Akira expects there to be a fight - expects not-Akechi to get back up and start swinging. Or shooting. Or to turn into somebody else to try and drag him down with, like Shido. Not real, though, he reminds himself. None of this is real. Or⦠well. It is, technically. All of this was ārealā in that it was a real place, and this was really happening, but it wasnāt his real. Not the real versions of the people heād known, the places heād been. He wasnāt a part of this place, and so, to him, it wasnāt real.
Perception was a weird thing, sometimes.
But then it all turns to⦠sand. Sand, sand, and more sand. Akira canāt help but let out a long, loud, groan.
āOf course thereās a giant cognitive desert. Because going through one of those already, clearly wasnāt enough.ā He hoped this one didnāt include the unbearable heat of the real thing, like Futabaās had.
Akira didnāt miss the way Raven had spoken at first, though, making a mental note of how Raven clearly didnāt expect this to happen, which made him put his guard up. āHow didā, as well. Something wasnāt right. Not real, he told himself again.
āIf thereās one thing Iāve learned-ā The young man began, speaking to Raven, wherever he might be- āitās that the Metaverse doesnāt answer to a damn soul if the person doing the ordering isnāt on the throne.ā Unless you were Jose. Because Jose was just that special, apparently. One day heād learn how and why Mementos just bent to the kidās whims so easily. āSometimes it goes along with you, sometimes it decides to punch you in the stomach and do something else.ā
On the path or off the path didnāt seem to matter, at first glance - either way, there was a whole lot of nothing - but Raven clearly knew this place enough to know it shouldnāt be here. So, on the path he stayed. And added a new set of things to his mental chant; This place isnāt real. Iām Akira Kurusu. Iām a Persona user.
God he wished this place felt like his Metaverse did. Itād make it so much easier to keep track of it not being real - his little corner of the Metaverse felt more floaty, more⦠malleable. It functioned on belief and perception; if you believed a toy gun was a real gun, so it would become. If you believed you could make a particular jump, you probably would.
And when you spent enough time in it, you could feel that.
āNot gonna lie, though⦠last trip I made through a cognitive desert would have ended really badly if not for a whole lot of pure luck.ā Akira - still following whatever seemed to be acting as a āpathā out here - let some of the nervousness slip into his voice.
This wasnāt a mistake, but damn if he wasnāt a bit unsettled by this whole thing. The Metaverse was never not spooky as hell, heād give it that.
āGiant desert, meet soul of rebellion. Letās see what tricks youāve got up your sleeves.ā
The music points the way, in theĀ āpathā through the desert there isnāt much. Sand. But the constant music is there. Just a soft, otherworldly melody leading Akira along.
The desert reflects the light of the non-existent sun above. Hellish hot and all moving towards its end point. The mirage at the end of the desert. The horizon that stretches back and back and back into the depths of the once mirror maze... A dim shape that is not there and is.
Any perception of time becomes lost. Raven even seems to stay quiet. (Heās chewing his nails, a habit he thought heād kicked long ago.)
The heat saps as much as it can from Akira, seemingly even trying to sap away his memories. Blur them just as much as the shape in the distance is blurred. No need for things like those here in this desert mirage. The sand kicks up every now and again, settling in as a small distraction from the heat, and also trying to pull away atĀ āAkiraā or the parts of Akira that makeĀ āAkiraā Akira as opposed to just a ruffian wandering the desert.
But eventually, the shape in the distance becomes clearer. A town, made of ivory and reflecting back all the light around it. Whether this town is or isnāt real doesnāt seem up for debate, as the further one walks, the closer one gets, but the farther one walks the farther away one gets.
This is Mirage at the end of the desert.
Towers of ivory seem to spring up all around him, the town that was far in the distance is now right on top of him. Or... is it? As the towers canāt seem to decide if they actually want to be there with him, seemingly flitting back and forth between right next to the path or far off into the Mirage.
Ā Until the space ignites around him, and the desert becomes a velvet room. Not The, mind. Simply A Room seemingly made of and from the color of Velvet. Itās exact contents donāt seem to stay in place, moving and changing as soon as they solidify.
Then thereās The Old Man, who is neither old nor a man.Ā āWelcome, glad you dropped in.ā His accent is thick northern British.Ā āWhy not come in, and stay a while?āĀ The Old Man smiles a crooked smile all teeth, almost no sincerity,Ā āYer just a youngster eh? Youngest weāve had. Welcome!ā He scratches his chin, contemplating, or not.
Still the room that is a velvet room does look inviting. Even if the furniture and decor canāt seem to decide what sort of room it wants to be. For a moment is does seem to take the shape of a familiar jail cell, before once again changing and seemingly settling into a gallery, with Grand Candelabras lighting the way to the grandest ballroom to never exist, made from several intertwining kaleidoscopes in a grand tableau that makes a spiral towards the center. Fractals forming fractals forming a ballroom floor made of fractals forming fractals, spiraling on and on, down and down.
āTake a rest, Ya must be tired.ā The Old Man gestures to the center of the ballroom.Ā āJust lay on down, and all those problems oā yoursāll be like sand.ā A dark chuckle,Ā āif yācan even remember yer problems, but then, all the more reason tājust lay on down. Not like youāve got somewhere tābe, aye?ā