how i see clawdeen wolf 🌙
Cosimo Galluzzi
Xuebing Du

#extradirty
NASA

❣ Chile in a Photography ❣

oozey mess
Keni
DEAR READER
taylor price
Jules of Nature

noise dept.

if i look back, i am lost
TVSTRANGERTHINGS
trying on a metaphor
Noah Kahan
Sade Olutola
occasionally subtle

Kiana Khansmith
Aqua Utopia|海の底で記憶を紡ぐ
seen from Oman
seen from Chile

seen from United States
seen from Morocco

seen from Morocco

seen from Morocco

seen from United States

seen from United States

seen from United States
seen from United States
seen from United States

seen from United States

seen from United States

seen from United States
seen from United States
seen from Sweden

seen from Taiwan
seen from Ireland
seen from Türkiye
seen from Iraq
@nodesiretogrowup
how i see clawdeen wolf 🌙

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Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
🎵💃🏻🕺🏻🎶
To Survive on This Shore, by Jess T. Dugan.
This being marked "mature" is actually disgusting. These are completely neutral portraits that are not sexual or provocative in any way. Trans people existing is not a fucking sexual statement, let alone our trans elders.
Dutch artist, Redmer Hoekstra.
Ooooh, because “path” and “toad” are written and pronounced the same way in Dutch!
Pad en pad.
Een paddenpaadje.
A road of toads.
I trode on the toad road

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This is the Candlelight Sculpture (you can see the candle here) in Guanzhou Yuexiu Park, a sculpture garden in Guanzhou, China.
And that is an orange kitty sitting EXACTLY how Polk props herself up on my chest to sleep every night.
I'm still thinking about the guy who saw me realize my wheelchair wouldn't fit in the elevator because he (also a wheelchair user) was already inside it and immediately quipped, "This elevator ain't accessible enough for the both of us."

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If you see this:
It’s okay to sit down while doing anything in the kitchen. You don’t even need to be disabled or chronically ill. Your feet do not need any excuses. Rest them
It’s okay to cut potatoes in front of the tv while sitting on the couch.
Abled folks could learn a lot from the measures disabled folks take to adapt to their conditions and hack their environment and daily tasks so it benefits them in all the possible ways.
And - it is an investment in future self to learn the skill of adaptation should one fall ill or disabled for any reason.
ଘ(੭*ˊᵕˋ)੭* ੈ♡‧₊˚
Digital is hard so I drew it in pencil and then tried to make it pretty- anyways don’t think I’ll finish it, just think it is a MASSIVE wasted opportunity that Mattel hasn’t made Polly pocket sets out of the Barbie movies. The cowards.
GAMING NEWS !!
expensive
posts funnier with timestamps on

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Do you know this Musical Song? #361
I know the song and the musical
I know the song but not the musical
I know the musical but not the song
I may know this
I have never heard this
Song: Let's Have a Battle (Of the Bands)
Musical: My Little Pony: Equestria Girls - Rainbow Rocks
Composers: Daniel Ingram, Meghan McCarthy
Do you know this Musical Song? #379
I know the song and the musical
I know the song but not the musical
I know the musical but not the song
I may know this
I have never heard this