used the finger smudge tool first and then the color mixing tool and then the blur tool, but hey what do I know.

Clearly using the blur tool only doesn’t cut it.

“Oh but Leo!” You say. “You used cyan and magenta in that color wheel!”

Well bitch guess what.

this is the digital color wheel. I’d say I mimicked that pretty well, don’t you think?

Oh and one other thing, notice how Blue and Yellow are directly opposite each other on this color wheel? That’s because we’re dealing with light, and with light, yellow and blue are complimentary colors.

Which is why when you mix them, it looks like this:

Which is a pretty neutral gray tone: They cancel each other out on the rgb color wheel when you mix them together.

BUT WITH PIGMENT THE PLACEMENT IS DIFFERENT

If you’ll notice, yellow and violet are now opposite each other, meaning they’re complimentary colors and if you mix  them, they’ll make a neutral gray.

But if you mix yellow and blue, same colors as before, YOU GET THIS:

Now keep in mind that the person in the video uses a darker blue, so they get a darker green, but the point is that it doesn’t make that neutral gray.

Now what happens when we mix yellow and violet paint?

Ah yes, you get a bunch of muted colors the more evenly you mix them.

What happens when you mix yellow light and purple light?

The reason the primary colors for light are so dramatically different from the primary colors for paint and ink is because your eye only receives combinations of red light, blue light, and green light. Our eyes do not have a sensor (cone cell) for yellow light. So when we paint with light, red green and blue are our primary colors. Because of our eyes.

Furthermore, paint primary colors are colors that cannot be created by mixing other colors together. For paint, they are red yellow and blue, because you cannot mix orange and green to get yellow. Mixing orange and purple paint does not make red. And mixing green and purple paint does not make blue.

Mixing blue and green paints will make cyan. Mixing red and blue paints will make magenta.

That’s why cyan and magenta aren’t primary paint colors.

However, you can’t mix yellow and blue ink and get cyan. You can’t mix red and blue ink to get magenta.

And that’s why cyan and magenta are the primary ink colors.

Brighter and stronger paints are created through tints and shades, through a thorough understanding of color theory and a few quality paint recipes. Not by bullshit posts on tumblr designed to mislead you.

In the early era of computer monitors the programmers had very limited control over and interest in the colors of things. So the computer standards for the representation of color are based on a very limited RGB related to cheap CRT projection; this resulted in the Microsoft sRGB palette https://en.wikipedia.org/wiki/SRGB. https://en.wikipedia.org/wiki/RGB_color_model

Whereas those working in professional art and media particularly in movies and TV used a more extensive color palette. People working in print media ranged quite extensively but high quality professional printing was done based on CMYK color palette. https://en.wikipedia.org/wiki/CMYK_color_model Computer/TV screens haven’t caught up to print except partially very recently. So some computer/TV screens render in a full color palette with close to true color representation, but many still do not.

Listen up you fucks because I’m not wasting thousands of dollars on an art degree to watch y’all fuck up basic color theory.

Red, yellow, and blue are the primary colors

If you’re using p i g m e n t.

Do you hear me? When you’re using traditional media, fucking actual goddamn paint, Bob Ross style, your primary colors are!

When you use paint, your primary colors are red yellow and blue and don’t forget it.

NOW THAT CHANGES COMPLETELY WHEN YOU GO FUCKING DIGITAL.

THE DIGITAL PRIMARY COLORS ARE RED BLUE AND GREEN IF AND ONLY IF YOUR WORK IS GOING TO STAY DIGITAL, ON THE SCREEN, AND NEVER LEAVE THE SCREEN, AND OF COURSE IF YOUR WORK IS GOING TO BE PRINTED. ON A PRINTER. WITH INK. THEN. AND O N L Y  T H E N.

ARE YOUR PRIMARY COLORS.

CYAN. 

MAGENTA.

AND YELLOW.

So say it with me folks!

Red yellow and blue, are the primary colors for traditional pigment that’s mostly used in paints and shit. You use red yellow and blue when you’re painting traditionally, Bob Ross style. 

Red blue and green is light, which is what you’re painting with when you pick up your tablet and go digital.

CMYK is ink, and ink only. You could use cyan, magenta, and yellow as your primary colors in paint if you wanted to be a complete dick, but they’re not your primary colors unless your work is going to be printed using. i n k. The only time they could be considered the primary colors in a traditional medium is if you’re using ink.

Is my icon. I painted this using RED. GREEN. AND BLUE. AS MY PRIMARY COLORS and they turned out fine. Of course, I used the finger smudge tool first and then the color mixing tool and then the blur tool, but hey what do I know.

Clearly using the blur tool only doesn’t cut it.

“Oh but Leo!” You say. “You used cyan and magenta in that color wheel!”

Well bitch guess what.

this is the digital color wheel. I’d say I mimicked that pretty well, don’t you think?

Oh and one other thing, notice how Blue and Yellow are directly opposite each other on this color wheel? That’s because we’re dealing with light, and with light, yellow and blue are complimentary colors.

Which is why when you mix them, it looks like this:

Which is a pretty neutral gray tone: They cancel each other out on the rgb color wheel when you mix them together.

BUT WITH PIGMENT THE PLACEMENT IS DIFFERENT

If you’ll notice, yellow and violet are now opposite each other, meaning they’re complimentary colors and if you mix  them, they’ll make a neutral gray.

But if you mix yellow and blue, same colors as before, YOU GET THIS:

Now keep in mind that the person in the video uses a darker blue, so they get a darker green, but the point is that it doesn’t make that neutral gray.

Now what happens when we mix yellow and violet paint?

Ah yes, you get a bunch of muted colors the more evenly you mix them.

What happens when you mix yellow light and purple light?

The reason the primary colors for light are so dramatically different from the primary colors for paint and ink is because your eye only receives combinations of red light, blue light, and green light. Our eyes do not have a sensor (cone cell) for yellow light. So when we paint with light, red green and blue are our primary colors. Because of our eyes.

Furthermore, paint primary colors are colors that cannot be created by mixing other colors together. For paint, they are red yellow and blue, because you cannot mix orange and green to get yellow. Mixing orange and purple paint does not make red. And mixing green and purple paint does not make blue.

Mixing blue and green paints will make cyan. Mixing red and blue paints will make magenta.

That’s why cyan and magenta aren’t primary paint colors.

However, you can’t mix yellow and blue ink and get cyan. You can’t mix red and blue ink to get magenta.

And that’s why cyan and magenta are the primary ink colors.

Brighter and stronger paints are created through tints and shades, through a thorough understanding of color theory and a few quality paint recipes. Not by bullshit posts on tumblr designed to mislead you.

Listen up you fucks because I’m not wasting thousands of dollars on an art degree to watch y’all fuck up basic color theory.

Red, yellow, and blue are the primary colors

If you’re using p i g m e n t.

Do you hear me? When you’re using traditional media, fucking actual goddamn paint, Bob Ross style, your primary colors are!

When you use paint, your primary colors are red yellow and blue and don’t forget it.

NOW THAT CHANGES COMPLETELY WHEN YOU GO FUCKING DIGITAL.

THE DIGITAL PRIMARY COLORS ARE RED BLUE AND GREEN IF AND ONLY IF YOUR WORK IS GOING TO STAY DIGITAL, ON THE SCREEN, AND NEVER LEAVE THE SCREEN, AND OF COURSE IF YOUR WORK IS GOING TO BE PRINTED. ON A PRINTER. WITH INK. THEN. AND O N L Y  T H E N.

ARE YOUR PRIMARY COLORS.

CYAN. 

MAGENTA.

AND YELLOW.

So say it with me folks!

Red yellow and blue, are the primary colors for traditional pigment that’s mostly used in paints and shit. You use red yellow and blue when you’re painting traditionally, Bob Ross style. 

Red blue and green is light, which is what you’re painting with when you pick up your tablet and go digital.

CMYK is ink, and ink only. You could use cyan, magenta, and yellow as your primary colors in paint if you wanted to be a complete dick, but they’re not your primary colors unless your work is going to be printed using. i n k. The only time they could be considered the primary colors in a traditional medium is if you’re using ink.

Is my icon. I painted this using RED. GREEN. AND BLUE. AS MY PRIMARY COLORS and they turned out fine. Of course, I used the finger smudge tool first and then the color mixing tool and then the blur tool, but hey what do I know.

Clearly using the blur tool only doesn’t cut it.

“Oh but Leo!” You say. “You used cyan and magenta in that color wheel!”

Well bitch guess what.

this is the digital color wheel. I’d say I mimicked that pretty well, don’t you think?

Oh and one other thing, notice how Blue and Yellow are directly opposite each other on this color wheel? That’s because we’re dealing with light, and with light, yellow and blue are complimentary colors.

Which is why when you mix them, it looks like this:

Which is a pretty neutral gray tone: They cancel each other out on the rgb color wheel when you mix them together.

BUT WITH PIGMENT THE PLACEMENT IS DIFFERENT

If you’ll notice, yellow and violet are now opposite each other, meaning they’re complimentary colors and if you mix  them, they’ll make a neutral gray.

But if you mix yellow and blue, same colors as before, YOU GET THIS:

Now keep in mind that the person in the video uses a darker blue, so they get a darker green, but the point is that it doesn’t make that neutral gray.

Now what happens when we mix yellow and violet paint?

Ah yes, you get a bunch of muted colors the more evenly you mix them.

What happens when you mix yellow light and purple light?

The reason the primary colors for light are so dramatically different from the primary colors for paint and ink is because your eye only receives combinations of red light, blue light, and green light. Our eyes do not have a sensor (cone cell) for yellow light. So when we paint with light, red green and blue are our primary colors. Because of our eyes.

Furthermore, paint primary colors are colors that cannot be created by mixing other colors together. For paint, they are red yellow and blue, because you cannot mix orange and green to get yellow. Mixing orange and purple paint does not make red. And mixing green and purple paint does not make blue.

Mixing blue and green paints will make cyan. Mixing red and blue paints will make magenta.

That’s why cyan and magenta aren’t primary paint colors.

However, you can’t mix yellow and blue ink and get cyan. You can’t mix red and blue ink to get magenta.

And that’s why cyan and magenta are the primary ink colors.

Brighter and stronger paints are created through tints and shades, through a thorough understanding of color theory and a few quality paint recipes. Not by bullshit posts on tumblr designed to mislead you.