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The trademark we designed contains the Shenzhen flower "Bougainvillea" and Guangdong traditional decorative elements. In addition, our company also designed packaging for Hap Seng Hou. At the beginning, we created a series of traditional cookies packaging which integrated Shenzhen scenic spots,Shenzhen unique cultural elements and a sense of nostalgia. There are also some illustrations of the product’s raw material above the packaging, which not only retain the traditional feeling, clearly express the content of the products, but also make the overall look more exquisite.

We have designed a wedding gift packaging for Hap Seng Hao. The engraved packaging design not only retains traditional Chinese wedding elements such as lovebirds and red double happiness, but also incorporates younger and western designs such as roses. And we also designed the top cover of the cake box into the form of a red bridal veil. In ancient times, there was a red bridal veil on the head of the bride, and the bridegroom would uncover it when they entered the bridal chamber. We hope that when customers open the box, they will resonate with Chinese traditions and deeply feel its charm.

In terms of design, the "roof" signboard at the entrance symbolizes entering the sweet field of "home", which is also full of strong exotic atmosphere. In addition, the tableware, napkins and tablecloth illustrations depict traditional Portuguese cultural elements in a cute style and sense of ritual in daily life which fits the Manuel family's warm and hospitable personality.

New Coffee在繁忙都市提供給大眾精心又純粹的味道。店內可品嚐獨到的早、午餐，也可買到無添加自家製麵包和香濃馥郁的咖啡，帶給人最自然樸實滋味。 包裝方面以白、金色二色作為主色調，運用日式庭園枯山水理念，營造簡樸的匠人氣息。我們請來香港藝術家林巧兒為New Coffee創作三款手繪包裝圖案。第一款直線概念來自咖啡沿杯口緩緩滴落的痕跡；第二款源於製作曲奇時，糖與牛油旋轉攪拌時的畫面，充滿夢幻和藝術感；而最後一款則描繪烘培麵包的形狀；簡潔筆觸與New Coffee自然有機的出品相呼應。 New Coffee offers an elaborate and pure taste to the public. People can enjoy breakfast and brunch, as well as the non-added homemade bread and fragrant coffee, giving you the most natural and fresh feeling. In terms of packaging, the main colors are white and golden. The overall design is near to the Japanese Karesenzui concept which can express the originality and purity of New Coffee product. Moreover, we have invited Hong Kong artist Lam Hau Yi to draw three patterns for the products. The concept of the first pattern (straight line) comes from the trail of coffee dripping slowly along the rim of the cup. The second one comes from the image that sugar and butter are mixed together and rotated when making cookies. The last one depicts the shape of baked bread. Overall, the simple patterns reflect to the pure and organic food of New Coffee.

蘭香閣裹蒸糭是澳門街坊心中珍寶名物，每逢端午臨至，蘭香閣總瀰漫著一股青翠柔和糭子的清香，街角巷口人群蜂擁而至，欲求嚐鮮。不品不知，一試便沒齒難忘，每每讓人魂饒夢牽。 作為經典老字號，蘭香閣擁有無可取代的地位。設計師將蘭香閣傳統包裝的色彩元素融入到最具端午特色的龍頭中，在加強節日氛圍之餘同時保留最原始的韻味；包裝底部的金色太陽用以營造夏至的濃厚感覺，也讓包裝更為耀眼奪目。 Lan Heong Kok ‘s rice dumpling is well-known and precious in Macau. When the Dragon Boat Festival is approaching, Lan Heong Kok is filled with fragrance of Banana leaf and sticky rice. In every household, road and lane, crowd swarms in order to buy rice dumplings and the taste is fabulous and unforgettable. As a classic brand, Lan Heong Kok has an irreplaceable position. Designer integrated the color elements of its orginal traditional packaging into the dragon's head with the characteristics of the Dragon Boat Festival. This design can strengthen the festive atmosphere and giving the nostalgic feeling to people. Moreover, the golden sun at the bottom of the package is used to create the feeling of summer and to make the package even more eye-catching.

《ZA誌》(zamag.net) 創立於2012年11月，志在集結一班澳門創作人士從他們眼中介紹澳門鮮為人知的一面及發表屬於澳門人創作的文章或感想，經過八年多的發展，《ZA誌》現為澳門最受歡迎的網上媒體之一，原創文章超過5,000篇。 《ZA誌》堅持多元共融的創刊理念，並不斷嘗試新的主題和視角，以澳門出發，為讀者發掘澳門及鄰近國家/地區的生活和文化資訊，為此，《ZA誌》的讀者群集中於大中華地區。為慶祝《ZA誌》成立八週年，《ZA誌》推出了八週年創刊號，封面故事為本地的特色老店和香港知名藝人的專訪，輔以多樣化的生活欄目和深入報導。設計師巧妙利用雙封面的設計，以及不同風格的配色和排版，把各種多元化的內容融滙串連，使《ZA誌》既能展現其創新與活力，同時也突出其獨有的特色和溫度。 Zamag was established on November in 2012, with the aim to gather a group of people interested in writing something new or unique about Macau, which are easily neglected from ordinary’s eyesight. By the 8-years development, Zamag is now one of the most popular on-line magazines in Macau. The number of original stories has exceeded 5,000. Zamag is committed to its original aspiration of diversity and inclusion. From all the time Zamag is working out on new topic and writing from different perspectives, revealing the true facets of Macau and neighboring cities or countries in culture and lifestyle. Thus, the readers of Zamag varies from Macau to the greater China region. In celebration of 8th anniversary of Zamag, the scheme of 1st published hard copy of Zamag was launched. The cover stories include interview of classic brand of Macau and well-known Hong Kong artists. The contents include various lifestyle columns and some signature in-depth interviews. The designer skillfully adopts the design of twin-covers, together with dramatic contrast on color and layout designs to line up the content. The design copes with the “character” of Zamag on innovation and dynamics, meanwhile featuring the uniqueness of content and style of Zamag.

Never Night有幸被可口可樂公司指定為澳門唯一合作的設計團隊，我們是次受邀設計「可口可樂100週年」紀念外套。此外套顛覆了可口可樂一貫以紅、白、黑色調的傳統，改為用上綠色，予品牌一種形象健康的感覺，令人耳目一新。 Never-night is very fortunate to have been appointed as the only design firm that can co-design with Coca-Cola. We were invited to design “Coca-Cola 100th Anniversary jacket. This jacket overturns the typical brand colors. This time, they’re choosing green. Let people have a new, refreshing healthy feeling.

Macau Water 服務澳門市民超過50年，這段前間澳門經歷了不少重大變遷，然而，確保潔淨的食水能輸送到每家每戶，關注環保議題等使命卻堅持沒變。 本書包括年報和可持續發展報告兩部份，以極簡風格寓意公司理念。可持續發展報告部份，側以水的形態變化，從雲，雨，雪，冰，到最後化為滋潤植物的露水，表達水和生態之間的關係。 Macau Water has serviced residents more than 50 years, Macau has experienced lots of vicissitude throughout the years, but the company has not sacrificed its quality service in bringing pure water to people and care about the environment two-core philosophy which they stand for. The book provides the readers the information about the company’s annual report as well as the sustainability report. The style is simple to represent its philosophies. For the sustainability report, we use the idea of water formed from different physical changes like clouds, rain, snow, ice and become dew reaches the growing plant. This is to express the relationship between water and ecology.

Macau Water 服務澳門市民超過50年， 這段前間澳門經歷了不少重大變遷， 然而，確保潔淨的食水能輸送到每家每戶，關注環保議題等使命卻堅持沒變。 本書包括年報和可持續發展報告兩部份，以極簡風格寓意公司理念。 年報部份，間頁以檢測用的試管，到日常生活中的洗澡，洗碗，喝水以至排汗的圖片， 表達企業責任與市民日常生活息息相關。 Macau Water has serviced residents more than 50 years, Macau has experienced lots of vicissitude throughout the years, but the company has not sacrificed its quality service in bringing pure water to people and care about the environment two-core philosophy which they stand for. The book provides the readers the information about the company’s annual report as well as the sustainability report. The style is simple to represent its philosophies. Inside the annual report, we’ve provided illustrations like test tubes and some daily activities such as taking a shower, washing the dishes, drinking water and perspiration in the chapter pages to express those daily life events are people’s corporate responsibility.

「歷史的性質」原名是La Nature de l'histoire ，由法國學者André Beaufre所撰寫，在歐洲是一本有名的歷史著作，曾被翻譯成十四國文字。而中文版則透過深圳文匯出版社買取版權並翻譯。本書透過古今中外各重大歷史事件之轉變，闡述歷史對人類的影響，以及人類應如何看待歷史。 「以銅為鏡，可以正衣冠；以古為鏡，可以知興替；以人為鏡，可以明得失。」歷史是一面鏡子，封面以此為設計概念，用許多零散的金塊組成一面銅鏡，就如書中以許多歷史事例說理一樣，讓歷史成為一面鏡子，鑑古知今。 The Nature of History (La Nature de l’histoire) is a world-renowned history book written by French scholar André Beaufre. The book has been translated into 14 languages and its Chinese version is translated and issued by Shenzhen Wenhui press. By analysing the far-reaching consequence of historical events at all time in all lands, the work aims to illuminate the influence of history on human beings and explore people’s proper attitude to history. “With copper as a mirror, you can dress upright; with ancient mirrors, you can see the rise and fall; with human mirrors, you can gain and lose.” The cover of the book is based on the idea: a copper mirror made up by golden pieces parallels to the fact that history is constituted by momentous historical events. History is like mirror, through which people can apply the ancient knowledge to the current world.

「肢體／解構」系列是澳門石頭公社全新發展的新項目，以「劇季」為概念的活動，並意圖在主流表演形式以外拓展具藝術開創性的表演形色與平台。 2018「肢體／解構」的主題是探索鮮被關注的城市議題，海報設計意念是使用鋼筋、水泥等建構一個城市以外的荒島，以超現實主義視覺來呈現這次的主題。 “De-Corps-Struction Series” is a new annual project of Comuna de Pedra in the form of a “Theatre Season”, aiming to create a platform for innovative performing styles. “De-Corps-Struction Series 2018” concerns about the exploration of the neglected urban issues. From the perspective of surrealism, reinforcing steel bars and cement dominate the design of this poster, depicting the utopia of a desert island.

此書作為一篇研究孫中山先生當年革命流亡期間與澳門之間的交集，彙集、拼接了不同的有關資料。於是設計理念便以“訪尋孫中山”為主軸， 封面直接地顯露出半個孫中山埋藏於各種料資與記載中，正等待與讀者一同探索。 This book is a piece of study which connect relevant data of Sun Yat-Sen’s revolution while in exile between Macau. Therefore, the design of subject is "visit to Sun Yat-sen", showing half of Sun Yat-Sen’s pattern on the cover, and after a variety of material data and record, waiting for exploration with the readers.

Poets port是澳門本音樂制作機構，旨在與不同領域的音樂人共同合作，把澳門人創作的詩與音樂互相結合。詩和音樂都帶著一份隨意及律動感，故標誌設計則以一首抽象的詩作為橫線，金色富節奏而纖細的直線則代表音樂，兩種元素交織出每份屬於澳門人的本土創作。 "Poets port" is a Macau local band which works with musicians in different fields of music. Their passion is to create original sound by blending, incorporating Macanese poems into their recording. As poems and music have their own rhythms, the logo was inspired to bring the two elements in their logo design, in which, a horizontal line represent an abstract poem while the golden thin vertical line with rhythm represents the music, making a creation intertwined by those two elements.

座落於昔日繁華的新埗頭街，蘭香閣歷經七十載，作為澳門碩果僅存的中式茶樓，除了聞名遐邇的「一盅兩件」，其裹蒸糭更是馳名的特色送禮佳品。 設計師糅合蘭香閣外招牌的墨綠色，結合建築外觀鐵藝窗花的金色，重新規劃了蘭香閣的品牌。為更好吸引年輕顧客的目光和遊客的關注，以時尚和形象化的視覺處理，描繪了一盅兩件、飲茶、玩雀、包糭等甚具中式茶樓特色的完素，從而展現蘭香閣的日常。 Located at Rua da Madeira in the old prosperous city center, Lan Heong Kok, one of the very few still running traditional Chinese tea house in Macau, has been established for 60 years. Lan Heong Kok is not only been well-known by its signature “Dim Sum”, but also its rice dumpling is bought as gifting for relatives and friends. Throughout the project, we blend the color of dark green, the main visual color of Lan Heong Kok signboard, and gold, the color of the eye-catching iron window frame at the building exterior for re-branding. To draw attraction from the tourists and the young, the designs applied are aimed at fashionable and visualizable images, demonstrating the most outstanding characteristics of traditional Chinese tea house, including “Dim Sum”, “Yum Cha”, wrapping rice dumpling, entertaining finches etc.

「已讀不回死全家」原是一部網路小說，在連登發佈之後引起極大的迴響，其後透過創造館出版實體書籍。 故事描述香港某中學6A班的全體師生被強制加入一個名叫＂已讀不回死全家＂的Whatsapp群組，他們必需被迫遵守Admin所定的規則，否則就會突然爆頭身亡。 封面是擷取Whatsapp群組中的對話拼湊成書名，全書只用黑白兩種顏色，以凸顯小說懸疑驚悚的氣氛。 To Die, or to Reply, originally as a popular web fiction, earned its fame through serial publication online. With its success, the fiction has been published by Creation Cabin. The fiction is unfolded by telling a story about a Whatsapp group. In the story, the whole class of 6A, a class of a middle school in Hong Kong, is invited to join a Whatsapp Group named “To die, or to Reply” by compulsion. All members are forced to obey the rule of the group: to die or to reply. Any member will die by a shoot on head when he or she fails to reply after the messages are read. The book cover is made of the screenshots of the dialogues of the Whatsapp group, while the book name is made up of the characters in the screenshots. To highlight the horrible atmosphere of the fiction, only black and white are used.

淡淡米香的廣府白粥，配以熱騰騰的糕點和油器，還有麵食和甜品，盛記白粥百年來與“澳門街”共同成長，分店遍佈澳門各區，為學生、上班族、街坊提供價廉物美的美食。 我們把時光回到上世紀七八十年代的澳門，以當年代漫畫的風格，展現了「盛記白粥」的日常，一口白粥，一啖蘿蔔糕，同學們三五成群放學後聚首；電影散場後情侶們的“宵夜”節目；街坊在店內談天說地。透過設計師的筆觸，讓“盛記”與澳門的連結，描繪生活的日常。 設計師透過漫畫化的設計，引申至各項宣傳品和用具上，懷舊中蘊含點點的生活趣味。用色方面，選用了米棕色的主色調，一方面突顯了與米相關連的產品延伸，同時也與回憶的主題相匹配。 The unique fragrance of Guangdong style congee, the fresh from the oven Chinese pastry, together with the tasty desert, they are all available in Seng Kei. Located in various bustling districts in the town, Seng Kei has grown up with Macau for a hundred years. We are brought back to the time of 1970s and 1980s by the comics style used on design works. The comics demonstrates the daily happenings in Seng Kei. Group of students arrive at Seng Kei after school for tea; lovers go hand in hand to Seng Kei after watching movie; friends of neighborhood gather at Seng Kei for chit chat. By the lines of designer, what happens in Seng Kei is linked with our daily lives. The comics design is adopted to all promotional products for extension. The retro elements are blend with “spiced up ideas” to make the comics more lively and lovely. For coloring, a white-brown tone is used to match with the color of rice, which is closely related with the product of Seng Kei. In addition, the white-brown color goes with the theme of “memory”.

毛是平平無奇的人，但在不同群體中，他所展現的又會是另一個人。 我們到了波茲曼<娛樂至死>的世代的，同時也在經歷安迪. 沃荷提出的「在未來，每個人都能成名15分鐘。」的時代..... 這是一個黑色幽默的諷刺劇，透過男主角的刻劃寓意為迎合社會不停改變表情，以致扭曲而迷失自己的我們。 MO seems to be an ordinary person. However, within a group, he demonstrates as a person with unusual characteristics. We are now in an era of “Amusing Ourselves to Death” described by Neil Postman. Meanwhile, we are also experiencing the time stated by Andy Warhol as "In the future, everyone will be world-famous for 15 minutes." This is a black comedy follies. From the perspective on viewing how the main actor changes his expression to cope with social norms, it implies in a same way that distortion would make us may lose ourselves at the end.