J G Orudjev

Scrap collaging is a favorite part of my practice. It's heavily intuitive, and helps me clear the decks of trimmings, orphan elements, and the like.

Materials include an old linocut state, acrylic paint, metallic foils, and an element from the second edition of the ADDITIONS deck, from Morphic Additions.

Thaw/Viridissima

| often work in iterations and multiples as a part of my sketch practice— thus the number of diptychs and triptychs I produce.

Also, I just think they're neat.

This diptych is part of a scrap based, series.

Materials include elements taken from my collection of found papers, acrylic paint, metallic foils, and elements from Cut Me Up Magazine no.13.

Debaser/Destabilization.

This little triptych is part of this recent series of small, scrap-based pieces.

Scrap collaging is a favorite part of my practice. It’s heavily intuitive, and helps me clear the decks of trimmings, orphan elements, and the like.

Materials here include elements taken from my collection of found papers, acrylic paint, metallic foils, and an element from Cut Me Up no.13.

Two more in this series of small, scrap-based pieces.

Scrap collaging is a favorite part of my practice. It’s heavily intuitive, and helps me clear the decks of trimmings, orphan elements, and the like.

Materials here include elements taken from my collection of found papers, acrylic paint, metallic foils, and an element from Cut Me Up no.13.

Dancing in the space

Another in this series of small, scrap-based pieces.

Scrap collaging is a favorite part of my practice. It’s heavily intuitive, and helps me clear the decks of trimmings, orphan elements, and the like.

Materials here include elements taken from my collection of found papers, acrylic paint, metallic foils, and an element from Cut Me Up no.13.

Pleased to say I have a piece included in the latest issue of LMNL . SPCS Magazine.

Set Piece is work in mixed media collage.

Through the end of the month I’ll be preparing for a show, so the daily work I’m posting here is scrap collage, a regular part of my sketchbook.

Scrap collaging is a favorite part of my practice. It’s heavily intuitive, and helps me clear the decks of trimmings, orphan elements, and the like.

Materials here include elements taken from my collection of found papers, acrylic paint, metallic foils, and elements from Cut Me Up no. 13

False Spring.

Sketchbook, mixed media collage.

A revisiting of a piece intended as an alternate for submission to a call.

Postcard, found papers, foil, wax, acrylic, and elements from the second edition of the ADDITIONS DECK, a project from Morphic Additions.

Another in this series of small, scrap-based pieces.

Scrap collaging is a favorite part of my practice. It’s heavily intuitive, and helps me clear the decks of trimmings, orphan elements, and the like.

The scraps in question include elements taken from my collection of found papers, acrylic paint, metallic foils, selections from Cut Me Up no.13

Through the end of the month I’ll be preparing for a show— details this week — so the flow of work I’ll post here will be scrap collages, a regular part of my daily sketchbook.

Scrap collaging is a favorite part of my practice. It’s heavily intuitive, and helps me clear the decks of trimmings, orphan elements, and the like.

The scraps in question include elements taken from my collection of found papers, acrylic paint, metallic foils, selections from Cut Me Up no.13 and elements from the second edition of the ADDITIONS deck, from Morphic Additions.

Recent work from my daily sketchbook, two related pieces in mixed media collage.

Found papers, foil, wax, acrylic, and an element from the ADDITIONS deck Series 2, a project from Morphic Additions.

Recent work from my daily sketchbook, a diptych in mixed media collage.

Found papers, foil, wax, acrylic, and an element from the ADDITIONS deck Series 2, a project from Morphic Additions.