Indie 5-0: Five Questions with Noah Hoffeld
We think itâs safe to say that when you think of ROCK, cello is not one of the first things that comes to mind. Since rockâs inception though weâve come to realize that rock music is more about rocking than it is about fads and stereotypes. Noah is here to rock and debunk all the false notions you have about what that means. We sat down with the NY native and asked him a few questions about his cello rock release Play Human. 1. Do you feel that rock is more âexposingâ than classical music? Which genre feels more revealing to your fanbase? I donât think either is really more exposing. They both expose me in different ways. Playing classical music, Iâm able to really bear my heart through another personâs composition. When I play, Iâm expressing who I am while trying to bring out the identity of the composer as well.  With rock, Iâm doing it through my own music. Same passenger. Different boat. Both ways, I feel really exposed!  Since my rock music is new for my fans, itâs like opening another door for them into who I am. Theyâre hearing a side of me they didnât know was there. Thatâs fun. 2. Cello-Rock is a hybrid between classical and rock. How do you dress for that part? Haha! Itâs not so much a hybrid of classical and rock as it is about bringing a typically classical instrument -the cello- into a rock setting and then using it to rock the f out. I think leather is the best option, donât you? 3. What are you listening to these days for musical inspiration? Iâve been watching the âMuscle Shoalsâ documentary and thatâs been inspiring the hell out of me. All the truly great artists who made music in that one spot- Aretha, Wilson Pickett, Etta James, and so many more, along with the amazing backing band and producer-. If you havenât seen the movie, do yourself a favor. The passion that came out of that place is a great reminder of what music can be. 4. Thereâs a lot of graffiti in your videos and photos. Is there something that draws you to this imagery? Thatâs a good question and one Iâve never asked myself. I canât say for sure why Iâm so drawn to it, but Iâd guess itâs âcause graffiti is a form of art that inherently bucks the system. By its very existence itâs violating the rules and telling the powers that be that it canât be controlled. I think all art should play that role, especially in our society whoâs priorities are so backward, where greed is king and racism keeps us from caring for our brothers and sisters. I hope my music conveys some of the same message as graffiti does. 5. What is your favorite Bowie Phase? Favorite album or track - tell us more in depth! Itâs always changing! Right now, Iâm in love with the early album 'The Man Who Sold The World.â 'The Supermenâ is my favorite track. Itâs an album where fantasy really rules the lyrics and Davidâs conjuring up these amazing images of an ancient world or maybe a world outside of time. I love it that heâs willing to go there. Not so different from Zeppelin singing about the Hobbit I guess, except Bowie does it in his own special way. Itâs outrageous as always. If you donât know it well, check it out! Nirvana of course did a great cover of the title track, but the original is super powerful.
Thanks to @independentartistbuzz for sharing! Again!











