NoktBane

Mystical Woodland Animal Art Prints by RivuletPaperShop

He also does series of space cats, and one of the ones floating upside down and looking at you is based on my cat Ginger :D

The kitty herself, Ginger!

He’s a super cool dude and seeing his art on tumblr is nuts!

Check out his website, which includes an area to buy prints

You can see more of his work in general on Instagram

And buy T-Shirts too! 

do . do y ou mean. this toad

and, this possum

because this whole thing got wildly out of hand and if thats not what you meant i dont kno w what to tell you because

Paint-on-glass animation is a technique for making animated films by manipulating slow-drying oil-paints on sheets of glass as the animator gradually alters the shapes they create, and during this process, a camera records each finished ‘frame’.

When adapting ONE’s Mob Psycho 100, director Yuzuru Tachikawa wanted to adapt the source material in fantastic ways. And so, by combining the talents of a skilled staff, an anime with an incredible mix of animation techniques was born. 

Glacier Creatures

That’s a pretty broad question but I’ll try to give some pointers! 

I tend to make heavy use of clipping masks when first establishing a painting to avoid it turning into a confusing mess. I start by “masking out” (coloring in) the subject and then creating clipping masks on top which basically allows you to only color inside the subject and nowhere else. To create a clipping mask, just right click on a layer and choose “create clipping mask”. You can mask out other elements as well, in the golden retriever painting I masked out the lighting on the dog with some large brushstrokes (3rd pic on the process shots below) and then added different hues to it on a clipping mask. 

Beyond that, it’s just a matter of using a decently large brush and making confident brushstrokes. Lower the flow setting instead of opacity if you need a softer brush. And if you need a sharp edge, don’t be afraid to get in there with a hard brush and make it happen.